BBC’s Dracula review: Episode 2
Following the amazing first episode of Dracula, Episode 2 feels like a letdown.
“Blood Vessel” is the perfect name for this episode. Set on a ship, it’s quite literally a vessel carrying nothing but bloody bodies. The first episode of BBC’s Dracula had a slow start on account of the many introductions it was required to make. It gave the series a somewhat slow beginning, but that’s not the case in Episode 2 which is like a bloody game of Clue, that we, the audience, are in on.
If anyone remembers Stoker’s novel, they’ll recall the Captain’s Log. Written by the Captain of the Demeter, it recounts Dracula’s voyage to England as the frightful Captain worries that something evil is stowed away on his ship as members of his crew mysteriously vanish each night.
This is where all of Episode 2 takes place, on the Demeter. It sails Dracula across the sea just as the episode itself sails away from the beginning towards the conclusion.
In a way, it feels like nothing but a transition. Something to get us to the thrilling final episode that, judging by the way they set it up, the creators clearly think will blow us away.
In many ways, the second episode surpasses its predecessor. It doesn’t diddle dally and there is much more of Agatha Van Helsing (Dolly Wells). However, I found it a bit underwhelming. It somehow lost most of its better qualities, with only half the humor and horror that it had before. It’s nothing memorable, however, it does have a twist ending that will leave you as confused as Dracula (Claes Bang).
[Warning! Spoilers ahead]
Following the cliffhanger of the last episode, we’re met with a brief time jump as Dracula has left the convent and is now aboard the Demeter. On the ship with him are 13 passengers, none of which you should get attached to. Mostly because most of them are complete idiots. One, in particular, gets the grand prize of idiocy. You’ll know him when you see him.
Second, Dracula proves to lack anything remotely related to self-control and can’t even wait one day before killing someone. The way he picks them off is entertaining, if not a bit too procedure. It’s the guessing game that keeps everything moving, followed by a Murder Mystery game the crew and passengers play in an attempt to track the killer down.
It’s kind of hilarious that they can’t figure out who it is. They never realize that the confident man without personal boundaries, wearing a black cape is the one killing everybody. I know he’s charming but he’s not that charming.
By the end, there are only three people left including Agatha, who had been secretly stashed away on the ship by Dracula. He’s been feeding off her since the convent, making her last like a favorite wine.
Most of this episode’s better moments all include Agatha. She really gets a chance to shine here. By the way, Mina (Morfydd Clark) is not in this episode at all. Dracula has no interest in her and it’s very refreshing. I love seeing an adaptation that doesn’t force them together.
Everything, however, comes down to the final twist at the end. The twist that feels like it came from M. Night Shyamalan, as Dracula winds up in the 21st Century. When he arrives, he’s met by a woman who appears to be Agatha Van Helsing herself, who hasn’t aged a day. Realistically though, it’s probably her great-granddaughter or something.
Episode 2 follows the same format as Episode 1. A split narrative that has a character recounting the events taking place in the episode. Just as before, I’m not a fan of this format but it thankfully stops around the midway point.
(4 / 5)
Movies n TV
The Wolf of Snow Hollow, a Film Review
The Wolf of Snow Hollow is a 2020 horror comedy directed by Jim Cummings, starring Jim Cummings, Riki Lindhome and Robert Forster.
The Wolf of Snow Hollow is a 2020 horror comedy directed by Jim Cummings. The cast of this horror includes Jim Cummings, Riki Lindhome and Robert Forster. This R-rated film is currently available for DirecTV and Shudder subscribers.
Deputy John Marshall (Jim Cummings) faces a messy divorce, an ill father, a serial killer and crippling addiction. With Marshall’s life spiraling, he focuses on a mysterious killer plaguing the town. The brutality of the crime convinces locals that the murderer is a werewolf, a possibility Marshall cannot entertain. As John Marshall tries to keep order in the town, his conviction crumbles.
What I Like
The comedy reflects the spiraling chaos that runs through a control freak’s mind as they lose control. This comedy lands best as Marshal spirals further and further into disarray. Viewers should expect a dry wit layered with sarcasm. If this type of humor doesn’t sound like your cup of tea, The Wolf of Snow Hollow would be hard to recommend. Nearly every character plays their part to perfection, building off each other. Jim Cummings seems to have created a team to complement his project.
Another impressive comedic element comes from the film’s ability to jump between serious issues and comedy without the humor undercutting the weight of those essential moments. Though somewhat flawed, it remains consistently effective.
Despite the fact this is a horror comedy, the monster adds genuine horror to the film. Part of the mystery comes from that line between the possibility of a killer or a real-life werewolf, which I won’t spoil here.
The werewolf design, though traditional, is consistently believable. With one exception that felt purposeful in context, the creature works surprisingly well for a horror comedy.
Jim Cummings creates these rapid scenes that show time passing. As mentioned earlier, these scenes reflect Marshall’s mental state. It surprises me how clearly and haunting they convey information while noting elements of comedy. Again, not always perfect, but effective.
Trigger Warnings and Tired Tropes
John Marshall struggles with alcoholism, often falling victim to the disease. Despite the comedy label, this element remains mature and respective. Regardless, I understand this is a sensitive issue that worth noting.
The film can get gory and dark, but rarely more than a horror fan expects. However, one of the victims is a baby. Though no act appears on screen, viewers may require prior knowledge.
What I Dislike or Points to Consider
Don’t expect a detective tale or any focus on a mystery. If this movie is anything, it’s a character study of John Marshall. The killer isn’t a figure we uncover through available information. The Wolf of Snow Hollow focuses on the stress that unravels our characters as they investigate. The trailer was a bit misleading, creating a focus more centered on the mystery and comedy of the film.
Without going into too much detail, some of the deaths get overshadowed by those earlier-mentioned scene cuts. While I still stand by my praise of these scenes, some of these deaths needed more silence and longevity. Though I recognize this might ruin the comedy focus of the film, death should have weight in a story.
This film isn’t scary. While some moments might unnerve you, don’t expect to be haunted.
Final Thoughts
While not a traditional werewolf film, The Wolf of Snow Hollow remains a surprisingly effective horror comedy. If you like your humor dry and dark, this film might align with your taste. However, this barely makes the cut in the horror genre. Don’t expect to jump or scream. If this sounds like your taste, then give The Wolf of Snow Hollow a view.
(3.5 / 5)
They say good things come to those who wait, and boy have we been patient. It has been close to a year since our eyes have indulged a full season of ‘The Last Drive-In with Joe Bob Briggs’, in fact, the season 4 finale premiered on Shudder July 1st, 2022. Since then, we have been able to satisfy our appetites with festive holiday specials sprinkled throughout the past year. Specials such as ‘Joe Bob’s Halloween Hangout’ guest starring horror’s favorite Mistress of the Dark, Elvira (played by the legendary Cassandra Peterson) and ‘Joe Bob’s Ghoultide Get-Together’. Last month was a treat in itself, as we were able to witness Joe Bob Briggs and co-host Darcy the Mail Girl (Diana Prince) marry one lucky couple for the first time on the show with ‘Joe Bob’s Vicious Vegas Valentine‘ special.
While the current changes in staff at Shudder have left fans questioning whether we will receive a new season of the popular series, I can happily say mutant family, we need not worry. In fact, to our wonderous surprise, Joe Bob Briggs has officially announced via Twitter, season 5 of ‘The Last Drive-In‘ will be premiering April 21st, exclusively on Shudder! One thing that is noteworthy, is unlike previous seasons, it has been reported by 1428Elm that season 5 will be broken up into two parts of five double-feature blood-curdling episodes. Though we have not been provided the official release schedule for the second block of season 5, here is a sneak peek of what we can expect for the first half of the season:
April 21: Season 5 Launch Party!
April 28: Walpurgisnacht Part 2!
May 5: Cinco de Fucking Mayo!
May 12: Mama’s Day!
May 19: Dysfunctional Family Jubilee!
Unfortunately, we do not have an official list of the brand-new double feature films for the first half of season 5 but, with amusing episode titles such as these, one can only imagine what grindhouse-classics will be joining ‘The Last Drive-In’s’ already eclectic list of sloshy goodness. For those impatient mutants eagerly waiting for more hilarious Joe Bob rant-filled commentaries, or those newcomers who’ve yet to experience the magic that is ‘The Last Drive-In‘, all previous four seasons, including past holiday specials are currently available to stream now on Shudder.
If you are just as big of fans of ‘The Last Drive-In‘ as we here at HauntedMTL are, please be sure to follow us on Twitter @HauntedMTL and join us April 21st as we tweet along with Joe Bob and Darcy the Mail Girl for the season premier. As is tradition, we will be hosting live watch parties every Friday with each new episode, including fresh holiday specials. The road to season 5 is upon us…let the countdown begin!
April 21: Season 5 Launch Party!
April 28: Walpurgisnacht Part 2!
May 5: Cinco de Fucking Mayo!
May 12: Mama's Day!
May 19: Dysfunctional Family Jubilee!
. . . and that's only the beginning.#TheLastDriveIn pic.twitter.com/WfeTx0shNa— Joe Bob Briggs (@therealjoebob) March 16, 2023
Mutant family, please gather ’round as February kicks rocks and we shove our way into March. With the new month comes the shifting from winter to spring as death beautifully resurrects back to life, drunken patrons swarm our local bars like rabid locusts for St. Patrick’s Day celebrations, and of course new exclusives and returning favorites on Shudder to satisfy the horror fiend in us all. To quote the prestigious Samuel L. Jackson, “hold onto your butts” and let’s dive right into Shudder’s March 2023 release schedule.
Shudder Exclusives
While it is true that the release schedule for the start of 2023 on Shudder has been minor and slightly mixed, with films such as the much talked about experimental low-budget indie ‘Skinamarink‘, the surprisingly entertaining horror comedy ‘Sorry About the Demon‘, and writer/director Neil Marshall’s return to the genre with ‘The Lair‘. We also graciously received the wildly fun ‘The Last Drive-In: Joe Bob’s Vicious Vegas Valentine” special, with season 5 currently in production and premiering later this year; though it can’t come soon enough. As we like to do here at HauntedMTL, let’s kick off March with Shudder’s newest exclusives currently streaming now and in the coming weeks.
Spoonful of Sugar – Now Streaming
Starting off this list we begin with director Mercedes Bryce Morgan and writer Leah Saint Marie’s latest film ‘Spoonful of Sugar‘, now currently streaming.
Millicent (Morgan Saylor), a disturbed college student working on her thesis about children with severe allergies, is hired to babysit little Johnny (Danilo Crovetti), a sickly, mute child who suffers from every allergy under the sun. His mother Rebecca (Kate Foster) is an accomplished author currently focused on her newest book release, while his father Jacob (Myko Olivier) spends his days in the backyard working on frivolous carpentry projects. After experiencing a bizarre sexual awakening while using LSD as an alternative treatment for Johnny, she soon uncovers the family’s dark secrets as things begin to become unhinged.
Leave – Premiering Friday 3/17
After having been abandoned as an infant at a cemetery wrapped in a cloth with satanic symbols, Hunter White (Alicia von Rittberg) grows obsessed with figuring out who her biological parents are and why they seemingly abandoned her. However, as she gets closer to the answers she so desperately seeks, a malevolent spirit is warning her to leave.
‘Leave‘ premiers exclusively on Shudder Friday 03/17 and is directed by Alex Herron and written by Thomas Moldestad, starring Alicia von Rittberg, Herman Tømmeraas, Ellen Dorrit Petersen, and Stig R. Amda
The Unheard – Premiering Friday 03/31
‘The Unheard‘ follows the story of deaf 20-year-old Chloe Grayden (Lachlan Watson) after she undergoes an experimental treatment to restore her hearing. While recovering at her family’s beach home after the successful procedure, Chloe begins to fear she is not alone as she begins to experience auditory hallucinations related to the mysterious disappearance of her mother.
‘The Unheard’ is directed by Shudder alumni Jeffrey A. Brown (The Beach House) and written by brothers/screenwriting partners Shawn Rasmussen and Michael Rasmussen (Crawl), co-starring Michele Hicks and Nick Sandow. ‘The Unheard‘ premiers exclusively on Shudder Friday 03/31.
Returning Classic and Fan Favorites
Now that we’ve removed the veil for the new exclusive titles dropping this month, I think it’s time we reveal the returning classics jump starting our transition into spring for 2023. Allow me to highlight some of my favorite films returning to Shudder for March including ‘Gretel and Hansel‘ and ‘The Company of Wolves‘; grim re-telling’s of popular children’s fairy tales. We also cannot forget John Carpenter’s haunted coastal horror ‘The Fog‘; no, not the remake…thankfully.
Gretel and Hansel – Now Streaming
Directed by Osgood Perkins, ‘Gretel and Hansel’ is a terrifyingly dark and unique vision to one of history’s most famous childhood fairy tales. After being thrown out of their mother’s home, Gretel (Sophia Lillis) leads her younger brother, Hansel (Samuel Leakey), through the woods in search of food and work. The children soon discover a quaint cottage where a fragile old woman Holda (Alice Krige) offers fresh food and bed. The children accept all Holda has to offer, with little thought as to what may be asked of them in return.
Though it has been met with mixed reviews, ‘Gretel and Hansel‘ offers astounding performances by veteran actress Alice Krige as the films iconic Witch of the woods and Sophia Lillis as lead Gretel. Director Osgood Perkins does well to draw his viewer in with a beautifully haunting score and unnerving cinematography, making this one grim re-telling worth checking out at least once. ‘Gretel and Hansel‘ is available to stream now.
The Company of Wolves – Now Streaming
Continuing our list of returning classics, we have yet another bold re-telling of a beloved children’s fairy tale, 1984’s ‘The Company of Wolves‘. While the story of ‘Little Red Riding Hood‘ has been retold through various forms of media, including numerous films, ‘The Company of Wolves‘ is a beloved horror interpretation with adult themes and memorable practical effects including one of the genres best werewolf transformations.
A wise grandmother (Angela Lansbury) tells her granddaughter Rosaleen (Sarah Patterson) a disturbing tale of innocent maidens falling in love with handsome strangers … and of their sudden mysterious disappearances when the moon is full and accompanied by the strange sound of a beast in the woods.
‘The Company of Wolves’ is co-written and directed by Neil Jordan and stars Sarah Patterson, Angela Lansbury, Micha Bergese, and David Warner, streaming now.
John Carpenter’s The Fog – Streaming 03/31
Writer, director, musician, and horror master John Carpenter is a legend in the genre having provided countless classics such as ‘The Thing‘, a terrifyingly gruesome remake of ‘The Thing from Another World‘. Or his sci-fi action/horror ‘They Live’ where he deals with societal control through corporations and government. And of course, my personal favorite, the film that jumpstarted his career and created one of horror’s most iconic slashers…’Halloween‘.
1980’s ‘The Fog‘ is a terrifying shoreside tale of vengeful spirits haunting the fictional coastal town of Antonio Bay, OR. as they begin preparations to celebrate its centenary. Following exactly 100 years after a ship mysteriously sank in the town’s waters, a thick unearthly fog harboring the souls of those who perished rolls in and with them, the dark secrets of Antonio Bay’s past.
John Carpenter’s ‘The Fog’ stars scream queen and recent Academy Award winner Jamie Lee Curtis, genre alums Adrienne Barbeau, Janet Leigh, Tom Atkins, Charles Cyphers, and Nancy Kyes, and was co-written by the late Debra Hill. ‘The Fog‘ will be available to stream on Shudder 03/31.
Full Shudder March 2023 Film Releases
For a full comprehensive list of all the titles being added to Shudder for the month of January, please refer to the graphic below. Please be on the lookout for our review of ‘The Last Drive-In: Joe Bob’s Vicious Vegas Valentine’ to drop later this week here on HauntedMTL and be sure to follow us on Twitter and Instagram for more Shudder news and spooky reviews!
3/1:
Gretel and Hansel
3/2:
Spoonful of Sugar
3/9:
The Company of Wolves
3/13:
Holidays
3/17:
Leave
3/20:
Jack be Nimble
3/27:
Ultra Pulpe
After Blue
3/31:
The Unheard
The Fog
The Blair Witch Project & Book of Shadows: Blair Witch 2
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