Welcome back to Haunted MTL as we cover Chucky – S1 E3 – “I Like To Be Hugged,” the ongoing series featuring America’s favorite killer doll.
This series of reviews will be spoiler-free for the events of each episode but will bring up plot points from previous episodes as needed to contextualize the current week’s events. For a spoiler-centric view, please turn to the podcast Kids’ Stuff for a detailed discussion.
Chucky – S1 E3 – “I Like To Be Hugged”
Due to Lexy’s vicious Halloween prank, Jake has been pushed to the edge. So, Chucky gives his new protege an education on what it takes to be a killer, pulled directly from his own experiences. We get our deepest dive into the childhood of Charles Lee Ray yet. Plus, what do you get when you mix a house party of tweens and one murderous doll?
How Was It?
This week’s episode, “I Like To Be Hugged,” is another intense episode for the series. However, it is not without an unusual lapse in logic. But before that, credit where credit is due. The episode was written by staff writer Kim Garland, series creator Don Mancini, and staff writers Nick Zigler and Sarah Acosta. (A brief note on these recaps: they are done immediately after the release of the episode. Some credits may not be available on IMDB until later during the week, but I will update them as I find the full credits.) The episode’s director, Dermott Downs, follows up his work in episode two – “Give Me Something Good To Eat.” The episode is solid with some critical moments for the series going forward. It widens the scope of the story a great deal as well. It also featured a shocking scene, even for franchise fans, regarding Charles Lee Ray’s origins that need to be seen.
The show has been an excellent vehicle for the character of Chucky, as voiced by Brad Dourif and puppeteered by Tony Gardner’s team. The doll puppet has been incredibly expressive and capable of fun, subtle motions. These lend a depth of comedy and horror not seen in the puppet since Seed of Chucky. Every little knife flourish and walk is genuinely creepy and fascinating to watch.
It helps that Chucky’s foils have been great so far in the show. Zackary Arthur’s Jake is fantastic as a tortured kid dealing with the absolute worst situation he can be in. He has shades of Alex Vincent from the first two Child’s Play films. He is just a little older and more morally ambiguous given what seems like an air of genuine menace. His expressions are compelling, and the rage and anguish he can contort into with his expressions are heartbreaking and worrisome. Alivya Alyn Lind’s Lexy is also incredibly good with a role so nasty it has caused viewers around Reddit to want to see a child die a painful death. She is pretty good and playing the worst teenage girl ever. Yet, subtle markers in her performance indicate there is more to Lexy.
Junior, played by Teo Briones, has moments that show the complexity of his situation, but he still very much feels like a cipher due to the script. Junior’s moment will arrive soon enough, and I am eager to see where Teo takes it. Bjorgvin Arnarson’s Devon continues to be adorable and likable. Still, some rather deliberate moments here and there suggest a form of social manipulation in the character of Devon, handled ably by Arnarson.
We get some fun developments in the episode and hints as to what is going on in the community. We spent more time with Logan and Bree Wheeler (Devon Sawa and Lexa Doig) and Mayor Michelle and Mr. Cross (Barbara Alyn Woods and Michael Therriault). There is a rather revealing, almost cathartic moment involving the revelation of Lexy’s bullying, presented by Miss Fairchild (Annie Briggs), the biology teacher. We also get a little more future tension between Det. Evans (Rachelle Casseus) and her son Devon. Both seem rather fixated on Jake, for different ends… though perhaps not so different at all?
I’ve not mentioned much about the cinematography in these reviews, but the show is lovely. I’ll likely speak on that more in the podcast.
Now the problem: The episode’s big finale is hilarious, dark, and scary, but also has a somewhat puzzling moment of the teens not having critical situational awareness in a Bluetooth headphone dance party. The scene as a whole is entertaining and ridiculous, but there is a certain threshold of suspension of disbelief I could not meet.
Despite the leap in logic in the episode that I could not overlook, Chucky – S1 E3 – “I Like To Be Hugged” really did deliver excellent cinematography, character development and has expanded the series of conflicts that will play out over the remaining episodes. Chucky has found his home, and it is on television. (4.5 / 5)
Chucky – S1 E3 – Kill Count and Spotlight
We get three kills in this episode. One in the present, two in the past, though curiously Chucky/Charles can only claim two of the three. Stabbing unifies the three kills. They’re not the most creative, but one might be the most brutal seen in the franchise, and the other is incredibly shocking.
Seeds of Chucky
Some elements of this week’s episode are callbacks to previous installments of the series. They may hint at the return of key figures from the past. Some other references to other horror classics may sneak in as well. Here are some of the highlights.
- Like in the original Child’s Play, we see that Chucky sure does like to watch the news.
- Also, right out of Child’s Play 2 we get a kicking Chucky on a victim’s back, just like with Kyle.
- We see the marker for Charles Lee Ray’s grave. The date of dath? November 9th, 1988, the same day as the US release of Child’s Play.
- The use of color in the show reflects some of the color choices in Giallo films, particularly those of Dario Argento.
- So each episode of the show does change up the title card to reflect an aspect of the episode as guess from the second episode’s Jack-O-Lanterns and Knives. This week? Gardening tools – the pointy kind.
- Chucky really needs to stay away from fire – he’s had a history with burns.
- Something about Miss Fairchild is supicious. Expect my tinfoil hat take on the podcast.
We will be covering the show episode-by-episode on Kids’ Stuff – A Chucky Podcast. However, don’t expect spoilers in these written reviews. You can expect them to fly during the podcast. If you missed the latest show, follow it on Spotify, listen to it on Haunted MTL, or find it on your favorite podcast app.
Shudder March 2023 Release Schedule
Mutant family, please gather ’round as February kicks rocks and we shove our way into March. With the new month comes the shifting from winter to spring as death beautifully resurrects back to life, drunken patrons swarm our local bars like rabid locusts for St. Patrick’s Day celebrations, and of course new exclusives and returning favorites on Shudder to satisfy the horror fiend in us all. To quote the prestigious Samuel L. Jackson, “hold onto your butts” and let’s dive right into Shudder’s March 2023 release schedule.
While it is true that the release schedule for the start of 2023 on Shudder has been minor and slightly mixed, with films such as the much talked about experimental low-budget indie ‘Skinamarink‘, the surprisingly entertaining horror comedy ‘Sorry About the Demon‘, and writer/director Neil Marshall’s return to the genre with ‘The Lair‘. We also graciously received the wildly fun ‘The Last Drive-In: Joe Bob’s Vicious Vegas Valentine” special, with season 5 currently in production and premiering later this year; though it can’t come soon enough. As we like to do here at HauntedMTL, let’s kick off March with Shudder’s newest exclusives currently streaming now and in the coming weeks.
Spoonful of Sugar – Now Streaming
Starting off this list we begin with director Mercedes Bryce Morgan and writer Leah Saint Marie’s latest film ‘Spoonful of Sugar‘, now currently streaming.
Millicent (Morgan Saylor), a disturbed college student working on her thesis about children with severe allergies, is hired to babysit little Johnny (Danilo Crovetti), a sickly, mute child who suffers from every allergy under the sun. His mother Rebecca (Kate Foster) is an accomplished author currently focused on her newest book release, while his father Jacob (Myko Olivier) spends his days in the backyard working on frivolous carpentry projects. After experiencing a bizarre sexual awakening while using LSD as an alternative treatment for Johnny, she soon uncovers the family’s dark secrets as things begin to become unhinged.
Leave – Premiering Friday 3/17
After having been abandoned as an infant at a cemetery wrapped in a cloth with satanic symbols, Hunter White (Alicia von Rittberg) grows obsessed with figuring out who her biological parents are and why they seemingly abandoned her. However, as she gets closer to the answers she so desperately seeks, a malevolent spirit is warning her to leave.
‘Leave‘ premiers exclusively on Shudder Friday 03/17 and is directed by Alex Herron and written by Thomas Moldestad, starring Alicia von Rittberg, Herman Tømmeraas, Ellen Dorrit Petersen, and Stig R. Amda
The Unheard – Premiering Friday 03/31
‘The Unheard‘ follows the story of deaf 20-year-old Chloe Grayden (Lachlan Watson) after she undergoes an experimental treatment to restore her hearing. While recovering at her family’s beach home after the successful procedure, Chloe begins to fear she is not alone as she begins to experience auditory hallucinations related to the mysterious disappearance of her mother.
‘The Unheard’ is directed by Shudder alumni Jeffrey A. Brown (The Beach House) and written by brothers/screenwriting partners Shawn Rasmussen and Michael Rasmussen (Crawl), co-starring Michele Hicks and Nick Sandow. ‘The Unheard‘ premiers exclusively on Shudder Friday 03/31.
Returning Classic and Fan Favorites
Now that we’ve removed the veil for the new exclusive titles dropping this month, I think it’s time we reveal the returning classics jump starting our transition into spring for 2023. Allow me to highlight some of my favorite films returning to Shudder for March including ‘Gretel and Hansel‘ and ‘The Company of Wolves‘; grim re-telling’s of popular children’s fairy tales. We also cannot forget John Carpenter’s haunted coastal horror ‘The Fog‘; no, not the remake…thankfully.
Gretel and Hansel – Now Streaming
Directed by Osgood Perkins, ‘Gretel and Hansel’ is a terrifyingly dark and unique vision to one of history’s most famous childhood fairy tales. After being thrown out of their mother’s home, Gretel (Sophia Lillis) leads her younger brother, Hansel (Samuel Leakey), through the woods in search of food and work. The children soon discover a quaint cottage where a fragile old woman Holda (Alice Krige) offers fresh food and bed. The children accept all Holda has to offer, with little thought as to what may be asked of them in return.
Though it has been met with mixed reviews, ‘Gretel and Hansel‘ offers astounding performances by veteran actress Alice Krige as the films iconic Witch of the woods and Sophia Lillis as lead Gretel. Director Osgood Perkins does well to draw his viewer in with a beautifully haunting score and unnerving cinematography, making this one grim re-telling worth checking out at least once. ‘Gretel and Hansel‘ is available to stream now.
The Company of Wolves – Now Streaming
Continuing our list of returning classics, we have yet another bold re-telling of a beloved children’s fairy tale, 1984’s ‘The Company of Wolves‘. While the story of ‘Little Red Riding Hood‘ has been retold through various forms of media, including numerous films, ‘The Company of Wolves‘ is a beloved horror interpretation with adult themes and memorable practical effects including one of the genres best werewolf transformations.
A wise grandmother (Angela Lansbury) tells her granddaughter Rosaleen (Sarah Patterson) a disturbing tale of innocent maidens falling in love with handsome strangers … and of their sudden mysterious disappearances when the moon is full and accompanied by the strange sound of a beast in the woods.
‘The Company of Wolves’ is co-written and directed by Neil Jordan and stars Sarah Patterson, Angela Lansbury, Micha Bergese, and David Warner, streaming now.
John Carpenter’s The Fog – Streaming 03/31
Writer, director, musician, and horror master John Carpenter is a legend in the genre having provided countless classics such as ‘The Thing‘, a terrifyingly gruesome remake of ‘The Thing from Another World‘. Or his sci-fi action/horror ‘They Live’ where he deals with societal control through corporations and government. And of course, my personal favorite, the film that jumpstarted his career and created one of horror’s most iconic slashers…’Halloween‘.
1980’s ‘The Fog‘ is a terrifying shoreside tale of vengeful spirits haunting the fictional coastal town of Antonio Bay, OR. as they begin preparations to celebrate its centenary. Following exactly 100 years after a ship mysteriously sank in the town’s waters, a thick unearthly fog harboring the souls of those who perished rolls in and with them, the dark secrets of Antonio Bay’s past.
John Carpenter’s ‘The Fog’ stars scream queen and recent Academy Award winner Jamie Lee Curtis, genre alums Adrienne Barbeau, Janet Leigh, Tom Atkins, Charles Cyphers, and Nancy Kyes, and was co-written by the late Debra Hill. ‘The Fog‘ will be available to stream on Shudder 03/31.
Full Shudder March 2023 Film Releases
For a full comprehensive list of all the titles being added to Shudder for the month of January, please refer to the graphic below. Please be on the lookout for our review of ‘The Last Drive-In: Joe Bob’s Vicious Vegas Valentine’ to drop later this week here on HauntedMTL and be sure to follow us on Twitter and Instagram for more Shudder news and spooky reviews!
Gretel and Hansel
Spoonful of Sugar
The Company of Wolves
Jack be Nimble
The Blair Witch Project & Book of Shadows: Blair Witch 2
Movies n TV
She Wolf, Art by Jennifer Weigel
So this isn’t a review but more just some thoughts…
I have to admit that I actually like the She Wolf music video by Shakira.
Maybe partly because my Zumba group back in the day used to dance to it with all of us cautioned to not to look up the music video for fear it would be too risque or something… (The Zumba dance to this was one of my favorites, and I loved our group of mostly 60+ year old retirees for all that some of them did act surprised at these things, whether or not they actually were.) Or maybe partly because it reminds me of Madonna’s Express Yourself, or by extension the famous dance scene in Metropolis directed by Fritz Lang.
It’s a guilty pleasure.
The ways these things evolve and stay the same over time fascinates me, especially how the messaging and movement change, and yet stay the same.
Anyway, I created this artwork based upon the She Wolf video and song, incorporating a Hazelle puppet head atop a modern Barbie doll body. I don’t recall what happened to Barbie’s actual head though I’m pretty sure I needed it for another project. (Technically I needed the body for another project too, and this was just a stopover.) Years ago this piece found itself part of the Women’s Caucus for Art website as one of the chosen artworks for the year. I was going to try to write something to go with it for Haunted MTL but instead I thought I’d share it as a lead up to my revisitation of my werewolf story from St. Patrick’s Day last year.
Feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or on her writing, fine art, and conceptual projects websites.
Movies n TV
Beware The Slenderman Documentary
The Slenderman is a well-known character for both gamers and Creepypasta fans alike. Most of us have seen pictures of him. Eerie photos of an incredibly slim, tall man with a white face and three-piece suit. He stalks children at parks, taking them away forever.
It’s a great scary story, a modern urban legend. And I’d like to think that most of us know that it is only that.
Unfortunately in 2014, the story became too real for three twelve-year-old girls. Anissa Weier and Morgan Geyser attempted to murder their friend, Payton Leutner. The three girls went into the woods, and Payton was stabbed nineteen times.
Miraculously, she survived.
Today, I want to talk about the most comprehensive documentary I have seen to date regarding this tragedy. We’re taking a look at Beware The Slenderman.
Released in March of 2016 by HBO, this documentary was actually released before the end of the trial. Despite that, it was incredibly informative.
The two-hour-long documentary can be broken into two basic topics. The first, of course, is the attack on Peyton Leutner and the subsequent trial. The next topic is the one I was more interested in if we’re being honest. Slenderman is a modern-day urban legend. Why did his story have the power to drive two children to kill?
Let’s talk first about the coverage of the criminal trial against Anissa and Morgan. Now, I’m going to tell you something that surprised me. This documentary was released in 2016. The criminal trial was not over until 2017. Seems to me that it would have been better to delay the documentary until the trial was, you know, over. But hey, what do I know? Instead, our climactic ending revolves around one serious question. Would Alissa and Morgan be tried as adults or children?
We saw a lot of interviews with the parents of the two girls. They talked a lot about how seemingly normal they were. About how they were often the target of bullying, and how they only had a few close friends.
This was a very sad, yet touching view of families that are struggling with an impossible situation. How do you love and support your child after they’ve done something so terrible?
I will warn you that this portion did involve police interviews with the girls. It’s not as upsetting as hearing babies crying while they died like in Transmissions from Jonestown. But it’s still not a warm and fuzzy experience.
I appreciated the view of the families. It’s a point of view we don’t see as much. Part of me would have liked to see the family of Payton Leutner involved more. I’d have loved to know what they think of all of this. But it appears that they either didn’t want to participate in the documentary or weren’t asked in the first place. And honestly, I think that might be for the best. Even though Payton survived, she was brutally attacked by her two best friends. She and her family deserve to live their lives in peace.
What I was fascinated by was the story of Slenderman as a modern urban legend. What was it about this character that these children latched onto?
In this documentary, he’s compared to the Pied Piper in the way he lured children away from their families. This included a warped and frankly terrifying retelling of the Pied Piper with some of the creepiest animation I have ever seen. I loved it.
Slenderman is a perfect character for this sort of infatuation, unfortunately, because there are just not a lot of specifics in his story. He pops up in video games and online tales with any number of motivations. Is he abducting children to torture and kill them? Or is he rescuing them from their cruel peers who ostracize them? His vague back story and vague appearance mean we can look at him and see whatever we want to see. If you want to see a killer, that’s what you’ll see. If you want to see a friend who happens to kill other people sometimes, you can see that too.
Overall, this was a fascinating documentary. It managed to handle a sensitive situation tastefully. No one is made out to be a bad guy here because in the end no one really is a bad guy. I mean, except Slenderman.
This story is a stark reminder that stories have power. They have the power to heal us, inspire us, to change our lives. And if we aren’t very careful, they have the power to destroy our lives as well.
Stay safe, and don’t take things too seriously out there.
(4 / 5)