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Christmastime is here, and it’s time for a barrage of holiday movies. While most of these tend to be all about love, warmth, and dogs in sweaters, those of us in the horror community might like something a little gorier. A little more gruesome. 

But still festive.

Enter Happy, season one

Starring Christopher Meloni and Patton Oswalt, Happy premiered in December 2017. A little girl named Hailey is kidnapped at a Christmas concert. This concert, by the way, is headlined by a children’s entertainer named Sunny Shine. And I’m sure that you will grow to be as repulsed by him as I am.

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Patton Oswald in Happy!

Hailey’s imaginary friend, a blue unicorn named Happy, goes for help. His only problem is that no one but Hailey can see him. Until, that is, he runs into Nick Sax, a former police detective. 

Sax isn’t the best person to be rescuing a little girl. He’s violent, selfish, and addicted to just about any drug you can name. And probably a few you’ve never heard of. At first, I was pretty sure it was that horrific drug abuse that allowed him to see Happy. We later find out that there is another reason, and it’s a heartwarming one. This is good because it’s about the only heart-warming you’ll be experiencing.

The reason for Hailey’s abduction is something else that’s revealed through the course of the season. All we know for sure at the start is that she is being held by a man referred to only as Very Bad Santa. He’s a mentally ill man who wants to help children preserve their innocence. By making sure they never grow up.

Joseph D. Reitman as Very Bad Santa in Happy!

I loved a lot of things about Happy. I love Sax’s character arc as he becomes, if not a good man, at least a better one. Hailey was smart as hell, and her mom was straight-up badass. I also really enjoyed how the whole thing was very bright, very colorful, and festive, while also being the most vulgar thing I have ever seen on television. And that’s a high bar. The violence is part of its charm, as far as I’m concerned. It’s creative, over the top, and just a lot of fun to watch.

There are some potholes. The most glaring one is that Sax is indestructible. No matter what happens to him, it doesn’t slow him down. He’s like a concentrated version of Wolverine. We have no idea why he’s like this, and no one else in the show is.

Other than that, though, Happy is a twisted, whimsical, lovely blood bath. It’s certainly worth a holiday watch after the little ones are tucked into bed.  4 out of 5 stars (4 / 5)

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Jack Frost

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Released in 1997, it would be understandable if you confused this Jack Frost with the movie of the same title that was released in 1998 and starred Michael Keaton. We are not talking about the Michael Keaton Jack Frost because it’s not horror. It’s also not good.

(Look at that, you’re getting two reviews in one today. Merry Christmas.)

No, today we are talking about Jack Frost, starring Christopher Allport and Scott MacDonald. And it is possibly the most bonkers Christmas movie I have ever seen.

The story

We begin our tale in a very messed up fashion. A little girl asks her uncle for a bedtime story on Christmas Eve. The uncle tells her about a serial killer named Jack Frost who was caught after leaving bits of his victims inside pies. But there’s no need to worry, the uncle explains. Because Jack Frost was caught and is being executed that very night.

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Marsha Clark in Jack Frost.

And we won’t be hearing from these two characters again for the whole movie.

Instead, we cut to Jack, being transported to his execution. Somehow he manages to escape, only to be doused with some sort of acid and melted into the snow.

Meanwhile, the sheriff who caught Jack Frost, Sam, is trying to come to terms with his death. He’s thankful that he’s gone, but the nightmare just doesn’t feel over yet.

Then, of course, people start turning up dead in his little town. And in spectacular ways.

Slowly, Jack Frost seems to work his way through a family called the Metzners. Even though it appears that this family didn’t have a single thing to do with him. First, he murders their son, then proceeds to stalk the entire family.

Sam is joined by an FBI agent named Agent Manners and a scientist named Stone. Together they fumble around the tiny little town, trying to figure out how to kill Jack. Bullets do nothing. He can melt and slip through cracks. But hairdryers seem to do the trick.

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A still from 1997 Jack Frost.

What worked

I’m going to be honest here. Nothing in this movie was good. The effects were bad. The writing is bad. The constant snow puns are bad. The acting is bad.

But it is this exact combination of bad aspects that makes Jack Frost funny. It is so intentionally bad that it is hilarious. None of the characters are likable, so we’re not overly upset when they’re murdered in horrific ways. None of the effects look real, but they look fun. The writing is awful, but it’s hilarious.

And here’s the greatest thing about Jack Frost. Everyone working on it is having fun. You can just tell that every single actor is having the time of their lives. Nobody was having a single bad day on stage here. And that alone makes Jack Frost enjoyable to watch.

What didn’t work

One thing I have to say here is that the acting was just bad. It was not, I believe, intentionally bad acting. That is to say, it wasn’t a talented actor acting badly for comedic effect. This was just bad acting from almost everyone in the cast. The two exceptions are Allport and Marsha Clark, who plays Marla. Everybody else is overacting so hard that they’re pulling muscles. They’re chewing the scenery so much that they’re not going to have room for Christmas cookies.

Or oatmeal.

To enjoy Jack Frost, you need to have a deep appreciation for campy effects, bad snow puns, and really inappropriate humor. It’s one of those movies where you turn off your brain, make sure all loose items are secured and your lap bar is completely locked, and enjoy the ride.

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If you can do that, then you’re going to have a great time with this movie. If not, don’t worry. There’s lots more holiday horror to come. 4 out of 5 stars (4 / 5)

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The Angry Black Girl and Her Monster (2023), a Film Review

The Angry Black Girl and Her Monster (2023) is an award-winning sci-fi horror film directed and written by Bomani J. Story.

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The Angry Black Girl and Her Monster (2023) is a sci-fi horror film directed and written by Bomani J. Story. Inspired by Mary Shelley’s Frankenstein, this unrated and award-winning film stars Laya DeLeon Hayes, Denzel Whitaker, Chad L. Coleman, Reilly Brooke Stith, and Amani Summer. As of this review, interested viewers can enjoy this film from Shudder with additional availability through purchase or rent.

After a sequence of tragedies and loss, Vicaria (Laya DeLeon Hayes) seeks to cure death. Despite her genius earning her a private school education, few take this ambition seriously. Those who see it think of her only as an example of a girl separated from reality. But all that changes when she has a breakthrough. Unfortunately for her, the systemic issues that oppress her neighborhood can’t be solved as simply as curing death.

A woman looks at something out of frame, a switch in her hand that she looks ready to press.
Laya DeLeon Hayes as Vicaria

What I Like about The Angry Black Girl and Her Monster and Recognition Earned

This film received nominations from four separate film festivals. It won Best Narrative Feature by the Calgary Underground Film Festival and Best Horror / Sci Fi from Jim Thorpe Independent Film Festival. In addition, it received nominations for Best Narrative Feature from the Atlanta Film Festival and a nomination from the SXSW Film Festival.

The beautifully shot scenes earn respect, and the cast remains strong throughout. While Laya DeLeon Hayes executes the most demanding role, Reilly Brooke Stith (Aisha) and Amani Summer (Jada) elevate their material.

The Angry Black Girl and Her Monster dips its commentary into several hot topics. While I would have liked to see further exploration, it deals with scientific responsibilities, systemic issues facing Black Americans, and more. Needless to say, this film has ambition.

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While particular elements vary in execution, this remains a unique approach to the dehumanization of these racist and systemic issues while telling an engaging story in the process. While I wouldn’t consider this an arthouse film, it dips into that category in many ways.

White background, rubber stamp with disclaimer pressed against the white background.
Disclaimer Kimberley Web Design

Tired Tropes, Trigger Warnings, and Considerations

For a better viewing experience, don’t take the film with the utmost realism in mind. An example of what I mean is how easily and unnoticed bodies are moved and hidden. As a metaphor or motif, it works better to serve the overall message.

As mentioned, many systemic issues come to light within the story, with varying levels of depth. Some examples include racial profiling, police violence, and microaggressions that stretch the “micro” aspect of the word. I also want to clarify that the film focuses on Vicaria’s personal story, using these experiences when applicable to the plot.

Drug addiction and gang violence play prominent roles in the plot. As mentioned above, The Angry Black Girl and Her Monster addresses many of the systemic issues that make a thriving drug industry as opposed to dehumanizing those participating in it.

The titular Monster evokes levels of realistic body horror. While it’s not particularly extensive, the rot remains present and vivid. Partly related, the film creates a surprisingly gory story.

A man looks out of the screen. The lamp and the couch in the background suggest he is in a house.
Chad L. Coleman as Donald

What I Dislike about The Angry Black Girl and Her Monster

Several plot points remain underdeveloped or underexplored. This choice might indicate sequel material, but I don’t think that’s the case here. For example, viewers hear about a “body snatcher,” but the narrative doesn’t build the mystery until the end. Perhaps this requires a slightly longer run time, but it also could be cut with some edits to the script.

Her Monster didn’t particularly evoke fear. The rot evokes disgust but not terror. The Angry Black Girl and Her Monster remains more focused on the story than the horror.

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Final Thoughts

For those looking for horror rooted in real issues but not afraid to delve into the absurd, The Angry Black Girl and Her Monster remains a strong choice. While it might not evoke the terror and haunting we horror fans hope for, the bittersweet film certainly provides many reasons to give this film a view.
4 out of 5 stars (4 / 5)

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Blood Flower (2022), a Film Review

Blood Flower (2022) is a Malaysian supernatural horror film directed by Dain Said. Originally titled Harum Malam.

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Blood Flower (2022) is a Malaysian supernatural horror film directed by Dain Said. Originally titled Harum Malam, the film stars Idan Aedan, Bront Palarae, and Remy Ishak. As of this review, the film is available on Shudder and AMC+ with additional availability for rent or purchase.

After a family tragedy, Iqbal (Idan Aedan) has trouble finding focus as an apprentice healer. His family remains in shambles, and Iqbal struggles to find a purpose in the wake of this change. As his father (Bront Palarae as Norman) finds temporary work helping a family friend, a terrible horror becomes unleashed. Now, Iqbal must overcome his internal turmoil or lose even more.

A young man stands before two older men. A giant flower in bloom to his left side. Underneath him reads "Harum Malam" written in red.
Blood Flower (Harum Malam) Original Cover

What I Like in Blood Flower

The horror evoked here has some elements of fabulism with a heavy emphasis on the supernatural component. In general, I like the established world and how this supernatural element connects to the characters’ development.

Throughout Blood Flower, the acting remains consistent and engaging. The relationship between Norman and Iqbal, which provides the heart of the film, remains a particularly well-executed point. Even when the writing falls short, the acting wins me over more often than not.

The film builds up its horror, which elevates the execution and overall effect. I won’t claim that the horror truly haunts the viewer, but it remains unsettling and, even uncomfortable, throughout.

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As for the design of the monster, it works. There are points that remain strong, forcing a rather uncomfortable visual or experience that provides an effective execution of Blood Flower’s vision. One especially effective choice is including stop motion in some of the scenes. This visual creates a somewhat jarring feel to the supernatural entity that still lingers in my mind.

White background, rubber stamp with disclaimer pressed against the white background.
Disclaimer Kimberley Web Design

Tired Tropes and Trigger Warnings

Blood Flower includes sexual assaults that remain clunkily included in the plot. When dealing with such material, especially when it remains essential to the story, the execution makes or breaks the quality. Unfortunately, the execution feels rushed and more for the shock of the reveal.

Possession-assisted suicide remains an element within the film. While I think the distance between such harm and the context of the film doesn’t rise above confusion, it deserves a mention in this section.

There are general decisions made for the sake of the plot. While this can fall into the dislike section, it’s within a range so as to not completely distract or undermine the viewing experience.

If any of these are deal breakers, then Blood Flower might be a skip.

A large flower with a giant column in the center
The Real Blood Flower, or amorphophallus titanum

What I Dislike in Blood Flower

Where this movie falls short is building up some of its elements to their conclusion by the end of the film. The previously mentioned sexual assaults make for a strong example, but another remains the human villain. As they are the reason for the monster, I am surprised by the general lack of attention and presence the character receives.

Iqbal unlocking his power feels underwhelming and lacks any real visuals or style. We have magic and special effects, but his power consists of holding out his hand. The issue lies in the execution, not the actor, as Idan Aedan does everything he can with the given command.

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Going into the previous points, a spiritual master helps Iqbal train to become a healer. This person isn’t the one who unlocks their power. I still wonder why so little development on this important point remains in the film.

Final Thoughts

Blood Flower, or Harum Malam, remains an interesting supernatural horror that drops its execution towards the end. It provides a unique viewing experience with equal parts ingenuity and creativity to provide an effective horror. But it remains a flawed work with some wasted potential. Still, it earns its runtime for those interested in Malaysian horror.
2.5 out of 5 stars (2.5 / 5)

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