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Let the Right One In is a 2022 TV show released as a SHOWTIME® Original Series. Inspired by the novel of the same name and developed by Andrew Hinderaker, this vampire thriller is currently ongoing. This review will discuss “More than You’ll Ever Know,” the seventh episode released on November 20th, 2022.

Ten years before the show began, we find the Kane family before the infection. As Mark and Zeke discuss their startup restaurant, Elizabeth Kane prepares for work. Eleanor studies the moon, looking for the Sea of Tranquility. Unfortunately, something else is watching her.

Fernanda Andrade and Željko Ivanek
Fernanda Andrade as Elizabeth Kane & Željko Ivanek as Arthur Logan

What I Like

“More than You’ll Ever Know” implies we leave where the last episode left off. Though I imagine binge watching would make this clearer, the setup is certainly appreciated.

The vampire ambushes Eleanor from the shadows, adding to the mystery of the attacker. While I think the last episode was clear, there’s still a chance of a deeper rabbit hole. More importantly, it directly parallels the confusion and hopelessness of the moment.

Luckily, one of the characters is a horror buff and can read the obvious signs. I do like an approach when a character uses common sense, even if there is one obscure sign that seems more niche in film horror.

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The musical and sound design is great!

Fernanda Andrade’s Elizabeth Kane enforces that lingering shadow that her character holds. While I’m not entirely sure we will see more of her, I would certainly like to.

The Kane Family, Let the Right One In Series
The Kane Family

What I Dislike

The Christian undertones might conflict with the scientific focus. The show seems to be asking if Eleanor should exist in her state, debating if vampirism is death. This idea is uncomfortable as Eleanor is Eleanor in every perceivable way, only sick. Ironically, if this show took the Fabulism approach from the book, this idea would feel less problematic.

Zeth M. Martinez

Final Thoughts

As a standalone episode, “More than You’ll Ever Know” brings a family from its rise to its fall. Completing the Kane backstory, we will likely continue their journey in Let the Right One In’s eighth episode. There are many highlights of the episode, though I wonder how the show will resolve its questions. 4 out of 5 stars (4 / 5)

Zeth received his M.A in English with a focus in Creative Writing at CSU, Chico. As a human writer, he published in the 9th volume of Multicultural Echoes, served on the editorial board of Watershed Review, and is a horror reviewer for Haunted MTL. All agree he is a real-life human and not an octopus in human skin. Fascinated by horror novels and their movie adaptations, Zeth channels his bone-riddled arms in their study. Games are also a tasty treat, but he only has the two human limbs to write. If you enjoy his writing, check out his website.

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Movies n TV

Goosebumps, Go Eat Worms

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We’ve reached episode four of the 2023 show Goosebumps. This one is titled Go Eat Worms, based on the book released in July of 1994. And so far, it’s the story that has been furthest removed from the source material. However, I think it’s the story that got the biggest glow-up.

Cover for Goosebumps Go Eat Worms.

The story

This episode is the first that doesn’t jump back to Halloween night. And it largely focuses on Lucas having a really bad day.

He wants to perform a jump on his dirt bike. He gets everything set up, then chickens out at the last moment.

Unfortunately, that means he gets home just in time to catch Nora and Colin kissing in the car.

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Technically there’s nothing wrong with this. Nora’s husband is dead and Colin’s going through a separation. But there’s no reason to expect Lucas to feel this way. And he does not. He goes to school and decides the best thing to do is tell Margot.

That honestly makes sense. At least, more sense than anything else he does.

Seeing how upset Margot is at this realization, he wants to make her laugh. Being a child who should never see Jackass, he decides to eat a worm in front of her. Margot’s face says it all at that moment, as she realizes there’s a strong possibility this boy is going to be her stepbrother and he is eating worms.

Of course, those aren’t any worms. They came from the Biddle house. And they do the bidding of Harold Biddle.

What worked

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It’s pretty clear at this point that the only adult willing to listen to the kids is Nora. The only other one who might have listened was Margot’s mother, who appears to have vanished entirely.

And while this is horrible for the kids, it’s kind of what we should expect in a show for kids.

Content for children and young adults should have heroes who are children and young adults. That was one of the great things about the Goosebumps books, and most of the great stories meant for kids. Coraline, Stranger Things, Ms. Perrigrins School for Gifted Youngsters, Series of Unfortunate Events. These stories all have a young protagonist who has to face the monster without their parents and win. It reminds me of a wonderful quote by Neil Gaiman.

Fairy tales are more than true: not because they tell us that dragons exist, but because they tell us that dragons can be beaten.”

I also loved the action scenes in this episode. I didn’t know I wanted to see a giant worm monster chase someone on a dirt bike through the woods, but I’ve seen it now. And that was pretty great.

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Finally, this episode tackled some really difficult topics. Not the least of which was how suicide impacts the family left behind.

That’s a pretty heavy thing to talk about, and it was approached well. This is one of the things that horror does well. It allows us to discuss the things we’re afraid to discuss. To face our real fears. Not the fears of haunted masks, killer worms, or prophetic cameras. It lets us talk about divorce and death and mental health crises in a way that feels more approachable because it’s side by side with the monsters.

What didn’t work

Unfortunately, this was not a perfect episode. And a lot of my issues are about Luke.

Will Price in Goosebumps.

Now, this is not the fault of the actor, Will Price. But he does not look young enough for this role. Some people in their early twenties can look like teens still on TV. The rest of the ‘kids’ are adults. Miles McKenna, who plays James, is 28. But Price looks significantly too old. And it’s distracting.

I also hated the jumping from scene to scene when Luke took Margot to his house. They didn’t do anything there that couldn’t have been done at school. There was just no need for a scene cut. Scene cuts should be kept to a minimum if possible because it’s distracting and runs the risk of taking a viewer out of the story.

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All in all, though, this was a really good episode. It was touching, exciting, and still managed to be funny. So far, this has been a really solid season of horror television. And we have more than half a season yet to go.

4 out of 5 stars (4 / 5)

If you’re a fan of my work, please check out my latest story, Nova, on Paper Beats World. New chapters launch every Monday, Wednesday, and Friday.

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Goosebumps, Cuckoo Clock of Doom

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Named for the 28th installment of the original book series, The Cuckoo Clock of Doom has the least in common so far with its source material.

Thankfully, the story isn’t negatively impacted by this. I can honestly say so far that these episodes just keep getting better.

The story

After the last episode’s explosive ending, I’m sure we were all more than a little worried about James. I for one was worried we were going to have an example of the Bury Your Gays trope on a kid’s show.

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Cover of R.L. Stine Cuckoo Clock of Doom

Thankfully, that’s not the case.

We go back in time again to Halloween night, and this time we see what James was up to.

Mostly he was up to trying to flirt with his crush. Everything seems to be going well until James lies about being interested in football.

He tries to leave the house, but instead finds himself back at the basement door when Isaiah is trapped and the cuckoo clock is going off. James then shows a remarkable amount of genre savvy and tries his best to escape the house. Each time he does, we see another version of him walking away.

Eventually, he devises a plan to break the clock at just the right moment, but not before he gets some intel on his crush’s favorite team so he can score a date.

Back in the real world free of the time loop though, James finds that he has far more worries. Every time he tried to escape the house, a duplicate version of him was created. And all of those duplicates are waiting for him.

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Back at the Biddle house, though, there’s a surprise waiting. One of the James duplicates has brought Harold Biddle a box. A ventriloquist dummy-sized box.

An empty box.

What worked

The effects of this show so far have been wonderful. When the other characters hit a James duplicate, it doesn’t just die. It explodes in a Nickelodeon-style wave of slime. This is just fun, and I’m kind of sad there doesn’t appear to be more of the duplicates around.

I mean, I wouldn’t rule it out.

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Ana Yi Puig in Goosebumps.

Did I mention that these duplicates appeared to smell like watermelon Jolly Ranchers when they exploded? That was a visceral detail that was both alarming and terrific. They could have smelled bad. They could have smelled like rotting plants or people. But no, they smell like candy.

Of course, the characters continue to steal the show. Margot and Isaiah could be said to be the main characters, but everyone comes into this with main character energy. They are all funny, all capable, all smart. And they all seem to care about each other.

I loved that James and Isaiah talked about how they were feeling. I think it’s important that we’re modeling that for young men. They talked about what was bothering them, and they made up.

Finally, though, we have to talk about Justin Long again. His acting in this just keeps stealing the show. He dances like a cartoon and jumps from joyful to violently furious at a moment’s notice. The character doesn’t know how to act, and watching him fail to act right in front of people never fails to make me laugh.

What didn’t work

I honestly can’t say that anything didn’t work in this episode. But there is something about the show that I, at least, don’t like.

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There’s no real blood or gore. There’s more blood when I eat an actual jolly rancher because I always cut my tongue on them.

Now, this show is pretty clearly not for kids and young adults so there’s probably not a lot of need for too much gore and violence. But if the bloody stuff is more your style, like me, the lack of it might disappoint you.

Fans of the Goosebumps books will know that everyone ended with a twist. And the show so far has been no different. And the ending of this episode has been the best so far. The tension of Margot’s mom’s impassioned reaction, blended with the revelation that Slappy is somewhere in town is just too much. I can’t believe we’re only three episodes in and I am this invested. I hope you are too.

Viewer beware, I suspect things are going to get a lot worse for our characters before they get better.

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4.5 out of 5 stars (4.5 / 5)

If you’re a fan of my work, please check out my latest story, Nova, on Paper Beats World. New chapters launch every Monday, Wednesday, and Friday.

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Movies n TV

Goosebumps, The Haunted Mask

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Episode two of Goosebumps was honestly more fun than the first. It was dark, funny, infuriating and wonderful. Best of all, it has a killer twist ending.

Let’s discuss.

The story

Based loosely on the 1993 story of the same name, The Haunted Mask begins sort of partway through the first episode.

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Cover of R.L. Stine's The Haunted Mask.

We’re introduced to a character we haven’t seen much of so far, named Isabella.

Isabella’s life doesn’t seem great. She’s all but invisible at school. She is responsible for taking care of her little brother. It seems like her only real joy is bullying people online. She was the person who tried to get Allison’s party canceled by sending the invite to her parents. Why? Because she is a very unhappy person.

Despite trying to get the party canceled, she decides to go anyway. At the Biddle house, a voice calls her down to the basement. There, she finds a mask.

The mask inspires her to do wild things. She wanders around the party, flirting with everyone. And she has a great time.

Several days later, after Isaiah breaks his arm, Isabella brings an expensive drone to school to get shots of the football team’s practice. Unfortunately, Lucas breaks it fooling around. And Isabella, tired of being ignored, says some awful things to him.

When her mother grounds her because she took the drone without asking, the mask compels her to do some awful things.

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What worked

I would first like to talk about the storytelling structure in this season. It appears that we’re going to be getting the events of Halloween night multiple times, from multiple points of view.

Ana Yi Puig in Goosebumps.

I love this structure. It’s unique, and it allows for more mystery in a shorter period. It’s also more complex, showing just how much madness was happening, while just showing one part of the story at a time.

Another thing I appreciated was the evolution of the character Lucas.

On one hand, it’s easy to be angry at Lucas. Even if he thought the drone belonged to the school, it’s still kind of a selfish move to break it.

But Lucas just lost his father. We don’t know how yet, but we know from Nora that his death caused Lucas to start doing things like jumping on drones and skateboarding off the roof from his bedroom window.

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We all mourn differently. Losing a parent as a teen is awful. So while we can all agree that he’s being a problem, he’s also being a sad kid working through something hard.

And the same can be said for Isabella.

Look, we still don’t know what the adults of this town did to make Harold Biddle haunt them. But we do know that these parents are messing up in all sorts of other ways. And Isabella is suffering from parentification. She’s being forced to play mom at home while being ignored by her classmates at school. Even without the mask, I could see her lashing out and trashing the house.

Finally, I love Justin Long in this series. His visual comedy was fantastic here, as he falls through the hallways. But he also manages to be scary as hell. His creepy smile and jerky movements are enough to make anyone’s skin crawl. I honestly can’t think of a living actor who could have played this better.

What didn’t work

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If I have one complaint about this episode, it’s the music. It’s not terrible, but it’s not great. Every song seems like it’s just screaming what the characters are thinking. Which isn’t really what I’d consider the point of a soundtrack.

Maybe it’s just a curse on RL Stine. None of his projects can ever have good soundtracks aside from the theme song.

Unlike the original Goosebumps series, there were moments in this episode that did startle me and unnerve me. Which is wonderful. And while it’s still clearly for kids, it’s something anyone can sit down and enjoy. I’m very excited for the rest of the season. But what do you think? Let us know in the comments.

4.5 out of 5 stars (4.5 / 5)

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If you’re a fan of my work, please check out my latest story, Nova, on Paper Beats World. New chapters launch every Monday, Wednesday, and Friday.

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