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Since my Glorious Spouse and I have moved into a charming new home, built in in the late 1940’s, I have been waiting for ghosts to appear. I’ve left doors open to suspiciously creak close. I’ve put cans on the kitchen counter, prime for eerie stacking. I’ve even opened the lid to the piano for some other-worldly plinks and plunks at midnight to cry out to, “W-who’s there?”


Not even a little ghost fart to cast doubt upon or question our very role in the universe. Nada.

So, I looked for a spooky movie that maybe could drum up some business. Maybe the ghosts needed some motivation, or a how-to type guide. Maybe they just needed some inspiration…

The movie I found was Restoration (2016). The movie I probably should have watched was Restoration…the 1995 version with Sam Neill and RDJ playing fancy-pants kings and stuff. Oh well, onto….

She’s okay, she’s just a little crispy, she can walk it off.

The Plot:

Moving to a new town to complete her residency, a new doctor and her husband find a charming home they decide to renovate. During its restoration, they find an old teddy bear behind the walls that holds secrets within it. Secrets to the haunting within the house…

Also, they have obnoxious neighbors.

You can tell by the beard, Hawaiian shirt, AND glasses.


Oof. Just…not great. The most interesting line in the film was how the previous owner had 400 teddy bears in the house when they bought it, so there’s still teddy bears all around (to the point they have a teddy bear fight). But seriously….

And they totally won’t come to life and eat you…

The leads tried to bring something to it, but just had really weak chemistry, and I think some of the lines were improvised…but not terrifically done. Honestly, the asshole neighbors were the most engaging and fun to watch, but even then, it wasn’t much they had to work with, which was sad because Zack Ward (aka asshole neighbor) was the director.

Our leads…

The most frustrating part is that the house and its restoration had very little to do with the plot, even to the point I had forgotten about the latter until the climax was in the basement and there were tarps all around and I was like, “Oh, yeeeah. That’s a thing in this movie.”

Also, let’s talk about the CGI…

Or not, I think this says a lot by itself.

One last bone to pick…the teddy bear itself. Not creepy enough, nor moldy enough. If I find a gross old teddy in my walls from the 70’s, make it worth my time. Fill that sucker up with used spider sacs, clotted mold, and crusty mouse urine. Give it a seriously messed up, stained and soiled face to haunt my dreams.

Looks like he just went behind the couch for a while; just toss him in the washer.

And I thought it was an odd choice that the leads decided to keep wall-bear, like, always within eye-shot or on the counter like a good luck charm. It’s probably full of asbestos and asthma-attacking gremlins – throw that sucker out! The lead is a doctor, she should have better common sense or know how to defeat the asthma monsters (I think that’s how that works).

This is after they cut his chest open, too…Monsters

Brain Roll Juice:

Ahhhhheeehhhhh, I didn’t really have any juice for my brain to roll in. It was kind of messy, all the way around. Kudos for the actors trying to do something with it.

Besides poke at it with a big knife…

The story and the twist were mediocre and convoluted at best. It almost seemed like they had one idea and then started running with another, kind of like a directorial exquisite corpse – throwing something in and hoping it would stick. Unfortunately, nothing really did, except for the 400 teddy bears. I wanted to see the real estate agent taking them through “the bear house”. I wanted to see every awkward grimace of looking at each and every bear in the face…until they came upon The One.


The ghosts were still not inspired. Neither was I. Unfortunately, I would say it’s not worth even 300 teddy bears!

2 out of 5 stars (2 / 5)

When not ravaging through the wilds of Detroit with Jellybeans the Cat, J.M. Brannyk (a.k.a. Boxhuman) reviews mostly supernatural and slasher films from the 70's-90's and is dubiously HauntedMTL's Voice of Reason. Aside from writing, Brannyk dips into the podcasts, and is the composer of many of HauntedMTL's podcast themes.

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1 Comment

1 Comment

  1. John Combo

    March 24, 2020 at 12:55 pm

    I click for the review, I stay for the d̶o̶o̶d̶l̶e̶s̶ original artwork! 🙂

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Breaking News

The Last Drive-In Valentine’s Day Special Live Watch Party February 10th!



The sweet putrid stench of love lingers through the air which can only mean one thing…Valentine’s Day and its annoying little winged cherub, Cupid, is fast approaching. Soon, partners will be spoiling one another with extravagant bouquets of roses, heartfelt Hallmark cards, obnoxiously large teddy bears, glistening diamond jewelry, and heart-shaped candies or boxes filled with assorted mediocre chocolates. You know? Normal things couples do. I tend to prefer my chocolate boxes filled with bleeding hearts, à la ‘My Bloody Valentine’ but, beggars can’t be choosers, right? All jokes aside, Valentine’s Day is special for many couples, however, there are also many others who find themselves celebrating this day without a significant other. Luckily, Shudder, along with drive-in king Joe Bob Briggs and co-host Darcy the Mail Girl (Diana Prince) will graciously be keeping us lonely mutants’, and yes, all you horror fanatic couples’ company on Friday, February 10th as they return with The Last Drive-In Valentine’s Day Special, premiering live at 9pm EST.

Love Spells Abound…

Back in 2021, Joe Bob and Darcy invited us to a gruesomely passionate night of spell-binding love witches and animatronic dinosaurs infused with teenage human brains during The Last Drive-In: Joe Bob Put a Spell on You. Many, including myself, were introduced to the tantalizing 70’s inspired retro throwback ‘The Love Witch’ and the graphically goofy cult classic ‘Tammy and the T-Rex’, providing the perfect viewing pleasure to mend any broken heart. While the two films for this year’s morbid love-induced special have yet to be announced, we here at HauntedMTL are eagerly awaiting the return of the ghoulish duo. As is tradition, we will be proudly hosting a watch party on Twitter during the live broadcasting of The Last Drive-In Valentine’s Day Special. Be sure to follow us on Twitter and tag us  @hauntedMTL as well as @shudder@therealjoebob, and @kinky_horror to partake in this night of unholy love.

Drawn image of Joe Bob Briggs pouring  a drop of pink liquid into a clear glass potion bottled filled with a glowing red substance. To his left lies a book a magic spells with a golden pentagram necklace resting on top. Also on the books rests a human skull with heart shaped pupils for eyes hiding behind a pair of clear glasses. In bold white letters a text reads "Join us on February 10th as we live tweet The Last Drive-In Valentine's Day Special".
Follow @hauntedMTL for live tweets and replies!

What started off as a one-time special premiering on Shudder July 13, 2018, ‘The Last Drive- In’ was originally meant to be Brigg’s swan song; one last special before hanging up the bolo tie in retirement. However, due to so many mutants, excuse me…viewers tuning in and breaking the Shudder servers, it was only natural to announce an official full season of ‘The Last Drive-In‘, which would make its explosive debut March 19, 2019. Since then, Darcy and Briggs have spawned many exclusive holiday specials, have graciously donated to many charities within the community, and have accumulated 4 seasons of ‘The Last Drive-In’, with a fifth currently in production premiering on Shudder’s 2023 schedule sometime this year, let’s hope sooner rather than later.

Picture of Joe Bob Briggs, Darcy the Mail Girl, John Patrick Brennan and Yuki Nakamura standing together dressed in medieval costumes. A cardboard cutout of Tom Atkins stands between Darcy and Yuki. Darcy is seen drapped in a beautfiul elegant princess dress, satin white with gold trim. Yuki is seen holding a small wreath of purple, white, and yellow flowers that match his loud medieval king costume. Resting atop both their heads are golden crowns. Joe Bob Briggs is seen standing to the left of Darcy, as he smiles whilst wearing a half-put together jester costumer. Lastly, we see Brennan with two wooden recorders in his hand as he mimics playing them both dress clad in a bright yellow dress.
An unexpected ceremony during The Last Drive-In: Joe Bob Put a Spell on You (2021) special.

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Movies n TV

Horror Noire, a Film Review

Horror Noire is a horror collection that includes “Daddy,” “The Lake,” “Brand of Evil,” “Bride Before You,” “Fugue State,” and “Sundown.”



Horror Noire is a horror collection brought by the combined efforts of AMC+ and Shudder. The collection includes “Daddy,” “The Lake,” “Brand of Evil,” “Bride Before You,” “Fugue State,” and “Sundown.” Horror Noire boasts Black directors and screenwriters, providing six unique stories.

As this collection explores six stories, I will skip the usual synopsis to assess the genres and ideas explored, albeit limited as needed. Expect to find supernatural horror, creature features, and psychological thrillers. Many short films deal with these genres while exploring Black issues, but this isn’t universal for the collection.

The directors and writers include Zandashé Brown, Robin Givens, Rob Greenlea, Kimani Ray Smith, Steven Barnes, Ezra Clayton Daniels, Tananarive Due, Shernold Edwards, Victor LaValle, and Al Letson.

Woman and man wearing a vote for candidate shirt, scared of something off screne
Image from “Sundown” Directed by Kimani Ray Smith

What I Like

Each story remains unique, holding different strengths and weaknesses that highlight drastically different perspectives. Collections like VHS hold a similar premise to create their collection, but Horror Noire gives more creative freedom to its talent to be independent.

My personal favorite short film is Zandashé Brown’s “Bride Before You.” This period piece unravels a fable set in the Reconstruction Era. The entry feels Fabulistic in approach, which happens to be my preferred niche.

However, the best example of horror goes to Robin Givens’ “Daddy,” providing an existential horror tied directly to the characters involved.

Woman listening to a preacher amidst a crowd
Image from “Fugue State” directed by Rob Greenlea

What I Dislike

As mentioned, all have a particular style and idea. The downside of this approach always remains to keep the viewer interested long enough to find their favorite. If you find several underwhelming choices, this becomes a chore. But I imagine that is rare as the variety makes the options refreshing.

Personally, “Brand of Evil” had an interesting premise, but the execution fell short. On paper, it might have sounded like my favorite, which makes the lackluster execution a bigger letdown.

Zeth M. Martinez

Final Thoughts

Horror Noire gives power and control to Black creators, providing a formula for a unique collection against others in the space. While the various subjects and approaches mean you aren’t likely to love them all, there should be a short film for everyone.
3.5 out of 5 stars (3.5 / 5)

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Movies n TV

Dahmer, Silenced



Episode six of Netflix’s Dahmer was not, honestly about our title character. Instead, it was about one of his victims, a man named Tony. We’ve actually seen Tony a few times during this series. We just didn’t know it was him.

Rodney Burford in Dahmer

And, well, he wasn’t exactly alive the first time we saw him.

Tony was born into a supportive, loving family. This is good because soon after he was born a viral infection took his hearing. He is black, deaf, and gay in the early 90’s.

Tony has a dream of becoming a model. And he certainly has the looks for it. He is beautiful, body and soul. He has lots of opportunities for romance, but it’s not what he’s looking for. He wants a real relationship. 

Eventually Tony moves to Madison, trying to pursue his dream. He gets a job and starts getting modeling work.

Then, he meets Jeff Dahmer at a bar. 

At first, we can almost believe that it’s going to be alright. Jeff seems happy. He’s taking care of himself. He’s not drinking as much. He even has his dad and stepmom over for dinner. It seems like his life is getting on track. Even better, he’s treating Tony right.

Then, of course, things go bad. 

One thing that has always bothered me as a true crime fan is that we know so much about the killers, but not as much about the victims. Not so much if we don’t know who the killer is, of course. But the names that are part of our pop culture are those of the killers. Dahmer, Manson, Jones, Bundy, Holms. The names we don’t know are Roberta Parks, Beth LaBiancas, Leno LaBiancas, and Tony Hughes. And clearly, we should know them.

If Tony Hughes was half the shining, positive person that the show Dahmer made him out to be, I’m so sad that he isn’t with us anymore. We need so many more people like him. And many of Dahmer’s victims were likely just like him. After all, he was attracted to them for a reason.

This was a significant episode, and I understand why it’s the highest-rated episode of the series. I finished it with a heavy heart, saddened by the loss of a man who should still be with us today. 

5 out of 5 stars (5 / 5)

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