‘The Silence of the Lambs’: Clarice and Dr. Lecter’s psychological ‘cat-and-mouse’ game
Some characters are better when presented mysteriously, and such is definitely the case with Dr. Hannibal Lecter (Anthony Hopkins) in Jonathan Demme’s The Silence of the Lambs. Then again, he isn’t the only character harboring mysteries and secrets. In addition to the film’s other main serial killer, Jame “Buffalo Bill” Gumb (Ted Levine), you have FBI agent-in-training Clarice Starling (Jodie Foster). From the film’s beginning, we get a sense of her somewhat cold, distant, detached personality, and a lingering sense that she may have some mental ailment, something holding her back yet forcing her to prove herself.
Obviously, as The Silence of the Lambs progresses in its cat-and-mouse games, Dr. Lecter explores certain elements of her psyche, and there are no strong hints she is putting up a false front. Also, curiously, Hannibal seems to respect her for doing this, rather than sadistically toy with it as much as he could. This is, of course, in stark contrast with how he treats certain other characters, such as U.S. Senator Ruth Martin (Diane Baker), who is particularly victimized by his snide humor. So the question becomes: What is with Dr. Lecter’s decisions in this film? That’s as interesting as it is mysterious.
Dr. Lecter’s Perception as Shown in ‘The Silence of the Lambs’
Before he worked in Florence, Italy under the stolen identity of Dr. Fell in the film Hannibal, most of us knew Hannibal Lecter as an exceptionally unique inmate at the Baltimore State Hospital for the Criminally Insane (obviously, this title might now be deemed politically incorrect, but it flew back in 1991). We quite instantly recognize Lecter as a complex, intriguing, menacing character, who creepily never seems to blink and always has insight into the psychology of anyone in the room. Yes, he makes it clear to Clarice that he’s dangerous, but (in his own ways) tries to reassure her that he’s somehow a civilized murderous cannibal.
It’s a strange and volatile cocktail of character elements, and the average viewer surely wonders how many he has killed and fed from versus how many he has spared, and for what reasons. Also, because Clarice is difficult to read, we don’t quite know how vulnerable she really is to Dr. Lecter. We do know that, if he is unconvinced she is being genuine, he’s unlikely to assist her in any way. This already provides some insight into how his mind works. Like practically anyone else, Dr. Hannibal Lecter has some respect for honesty, integrity, and a willingness to engage one seriously and with fairness. At the same time, Lecter is aware of the dual nature of his engagements with Clarice, so he knows there must always be some level of deceit between the two of them, making The Silence of the Lambs a psychological game of cat-and-mouse.
Lecter’s More Refined Side vs. the Articulate, Brooding Brute Behind Glass
Because of the groundwork laid by The Silence of the Lambs, audiences came to know and respect who (and what) Dr. Lecter is. The events of this film helped us believe that, yes, Lecter can speak near-perfect Italian and is widely knowledgable about things like the history of Florence, Italy. We also recognize that, to a considerable degree, this veil of high culture and encyclopedic knowledge base allowed him to conceal his brutal side. In fact, we are given the impression that, if Clarice isn’t careful, she might think the stories she has heard about him are lies.
In a way, Clarice ends up lowering Dr. Lecter’s own defenses in the cat-and-mouse game, too. It seems he cannot approach her from any single angle, due to her often unassuming manner, yet she’s fully capable of challenging him if he is deceitful, showing a lack of fear and enough charisma to impress him. For example, Lecter blunders noticeably in his attempt to prevent her image from being sexless, as he improvises stories about her sexual encounters. She notes he is being crass, and he noticeably retreats from this psychological line of attack, or maybe even clumsy flirtation. It’s still interesting how this interpersonal mystery between the characters ties into solving the Buffalo Bill murders.
Would Dr. Lecter Kill Clarice?
I only vaguely remember the first time watching The Silence of the Lambs. However, I’m pretty sure I never assumed he planned to kill Starling by the movie’s end. Yes, he plans to make Dr. Frederick Chilton (Anthony Heald) into a special project, but there’s every reason to assume Dr. Lecter’s honest about not making her life a living hell. Quite simply, he likes her too much. It’s hard to say exactly why, but it doesn’t seem to be merely because he’s attracted to her, but he seems to respect her dedication.
Let’s face it, he also has the ability to pick and choose victims based on his own calculations, be they plain or esoteric to our own understandings. Although he is cold and calculating, he also seems capable of grasping things like empathy, at least intellectually. Thomas Harris-based films often play with this idea about killers being complex and evolving. As another example, Red Dragon‘s “Tooth Fairy” killer decides to torch his house to fake his own death (and ostensibly eliminate some evidence of his crimes).
In the end, all movies can be interpreted in any way we choose, with some ways being more plausible than others. In the universe firmly established in The Silence of the Lambs, it seems Clarice would have the luxury of safety from dying at his hands (or teeth). FBI Agent Jack Crawford (Scott Glenn) and Dr. Chilton are not wrong to call Lecter deadly, and that’s part of why his story has branched out well past 1991, and he has become one of the more complex horror icons out there.
Episode two of Wheel of Time felt like the beginning of a long journey. Stories are unfolding, lives are changing, and blood is spilling.
Let’s discuss.
The story
We begin this episode in the past with Elayne’s mother, Queen Morgase. It turns out her rise to the throne was a bit, shall we say, cutthroat. So when she shows up at the White Tower, Siuan is concerned.
She might have reason to be, too.
Meanwhile, Rand, Egwene, Moiraine, Lan and Aviendha are in the Spine of The World. As they travel through some of the most breathtaking lands I have ever seen on a TV show, Egwene is plagued with nightmares. We think at first that’s just her trauma working itself through her system. But we soon find out that it might not be that straightforward.
Finally, Perrin returns home to heal after his hand is almost cut in half. But when he gets there he finds the town has been infested by Children of The Light. And they’re looking for him.
What worked
There was something heartwarming in this episode about political espionage and choking religious persecution. And that is Elayne’s relationship with her family.
I have consumed a lot of fantasy content with royal families. And I have never once heard a princess call her mother ‘Mum’. I’ve never seen royal siblings get along. And I have sure as hell never seen a princess have a good relationship with her step-parent.
This was refreshing. Even though Queen Morgase is kind of a horrible person she seems like a good mother. And that’s an unexpected delight.
Of course, this is just one storyline among many. And while this can sometimes be overwhelming, in this case it wasn’t.
I’ll be honest, some of these storylines are going to drag for me. I know this because I’ve read some of the Wheel of Time books and I have an idea that not all the characters exactly pique my interest.
No one likes all the characters. No one likes all the storylines. While I am here for the political espionage between Queen Morgase and Siuan, not everyone likes it. While others might be fascinated with Selene trying to win Rand back, I couldn’t care less.
Having multiple storylines keeps everyone’s attention better. So long as things don’t get out of hand. Things can easily get out of hand. But this seems to be managed well.
So far.
What didn’t work
As I mentioned above, I’m not thrilled with Rand’s story at this point. And while it’s fine to not like a storyline when there are this many to choose from, it’s not fantastic that the one I like the least is the one involving our two main characters. And anytime we were with the team at the Spine of The World, the only thing that brought me joy was Moirain’s hat. It reminded me of Stockard Channing’s hat in Practical Magic.
The problem is that Rand is Charlie Brown with controversial magical powers. He is boring, serious, and pessimistic.
And yes, I understand that he has a heavy emotional burden and he’s the Dragon Reborn and that’s quite taxing and all. But let’s be fair, there isn’t a single person in this show that doesn’t have a heavy burden. And most of them manage to be fun occasionally.
All that being said, this episode of Wheel of Time did exactly what it needed to do. It set up conflicts at each of the three locations. It established emotional ties between the characters and the events. And it established goals for everyone.
This was, in short, a solid episode. Not groundbreaking, not mind-blowing or life changing. It was simply good. It was entertaining and moved the plot forward.
Well done.
(3.5 / 5)
Wheel of Time is back for season three. There are mixed feelings regarding this. Last season, there were some serious pacing issues. And some serious sticking to the book’s storyline issues. But we’re two seasons in, and we don’t give up so easily. So let’s dive into episode one, To Race the Shadow.
By the way, I highly recommend watching this episode with the subtitles on. You’ll see why.
The story
We begin this episode with Liandrin facing a trial of sorts for her rampant betrayal. She does her best to gaslight her Aes Sedai sisters into thinking that Siuan Sanche is the real traitor.
When that doesn’t work, she reveals how many Black Aes Sedai have actually infiltrated the tower.
Spoiler, it’s a lot.
In the aftermath, our whole team gathers to drink and enjoy one night of relaxation before they head out to the Tear to form an army for Rand. All is going well until they’re attacked by myriad creatures and a sentient axe.
What worked
This episode was long. It had a run time of an hour and eleven minutes. And a lot of that run time was spent in heavy dialog scenes.
Fortunately, these were well-done scenes.
If you’re going to have a lot of talking scenes, there are good ways and bad ways to do it. Last season, we saw lots of examples of the bad way to do it. But this episode did it well. For one thing, other things were going on while conversations were taking place. The characters are drinking, playing games, walking through an interesting city. And the scenes themselves didn’t stretch out. They weren’t repetitive. We heard what the character had to say, then we moved on.
It was also nice that the point of these scenes wasn’t just info dumps. We had character development. We had romantic interactions. We had plot development and foreshadowing.
Overall, this episode felt like what it was. A moment of calm before a storm.
Taking a step back, I’d be remiss if I didn’t address the fight scene at the start of the episode. Because it was epic.
The magic looked amazing. The martial arts that went along with it looked fantastic. The costumes were beautiful. It was just incredibly fun to watch.
More than that, it was emotional. We lost some characters in that fight that were important. And it was clearly emotionally shattering for many of our characters, who found themselves betrayed by people they trusted.
So many of them.
It was a great way to open the season.
What didn’t work
Despite that, this episode wasn’t without its flaws.
First off, there were a lot of dialog scenes. And they were good scenes, as I’ve already discussed. But it was one after another after another. And when your episode is, again, an hour and eleven minutes, it’s maybe a little much to have so much chit-chat. Couldn’t some of these conversations, important as they were, have been moved to maybe another episode?
Finally, I want to talk about Egwene’s travel through the arches.
I feel like maybe there were some deleted scenes here. Because there must have been more to that visit than what we saw, right?
We could have seen Egwene battle Rand. That would have been badass and emotionally devastating. We could have seen her with a quiet life with Rand back home at the Two Rivers. We could have seen anything except for the quick clip of Rand in a bloody river, followed by Egwene being shoved back out in a bloody shift.
No products found.
Bad job. But at least it wasn’t an extended scene of Moiraine collecting bathwater, and then taking a bath while looking sad. If we’d started this season with another scene like that, it might have broken my brain.
Amazon dropped the first three episodes at once. So we’ll be back soon to talk about episode two. See you then.
(4 / 5)
Early 2000s is a special era for the industry. It accepts the cheesiness and corniness of movie making, in turn producing some gems in their own right. Eight Legged Freaks starring David Arquette and young Scarlet Johanson is a horror comedy about giant spiders who overtake a small town. As crazy as that premise sounds, the movie surprisingly has a ton of heart and is super entertaining. Let’s review, shall we?
Plot
We start Eight Legged Freaks with a shot of toxic waste spilling into the water supply of Joshua, a spider farm owner. He is friends with Mike, one of our protagonists, who is a science geek and a spider enthusiast. Mike notices something quite right upon visiting Joshua, but no one takes him seriously. We are then introduced to the rest of the crew. Mike’s mother Samantha, the town sheriff, is too busy chasing Ashley, his sister, who is dating the town mayor’s son Bret (something Samantha does not approve of). We also have Chris, who returns to the town to save his father’s legacy in the town mines. He has opposition from Wade, Bret’s father, who wants to use the mines for his business ventures. Lots of drama going on that will only get juicier once the spiders get loose.
The creepy crawlies quickly dispose of Joshua and make their grand appearance after Ashley rejects Bret’s advances, abandoning him in the middle of a desert. A glorious chase sequence ensues as the spiders make their way towards the town, wreaking havoc on its residents. In a true horror fashion (which the movie acknowledges), it takes some convincing from Mike and then from Samantha for the town to take the threat seriously. The tongue-in-cheek style of narrative adds the comedy aspect to a movie that would otherwise burn out fairly quickly.
The remaining characters hide out in a shopping mall as it’s the only somewhat sturdy building in the area. This doesn’t last long as the spiders break in, forcing them to run through the mines. Their resources to fight the creepy crawlies off are limited as the methane gas doesn’t allow them to use firearms. Such conditions require resourceful thinking from Chris, who uses perfume to fend off the leader of the spider group and save himself during the climax of the movie.
Character dynamics are not forgotten once the action kicks in. We have Chris confessing his long-term feelings for Samantha which she knew all along, which provided some comedic relief. Bret also reunites with Ashley and apologises for being an asshole. Mike finally gets the appreciation he deserves as his knowledge saves the townsfolk more than once during the whole ordeal.
We end the movie with the town’s radio show person telling the story as an urban legend during his segment. This brings it into question – how much of it happened the way he said it did? We can only guess…
Overall thoughts
Eight Legged Freaks is a fun creature feature with some self-aware commentary on genre tropes that doesn’t take itself too seriously. The acting is good, the pacing fitting and the characters are likeable enough for you to want them to make it through. Definitely a must watch, if you don’t suffer from arachnophobia, that is.
(5 / 5)
![Eight Legged Freaks [Blu-ray] [DVD]](https://hauntedmtl.com/wp-content/plugins/aawp/public/image.php?url=YUhSMGNITTZMeTl0TG0xbFpHbGhMV0Z0WVhwdmJpNWpiMjB2YVcxaFoyVnpMMGt2T0RFNGFuZ3lUMUpJYzB3dVgxTk1NVFV3TUY4dVgxTk1NVFl3WHk1cWNHYz18MTc0ODAzODI2NQ=)
- What do you get when you cross toxic waste with a bunch of exotic spiders? Eaten! The townies of Prosperity, Arizona will all become a screaming smorgasbord if mutated arachnids as big as SUVs have their way in this comedy/horror crowd pleaser whose creators include the producers of Independence Day and Godzilla
- Spiders that leap like gazelles, web-spitting spiders, spiders that suck your insides out as if through a straw—they’re all among the behemoths conjured up by an inventive effects team
- David Arquette (Scream) leads the two-legged stars, mobilizing the citizenry in a last-ditch fight to survive
Last update on 2025-03-10 / Affiliate links / Images from Amazon Product Advertising API