You know things are hopeless when the only other living thing in the middle of New York City is a crow pulling an eyeball out of a dead horse’s socket.
In this gruesome episode of the Stand, we meet Larry Underwood (Jovan Adepo), Rita Blakemore (Heather Graham) and Lloyd Henreid (Nat Wolff).
Love and Death in NYC
Larry Underwood is already at the end of his rope after watching his mother die from Captain Trips, and now he’s left wandering the Big Apple without any idea of what to do next. But then he meets Rita Blakemore, an insane woman who nearly gets Larry killed. The best thing would be for Larry to ditch Rita, but he’s finally listening to his conscious and it’s telling him to stick with her. Together they leave New York in search of something better. During this time, it is revealed that Larry is having dreams of both Mother Abigail and Randall Flagg, a detail the book and miniseries both revealed much later on in the story.
We can expect the episodes to be fragmented, at least until we meet all the characters and learn their backstories. In the beginning of “Pocket Savior,” Larry is driving to NYC with Nadine Cross (Amber Heard) and a little boy named Joe (Gordon Cormier). The narrative goes back and forth, illustrating Larry’s present and past. While we don’t get much of Nadine and Joe’s history in this episode, there is already strong character development for both. Nadine’s reluctance to trust the neighborhood paints her as a troubled character, and Joe’s nonverbal wariness of Harold is telling of both him and Harold.
“Oh, I’m real, baby. I’m real real.”
We first meet Lloyd strolling into his prison cell after committing murder in a convenience store. He’s filled with cockiness and pride, until everyone in the prison dies, leaving Lloyd hungry and isolated. He is left to his own devices, drinking toilet water and eating nothing but rats and the leg of his diseased cell mate.
Suddenly Randall Flagg appears in the prison, whistling an eerie tune as he walks by each cell. He puts on his sweetest demeanor when he approaches Lloyd, trying to recruit him to his team with the temptations of delicious food and freedom. At first, the young prisoner is reluctant, but he is in such a desperate state that it doesn’t take long for him to accept the Dark Man’s offer.
While this episode is more of a slow burn than the pilot, it’s still plenty exciting and filled with lots of wonderfully horrific gore. There are various small details taken from the book, including the estranged screams from the Monster Shouter. Nat Wolff and Jovan Adepo are both excellent as Lloyd and Larry. I also love Alex Skarsgard as Flagg, even when things get a little cheesy (in one dream sequence, he pops up in the middle of the desert with a giant green flashing dollar sign). But hey, at least it’s better than this monstrosity from the miniseries:
So far this adaptation is a lot of fun. In episode three, we will most likely learn about Nadine and meet some more characters, including Nick Andros and (possibly) Trashcan Man. But we won’t know for sure until it airs December 31. Until then, make sure to check out what else we’re watching here at Haunted MTL.(4 / 5)
Horror Noire, a Film Review
Horror Noire is a horror collection that includes “Daddy,” “The Lake,” “Brand of Evil,” “Bride Before You,” “Fugue State,” and “Sundown.”
Horror Noire is a horror collection brought by the combined efforts of AMC+ and Shudder. The collection includes “Daddy,” “The Lake,” “Brand of Evil,” “Bride Before You,” “Fugue State,” and “Sundown.” Horror Noire boasts Black directors and screenwriters, providing six unique stories.
As this collection explores six stories, I will skip the usual synopsis to assess the genres and ideas explored, albeit limited as needed. Expect to find supernatural horror, creature features, and psychological thrillers. Many short films deal with these genres while exploring Black issues, but this isn’t universal for the collection.
The directors and writers include Zandashé Brown, Robin Givens, Rob Greenlea, Kimani Ray Smith, Steven Barnes, Ezra Clayton Daniels, Tananarive Due, Shernold Edwards, Victor LaValle, and Al Letson.
What I Like
Each story remains unique, holding different strengths and weaknesses that highlight drastically different perspectives. Collections like VHS hold a similar premise to create their collection, but Horror Noire gives more creative freedom to its talent to be independent.
My personal favorite short film is Zandashé Brown’s “Bride Before You.” This period piece unravels a fable set in the Reconstruction Era. The entry feels Fabulistic in approach, which happens to be my preferred niche.
However, the best example of horror goes to Robin Givens’ “Daddy,” providing an existential horror tied directly to the characters involved.
What I Dislike
As mentioned, all have a particular style and idea. The downside of this approach always remains to keep the viewer interested long enough to find their favorite. If you find several underwhelming choices, this becomes a chore. But I imagine that is rare as the variety makes the options refreshing.
Personally, “Brand of Evil” had an interesting premise, but the execution fell short. On paper, it might have sounded like my favorite, which makes the lackluster execution a bigger letdown.
Horror Noire gives power and control to Black creators, providing a formula for a unique collection against others in the space. While the various subjects and approaches mean you aren’t likely to love them all, there should be a short film for everyone.
(3.5 / 5)
Episode six of Netflix’s Dahmer was not, honestly about our title character. Instead, it was about one of his victims, a man named Tony. We’ve actually seen Tony a few times during this series. We just didn’t know it was him.
And, well, he wasn’t exactly alive the first time we saw him.
Tony was born into a supportive, loving family. This is good because soon after he was born a viral infection took his hearing. He is black, deaf, and gay in the early 90’s.
Tony has a dream of becoming a model. And he certainly has the looks for it. He is beautiful, body and soul. He has lots of opportunities for romance, but it’s not what he’s looking for. He wants a real relationship.
Eventually Tony moves to Madison, trying to pursue his dream. He gets a job and starts getting modeling work.
Then, he meets Jeff Dahmer at a bar.
At first, we can almost believe that it’s going to be alright. Jeff seems happy. He’s taking care of himself. He’s not drinking as much. He even has his dad and stepmom over for dinner. It seems like his life is getting on track. Even better, he’s treating Tony right.
Then, of course, things go bad.
One thing that has always bothered me as a true crime fan is that we know so much about the killers, but not as much about the victims. Not so much if we don’t know who the killer is, of course. But the names that are part of our pop culture are those of the killers. Dahmer, Manson, Jones, Bundy, Holms. The names we don’t know are Roberta Parks, Beth LaBiancas, Leno LaBiancas, and Tony Hughes. And clearly, we should know them.
If Tony Hughes was half the shining, positive person that the show Dahmer made him out to be, I’m so sad that he isn’t with us anymore. We need so many more people like him. And many of Dahmer’s victims were likely just like him. After all, he was attracted to them for a reason.
This was a significant episode, and I understand why it’s the highest-rated episode of the series. I finished it with a heavy heart, saddened by the loss of a man who should still be with us today.(5 / 5)
Mandrake, a Film Review
Mandrake is a 2022 supernatural horror directed by Lynne Davison and written by Matt Harvey, starring Deirdre Mullins and Derbhle Crotty.
Mandrake is a 2022 supernatural horror directed by Lynne Davison and written by Matt Harvey. This film boasts a cast that includes Deirdre Mullins, Derbhle Crotty, and Paul Kennedy. It is currently available for subscribers in DirectTV, Shudder, Amazon Prime, or AMC+.
Cathy Madden (Deirdre Mullins) is a probation officer tasked with the most vilified case in her town, Mary Laidlaw (Derbhle Crotty). When a child goes missing, all eyes turn to the infamous Bloody Mary. Cathy, always believing in the best of people, tries to protect Mary. But evidence begins to mount, and Cathy finds herself in increasing danger.
What I Like
Deirdre Mullins and Derbhle Crotty add weight to the film in their performances. Cathy proves resilient against the challenges she faces, while Mary can make any actions intimidating.
To not spoil anything, the ending is bittersweet in the best of ways, showing Cathy grow and mend relationships.
The atmosphere around Mary Laidlaw brings about the intimidation that earns the nickname Bloody Mary. It becomes easier to see why a town would fear this woman as we find her motives sinister.
What I Dislike
While there may be external magical elements, I found people obeyed Mary Laidlaw a little too easily for a vilified woman. There wasn’t enough for me to be convinced she intimidated them to action or magically charmed them. Or perhaps the performances felt underwhelmingly passive?
There was an irritating moment where a stalker helped save the day. The assistance is minor, but it still irritates me.
The daytime scenes of the film are bland. Perhaps it’s intentional, but the night scenes are stunning, making the contrast greater. While this film focuses on its night scenes, I couldn’t understand why it looked so bland, and sometimes poor quality, in the day.
Mandrake can be a frightful enjoyment, especially when set at night where the details work. However, many elements left me wanting more or better. If you’re looking for a witchy tale, I’d say there are better options, but Mandrake can keep you entertained.
(2.5 / 5)