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While Stephen King is the master of long-form horror, I love him most for his short work. In the past, we’ve reviewed If It Bleeds, and today we’re going to talk about his most recent short collection, Full Dark, No Stars.

Full Dark, No Stars consists of four short stories. Not quite long enough to be novellas, but still longer than a standard short. And while they’re not technically linked together in any clear way, they all have the same theme. What sort of person are we when we’re pushed to the extremes of human emotion? Who are we capable of becoming when we’re threatened?

Our first gory story is 1922. This is the tale of a man named Wilf, and the worst year of his life. After years of arguing with his wife over whether or not to sell the farmland she inherited, he decides it would be easiest just to kill her and toss her body down the well. To do that, he’s got to get his teenage son Hank involved. 

Of course, killing his mother does some terrible things to poor Hank. He starts making some truly horrible choices. Meanwhile, Wilf’s wife is forming a great relationship with the farm rats.

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Full Dark No Stars paperback cover

This story was great fun. I despised Wilf right from the start. I hated how he considered killing his wife to be his right. As though his right to his farm was worth more than her right to live. And I was so happy to see that he got what was coming to him.

The next tale, Big Driver, requires a trigger warning. There are explicit rape scenes in this story. You have been warned. 

This one hit real close to home for me, as a horror writer in my late thirties. It’s the story of Tess, a cozy mystery writer in her late thirties. On her way home from a book signing, she has a car accident that’s not an accident. And she’s brutally raped because of it.

After barely surviving this, Tess decides that she can’t live while her rapist, who she calls Big Driver, is still alive. 

This story was difficult to read, but again so satisfying. Everything you want to have happen happens. 

The third story, Fair Extension was probably my least favorite. A man with cancer happens upon something selling extensions by the side of the road. What kind of extensions? Depends on what kind you need. In the case of Streeter, our main character, he needs a life extension. What he’s willing to do to get that extension is pretty horrific. He’s more than happy to see the downfall of his best friend. 

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I didn’t like this one, because I wanted to see justice. Justice, sadly took a pass on this one.

Finally, we have A Good Marriage. Darcy, our main character, finds out how little she really knows her husband. She discovers a box in her garage with proof that he is, in fact, a serial killer. 

I loved this one because it had some serious Dexter vibes. It almost made me glad that Rita died before she could make a similar discovery of a similar little wooden box.

I adored Full Dark, No Stars. It’s just more proof that King’s talent and writing style aren’t slowing down at all. If you’re looking for a spooky read that will upset you in all the best ways, check it out. 4 out of 5 stars (4 / 5)

Want to read Full Dark, No Stars for yourself? You can grab it now on Amazon.

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Book Reviews

Brutality, Motherhood, and Art: Nightbitch Review

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“In the distance, she heard her husband in the backyard call for her , but she was not that woman anymore, that mother and wife. She was Nightbitch, and she was fucking amazing. It seemed she had been waiting for this for a very, very long time.” -pg 89, Nightbitch by Rachel Yoder

Nightbitch is the debut novel of Rachel Yoder about a stay-at-home mother coming to terms with the loneliness and brutality of motherhood. The main character, only referred to as The Mother, begins to undergo a frightening change as she sinks deeper into a depressive state. She transforms into Nightbitch, an animalistic creature full of anger, bloodlust, and freedom. The Mother must utilize the help of a strange book and a group of multi-level marketing mommies to harness her newfound strength before she loses herself or her family.

The novel is a stunning commentary on the everyday violence of motherhood centered within the context of werewolf and mystical woman mythos. The Mother spends much of the book contemplating her future and the abandonment of her dreams. Specifically, she grapples with the loss of her ability to create art, her longtime passion. On a larger scale, Nightbitch examines how many women are asked to stop being individuals after having children and only become mothers–existing only in the presence of their child. The message is clear, poignant, dark, and at times, hilarious. The prose and structure of the book are abnormal, however, it works with the overall messaging and plot. 

As far as negatives go, Nightbitch was pretty ambiguous. This was by design, and created an aura of magical mysticism around many of the characters and events. The Mother is the definition of an unreliable narrator. However, towards the end of the book, I would have liked a little more clarity in what certain characters knew. 

Nightbitch is a must read for any parent. As a non-parent, I highly recommend it for those interested in feminist horror or more avant-garde approaches to horror narratives. Those who don’t like books with heavy introspection or ambiguous storytelling may enjoy something else, however I still think it is an interesting read nonetheless. 

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4.4 out of 5 stars (4.4 / 5)

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Book Reviews

Gothic, Ghosts, and Tlachiqueros: The Hacienda Review

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“Dread washed over me. Had she been sitting there, watching me sleep, the whole night? Her skin gleamed like candle wax in the light; then she grinned and whatever color her eyes had been before, now they turned red. In an instant, her skin transformed, dried and desiccated into leather, and her teeth grew long and needle sharp.” -pg 214, The Hacienda by Isabel Cañas

The Hacienda is a gothic horror novel by Isabel Cañas set in the wake of Mexico’s War for Independence. The debut novel by Cañas, it delivers a classic haunted house tale with a twist of Mexican high society. Recently made homeless by the execution of her father, Beatriz marries Don Solórzano to escape her cruel treatment by her relatives. However, once she joins him on his estate, she finds that the promise of a new life holds dark secrets and darker spirits. She enlists the help of a priest, Andrés, to uncover both. Together, they find the home has more dangers than they bargained for. And more threats both supernatural and far too material await every corner.

I adored The Hacienda from start to finish. Cañas’s prose was accessible but full of deep imagery. While told from the perspective of both Beatriz and AndrĂ©s, neither outweighed the other. The perspectives were interesting and the transition between the two was well executed throughout the novel. I usually don’t seek out romantic books, but I loved the romantic and sexual tension between the two main characters. Specifically since the romantic tension developed within both perspectives, the relationship’s “will-they-won’t-they” felt both plausible and full of stakes. And of course, The Hacienda was spooky! I loved the way the spirits manifested and the impact that had on the characters.

My only minor criticisms would be the resolution was fairly quick and mostly offscreen. Though maybe I’m just saying that because I wanted to keep reading, even after the book ended! I also found myself slightly annoyed at the characters for not picking up on some of the more obvious clues to what had happened in the house. 

A thoroughly enjoyable gothic (and dare I say, romantic) novel that kept me on the edge of my seat, I highly recommend The Hacienda. If you enjoy haunted house tales, you will enjoy this book. 

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4.8 out of 5 stars (4.8 / 5)


Preorder Isabel Cañas’s new book Vampires of El Norte now!

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Book Reviews

“The Family Game” Glimpses Into The 1%

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Are their traditions innocent or are they darker than they seem?

The Plot

Harry, short for Harriet, is a British writer gaining popularity after the publishing of her first novel. She meets Edward, a member of the widely known Holbeck family, and the two strike up a relationship. The Holbecks are high powered executives, running family businesses that bring in massive amounts of wealth. When Harry learns she is pregnant, the couple decide that it is finally time for her to meet the family.

During her first meeting with the family, Edward’s father, Robert gives Harry a vintage tape that he says holds a story that he’d like her to listen to. As Harry listens to the tape, she begins to believe that the Holbecks have done some very bad things.

As she continues visiting the family, their strange traditions are revealed to her. The games that they play traditionally involve darkness and fear. Can Harriet find out the truth about the mysterious Holbecks?

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The Verdict

Catherine Steadman outdoes herself in The Family Game. She creates such a mysterious family in the Holbecks and their dynamics are intriguing. Readers will follow Harry as she tries to determine the truth about Robert’s misdoings. The cast of family characters are a wonder to watch. We’ve all always wondered what the extremely rich live like. Harry shows us their virtues and misdeeds.

The novel really remarks on the power of wealth and the wealthy’s ability to commit audacious crimes and pay for them to go away. Robert, as the patriarch of the family, is a prime example of such. As Harry begins to discover that Robert may be confessing to a series of murders on the cassette tape, she must decide how to proceed. She knows that the power that Robert holds cannot be taken lightly.

As Harry navigates potentially deadly Christmas traditions, she races for the truth, unable to forget once she finds it. Harry is such a compelling character – a developing mother willing to risk life and limb to protect her unborn baby. Harry is brave and unapologetic and is a true testament on how to write a female main character.

It was very difficult for me to decide between 4 and 5 Cthulus, so we will call it 4.5. This is a novel I highly recommend thriller lovers check out. 4.5 out of 5 stars (4.5 / 5)

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