For being known as an author of heavy tomes, Stephen King has a little-known secret. His short stories are hidden gems.
Many are well known. Movies, good and bad, have been made from them. But there are just so many of them! And some fantastic shorts have gotten lost.
A lot of them. What was supposed to be one blog post about ten short stories has blossomed into a mini-series about fifteen short stories. Seeing as how we’re talking about Stephen King, that makes sense.
Advertisement
For today, though, here are five lesser-known Stephen King short stories that should be more known. Each one is eerie, creepy, gory, and guaranteed to stick with you.
Jerusalem’s Lot
From Night Shift, 1978
Often seen as a precursor for the much longer ‘Salem’s Lot, Jerusalem’s Lot can be seen as a test run. Or proof of concept.
Set in older, Victorian-like times of manservants and superstitious townsfolk, this story is about a man named Charles. He’s moved into an old family house with his manservant, Calvin. Together they discover rats and undead monsters dwelling in the walls.
Advertisement
Told in a diary entry and letter formula, the story reads like a love letter to Bram Stoker’s Dracula. The atmosphere is eerie, the ending is bloody and gory. Truly a treat for anyone who loves a good old-fashioned vampire story.
Graveyard shift
From Night Shift, 1978
I don’t know what happened to King that caused such fear of rats. But after reading this story, I’m a little freaked out by them myself.
In the bowls of a decrepit textile mill, rats have been breeding and evolving into horrifying sub creatures. Rats as big as cars, rats that can fly. Even a horrifying mother rat who is birthing out baby rats like a queen ant. The main character, Hall, and his monster of a supervisor are tasked with going into the basement and clearing the rats out.
Advertisement
After they fail horribly and die terrible deaths another group is assembled to see what’s taking them so long.
Trucks
From Night Shift, 1978
This short is the basis of the movie Maximum Overdrive. But don’t that stop you from reading it.
The story itself is great. A group of people is trapped in a diner, ringed by sentient trucks that don’t like mankind very much. Many of the characters are only in the diner because they were run off the road by semis. They do their best to survive, trying to think of ways to defeat the giant metal machines intent upon crunching them under their already bloody tires.
Advertisement
Strawberry Spring
From Night Shift, 1978
Doesn’t this title sound nice? Strawberry spring is when you get a bout of unseasonably warm weather in late winter before proper spring begins. Imagine that sort of sweet, warm weather sinking into a college campus in the late ’60s, where most of the story takes place. It would bring out everyone from their long winter hibernation.
Strawberry springs don’t happen every year. And in this little campus, they bring with them a butcher called Springheel Jack.
The story of the brutal on-campus killing spree is told from the point of view of our unnamed narrator. He’s an adult now, reading in the paper that Springheel Jack is back. And he, our narrator, doesn’t remember where he was last night.
Advertisement
Or why he’s afraid to open the trunk of his car.
Quitters Inc.
From Night Shift, 1978
Do you smoke? Wouldn’t you do anything to quit?
That’s the situation that our main character, Dick, finds himself in. He wants to quit smoking, an admirable goal. So his boss tells him about the great way he quit, called Quitters Inc. They guarantee that you will, without a doubt, quit smoking. And you won’t gain weight, either.
Advertisement
Or else they’ll torture your loved ones and make you watch.
What’s scary about this story isn’t the description of what happens to Dick’s wife. What’s scary is thinking of how many people would be willing to sign up for this program.
Stay tuned next week for part two.
Remember if you buy anything from the links provided, we will get some $ back
Published in April 2023, Catriona Ward’s novel, Looking Glass Sound, continues her tradition of crafting intricate narratives that defy easy categorization. Like her acclaimed The House on Needless Street, Ward expertly weaves a web of clues and red herrings that will unravel with each reread. Is it an atmospheric horror, a twisted serial killer mystery, or the coming-of-age tale of a writer? The answer, as Ward skillfully demonstrates, is all three.
The Plot.
In 1989, sixteen-year-old Wilder Harlow, travels to the Maine coast with his mother and father, for the summer. His family has inherited a cottage on Whistler’s Bay, all hope that this will be a fresh start for him.
On the first day, Wilder meets Harper and Nat; teens who roam the town with little to no adult supervision. The two quickly become his guides to the town’s hidden secrets.
As they explore the bay’s eerie beauty, Wilder discovers a sinister undercurrent. A terrifying figure known as the “Dagger Man” has been terrorizing families; breaking into homes and photographing sleeping children at knifepoint. Meanwhile, a more chilling mystery unfolds: women have been vanishing from the town for over a decade.
Wilder and his new friends are drawn into the mysteries and the truth begins to unravel as they explore the hidden corners of the bay.
Advertisement
This is only the first section of the book. What follows is Wilder’s experience through college, eventually returning to Whistler Bay as an elderly man. On his return things begin to twist and we find that everything we’ve been told is not strictly fact.
Highlights.
Catriona Ward is known for writing strong characters and here she does not disappoint. The novel introduces us to Wilder, Nat, and Harper as teenagers whose complex dynamics and relatable angst draw us in. Wilder’s college roommate, Sky, adds another layer of depth, offering a poignant exploration of queer coming-of-age. While Ward’s intricate plot keeps us guessing, it also presents a minor challenge: the sheer number of twists and turns can sometimes blur the lines between characters: making it difficult to keep track of names and relationships. The introduction of two characters named Sky and Skye, in particular, can be confusing. Despite this, Ward’s character development remains consistently strong. Looking Glass Sound is a compelling exploration of human connection and the complexities of memory.
Drawbacks.
The overwhelming drawback for this novel was the structure. The first half of the novel follows a straightforward, linear timeline, allowing us to connect with Wilder and his friends on a personal level. However, the narrative takes a significant detour in the second half, adopting a complex frame-within-a-frame structure, or perhaps more accurately a book within a book… within a book. This shift can be disorienting, as readers are constantly pulled back and forth between different time periods and perspectives, often only to discover that certain events were not entirely as they seemed.
While this unconventional approach adds a layer of intrigue, it can also make the plot feel fragmented and difficult to follow. Ward’s decision to interrupt the narrative with explanations and asides can sometimes disrupt the pacing and immersion. While this choice may be intentional, it can also leave readers feeling lost and confused.
The Final Take.
This is not my first Catriona Ward novel, nor it will be my last. Ward writes stories that are built to confound the reader and make them question everything they’ve read. Looking Glass Sound pushes this a little too far. In my opinion is the weakest of her novels that I have read so far. In saying that I did enjoy the atmospheric horror of the introductory chapters and the dark academic feel of the college section. Following that I found myself becoming a little fed up with deciphering the plot.
“You can’t win against the mountain. The mountain always finds a way.”
Published in July 2024, Alisa Alering’s debut novel, Smothermoss, is a chilling blend of folk horror and dark fairytale. Though concise, this novel packs a powerful punch, its narrative dense with metaphor and a suffocating atmosphere. Not for the faint of heart, Smothermoss is a haunting exploration of the sinister lurking beneath the surface of the ordinary.
The Story.
Set in the rugged Appalachian Mountains of the 1980s, Smothermoss follows the lives of sisters, Sheila (17) and Angie (12). The two live with their mother and an elderly woman in a crumbling cottage in the forest. Both Sheila and Angie are the object of ridicule and bullying within their school community, the sisters cope with this bullying in starkly different ways. Sheila retreats into silence, avoiding conflict and longing for escape. Angie, meanwhile, immerses herself in a fantasy world, battling imaginary Russians and believing her handmade cards hold prophetic power.
When two women hikers are brutally murdered on the nearby Appalachian Trail, Sheila becomes more withdrawn and avoidant of the world, while Angie becomes convinced she’s destined to capture the killer. Little do they know; a far greater evil lurks in the forest.
Advertisement
Highlights.
Alering’s masterful characterization of Sheila and Angie was the true gem of Smothermoss. Despite being told in the third person, the alternating chapters offer a bone deep immersion into each sister’s perspective. In recent fiction, author’s have not quite captured the authentic voice of a young character. However, Alering nails it. Angie’s pre-teen naivety shines through and never accidently matures past its 12-year-old existence. While Sheila’s late teenage anxieties and queer coming-of-age struggles are beautifully rendered.
Another highlight of this story is the lyrical prose. Smothermoss has a rhythm; it reads like poetry in places and in others could be mistaken for a children’s fable. Reading about the visceral and raw events and thoughts contained in Smothermoss, in such beautiful but simple language adds to the unsettling experience, and enjoyability, of reading this story
Drawbacks.
There were a couple of things that had me a little confused during this book. Several shorter chapters leave the sisters entirely behind and focus on rabbits and other forest animals. At first, I interpreted these to be metaphoric. The animals standing in for the killers point of view, or perhaps the murdered women. This book is so heavy with metaphor that this seems plausible, but I finished the book still questioning myself about this.
The other issue I found was that many of the subplots in this story are left unexplained or unfinished, turning to the last page with many questions that will never be answered. (Which has resulted in sleepless nights because I just want to know what exactly that rope is among other things!)
The Final Take.
At its core, this is the story of two sisters growing to understand each other and supporting each other through adversity.
Advertisement
Beyond that, Smothermoss feels like a fairytale dragged through the mud.
The small size of this book (just over 250 pages) might lead people to think it is a quick or easy read. Don’t be fooled, as Shakespeare said, “though she be but little, she is fierce.” This is a complex story, with heavy themes and dark subtext.
I want, and hope, to read this story again because I know that there is much more to uncover here. The metaphors are dark and unnerving, the characters deep and moving, the natural imagery thick. I was not at all surprised to find out that Alering grew up in the Appalachian Mountains. Only someone familiar with the area could have described the people and place with so much heart.
Leslie J. Anderson’s debut novel, The Unmothers, is a chilling folk horror that delves into the darkest corners of motherhood. Published in August 2024, this slow-burn tale introduces a world where women’s rights are under threat.
With a subtle touch of Eldritch horror, Anderson weaves a narrative that explores the complex themes of motherhood, choice, and the lengths a woman might go to maintain control over her own body and destiny.
The Story.
Journalist Carolyn Marshall is sent to cover the story of a horse giving birth in the rural American town of Reaford. The attraction of this occurrence for a newspaper? That the baby is a healthy human baby boy. Marshall quickly debunks this story but decides to stay in town and follow her journalistic instinct to a bigger scoop. Beneath the town’s quaint facade, Marshall uncovers a web of dark secrets. A drug epidemic is ravaging the community, immigrant workers are dying under mysterious circumstances, and the town’s powerful patriarch, John Daily, seems to hold everyone in his debt. As Marshall delves deeper into these troubling issues, she becomes increasingly entangled in the lives of the locals. Through her interactions with the townspeople, Marshall hears whispers of a sinister presence lurking in the nearby woods. The locals share chilling tales of what a young woman in Reaford might do to terminate an unwanted pregnancy. As the story unfolds, Marshall must confront the terrifying truth about the town’s hidden past and the dangers that lurk within its borders.
Highlights.
I was never a young girl that oohed and aahed at the sight of a horse. After reading The Unmothers though, yeah, I get it. Anderson’s vivid descriptions of these magnificent creatures brought them to life in a way I’d never experienced before. The way she portrays their gentle nature, combined with their raw power and potential for brutality, is both captivating and unsettling. It’s a testament to Anderson’s skill as a writer that she can make even the most mundane details of these animals feel extraordinary.
Advertisement
Drawbacks.
The Unmothers is a complex novel that delves into the interconnected events of a rural town, both past and present. In the first half of the book, the sheer number of characters and viewpoints can make it difficult to keep track of the plot. However, there are a few pivotal revelations that occur near the midpoint. This helps certain characters become more prominent and memorable, making the story easier to follow.
The Final Take.
The Unmothers is a haunting and unforgettable read that will leave you both terrified and deeply moved. Anderson’s masterful storytelling draws you into a world where the line between the natural and the supernatural is blurred. The novel’s focus on horses, a subject I’m not particularly knowledgeable about, was a pleasant surprise. I was fascinated to learn about the unique characteristics of foals, including the tentacle-like growths on their hooves which had me Googling for proof. This book is a must-read for fans of horror, folk tales, and thought-provoking fiction. It’s a powerful exploration of motherhood, choice, and the dark forces that can lurk beneath the surface of even the most seemingly idyllic communities.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
Jennifer Weigel
March 25, 2021 at 7:53 pm
I love King’s short stories. Nightmares and Dreamscapes was my favorite collection.