Top 15 Scariest Psychological Horror Movies
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5 years agoon
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PARZZ1VALPsychological Horror–The Last 5 Years: A Comprehensive List
Looking for a film or two that’s guaranteed to make you think? Compiled here is a list of films that both scared me to the core and left clean cuts turned infected wounds in my brain. This list will include my recent favorite psychologically scary films that either made my head spin, or made me want to rip my head off altogether. You’ll also find a mentioning of popular films which can be classified as Psychological Horror, but are on many other popular horror movie lists. A bonus Honorable Mention section, just to make sure everyone leaves with a new movie or two to look forward to. This is a SPOILER FREE ZONE. Stay tuned for my upcoming lists!
What is Psychological Horror?
To me, it’s about experience. My experience and how each piece of art tells me a story that transcends time. I want to be tortured and left for carrion, so I put MUCH weight on the way a movie leaves me feeling. I want to go into a film, get excited over dread, and leave the film worse off. If a movie encouraged my heartbeat to join the auditory cues and inspires me to tell someone else about it, you’ll find it on this list. If a film causes me to lose sleep, cry in horror, and pushes me to think about the world around me differently, you’ll find it on my list in the higher numbers. All of the films listed here are rated either R or TV-MA. None of them being kid-friendly.
Pop-Horror
I will not include certain movies I’ve seen on this list, for various reasons. If I get positive responses on this post, there are plans for many movies not listed here to go on other recommendation lists (i.e. foreign films, movies older than 2015).
I have tried to compile a list of films which are not as popular. I don’t want to take up spaces for the more well known films, so this list serves you best. Except for the final movie on this short list, which is here because I’m not smart enough to review it. Yet.
Those films are:
- Hereditary (2018)
- Midsommar (2019)
- It Follows (2015)
- Get Out (2017)
- Us (2019)
- The House That Jack Built (2019)
I did enjoy the movies above, and if you’re missing out on any of them, it’s time to get on it! If you’re looking for MORE. If you need more good, meaningful, horrifying AND terrifying Horror in your life, read on.
Scare Me! Spook Me! Freak Me Out!
In order of their effect on my psyche and my overall rating. Please note that not all of these films are considered as being a part of the Horror genre, but they certainly all hold horrifying stories.
15. The Nun (2018)
Director Corin Hardy adds to The Conjuring Universe with this dark, brutal, horrifying flick. Set in 1952, The Nun is the start to the storyline of Ed and Lorraine Warren’s accounts of life experiences. We follow the investigation of the death of a young nun. And it get pretty damn spooky.
Not only are there Mystery and Thriller qualities, there’s a touch of Psychological Horror, a touch that spreads ’til the very end. In addition to the great use of sound and lighting, the atmosphere is a dread filled and fear inducing promise. The first half is a tad sluggish, which is why it is not a higher number on the list. If you decide to only watch one film from this franchise, make The Nun it.
14. Hush (2016)
Starring Kate Siegel and John Gallagher Jr., this terror of a film is often classified as a Slasher Thriller. Meh. That’s fine, but this movie is much more than an average, surface level Slasher OR Thriller. Our main character being a reclusive author who’s under attack by a sadistic killer. Oh, I forgot to mention, SHE’S DEAF! Can you imagine yourself in her shoes? Just try.
The director of Hush, Mike Flanagan, uses lighting and sound in effective, smart ways. The reason Hush is so far back on my list isn’t because I didn’t like it as much as the others, but because it was formulaic and although this movie scares me at points, I haven’t lost any sleep. There’s blood, of course, and a few disturbing scenes, but the reason Hush made this list is purely because of the portrayal of our main character’s resilience. Great place for you to start on this list if you’ve ever felt like you’ve had to fight odds. So, all of you, I assume. It’s currently streaming on Netflix, so watch it while you can!
13. Mother! (2017)
Jennifer Lawrence turns heads with this killer performance. Darron Aronofsky, our writer/director, takes us on the Hellish journey from sanity to complete insanity, without batting an eye. We follow a woman when life abruptly changes because these particular strangers find their way to her doorstep.
With a runtime of over two hours, I’m pleasantly surprised with how much is fit in. The only reason this jaw-dropping film isn’t higher is because as the bloodfest of an end nears, I can see people being turned-off. You should make it out ok on the other side if you prepare to feel hopeless. Oh, and plan on getting offended. It’s available on Hulu at the time of this publication.
12. Cam (2018)
A Netflix movie on a top horror countdown? Yaaassssssss! Cam, directed by Daniel Goldhaber, is a piece of art, the way it weaves in and out of the everyday lives of every American. And in raw story, every human. We follow a ‘cam girl’, played by actress Madeline Brewer, as she desperately struggles to regain control over the recent chaos caused by a…look-a-like? a…doppelganger? an…alien? a…psycho?
Ripping open the wounds many Americans already have and bringing attention to the fear in everyone else is bottom line. With sophistication and care, Cam gives us little treats along the way, and we get a good sloppy kiss at the end. It’s on Netflix, check it out!
11. Head Count (2019)
Follow me on a mind-bending joyride filled with gorgeous camera work and an even more stellar score, audio cues, and aesthetics. Head Count socks Horror a good black eye in 2019. Our main character, played by Isaac Jay, gets sucked into a new group of friends while visiting his brother, and we’re twisted through the shocking events in the following days.
Elle Callahan, the director of Head Count, had a clear vision, and executed it with passion. I really wish I could put this higher on the list, but the first half is a little slow in getting off the ground. It may look like another Teen Slash ‘Em Up and Dish ‘Em Out by the cover, but the complicated emotions and moral concerns are pushed to the surface. It’s on Netflix!
10. The Blackcoat’s Daughter (2015)
In this dreamy, corrosive flick, we follow a set of girls during winter break at an empty boarding school. Yes…a boarding school. I know, I know. It’s okay, don’t worry, just keep reading. Oh, yeah, and there’s some sort of, well, something’s amiss. I understand, this sounds just like many other horror movies around, but this is superb. A terrifying, concussive look into the eyes of evil.
The director, Oz Perkins, exhibits rich vision in this non-linear story. The beautiful Emma Roberts stars alongside a small cast, and they all give good weight to the severity of silence. I expect more character exploration in such a dark, soul-stirring horror, but the film does invite us for a little dance, and after we agree with excitement, we are thrown in the pit with a lion or two. Currently, it’s available on Netflix.
9. Braid (2019)
Colors, saturated and vibrant, wind us through this radical tale of symbolism and metaphor. Wrapped up in a box and garnished with a bow, I didn’t see how far this film, directed by Mitzi Peirone, stretches. After my first viewing, I left unsatisfied. I distinctly remember thinking “Huh. What the fuck? Okay…”, which is similar to my thoughts after my first viewing of Enemy (2013). And just like I did with Enemy, I gave Braid another chance.
We follow three friends on a hallucinatory kick, and over time it’s almost as if we begin to question the sanity of the film. Brilliant. It’s like watching a poem. A poem in a different form. I love very much when I gain more insight and can find literature in film during a second, sometimes third viewing, so yeah, totally, these movies should continue to be made. But it is not near the top of the list simply because the value isn’t as…accessible. I’m watching for Peirone’s next piece, watch her bloom into her final form. Available on Amazon Prime currently.
8. The Wind (2019)
IFC Films! I seem to be enjoying more and more of these in recent years. You too? We follow a hardworking woman, played by the gorgeous Caitlin Gerrard, try to live in the boonies during the American frontier. The dread peeks in and pushes through, little by little, until it’s got you by the throat. Director Emma Tammi knows how to create claustrophobia in isolation. Talent.
Sweet, sweet metaphor. This may take a second watch to fully comprehend each capsule of vital information, the deep scarring; and at times the film seemed long and tedious, which is why it’s sitting near center. The complicated relationships and tensions developed in each is a brilliant addition to this slow burn.
7. The Invitation (2015)
Paranoia festers as we follow a man, played by actor Logan Marshall-Green, attend a dinner party at, wait for it…his ex wife’s house. As his suspicion of his ex grows, we flip-flop in our loyalties. How cool is that? A movie can induce an experience like this?! Cool.
Although I wish lighting and sound were utilized more, Karyn Kusama, the director, knows how far in each direction to pull us. Very clever. The epic final few seconds of The Invitation is guaranteed to invoke a little smile. It’s available on Netflix, but has been for a while. If you haven’t seen it yet, now’s your chance!
6. The Neon Demon (2016)
Nicolas Winding Refn executed his clear vision in this slow burn Horror flick. The atmosphere brings a dream-like, visceral experience. We follow a character, played by Elle Fanning, and her spiral into conformity. The film feels vain, but I mean, the tension and point blank reality leaves a bleak outlook on humanity.
I’m impressed with the patience in The Neon Demon, the twisty, sometimes questionable pacing, leads to a grim payoff. To improve the film, there should be more given to us from the characters. I see development, but character depth isn’t fully realized. The possible political agenda is evident, but doesn’t take from the film’s gravity. It’s about time for a re-watch, it’s on Amazon Prime, anyone want to join me?
5. Green Room (2015)
Patrick Stewart a neo-Nazi? This alone rocks my world. We follow Anton Yelchin’s (miss you, buddy) character move through the consequences of the situation he’s found himself in. Stuck in a room at a punk rock spot, he and his buddies are forced to do what they can to simply survive. The special effects, the violence, looks real. Like, REAL. I found myself wondering if this is the most disturbing, graphic, fucked up movie I’d ever seen. I’m not certain to this day, but it’s definitely high up on that list.
Want a movie that may make you question those around you and uncover motives of even the most mundane of behaviors? Watch Green Room. Make sure you have plenty of time to decompress afterward, and you should enjoy this with at least one other person who’s not seen it. There are some horrifying pieces in this film, but I have yet to discover implicative horror that I should be considering for life. Oh! And it’s on Netflix!
Wait. A little disclaimer. If you puke during a viewing of Green Room, sorry. Heed my warning.
4. Unsane (2018)
Unnerving and unapologetic, Steven Soderbergh’s Unsane follows a woman who is (un)?voluntarily committed to a mental health facility, where she finds her stalker working the floor. The film screams for change and evolution of both ourselves and systems in power. Gorgeous.
It’s scary, haunting, and demands attention. Not only is it a mind bendy adventure from a little town between desperation and Hell, but it pushes us there with gentle nudges. Unsane is shot from an iPhone, neat! Making this piece even more relevant. I wish this was higher on the list, I just had a serious love affair with the remaining three features…Shh! Don’t tell my spouse. Please?
3. Daniel Isn’t Real (2019)
This beauty is guaranteed to please fans of Psychological Horror, Cosmic Horror, and Body Horror combined. Feast on this grisly tale of a guy reconnecting with a childhood imaginary friend. In this hypnotic witch hunt, we fight with ourselves while trying to figure out what, exactly, Daniel is.
Daniel Isn’t Real showcases the reason why movies are made. Just grab a beer, pack a bowl, and sit back and enjoy. I’d find myself questioning some aspects Adam Egypt Mortimer included, but those aspects found their way to reason. After you try this film, move on to my number two choice, which was an earlier release from the same team of people.
2. Mandy (2018)
Nicholas Cage is still around? Apparently so, and boy am I glad. The film he was born to make. A role that could be filled by none other. In this trippy, heavy metal inspired piece, we follow a man (Cage) and his lover as their world is turned upside down by a travelling cult. Here, one of those films I said made me want to just rip my head off completely and let it roll across the wood floor. Okay…and we’re moving on…
It’s common to be unable to genre classify masterpieces, and Mandy is no exception. Panos Cosmatos knew exactly what he wanted to create, and did it. Flawlessly. I STILL think about this film, over a year later. The neon red glow mixed with the stylish, insightful score. Allow yourself to let go of all preconceived thoughts on what a movie should be before you sit down to watch this, and your mind will be blown. Find it on Shudder.
Psychological Horror: Honorable Mentions
- Ready or Not (2019)
- Nocturnal Animals (2016)
- Summer of ’84 (2018) See my full review here.
- Personal Shopper (2016)
- It Comes At Night (2017)
And my top Psychological Horror movie of the last five years is…..
1. First Reformed (2017)
Oh, how my psyche has suffered. Talk about someone born for a role…Ethan Hawke brings pain and severity to Paul Schrader’s lacerating direction. And a gift to humanity is born, a film we’d all be good to study. We follow a self reflecting pastor spiral after a meeting with an environmental activist. And it’s damn good. Dark and deceptive. Perfection.
I see so much of myself in Ethan Hawk’s character, and this scares the living shit out of me. It was a ‘paranoia obsessed and couldn’t find motivation to push forward in life until I broke down my feelings on this piece’ kind of thing. I lost sleep, my appetite, and felt pure hopelessness. Days later, after my thoughts were arranged in a manageable manner, I of course moved on. Every once in a while this piece pops back up in my mind.
But Ethan Hawke’s portrayal of turmoil in First Reformed is beyond something you can practice. It’s something only another who has first hand experience with torturous thoughts can reproduce. I feel…undeserving of this film. Now it’s time for you to experience this too.
PARZZ1VAL–How To Connect:
I’m real interested on your thoughts on this list. What would you add or take away? Did you find anything to add to your queue? Argue me in the comments why your list is better!
- Email me @ parzz1val@yahoo.com
- Follow me on Twitter @Parzz1V to catch my next Horror-ific list.
- Comment below what you’d like to see from me next!
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Movies n TV
Anna (2013) To Some, Mindscape to Others, a Thriller Film
Anna (2013), also known as Mindscape, is a psychological thriller of a struggling memory detective named John.
Published
17 hours agoon
February 21, 2025Anna (2013), also known as Mindscape, is a psychological thriller directed by Jorge Dorado. This R-rated directorial debut stars Mark Strong, Taissa Farmiga, Brian Cox, Saskia Reeves, Richard Dillane, and Indira Varma. As of this review, interested viewers can watch this film on VUDU, Hoopla, Plex Channel, Pluto TV, Roku Channel, Tubi TV, Amazon Prime, and more. Anna originally released in 2013, but it released in the US in 2014.
Struggling to return to his work as a memory detective, John (Mark Strong) pursues a new assignment. Anna (Taissa Farmiga) views John as her last chance to prove her innocence before she’s condemned to an asylum. As John searches through her memories, a tale of abuse and manipulation unravels.
What I Like about Anna (2013)
Anna earned three nominations but no award recognition. From the Sitges–Catalonian International Film Festival, it earned a nomination for Best Motion Picture. The Goya Awards recognized Jorge Dorado with the 2014 nomination for Best New Director. Finally, Anna received a nomination from the Gaudí Awards for Best Art Direction.
Taissa Farmiga’s performance balances the line between suspicious and innocent, which is necessary for this unraveling mystery. It’s a delicate role, but Taissa Farmiga brings to life the material given.
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Anna‘s plot rotates around a new fringe science that’s slowly gaining traction. It’s less a dissection of this science and more a norm that Anna expects viewers to believe. It’s an interesting concept, though not unique. Still, it’s a nice additional dynamic to the mystery.
While not a horrifying film, it does deliver a mystery that keeps viewers engaged with enough hooks to add an extra layer before something gets stale. That mystery does linger in the mind in some respects but doesn’t haunt the viewer.
Tired Tropes and Triggers
Despite Anna not depicting these moments, sexual assault remains a recurring element of the film. Little remains conclusive, with some suggestions that these are false allegations. Furthering this point, the film depicts Anna as a manipulator and flirt when some incidents suggest she’s a survivor of assault.
Derogatory language might upset some, but these remain brief moments. The use indicates a particular character’s immaturity, but I’ll raise the point regardless. Furthering this line of analysis is a moment where a bullied character is implied to be gay, but it’s likely just an insult.
While not inherently a trigger, this new field of science earns the claim of being somewhere between forensic science and lie detector tests, a massive gap that anything can fit in. It makes everything subjective when the film wants to claim absolute evidence. I can’t help but wonder what exploring that unreliability might look like, but that’s not this film.
What I Dislike about Anna (2013)
The biggest deal breaker for some is this concept of a teen mastermind. I won’t go into details about the mystery, but I am often fatigued with this idea of a teen femme fatale. While Anna gives enough mystery, it’s an overused trope.
Mark Strong’s performance delivers on the material, but John seems so easily manipulated for someone who does this as a profession. While out of practice, I don’t understand why he believes or doesn’t believe information. If Anna depicts John as overly critical or gullible, the film will have a more consistent character.
I assume there remains an understandable reason for the name change, but Anna appears as a common title for a film, spinning a series of some recognition. Mindscape also earns some recognition and competition, but it’s a more memorable title than a single noun name.
Final Thoughts
Anna provides an interesting concept and mystery, but many shortcomings hinder the execution. Viewers eager for a psychological mystery with a drop of sci-fi, Anna delivers an engaging story. However, the market does provide competition, making it a tough film to recommend. (3 / 5)
Movies n TV
Tips on Raising Evil from “The Demon of Parenthood”
The assessors investigate cursed toys in an attack against commerce, but Ben has a finger on the issue in “The Demon of Parenthood.”
Published
19 hours agoon
February 21, 2025“The Demon of Parenthood” is the eighth episode of season 3 of Evil, created by Michelle King and Robert King. The central cast includes Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, Christine Lahti, and Andrea Martin. As of this review, it’s available through Netflix and Paramount+ and its add-ons.
The assessors investigate cursed toys in a terrible attack against commerce, but Ben (Aasif Mandvi) has a finger on the potential issue. David (Mike Colter) receives another task from the Entity. Kristen (Katja Herbers) learns more about her missing egg. Leland (Michael Emerson) invites Dr Boggs (Kurt Fuller) to the darker side of spirituality. Sheryl (Christine Lahti) takes her granddaughter to work.
What I Like about “The Demon of Parenthood”
I enjoy the espionage aspect of the Entity, pushing David to questionable grounds as he navigates what’s right against what’s demanded of him. While this plotline doesn’t reach its full potential, this episode highlights one of the more interesting opportunities of this idea. The Entity consistently interferes with the procedural case, possibly covering up abuse to support its objectives. This episode highlights this dynamic to perfection.
Kristen gets pulled in multiple directions, forced to question her trust in David, and faces a unique horror after learning about her missing egg. While I won’t dive deeper into this issue for this review, it’s safe to say this episode belongs to Kristen, and Katja Herbers delivers.
Her unsettling night terrors suggest an intuitive understanding of some of the manipulations around her, highlighting these moments to the viewer by proxy. Beyond these meta moments, the execution of these night terrors remains pleasantly unsettling.
- Katja Herbers, Mike Colter, Aasif Mandvi (Actors)
- Robert King (Director)
- Audience Rating: NR (Not Rated)
- Katja Herbers, Mike Colter, Aasif Mandvi (Actors)
- Robert King (Director)
- Audience Rating: NR (Not Rated)
Last update on 2025-01-31 / Affiliate links / Images from Amazon Product Advertising API
Among a constant trail of failures, Leland lingers in the background as he puts pieces together for his master plan. We don’t see the full scope of his vision yet, but the suspense it builds for future episodes earns its place. I’m interested to see how these plots will evolve, even if Leland’s luck seems to turn sour. Perhaps it’s because of this dynamic that the tension works so effectively.
With a shocking moment tied into this episode, “The Demon of Parenthood” creates one of the more haunting episodes. However, the greatest accomplishment in the episode is what it establishes for the future of the series. While not all these points follow through by the end of Evil, it’s still an episode that ripples across the show’s progression.
Tired Tropes and Triggers
Without diving into too many details, spousal abuse and murder occur in the episode. This abuse might indicate a demonic influence, but such points remain speculation.
A severed body part and some gore stand out in this episode. It hardly earns enough attention from fans of gory horror, but the squeamish should tread carefully toward the end.
What I Dislike about “The Demon of Parenthood”
Many dropped ideas seem genuinely interesting, building to some potential development that receives little payoff. Missing these opportunities will never feel satisfying. While some changes are understandable, it creates holes in the narrative. For example, Dr. Boggs’ dark seduction slows in pace, becoming implied or withheld from the audience soon after “The Demon of Parenthood.” These experiences often adapt the concept of evil that the show seeks to bring to life.
Sheryl’s compliance with Leland’s plan still seems underdeveloped as a concept, especially with how far she takes it in this episode. While later episodes add a different perspective, I can’t help but feel these are retcons or concepts not thoroughly thought out.
Final Thoughts
“The Demon of Parenthood” progresses the plot and delivers some genuinely haunting moments. While a retrospective assessment does note many missed opportunities, the episode stands up beyond these missed opportunities. (4.5 / 5)
Movies n TV
You’ll Have a Bloody Good Time with this Eternal (2004) Health Tip
When Raymond Pope’s wife disappears, he follows the trail. But each lead points him to the Eternal beauty of Elizabeth Kane.
Published
2 days agoon
February 20, 2025Eternal (2004) is a horror thriller written and directed by Wilhelm Liebenberg and Federico Sanchez. This R-rated film stars Caroline Néron, Victoria Sanchez, Conrad Pla, and Ilona Elkin. As of this review, it is available for Amazon Prime members with renting options from Spectrum on Demand.
When Raymond Pope’s (Conrad Pla) wife disappears, he’s swept into the mystery of Elizabeth Kane (Caroline Néron). As his investigation becomes increasingly bizarre, bodies pile up and point to Raymond Pope. Will he clear his name, or will this bloody rampage drown him?
What I Like about Eternal
While all of the performances add to the film, Eternal thrives on the charisma and mystique of Caroline Néron’s Elizabeth. She enchants her targets, lowering their defenses until that final moment.
Conrad Pla’s Raymond Pope also requires a delicate approach to succeed. The sleazy and hypocritical detective seems genuinely concerned for his wife (at least initially) and sells that concern. While far from an easy character to root for, the audience understands him and the danger he faces.
There’s a heavy erotic thriller angle that Eternal delivers on. I’ll linger on this point in later sections, but it certainly knows how to build tension within a single scene or between characters. These moments don’t feel forced, and while they often target a male audience, interesting dynamics rise above general exploitative content, if only slightly.
This seems to be a passion project between the creators, Wilhelm Liebenberg and Federico Sanchez. This passion lingers in the moments to deliver something unique, if not without its flaws. The film doesn’t hold back, a point that fluctuates between negative and positive depending on the situation. Regardless, it holds a charm in that commitment that’s hard to replicate without passion behind the scenes.
Tired Tropes and Triggers
The film labels itself as “Inspired by True Events,” which only relates to the general discussion of Elizabeth Báthory. It’s also worth mentioning that, much like Vlad Dracula, her story remains heavily dominated by modern interpretations. I won’t pretend to hold exclusive knowledge of these historical figures, but cultural interpretation reduces realism. The claim means little to nothing.
The predatory queer trope applies to Eternal, with little complexity to challenge the point as the violence often targets women. It’s important to note that Elizabeth acts as a femme fatale in general, but the targets remain clear. However, this film did earn a moment of recognition from the Glitter Awards (a clip was used in 2006), which might suggest the standout performance of Caroline Néron’s Elizabeth earns back some goodwill.
What I Dislike about Eternal
The erotic thriller holds a stigma that Eternal doesn’t challenge. Elizabeth remains a clear femme fatale with a slightly supernatural twist. While the performance executes this character perfectly, viewers likely know if this remains an interest or a tired cliche for themselves.
While most of Raymond’s acts make sense for the character, I hold issue with the end. Without going into too many details, he is asked to do one thing to protect himself and does the opposite for no reason. Perhaps this indicates supernatural influence, but such a claim lingers in headcanon.
The film ends ambiguously, which hardly seems fitting given the evidence and weakens the overall film. A definitive ending, or something moderately more definitive, would strengthen Eternal.
Final Thoughts
Eternal’s major obstacle in executing its erotic thriller is that of tired tropes in the modern era. If one looks past these dated points, there’s a haunting thriller that can meet moments of excellence. The plot falls short in many areas towards the end of the film. Ultimately, if a vampire-esque thriller interests you, Eternal certainly adds its perception to the niche but in a familiar form. (3.5 / 5)
Evelyn C
January 2, 2020 at 10:43 am
The Nun? Noooooooo. I giggled the entire time watching that movie. Everything was so trite and predictable. Hush I loved, but I remember watching a video on Youtube in which a deaf person explained their dislike of how deaf people are portrayed. https://www.youtube.com/watch?v=WFfc-TJmmCY
The higher up the list I see movies that I know are just awesome no matter what anyone says and a lot are ones I haven’t seen. The Nun though. . . I wouldn’t even want it on the honorable mentions list. (I guess it really is one of those love it or hate it movies.
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