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The second episode of Tim Burton’s Wednesday is, sadly, not better than the first. Honestly, I’d say it’s worse. Honestly, I’m struggling to understand why this show was as popular as it was. It’s got an 8.1 average rating on IMD, so maybe I’m missing the charm. But we’re two episodes in, and I am less than charmed. 

Wednesday is shocked when Rowan appears back at the school, after being sure that he was dead. But he’s quickly expelled and sent packing. Or, is he? We soon learn that there’s a doppelganger about, who might or might not be Principal Weems.

Wednesday’s investigations are waylaid by Enid, who needs her to participate in a school-wide boat race. When Wednesday sees it as an opportunity to one-up Bianca, she throws all of her creativity behind it.

Jenna Ortega and Victor Dorobantu in Wednesday

Even so, she manages to find a book that she hopes might explain why Rowan thought she was going to kill everyone. This hope is confirmed when she has a vision in the woods of a girl that looks just like her with blond hair, telling her that she is the key. 

Let’s start with the good that came from this episode. I will admit that I wasn’t expecting a doppelganger. I appreciate the involvement of the Principal. Or, is the Principal involved? It’s clear that someone who looked like her came out of the train station. But after all, if this mystery person could look like Rowan, they could just as easily look like Weems. Honestly, the only reason I think it’s her at this point was her reaction to Wednesday’s team winning that boating contest. 


I also do enjoy the mystery of Wednesday’s visions. I want to know why people think she’s going to kill everyone. I want to know more about the mysterious girl in the woods. I want to know why she keeps getting these visions all over the place, and if someone is intentionally leading her to them. Or, trying and spectacularly failing to do the opposite. I’m having a lot of fun with that. 

Now, for the bad. Let’s start with the antagonism between Wednesday and Bianca. They seem to hate each other. Does anyone know why? Is it because Bianca’s ex kind of likes Wednesday? Is it because Bianca beat Wednesday at fencing, then Wednesday knew more than her about botany? Those are rather dull and superficial reasons for even a school-age grudge.

Let’s compare this to a better example. Draco Malfoy and Harry Potter for example. When they first meet, Draco tips his hand right away. He’s a pompous, racist rich kid. Harry’s irritated by him right away, and so are the readers.

There’s none of this with Bianca. She seems like a fine person, who just doesn’t like Wednesday for some reason. She’s not selfish, or cruel. She seems to be worried about Rowan. So, why are we supposed to cheer when Wednesday beats her?

Maybe because she’s the only person in the school who seems to have a problem with Wednesday? This was another thing that bothered me. Through the first two episodes, a lot of noise has been made about Wednesday being an outcast. She’s an outcast, I swear! Even though her fellow students are accepting of her. Even though her roommate is almost peeing on the floor at the thought of spending time with her. Even though boys seem to be throwing themselves at her. Look, if I had been that kind of outcast in high school, I might not have developed my sense of humor if you know what I mean.


Here’s my biggest complaint about Wednesday so far. There are many shows, like Stranger Things, Series of Unfortunate Events, and Avatar The Last Airbender that can be enjoyed by kids and adults. These shows can deal with some heavier topics and darker moments because they’re meant for both grown-ups and kids to watch. The original Addams Family comic strip was the same, as were the movies from my childhood.

Jenna Ortega and Emma Myers in Wednesday

Wednesday is not meant for adults. It’s a show meant for kids. And that’s fine. It’s not only acceptable but good for there to be things intended for children and teenagers to enjoy that their parents don’t like. And yes, these shows can deal with darker topics as well. Lord knows, in this dark world parents need all the help they can get explaining dark topics to their children. So I’m not complaining that Wednesday is a show for children that is going to deal with some dark topics.

My problem is that it wasn’t marketed that way. It was marketed as one of those shows that all ages would enjoy. It was marketed as something deeper than the source material. And it’s not. It’s superficial. It doesn’t have characters, it has caricatures. The dialog and problems are less complex than what would be found in an episode of Power Rangers. It is, frankly, just not that good. And Wednesday deserved better than that. Young people deserve better than that. The Addams Family fans deserve better than that. 

Now, we’re only two episodes in. So maybe the show is going to pull off something special now that the characters are established. Maybe, just maybe, we’ll get something better than the poor reflection of much better content. But right now, I don’t see how that’s possible.  2 out of 5 stars (2 / 5)

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Movies n TV

Shutter Island (2010): Review



Leonardo Dicaprio’s films rarely disappoint. It was interesting to see him flex different acting muscles in this psychological thriller Shutter Island alongside Mark Ruffalo and Michelle Williams. When I say that I was not expecting such a turn in the story, I mean that my jaw was pretty much on the floor the entire time. Without any further ado, let’s dive into its mastery, shall we? 

A cliché setup done right 

We have been here before a million times. A character stumbles into a scene to solve a mystery. Everyone is acting just the right amount of suspicion to make you wonder. Dicaprio’s Edward ‘Teddy’ travels to an extremely remote island where a woman goes missing from a psychiatric institution. He’s experiencing migraines and flashbacks to his murdered wife while receiving little to no help from the hospital staff. 

Teddy soon suspects that the hospital is experimenting on patients which fuels his theories on what happened to the missing woman. Things take even more of a turn when his partner also disappears. Unsurprisingly, everyone insists Teddy came to the island alone. Feeling like he’s losing his mind, our protagonist finds out that this is exactly the case. He is a patient in the hospital and the entire investigation is an attempt to get him to understand the truth. 

Leonardo di Caprio stands in front of the camera looking down, concerned with Mark Ruffalo looking baffled in the background

While the whole ‘it was all in your head’ trope has a bad rep for the fans of any genre, this film uses it masterfully. Watching it for the first time not knowing what to expect is obviously a shock and then watching it again, looking at all the clues that were the which you missed – that’s a treat on its own. After all, there’s nothing inherently wrong with using cliches if they are done the right way. 

Things that go bump in our minds

A huge part of this movie’s storyline is Andrew’s inability to process the truth. The roots for it stretch far beyond the plot twist. Andrew is unable to acknowledge that his wife is mentally ill and believes that moving them to the countryside will fix everything. After she murders their children, he is further pushed into the world of delusion, convincing himself to be a hero because he couldn’t save his own family. 

It’s interesting to note that in his delusion, Andrew is the one who set fire to their house. Is this a little sliver of his mind whispering the truth to him? Is it his subconscious villainizing himself out of contempt, searching for answers that are never going to come? Andrew’s psychiatrist pointed out that his moment of clarity has happened before, only to be undone quite quickly. Perhaps it was easier for Andrew to shut it off rather than live with the knowledge that he could’ve done something to prevent a terrible tragedy. 


Overall thoughts

Shutter Island is a movie that provides both the entertainment value you would expect from a suspense thriller and a deeper layer of thought. Coated with a perfect atmosphere and amazing acting, it’s a piece that will definitely hold the test of time.  4.5 out of 5 stars (4.5 / 5)

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Movies n TV

Wheel of Time, Daughter of The Night



We’ve reached episode four of Wheel of Time, which means we’re halfway through the season. While it doesn’t seem like much has happened so far, this is the episode where things start heating up.

The Story

We begin this episode with a flashback. Ishamael is raising something dark and twisted. As we watch, it takes the shape of a woman.

More on that in a bit.

Meanwhile, Nynaeve is healing from her time in the arches. She is quiet and withdrawn. She’s also awkward and uncomfortable around Egwene now that she’s initiated and Egwene is not. Her new friendship with Elayne isn’t helping.


But the three girls come together when Liandrin tells Nynaeve that Perrin has been captured by the Seanchan.

Zoë Robins, Madeleine Madden and Ceara Coveney in Wheel of Time.

However, Perrin is no longer in the clutches of the Seanchan. He was rescued by Elyas and a pack of beautiful wolves. Beautiful and deadly AF by the way. If you have any fear of dogs, this episode might not help that.

Elyas explains to Perrin that he is a Wolf Brother. This means that he can communicate with the wolves, and eventually will gain some of their abilities. While Perrin and Elyas don’t exactly get off on the right foot, he does find a fast friendship with one specific wolf. After a time, he introduces himself by showing Perrin an image of himself jumping up and down. From this, Perrin assumes his name is Hopper.

Finally, we return to Rand. He and Selene have been off in the mountains. They haven’t done much more than each other so far.

And that’s exactly what it appears they’re about to do when Moiraine bursts into the cottage and cuts Selene’s throat.

Rand is surprised and furious until Moiraine explains that the woman he knows as Selene is the Dark Friend Lanfear. With this shocking revelation, the two run off into the night.


What worked

It should be a surprise to no one that I loved the wolves in this episode. Hopper himself was worth an extra Cthulhu. But this is not just because dogs are cute. It’s also because the dog playing Hopper just does a great job.

On a more serious note, I loved how Nynaeve responded upon coming back to the real world. She isn’t okay.

Zoë Robins in Wheel of Time.

And it’s a good thing that she isn’t. Too often in fiction we don’t see the fallout of emotional damage. Hell, we don’t usually see realistic fallout from physical damage.

But she is hurt by what she experienced. And you can tell. That’s realistic character building, and we don’t see that enough.

I also really appreciate the special effects in this episode. The first time we see Lanfear, she’s eerie. She’s frightening. Part of this is thanks to Natasha O’Keeffe, who does a great job. But the effects are what really sells this.

What didn’t work

If Wheel of Time has any fault, it’s that there is far too much sitting about and talking about things. In this case, there’s a lot of standing about and talking about things. Some of this was necessary, and some of it could have been done better. Honestly, there just has to be a better way to convey that characters are struggling.


This was most apparent with Rand and Selene/Lanfear. Honestly, anytime the two of them were on screen it was a great time for me to catch up on Instagram.

This might come as a surprise to anyone who hasn’t read the books, but Rand is supposed to be the main character. And here we are, four episodes into an eight-episode season, and so far all he’s done is mess about with his emo girlfriend!

That being said, the story is starting to pick up. With four episodes left, I can’t wait to see how far we go.

3 out of 5 stars (3 / 5)

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Movies n TV

Elevator Game, a Film Review

Elevator Game (2023) is directed by Rebekah McKendry and is the first feature-length production of Fearworks.



Elevator Game (2023) is directed by Rebekah McKendry and is the first feature-length production of Fearworks. It adapts the supernatural myth and creepypasta of the same name while providing an original plot. This unrated Shudder exclusive stars Gino Anania, Samantha Halas, and Verity Marks. In full disclosure, I had the opportunity to interview Gino Anania and Stefan Brunner about the film.

Ryan seeks to find answers to his sister’s mysterious disappearance. To do this, he infiltrates a myth-busting web series that seems to have some ties to her final confirmed moments. Desperate to force a confrontation, he encourages them to play the elevator game. Unfortunately, there seems to be more truth to the myth than expected.

A woman bends backward to look over at someone. The street she's on is red and ominous.
ELEVATOR GAME’s Samantha Halas as the 5th Floor Woman

What I Like about Elevator Game & as an Adaptation

I am lucky to have additional insight into the development hell this movie overcame due to COVID. It’s commendable that the film manages to make it of that, even if it requires a lengthy delay of the film.

Usually, I provide a separate section for adaptation quality. However, the source material remains the ritual, which Elevator Game performs accurately. While the myth inspires many creepypastas, Elevator Game doesn’t directly take or adapt any of these works from what I’ve seen. Instead, it makes its own film based on the legend.

As the Fifth Floor Woman, Samantha Halas creates an eerie and disturbing character. While I won’t go so far as to say terrifying, she certainly makes an impression. The revelation that the stunts and performance are all her, as an actual contortionist, I give her more credit.


Gino Anania, given a more complex role than most of his cast members, really does bring a strong performance that creates either friction or synergy with his cast members. I suppose I wanted more of these interactions as some cut sooner than appreciated.

Another amusing element is that the entire motivation for the plot to follow is a forced advertisement from an investor. Something about the chaos being a product of appeasing some investors feels uncomfortably real.

The alternate reality remains surprisingly effective. To be clear, it’s not impressively realistic but stylistic. It genuinely seems like an alternate world with a skewered impression.

White background, rubber stamp with disclaimer pressed against the white background.
Disclaimer Kimberley Web Design

Tired Tropes or Trigger Warning

I feel weird mentioning this, but endangering a sister’s life to push the brother’s story forward seems a common trend beyond one form of media.

No discredit to the actors, but the romance feels rushed and unnecessary. Without going into too much detail, to avoid spoilers, there is synergy between the actors but little chemistry in the plot.

A woman holds a man's arm as an elevator door closes.
ELEVATOR GAME – Verity Marks as Chloe Young and Gino Anania as Ryan Keaton

What I Dislike or Considerations

Elevator Game remains set in providing a B-movie experience. Its tight budget leaves little room to surprise the viewer visually. While I am surprised at what it accomplishes, it’s far from overwhelming. This film also remains the first production of Fearworks, which shouldn’t surprise anyone. I’m interested in the future, but Elevator Game leaves much to grow from.

Rebekah McKendry may have a directorial style that influences dialogue, but the line delivery evokes an overexpression that’s common in Lovecraftian films. I say this not as a direct negative, but it remains a required taste best known before viewing. As this isn’t Lovecraftian, I fear it removes some of the reality and tension of those haunting elements.


Many of the characters feel underdeveloped, making me wonder if cutting these roles might lead to more invested characters. While the performances hit their marks, a tighter cast might give each role more to work toward. As this is a tight cast already, it seems an odd issue to rectify.

Final Thoughts

Elevator Game provides an interesting B-movie experience for those who know the legend. For those expecting something different, this film may not work for you. This film overcame a lot to exist but doesn’t break the mold. While I am excited to see Fearworks pursue further ventures toward its ambitious mission statement, I find Elevator Game falling short of its goal.
2 out of 5 stars (2 / 5)

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