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We open this episode with Tara and her struggle to understand who she is now. She escaped Sookie’s house and now she runs around the woods at night. Tara happens upon a broken down motorist and Tara attacks her, almost eating her until she gets a glimpse at herself in the window. Tara apologizes to the woman and runs to Merlotte’s. Tara asks Sam for help and he gives it. Sam feeds her a ton of Tru Blood and doesn’t ask for too much of an explanation.

Meanwhile, Sookie and Lafayette search for Tara. Sookie goes to Fangtasia and asks Pam to summon Tara. When she refuses, Sookie blasts her with her light hands and leaves. Pam is pretty embarrassed to be tossed around in her own club.

Sookie goes to see Sam and discovers that he is lying about not seeing Tara last night. Tara is closed off in the walk-in freezer as it was the only light tight place Sam could think of.

The Authority gives Bill and Eric the chance to bring in Russell; however, to protect themselves, they make Bill and Eric wear iStakes – a device that looks like a harness and can stake a vampire remotely. This is some great insurance the Authority is investing in.

Newlin enters the Authority’s boardroom and Roman appoints him “the new Nan.”

A photo of Andy naked in Holly’s bed is making its rounds thanks to her teenager boys. Andy confronts Holly with it after being joked about all over town. Holly apologizes profusely.

Jason runs into one of his old teachers at the grocery store. They meet up at her place and we understand that the two had a fling when Jason was still her student. They sleep together again and Jason becomes regretful afterwards, leaving abruptly.

We learn of a very interesting connection between Eric and Pam and Bill and Lorena. We flashback to Pam’s brothel – the brothel where she’d previously found one of her prostitutes drained and dead. It turns out that Bill and Lorena are responsible for killing Pam’s women. Eric comes to Pam’s rescue and stops Bill and Lorena from draining another one of her girls. After Eric kicks Bill and Lorena out, Pam demands $500 for each girl they killed. Eric and Pam make out. I’ve always known they had the hots for their own power.

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After Eric and Pam sleep together, Pam asks him to turn her. When he won’t, Pam slits her wrists and says that he can either turn her or watch her die. We know how that ends. It was really a shocker to see how deeply connected Eric and Bill are and I even gasped out loud. I love getting to see the background so much more.

Debbie’s parents ask Alcide if he knows anything about Debbie’s disappearance because he may have been the last one to see her alive. Debbie’s father gets quite aggressive, but Alcide handles it well. He tells them that Debbie is back on V and that he abjured her.

Andy questions Sookie about Debbie’s disappearance as her car was found near Sookie’s house. Andy seems onto them and this scares Lafayette. Sookie doesn’t seem too bothered, but we know there is still evidence of the murder that took place in her kitchen. Remember – she kicked that tooth under the fridge.

Salome at the Authority headquarters sleeps with both Bill and Eric, seemingly to find out if they are lying about their beliefs. She tells Roman they are not lying and are not fundamentalists. Fundamentalists – like Russell Edgington – believe that humans are nothing but food and should be bred as such. They do not believe in mainstreaming. You can see how this could be harmful to the Authority, whose goal is complete integration.

Meanwhile, Nora is being tortured and admits to being Sanguinista (a fundamentalist).

Jessica is at a store trying on some dresses to impress Jason and smells a man who stops by to get clothes for his girlfriends. She chases after him, saying that his blood smells amazing, but loses him in the woods. Jessica goes to Jason’s house and he tries to kick her out, saying that he is filling a void in his heart with sex. Jessica offers to change into sweats and stay as a friend.

Sookie tells Alcide that she murdered Debbie. He doesn’t take it too well – mostly because Sookie was lying to him, not because Debbie is dead.

Lafayette snaps at Arlene in the kitchen and grabs a gallon of bleach. He pours it into the gumbo he is making and the devil from Jesus appears on his face. When Lafayette realizes what he’s done, he trashes the soup.

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This episode ends with Tara running from Merlotte’s and breaking into a tanning salon. She gets inside and turns the bed up. Pam senses this.

Pam is going to have to take charge of teaching Tara how to act soon or she will be successful in her suicide.

Sarah Moon is a stone-cold sorceress from Tennessee whose interests include serial killers, horror fiction, and the newest dystopian blockbuster. Sarah holds an M.A. in English Literature and an M.F.A. in Fiction Writing. She works as an English professor as well as a cemeterian. Sarah is most likely to cover horror in print including prose, poetry, and graphic forms. You can find her on Instagram @crystalsnovelnook.

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Movies n TV

Fallout, The Past

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Episode four of Amazon’s Fallout wasn’t the best-liked. Of course, that’s relative to the rest of the season. While this is the second-to-last-ranked episode, it’s still an 8.1 on IMDB.

So let’s talk about why it might have slipped a bit but was still a great episode of TV.

The story

Let’s start our discussion of this episode with Maximus.

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After he and Thaddeus successfully retrieved the head from the Gulper, they’re in high spirits. Together they celebrate around a fire, giving a lovely impression of two people who have been drinking despite not seeing a bottle in sight. Thaddeus even convinces Maximus to brand him.

Still from Amazon's Fallout.

While having a good time, Maximus’s consciousness gets the better of him. He admits to Thaddeus that he’s not Knight Titus, but he is Thaddeus’s old punching bag.

Rather than responding to this act of honesty with an equal measure of grace and brotherhood, Thaddeus immediately disables Maximus’s suit, taking the power source and the head. He then leaves Maximus trapped in the suit that he wanted so much, doomed to die in it.

Lucy isn’t in a much better place. If you’ll recall, last episode she drank radiated water out of desperate thirst. She’s now suffering from radiation poisoning. Fortunately, before she succumbs to this poison, she finds Maximus. He has the medicine she needs, and she can free him from his suit before he’s eaten by giant cockroaches. It seems like a win/win. If that is, the two of them can trust each other. And haven’t they both learned that trusting other people might be the most dangerous thing in this very dangerous world?

Ella Purnell and Aron Moten in Fallout.

What worked

The first thing I want to draw attention to is the relationship between Lucy and Maximus. A lot has happened since the last time the two saw each other when there were some sparks but no time to do anything about them. Both have been betrayed and hurt. So while they’re instinct is clearly to trust each other, it’s also to be cautious. And that makes sense. They are both good people, driven by the desire to help others. But both are cautious of being hurt again.

This was not only relatable, but it gave a much different feel to a standard will they/won’t they relationship. Will they be able to trust each other enough to let their feelings out is the real question. Which is a lot more interesting, in my opinion.

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I also found the giant, mutated bugs to be fantastic. They were the perfect blend of cute and terrifying. At first glance, they seem like a larger version of Hal from Wall-E. Then, you realize how few of them it would take to eat someone trapped in place. And how little time it might take.

And how long it might feel like while it’s happening.

We don’t need to see that happen to feel the terror there. And to feel some concern about the tiny pests that sometimes share our homes.

Of course, the highlight of this episode was the political intrigue surrounding Vault 33, and how its leaders always seem to be from Vault 31. This storyline is quickly becoming my favorite part of the season. It’s a dark and creepy mystery, which is always fantastic. But it’s also fascinating to see the character of Norm blossoming into someone whose life has meaning. Because at the start of the season, he was lacking that.

All in all, while this was a slower episode it was still a good one. And its ending certainly left me excited for what was to come.

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4 out of 5 stars (4 / 5)

If you like my work, you can check out my latest science fiction/horror novel, Nova, launching on May 17th. Pre-orders are available now on Amazon.

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Movies n TV

Bodies Bodies Bodies (2022), a Film Review

Bodies Bodies Bodies (2022) is a horror comedy directed by Halina Reijn. This R-rated horror film stars Amandla Stenberg and Maria Bakalova.

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Bodies Bodies Bodies (2022) is a horror comedy directed by Halina Reijn. This R-rated horror film stars Amandla Stenberg, Maria Bakalova, Myha’la, Rachel Sennott, Chase Sui Wonders, Pete Davidson, Lee Pace, and Conner O’Malley. The film is currently available on fuboTV, Netflix, Hoopla, and Showtime.

Sophie (Amandla Stenberg) brings her girlfriend (Maria Bakalova as Bee) to her friend’s hurricane party. Lasting resentment and toxic relationships infest the group, leaving Bee to witness increasingly uncomfortable situations. Soon after, bodies start dropping.

Three Bodies written in white text. Three characters atop the text. Two carry phones while the other carries a sword.
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What I Like about Bodies

The chemistry between these toxic friends gives me anxiety. If toxic friendships aren’t a universal experience, toxic traits certainly make themselves apparent in any friend group, and this film maximizes this experience. It’s not revolutionary, but effective and uncomfortable.

Several subtle clues hint at the relationships of these friends, building up as the story progresses and chaos ensues. I love these moments, though the film doesn’t seem confident that the viewer picks up these clues. This decision hinders execution, an unfortunate point for later.

While the performances are strong throughout, Amandla Stenberg and Maria Bakalova remain the main characters and receive the most opportunities to perform. However, almost every character has a moment, or several, and lives up to those moments once given.

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The twist seems obvious, but that doesn’t hinder the viewing experience. While not the biggest fan of the execution, I enjoy the spiraling chaos it creates.

The opening scene shows the two leads making out for viewer engagement. However, I think the contract toward the end gives this scene added context and plot relevance beyond simply sex appeal. While it is unavoidable that so well, many films will go no further. So, added relevance deserves a nod.

Far from the bloodiest film out there, but it doesn’t hesitate to bleed its cast. It uses this blood and limited gore to add weight to the deaths as opposed to haunting or nauseating its audience.

White background, rubber stamp with disclaimer pressed against the white background.
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Tropes, Triggers, and Considerations

As previously hinted, toxic relationships remain key points in the plot. Falling in line with this are points of spousal abuse (physically and mentally) that should remain a consideration.

Idiocy to push the plot along certainly plays a role in the plot. In this case, I consider it a feature. However, it’s still a required taste for viewer consideration.

Addiction and recovery drive several characters. I’ll avoid pointing to them so as not to give away plot details. However, usage and relapse deserve a mention in this section.

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If any of these are deal breakers, give this film a skip.

A group of friends screaming outside. They all are dressed in swim suits or robes.
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What I Dislike, or Food for Thought, about Bodies

Bodies shifts between a mindless and clever horror comedy, never comfortably sticking to one or the other. It pulls off elements of both with expertise, but the tugging and pulling of these different elements limits the execution of either. Because of the above friction, Halina Reijin gives us all the clues to piece everything together and still tells us. Pick an audience and trust them.

As a horror comedy, this film leans on the humor over the horror. The unraveling of characters certainly earns respect but expect a comedy for a better experience. It’s not a particularly scary film, and it doesn’t try to occupy that space.

Final Thoughts

Bodies Bodies Bodies spirals into a chaotic horror comedy, banking on the toxic chemistry of its cast to deliver both. The film never makes a strong stance in either claiming a mindless or clever horror comedy, shifting between both at the expense of the whole. It remains a bumpy but engaging viewing experience, nonetheless.
3 out of 5 stars (3 / 5)

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Movies n TV

Fallout, The Ghouls

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Episode four of Amazon Prime’s Fallout was a great one for character development. It was also great because one of my personal favorite actors was involved.

Let’s discuss.

The story

This episode’s story revolved largely around Lucy and The Ghoul. He’s still dragging her about on a rope, but we aren’t sure why. While she can track the Head, she certainly hasn’t shared that information with the Ghoul.

What he wants her for soon becomes clear, when he barters her for vials of the medication that keeps him from losing himself to the ghoul illness.

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Ella Purnell in Fallout.

At first, Lucy thinks this is a step up. She’s taken by a robot surgeon named Snip Snip to get a new thumb. Since, you know, The Ghoul shot her thumb off.

However, after stitching a new thumb on, Snip Snip takes her to his masters. Who then say they want him to cut her up for her organs.

Lucy manages to escape and even frees the other people trapped by these organ brokers. In doing so, she comes into the possession of many, many of those vials that The Ghoul needs so desperately.

Meanwhile, Norm is starting to suspect that all is not what it should be in Vault 33. While the rest of the vault is preparing to elect a new overseer, he takes Chet and sneaks off to Vault 32. There, they find some horrific sights. Long dead bodies, next to messages scrawled in blood. There are especially bodies around the door that leads to Vault 31, where someone has written We Know What’s in There on the wall.

Of course, we don’t know what’s in there. But I’m sure we’re going to find out.

Moises Arias and Dave Register in Fallout.

Norm continues to dig, checking for information on the old Overseer’s computer. And he finds that the door to Vault 32 was opened by a Pip-Boy. To be specific, it was a Pip-Boy owned by Norm and Lucy’s mother.

I’m sure that won’t be relevant later.

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What worked

The more I see of this season, the more I like Lucy. She is growing and evolving as a person, just like Wilzig told her she would have to do. She is becoming harder. But her kindness and values haven’t changed yet. She is still a good person. I love that.

I also love the dark, creepy storyline with Norm. I love how serious he is, especially when compared to the rest of his community. I especially love that, even as emotionally disturbed he is by what he’s learning, he seems passionate. And from what we’ve seen of this character, this is possibly the first thing he’s felt passionate about his entire life. I am impressed with the writing and acting that have allowed us to see his lack of passion with minimal focus. He is a fun, well-written character.

Finally, I’d like to shine the spotlight on Matt Berry. He is a delightful actor known for What We Do in the Shadows and IT Crowd. And he is playing the remarkably funny role of Snip Snip, the robot surgeon. His voice lends an extra level of humor to an already funny premise. This was another example of the great casting we’ve seen so far on Fallout.

In the end, this was a great episode from all points. It was fun, heartfelt, and dark. In short, I have no notes. I’m only excited to see what happens in the next episode. 4 out of 5 stars (4 / 5)

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