Daphne Fauber’s Ballerina will have your nuts crackin’
Before you take down that Christmas tree (it’s not July yet!), crack one more yuletide tale open. We’ve got an advance copy of Eerie Christmas 3 by Black Hare Press and I was able to sit down with author Daphne Fauber to discuss their story, ‘The Ballerina’. This review is two parts–Part 1 the story of The Ballerina and Part 2 the overall feel of the Eerie Christmas 3 anthology.
The Ballerina: Get them nuts a crackin’
Full Disclosure: Although Daphne is a writer for this site, my review is independent and there’s nothing in trade, etc.
One of the perks of owning a horror business is that you can meet cool people in horror. Daphne is one of the most talented new writers I have seen in a long time. Rarely do we find someone who is both a product of their generation and able to navigate their artistic world through that lens–yet not being controlled by that lens.
Prose can be important and a clean, crisp copy is something readers can immediately get into. Daphne’s writing is not quite minimalist but it is crisp. If you’ve read Ray Carver before and seen what Lish did to his writing (a great before/after snapshot is found in Beginners), then you’ll have the measure of Daphne’s prose–not Lish minimalistic and not Carver’s original style, but the happy medium. It gets to the point. It is what Bruce Lee would call ‘Economy in motion’.
Not only does her writing push the story without the weight of ‘extra’, but she hits the crowd running (oh, Van Halen drop!) from the first line.
“Tiny pointe shoes danced across the floorboards, each step met with the plink of ceramic against wood.”
Daphne Fauber, The Ballerina. Eerie Christmas 3
The setting comes at us with intentful action. You can see this happening with little effort of the imagination. The start of the story comes on like the opening of the Nutcracker. We see a (mostly) unnamed character. We know them only as The Ballerina. The removing of the name, much like Joyce did in Counterparts, signifies the reduction of personhood. Unlike Counterparts, however, the removing of the name here isn’t done out of shame, but rather part of the plot. There is a reason why things are happening in this house and the exploration of family, bonds, and love in the face of courage are put to the test.
When reading this, I kept coming back to the imagery in the story. It sparked memories of my childhood cartoon movies (remember, Gen X cartoon movies were a lot darker than what we see today–we killed Bambi’s mom). Without spoiling the story (sincerely, go buy the anthology and find out for yourself–this story is well worth the price of admission), I can say that there is a lyricism in Daphne’s writing that makes you connect with memory. The sensory details, along with the rhythm, bring the writing to life. There are parts of this story where I was both imagining what the Ballerina looked like and she braved the darkness of the ______ (shhh spoilers!) and how each move would look on screen.
Story wise, Daphne’s writing moves like the Ballerina. It’s light, quick, and pointe toed. The plot dances on a string and slows where it needs to only to find itself spinning (no pun) once more with a change of beat.
Character development can be (sometimes) difficult for a short story. I know writers who can’t even get a character from the car door to the front door in three pages. Daphne’s character work matches her plot n prose work. You get to know the character bit by bit and not through a exposition or inner monologue but with action. We see who this Ballerina is from the start, and by the end we are not only cheering for her, but wanting to see more.
In the end, The Ballerina by Daphne Fauber is a touching piece of holiday warmth. If you are from Gen X or like your Christmas tales with a bit of punch (or stab), then you really need to check out The Ballerina. It hits the sweet spot between endearing and engaging.
(5 / 5)
Eerie Christmas 3
Horror anthologies have a special spot in my heart. I mean, we’ve published an anthology (almost) every year for about a decade. It’s kinda our jam. I have to say I love the cover of this anthology and the way they did the interiors. It is a well-edited collection of some great horror stories. The pricing is just right and, it’s a great way to support indy books and indy horror at the same time.
I read the anthology on my kindle white and my Apple Books app (iPad). The iPad version looks better because parts are in color but the black and white with Kindle still works. There was something slightly askew with Kindle White and names (my version at least) that made me need to hit the TOC a bit more than I wanted, but, overall, the reading was an enjoyable experience.
I look forward to more Eerie Christmas anthologies and I hope everyone supports them so there are more anthologies to come :).
(4 / 5)
Where to get Eerie Christmas 3 and The Ballerina (sponsor links)
Try our link for direct access to Amazon and snag yourself a copy today!
Daisy Johnson’s, The Hotel is a collection of stories that tell the tale of a hotel built on cursed land. Originally written and recorded as a series for BBC Radio 4 in 2020, (you can find the recordings here https://www.bbc.co.uk/programmes/m000mrcg/episodes/player )
The fourteen-story collection was released in hardcover in 2021. Johnson’s prose is haunting, weaving together the stories of generations of families who have been tempted, forced, or serendipitously dumped at The Hotel. Most leave the message, “I’ll be there soon,” and many disappear from room 63.
- ‘The British literary heir to Stephen King’ Johanna Thomas-Corr, Sunday TimesA triumph of contemporary horror from the Booker Prize-shortlisted author, this collection of short stories will haunt you long after you turn the final pageA place of myths, rumours and secrets, The Hotel looms over the dark Fens, tall and grey in its Gothic splendour
- Built on cursed land, a history of violent death suffuses its very foundations –yet it has a magnetism that is impossible to ignore
- On entering The Hotel, different people react in different ways
Last update on 2025-03-17 / Affiliate links / Images from Amazon Product Advertising API
The Plot.
The Hotel tells the stories of the people who are drawn to The Hotel, or, more accurately, the ground the hotel is built on. The first story explains what we know about the hotel, its tendencies, moods, and … hobbies. We are then introduced to Mary Southgraves, ‘The Witch’, who comes to live with her husband on the land on which The Hotel will be built. The villagers in the pond drown her for predicting a sickness that takes the village children, (no this is not a spoiler she tells you she dies on the first page of her chapter.)
The proceeding chapters build upon this story. We meet the workers who are brought in to fill the pond to begin construction. A child of a guest in 1968 who meets another girl who may or may not actually be there. A maid who takes part in séances and Ouija board sessions. The stories progress through time into the present.
Highlights.
The haunting prose of The Hotel does the majority of the heavy lifting for this collection, which makes sense since it began as a podcast series. Johnson’s prose leans towards poetry, albeit more Poe than Keats.
The repetition of specific characters and family names throughout the different stories was intriguing, giving the stories links. These links trigger a sense of recognition for the reader. There is also a sense of anticipation, knowing what has happened to these families already, we wonder how much more they can withstand. The Hotel is like a curse following these families, but I think Johnson is commenting on lineage and the consequences of past actions. The sins of the father and all that.
- Fifteen highly original and darkly unsettling supernatural stories, performed by some of Britain’s finest actresses ‘This is what we know about The Hotel
- It is bigger on the inside than on the outside
- Do not go into Room 63
Last update on 2025-03-17 / Affiliate links / Images from Amazon Product Advertising API
Drawbacks.
These stories can get confusing at times and I think this is due to the briefness of the stories. It’s hard to keep track of a character that you have spent four pages with and remember them three stories later. I found myself having to stop and turn back to check if that person was who I thought they were. This pausing to turn back interrupts the reading experience. It pulls you out of the story and destroys the atmosphere that Johnson has worked to create.
The Final Take.
The Hotel was an interesting read. Johnson is a talented writer who has published a collection of linked stories that will keep the reader turning pages if only to find out the final fate of these families. That being said, it is obvious that the stories were initially written for a podcast. I’m not sure if it’s the way they are put together or… I don’t know, there’s just something ‘podcasty’ about them. As such I would recommend listening to the audio episodes (see the link above) over reading the book.
(3 / 5)
On Halloween in 2016 Josh Malerman, author of Bird Box, released A House At The Bottom Of A Lake (gosh this is a hefty title!). Last week, I picked this slim book up off my library’s Adult Horror shelves, not knowing what to expect. What I got was a novella that should have been shelved in the teen lit section. Perhaps it is the rather weird underwater sex scene that precludes it from those shelves.
- From the New York Times bestselling author of Bird Box and Malorie comes a haunting tale of love and mystery, as the date of a lifetime becomes a maddening exploration of the depths of the heart
- “Malerman expertly conjures a fairy tale nostalgia of first love, and we follow along, all too willingly, ignoring the warning signs even as the fear takes hold
- ”—Lit Reactor The story begins: young lovers, anxious to connect, agree to a first date, thinking outside of the box
Last update on 2025-03-10 / Affiliate links / Images from Amazon Product Advertising API
The Plot.
When James asks Amelia out on a date during summer break, canoeing was the last thing that she expected. Borrowing his uncles canoe, James hopes he can show Amelia an exciting time, because he really likes this girl! The date starts well and the conversation, if stilted at times, is banter-ey and cool.
They head out on the first lake, but James has an idea that they might have a better time on the lake that joins to this one. It is quieter, no speed boats to show him up, they’ll be able to eat their picnic lunch in peace and quiet. When they arrive, though, they notice a tunnel, that may lead to a third lake. Eager to show Amelia that he is an exciting kind of guy, James heads through the tunnel.
Lo and behold, it is another lake! Albeit, a bit murky and deserted, but that’s alright. That is until they notice that beneath the bow of the boat is a tiled roof. Beneath that tiled roof is a whole house. What ensues is a summer of falling in love and exploring a sunken house that may not be as empty as they thought.
Highlights.
Malerman writing the internal monologue of an angsty seventeen-year-old on a first date is one of the most authentic things I’ve read for a long time. Even down to James worrying about revealing that his dad owns the hardware shop he works in. Scared that Amelia will think that is all he is going to do with his life.
The ending (which of course I cannot discuss here) was well done, although a little contrived and predictable. It felt as if it had been almost tacked on the end as an afterthought. Perhaps Malerman finished the story without the final chapter, but was encouraged to add that last bit to give readers some closure
- “A book that demands to be read in a single sitting, and through the cracks between one’s fingers
- There has never been a horror story quite like this
- Josh Malerman truly delivers
Last update on 2025-03-10 / Affiliate links / Images from Amazon Product Advertising API
Drawbacks.
Malerman is a good writer, we have seen this in the many novels he has released since Bird Box. A House At The Bottom Of A Lake did not meet the usual standard. There are many reasons I say this. The first is a lack of creativity in descriptive passages in this book. They all felt pretty drab and began to become repetitive by the end of the story. I don’t know how many, times Malerman compared the way that James and Amelia were moving under the water in their scuba suits as ‘Astronaut-like’ or ‘Astronaut-esque’ or ‘ Like he was walking without gravity’, but really can you find another comparison please because this one is all used up!
As I mentioned in the intro, this did feel like a YA novel. Not only because both of the main characters are seventeen, but the prose is a too simple to be engaging. A House A The Bottom Of A Lake might be marketed differently in Australia (where this humble reviewer lives), perhaps making it to the YA shelves in the US or UK, but this is definitely not adult horror.
The Final Take.
Josh Malerman is a favorite of mine. I tend to pick up his books, blurb unread, because I will generally enjoy what he is putting out there. The exception to this rule is A House At The Bottom Of A Lake (if I never have to type that title again I will be pleased!). It just didn’t hit the way his other novels have and I was disappointed.
(2 / 5)
Imagine this. You’re home alone, waiting for your partner to return, when you hear a knock on your door. You answer it to see a family of five, bundled up against the cold. The father, a kindly older gentleman, explains that he used to live in this house as a boy. And he would love to show it to his family.
Do not let them in.
The story
Released in June 2024, We Used To Live Here is author Marcus Kliewer’s debut novel. It tells the story of Eve, who just purchased a beautiful house with her partner, Charlie. Their plan is to flip the house and sell it.
One night, while waiting for Charlie to come home, Eve is surprised by a knock at the door. It’s a man named Thomas Faust and his family.
Thomas explains that he grew up in the house and hasn’t been in the area in years. Would Eve let them in so that he can show the home to his children?
Against her better judgment, Eve lets them in. She regrets this almost at once when Thomas’s daughter vanishes somewhere into the house.
What worked
I always appreciate a book that allows you to play along with the mystery. And this book does that better than just about any other I’ve seen.
Pay close attention to the chapters, to the words that aren’t there. To everything about this novel.
This is mostly down to Kliewer. This is ultimately his work of art. But the production value is also fantastic. I don’t want to ruin the multiple mysteries, so I’ll just say this. There are clues in this book that require some specific artistic choices in the page layouts in this book. And I loved that.
If you’d like to experience another horror book review, check out this one.
We Used To Live Here is also the kind of story that makes you question everything right along with the main character, Eve. Eve is a great main character. But she might be an unreliable narrator. She might be experiencing every single horror described, exactly as it’s described. Or, she might be having a psychotic breakdown. Through most of the book, we can’t be sure. And that is so much fun.
Finally, the weather plays a large part in this story. There are several stories in which the weather or the land itself could be considered a character. Even an antagonist. This is certainly one. The winter storm is the thing that traps the family in the house with Eve. It also makes escaping the home difficult. Reading this book during the winter was especially impactful. Most of us know what it feels like to be shut in by a storm. I’ve personally lived through some of those storms that are just referred to by their year, as though they were impactful enough to claim the whole 365 days for themself. And that was with people I liked. Imagine what it would feel like with strangers. It’s a staggering thought and one that we explore in depth in this book.
- Get Out meets Parasite in this eerily haunting debut and Reddit hit—soon to be a Netflix original movie starring Blake Lively—about two homeowners whose lives are turned upside down when the house’s previous residents unexpectedly visit
- As a young, queer couple who flip houses, Charlie and Eve can’t believe the killer deal they’ve just gotten on an old house in a picturesque neighborhood
- As they’re working in the house one day, there’s a knock on the door
Last update on 2025-03-08 / Affiliate links / Images from Amazon Product Advertising API
In the end, We Used To Live Here is a fantastic book. It’s the sort of story that sneaks into your brain and puts down roots. And if this is just the first book we’re getting from Kliewer, I can’t wait to see what else he comes up with.
(5 / 5)