Hello again dear readers. Today we are looking at yet another instalment of Monastery. Once again, I’ll be eating my words. Every time I think the story can’t get any crazier, it does and you’ll understand why soon enough. Without further ado, let’s go!
Plot
We start with quite a tension point in the story (then again, it is always tense nowadays). Rocky’s been abducted and the gang is at a loss for words or motivation, all except Thomas, that is. At this point, all they want is to get Rocky back, even if it means abandoning the search for truth. I can appreciate how Thomas is now a foil not only to those hiding secrets but also to his cousins. Without him, there is no story as far as I’m concerned. However, there were some moments where even I thought he could’ve been a bit more tactful around others’ emotions.
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We also see that at least for the time being, Rocky is safe. His POV is so well done I wanted to pull him out of the page and give him a big cuddle. Unfortunately, it looks like he’s yet another collateral damage of the family’s mess.
Speaking of mess, Cassandra and Francis reach a fascinating opposing point. She’s concerned Francis is showing no remorse over killing George Turner, or over killing an innocent dog. Could Albert please ask around if there is a special circle of hell for people like him? It’s interesting how Cassandra, no matter how messed up she is, still has some sense of right or wrong. As for Francis, someone needs to take that gun off him ASAP as he’s all too happy using it.
As we all predicted, the Nicole-David-Fred love triangle finally blew up, and boy, how did it. Erica goes full-on scorned woman and drugs Nicole. She then parades her in the middle of Monastery for everyone to see in a wedding dress. Threatening to pour acid on her face is just an added touch to the terror.
Although this turns out to be just a mind game on Erica’s part, we get some insightful character revelations. Nicole’s reasoning for toying with the two guys becomes more understandable, although I still cannot excuse it (and I’m speaking as someone who actually likes Elena Gilbert). I think she could use some therapy to sort out the trauma inflicted by her dad’s affair. At this stage of her life, she shouldn’t end up with either guy. David is also at fault and I think he should work on making it up to Fred. If he and Nicole sail off into the sunset now, it would leave a bad taste in a lot of reader’s mouths. Then again, if Fred does decide to take her back, it would be his choice. Something tells me this ordeal is far from over.
We end series seven of Monastery with Thomas receiving yet another blow when his dad betrays him and destroys all the progress of their investigation. So much for trusting family, or authorities for that matter. What is going to happen now?
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Overall thoughts
I said a lot of my thoughts while discussing the plot of the episode. As usual, Monastery is full of of drama, mystery, and outright terrifying things to keep us on our toes. The one plot thread I am holding in my hand just waiting to see where it leads me is Madam Witch. Her very fairytale-like deal with Cassandra implies she owes her one of the grandkids. Not to mention the implication that Henry has some kind of special powers. I can’t wait to see how that ties into what happened to Albert. The next part can’t come out soon enough!
(5 / 5)
More thoughts from the author:
1. Something I talked about before in another article about Monastery a little but something that I picked up on in this episode. Cassandra, although definitely not perfect, still seems to uphold some kind of morality within her. Such as how horrified she is when Francis doesn’t feel bad that he killed George. Was this something you considered when writing these characters, someone who’s not afraid to get their hands dirty but still has some kind of empathy vs someone who doesn’t?
Absolutely – that is my favourite type of character! Who doesn’t love an anti-hero with a grey moral compass, but a moral compass nevertheless? Cassandra is capable of the most atrocious acts, but she always has her family’s best interest at heart – or what her idea of their “best interest” should be.
Interestingly enough, we’re slowly learning how Francis is the result of Cassandra being the way she is, and he himself certainly blames her for much. Francis only has his own interest at heart… yet he killed George because of what the old creep had said about Cassandra! Again, grey area.
2. The whole Erica scene is genius on many levels. I actually got a couple of questions in regards to it. One – were you always going to pull the whole ‘none of the torture devices were real’ trick on the readers to toy with their emotions or were you thinking of doing it for real but backed out? Two – I thought the way the town’s residents acted was very fitting of the story and of modern society. What was your intention with having seemingly everyone witness the ordeal?
Funny, I cannot remember whether that mini-twist was always part of the equation, but I concluded that I didn’t want Erica to be hated or irredeemable – I wanted to make it more about the lesson being learned than the payback.
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As for the townspeople witnessing the whole thing, there were three reasons I did it: a) the satire, because, has mentioned in previous Q&As, Monastery is a satire of small-town life, and we all know small-town folks love a good scandal; b) the humour, as I went all out in making an over-the-top situation even more over-the-top; and c) plot convenience because, as that all goes down, Francis is shooting up the Keane house and I didn’t actually want any neighbours to know and call the cops as it wouldn’t serve his arc… at this point.
3. The one storyline that I’m still wondering as to how it will tie into everything is Madam Witch and the whole first-born son hints that are very fairytale-like. Are we meant to take it as an allusion to the paranormal in this story (such as the seances they had in the previous episode) and that more is coming? As it is not outright stated since the murder mystery is the forefront with the town not really caring there’s a werewolf roaming around.
There will be a paranormal twist to the murder mystery and how it’s covered up, I promise – after all, one mustn’t forget that Cassandra owes Madam Witch – but we don’t know what she owes her for.
As for the werewolf, hmm… Been a while since he’s made an appearance, has it not? Wouldn’t it be a darn shame if one of our protagonists came face-to-face with him in the next episode?
After her 2017 debut novel, If We Were Villains, captivated readers and skyrocketed to Tik Tok fame readers have been holding their collective breath for anything from M. L. Rio. Seven years later we are presented with Graveyard Shift, another dark academic horror, though a novella this time around. The question is, was it worth the wait and why are readers split in their reactions to this story?
The Plot.
In the opening scene of Graveyard Shift readers encounter five people who often meet in a graveyard on smoke breaks from their various nocturnal jobs.
On the night in question, they discover a freshly dug hole near where they regularly gather. This sounds unremarkable until they realize that no one has been interred in this graveyard for over one hundred years. With the mystery revealed each character returns to their night, each eager to find the purpose of the hole.
Highlights.
Writing a novella that includes the viewpoints of five main characters is a considerable feat. Despite allowing only two chapters for each character in the entire story M. L. Rio successfully juggles these viewpoints without dropping any balls. From the driven editor-in-chief Edie Wu to the enigmatic Tuck. Each character possesses a distinct voice and plays a crucial role in unraveling the mystery. Whether it’s the insomniac ride-share driver Hannah or the bartender at Rocker Box. Each character stands apart, making this novella a compelling read.
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Another highlight of this novella is that this is not just another horror novel claiming to be dark academia because it’s set in or near a university. This story is soaked in the academic and the dark side of medical research.
Drawbacks.
The length of this story really went against M. L. Rio, there was so much expectation and hype around its release that when the 100-odd-page story was delivered there were many sighs of disappointment.
And it is not just reader expectation that caused the length to work against her. It must be said that the complexity of the story and the depth that Rio goes to to set up each character would have benefited from being rounded out by another, let’s say 200 pages. The last chapters seem rushed and the ending is ambiguous to say the least, but not in a good way.
I read this on a Kindle and was confused by the story ending at 85%, then slightly angry that the remaining pages were filled by a playlist, an excerpt of If We Were Villains and cocktail recipes??? Although I usually enjoy this type of extra content in fiction, I think Rio’s time might have been better spent writing a few more chapters.
The Final Take.
I approached Graveyard Shift with high expectations, but was ultimately disappointed. While the novel’s form, with its focus on multiple perspectives, initially drew me in, the abrupt and unsatisfying conclusion left me wanting more. Presenting this story as a novella did not do justice to the characters of the story. The mystery of the empty grave was intriguing, and following each character through their nocturnal routines was enjoyable. However, the rushed ending undermined the overall experience.
You can’t beat a good old haunted house story. One of the classic tropes of the genre, it allows for some old-school spooks while providing some character development. Now dress it up in a new generation suit and you get something completely different. How does Haven measure up as an addition to the trope? Let’s find out!
Plot
We start the story with a family of four headed on a month-long holiday at a distant relative’s mansion. We have Jeff, the ever-so-average husband, Jenna, the thriller-reading health nut wife. The kids are JJ, the loner gamer son with a passion for swimming, and Jessie, the social media addict with severe insecurities.
I would say that personally, their dynamic was the most interesting and promising part of the novel. It’s clear from the get-go that Jeff and Jenna are trying against all odds to preserve the American Dream. Except right away there is resentment bubbling underneath. Jeff is a pretentious asshole who thinks Jenna’s taste in books is inferior (as a domestic thriller fan I take great offence). Jenna wishes for him to have more career ambition so she can afford the lifestyle she wants. Safe to say there is barely any intimacy between the couple.
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When it comes to the kids, both JJ and Jessie feel like an extension of the worst traits of their parents. Jessie’s entire world is social media and her following. For JJ, he is arguably the character with the least development. His main traits are that he hates his family and can’t wait to move out. Oh, and the food.
This is something that I found more discomforting than the horror in the book. Both of the kids have severe food issues, with JJ overeating to the point of obesity while Jessie starves herself and has developed bulimia from the pressure to stay ‘perfect’. The horrifying thing is that neither of the parents notice these things about their kids or if they do, they choose to ignore it.
The haunting in this story is very family-focused. Missing things, Jenna’s harassment, Jeff’s seduction – all these things seem to be specifically catered to break whatever was left of this family unit. Not that it takes much to push them over the edge. This begs the question that whoever is haunting this place is methodical and feeds off their misery.
Gussie’s excerpts break up the pace but personally, I wasn’t as engaged with them as I was with the main story. That being said, I understand its necessity in order to develop the lore.
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Writing style
I would say one of my biggest gripes with Haven is not the story itself but rather the way it’s told. The writing style seems like it was trying to adapt to the new times and be tongue-in-cheek. This has varying degrees of success, with some genuinely good nuggets of writing scattered. However, some of it falls flat, especially in the beginning, with the characters doubling down on the points we already knew through the narrative.
Overall thoughts
Haven is a good effort at a haunted house story where there are scarier things than ghosts. It does a good job exploring family dynamics and dealing with negative emotions. The setting is also a strong point of the novel, the house and the forest surrounding it being quite immersive.
As I mentioned, for me the main negative was a bit too try-hard type of writing, although it got better as the book went on. I found the end to be a bit too soft for my liking but it fits with the story. Overall I would still recommend.
A chilling blend of The Devil Wears Prada and classic ghost story. Tiny Threads by Lilliam Rivera is a gripping exploration of the fashion industry’s dark underbelly. Published in September 2024, this contemporary Latina horror novel delves into themes of gender, hierarchy, gentrification, and human trafficking. All while keeping readers on the edge of their seats with its supernatural elements.
The Plot.
When Samara, a young Cuban American woman, lands her dream job working as the Executive Director, Global Brand Voice for renowned fashion designer Antonio Mota, she cannot move away from Jersey and her close-knit, although sometimes suffocating, family fast enough. Arriving in Vernon, California, Samara hopes this could be a new start. She finds the people nice enough and her new apartment is to die for. She has even met a new love interest, a wealthy investor of Mota’s fashion line.
If only she were not woken at 2am every morning by the mice living in the walls of her apartment. She also wishes the local abattoir was not so close by. It gives off the stench of death that the locals refer to as ‘the Vernon perfume’.
However, beneath the surface, cracks begin to appear. A reoccurring name, a rude seamstress and a spontaneously appearing and disappearing model, it doesn’t take long before her fragile sense of normalcy begins to unravel .
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As the pressure mounts to deliver a successful fashion show, Samara’s coping mechanisms spiral out of control. She turns to alcohol and pills, blurring the lines between reality and dream. With her sanity teetering on the edge, Samara faces a critical choice: succumb to the darkness or fight for a brighter future, even if it means confronting a trauma she thought she had left all but forgotten.
Highlights.
One of the highlights of Tiny Threads is the inclusion of Spanish dialogue. In many stories featuring multilingual characters, the non-English language is often translated directly into the text or presented in a different font. However, Rivera has chosen to maintain the original Spanish, which I found refreshing and immersive. Translating certain songs and names, such as the name ‘Piedad,’ which means ‘Pity,’ enriched my understanding of the story. In regards to this, I was very glad that I was reading on my Kindle with the translation tool open and ready.
Drawbacks.
Don’t begin this book expecting a constant barrage of ghosts and supernatural occurrences. Tiny Threads is a more of a slow-burn psychological horror novel, where the otherworldly elements are subtle and understated. The narrative takes an unexpected turn into a revenge story, which is both surprising and satisfying.
I think the main drawback is the repetition of Samara’s days. This might have been purposeful representing the drudgery she was experiencing in a world that is toted as being glamorous and vibrant, but it slows down the pacing and deadened the tension of the story. The repetition began to feel like Groundhog Day. The only thing that drove time forward was the buildup to the fashion show which is counted down in each chapter. The final quarter of the book, culminating in said dramatic fashion show, picks up the pace significantly.
The Final Take.
Tiny Threads is a supernatural horror where the ghosts, surprisingly, aren’t the most terrifying aspect. Rivera expertly captures the harsh realities faced by lower-level fashion industry employees and the lengths people go to for success in this often brutal field. Despite its difficulties with repetition and pacing, this is a must-read for those who appreciate a complex protagonist grappling with self-deception. Rivera’s Tiny Threads is a thought-provoking exploration of the fashion industry’s darker side.
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