Witch fence at the edge of the forest, digitally altered painting by Jennifer Weigel
Aileen was weary. The long journey through the dense forest had taken a toll. She leaned on a tree near the edge of the woods and rubbed her groin. She looked back at the path behind her. The breadcrumbs she had scattered had been eaten away by birds and small rodents. A few stray chipmunks remained, eyeing her from a distance. The narrow trail had filled in as she had moved along; vines, twigs and leaves consuming her footsteps and erasing them almost as soon as her feet had left the earth. No turning back now, Aileen turned to face the cottage.
The cottage loomed ominously in the small clearing before her. It was just a simple structure, and not nearly as terrifying as Aileen had pictured it. It seemed rather⊠cozy. The hag who lived within this isolated hovel hated outsiders and was distrustful of any who came near. Labeled a witch by the villagers, she kept to herself. She was outside gathering plants in a basket carried over her arm when Aileen spotted her. Their eyes met for a brief second. The old womanâs icy stare bore holes in time and space. Aileen gulped and sighed. She gently heaved herself up from her brief respite at the woodâs edge and approached cautiously, still clutching her heavy abdomen. This is why Iâm here she reminded herself.
âHello,â Aileen hailed.
As she trudged into the clearing, the old woman continued to stare at her, unmoving and unspeaking, like a wild animal startled from its reverie. Her white hair danced every which way around her and her throat flashed with every breath. Her eyes followed Aileenâs every shift in movement.
âI am Aileen,â she continued. âI came here to seek your help.â She held her empty hands aloft. âI mean you no harm.â
âI know why youâre here,â the crone interjected. âThis isnât the first time, nor will it be the last.â
Aileen quieted a moment before continuing. âI am very sick.â She chose her words carefully, rubbing her belly. âThe child that grows inside of me is making me ill. Something is dreadfully wrong. The Village Elders will do nothing.â
âThe Elders are why I am here,â the old woman spat, glaring at Aileen. âI used to live in the village like you. I was forced here when they ransacked my home and set fire to my house and garden. They destroyed everything I had.â
âI am dreadfully sorry,â Aileen said. She had known of the witchâs treason, of how she had gone directly against the Eldersâ orders to help others like herself. She knew of the banishment by the torchbearers and pitchfork wielders who had shown up on the womanâs doorstep, although it had happened when Aileen was far too young to remember. The Elders spoke of it often and had kept the defaced property as a warning to be heeded.
âWe⊠we still need you.â Aileenâs voice grew heavy with her words. âI need you.â
Aileen drew nearer. She was close enough now to see the tiredness in the old womanâs eyes, the pain that haunted her every movement. They studied one another for a long while. The woods, the clearing, and the cottage lay in quietude as if sleeping all around them. They were both enveloped in silence.
The old woman was robust and hardy. She had endured much and it was written in every fold of her skin; every crease, every wrinkle bore signs of her past. Aileen was downtrodden, spent and weak. She could barely hold herself up. Her skin was pale and ghostly, her ashen complexion ill-fitted for a woman of her young age. She was with child, but her body bore the gift all wrong and off-kilter. She leaned to the side and gasped slightly as she drew each breath, her hand still clenched over her stomach region. The air only barely entered her lungs before trickling out again.
Finally, the old woman spoke. âYou are very sick,â she said.
Aileen spoke again. âI desperately need your help. I cannot bear this child. Doing so will kill me. The Elders do not understand – they say it is all part of Godâs Plan.â
The old woman spoke again. âI was young once, and carrying a child I did not consider my own, that was conceived not of my choosing. I ran away.â Her eyes softened. âI tried to resolve my situation on my own with some herbs I had acquired from a Medicine Man on the down low, way back before I knew what I was doing, and I almost died when I used them wrong.â The old woman studied Aileen and continued, âThere was a woman not unlike me now in the village at that time. Her name was Bella. She helped me to recover from all that had happened to me. I stayed with her and studied her craft, so that I might safely help others like myself. Like yourself.â
âThe Elders found our aid to be threatening. They claimed it went against Godâs Will. Bella disappeared mysteriously without a word. I stayed to upkeep our house and garden and to continue her practice, and because it was important that we remain steadfast in our service. That was the very same home I was later forced to flee in order to keep my life,â the witch went on.
âI am truly very sorry for your loss,â Aileen spoke pensively, realizing that all of this was much larger than her self, much larger than the stories she had been told. âI do not mean to endanger you. I come alone, seeking your help. Beyond the stories that the Elders tell, I have only heard of you through hushed whispers under the table where prying ears cannot linger. That is how I learned that you had come here. In all of my searching for answers and desperately trying to find someone who could assist me, no one would even utter your name. They just told me that I needed to see the Witch of the Wood. It became a sort of unspoken understanding among those of us who could bear children as my condition grew worse.â
Aileen was in armâs reach of the witch now, her gaze at her feet studying the soft ground between them.
âYou neednât know my name. My name is the babble on the brook, the cry of the lark, the dance of the wind through the willows,â the old woman whispered. She put her arm around Aileen, her grasp gentle but strong. The girl sobbed as the witch held her closer. âI can help you, but you will not be able to go back to the village. You are too far along and too many will notice the change. Others who have undergone such noticeable changes have been hung, or stoned, even burned at the stake. You will be in grave danger if you return, as will I for assisting you.â
Aileen looked up at her and nodded. The fear in her eyes gave way to a sense of solace, to an understanding that in order to save her own life she would have to leave everything she knew and all that she loved and held dear. It wasnât fair but it was necessary. The witch was right; she had seen what had become of others who had lost their babies early. She should have come sooner, but she had been so afraid, both of what was happening to her and of the unknown outcome. Perhaps there was another way.
âCan I stay then, with you? Like you did with Bella. To learn all that I can, so that I may one day help others like you have?â
The witch smiled. âIf it pleases you to do so, you may stay afterwards as long as you wish and learn what you can. Many have come and gone before, and have left for distant lands unknown to us to help those who have needed it. We are not alone.â
âI would appreciate that very much,â Aileen said, resigned to her fate. A smile crept across her face, offering hope. âThank you.â
The witch answered, âNo need to thank me. Not now and not later. I do this because I donât want any to have to suffer as I have, as too many of us have. I do this because these circumstances are more complicated and varied than the Elders will acknowledge.â She smiled back at Aileen. âI will gladly help you, as I have those before and those yet to come. You are welcome to join us in this⊠And you can call me Abuela.â
Looking in through the witch house window shutters, digitally altered painting by Jennifer Weigel
Jennifer Weigel is a multi-disciplinary mixed media conceptual artist residing in Kansas USA. Weigel utilizes a wide range of media to convey her ideas, including assemblage, drawing, fibers, installation, jewelry, painting, performance, photography, sculpture, video and writing. You can find more of her work at:
https://www.jenniferweigelart.com/
Continuing our junkyard dawg werewolf story from the previous St. Patrickâs Days⊠though technically he’s more of a wolfwere but wolfwhatever. Anyway, here are Part 1 from 2022, Part 2 from 2023 and Part 3 from 2024 if you want to catch up.
Faerie Glen digitally altered photo from Jennifer Weigel’s Reversals series
Yeah I donât know how you managed to find me after all this time. We havenât been the easiest to track down, Monty and I, and we like it that way. Though actually, youâve managed to find me every St. Patrickâs Day since 2022 despite me being someplace else every single time. Itâs a little disconcerting, like Iâm starting to wonder if I was microchipped way back in the day in 2021 when I was out lollygagging around and blacked out behind that taco hutâŠ
Anyway as Iâd mentioned before, that Scratchers was a winner. And Iâd already moved in with Monty come last St. Patrickâs Day. Hell, heâd already begun the process of cashing in the Scratchers, and what a process that was. It made my head spin, like too many squirrels chirping at you from three different trees at once. We did get the money eventually though.
Since I saw you last, we were kicked out of Montyâs crap apartment and had gone to live with his parents while we sorted things out. Thank goodness that was short-lived; his mother is a nosy one for sure, and Monty didnât want to let on he was sitting on a gold mine as he knew theyâd want a cut even though they had it made already. She did make a mean brisket though, and it sure beat living with Sal. Just sayin.
Anyway, we finally got a better beater car and headed west. I was livinâ the dream.  We were seeing the country, driving out along old Route 66, for the most part. At least until our car broke down just outside of Roswell near the mountains and we decided to just shack it up there. (Boy, Monty sure can pick âem. Itâs like he has radar for bad cars. Calling them lemons would be generous. At least itâs not high maintenance women who wonât toss you table scraps or let you up on the sofa.)
We found ourselves the perfect little cabin in the woods. And it turns out we were in the heart of Bigfoot Country, depending on who you ask. I wouldnât know, Iâve never seen one. But it seems that Monty was all into all of those supernatural things: aliens, Bigfoot, even werewolves. And finding out his instincts on me were legit only added fuel to that fire. So now he sees himself as some sort of paranormal investigator.
Whatever. I keep telling him this werewolf gig isnât all that itâs cracked up to be, and it doesnât work like in the movies. I wasnât bitten, and I generally donât bite unless provoked. He says technically Iâm a wolfwere, to which I just reply âWhere?â and smile. Whatever. Itâs the little things I guess. I just wish everything didnât come out as a bark most of the time, though Montyâs gotten pretty good at interpretingâŠÂ As long as he doesnât get the government involved, and considering his take on the government himself that would seem to be a long stretch. We both prefer the down low.
So here we are, still livinâ the dream. There arenât all that many rabbits out here but itâs quiet and the locals donât seem to notice me all that much. And Monty can run around and make like heâs gonna have some kind of sighting of Bigfoot or aliens or the like. As long as the pantryâs stocked itâs no hair off my back. Sure, there are scads of tourists, but they can be fun to mess around with, especially at that time of the month if I happen to catch them out and about.
Speaking of tourists, I even ran into that misspent youth from way back in 2021 at the convenience store; I spotted him at the Quickie Mart along the highway here. I guess he and his girlfriend were apparently on walkabout (or car-about) perhaps making their way to California or something. He even bought me another cookie. Small world. But we all knew that alreadyâŠ
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
If you enjoyed this werewolf wolfwere wolfwhatever saga, feel free to check out more of Jennifer Weigelâs work here on Haunted MTL or here on her website.
You’ve seen me as Theda Bara, a Witch, and a Necromancer already (as well as Cleopatra, Elvis, and Andy Warhol) but here are some more fun costumes I’ve worn while figure modeling for the Friday morning art group at Hutchinson Art Center. The group is switching to Saturdays but hopefully I’ll still be able to make it in from time to time… Life’s a circus, or maybe a magic act in a shamanic ritual with Holly Hobbie… At any rate – beam me up Scotty, I have your missing spaceship part…
More Costumes from Jennifer Weigel figure modeling
Yeah yeah, so none of that was really all that terrifying. Just another time warp in all honesty. At least there’s still some residual Rocky Horror vibes to be found, but then again, there usually are with me when I get into the identity based costumes.
But in follow up and in the spirit of so much of my other randomness, here’s a music video for Everything Changes by Eytan and The Embassy. Check it out if you want to see some more fun costumes in an immersive homage montage experience unlike any other. (If the video doesn’t load, just follow the link here.) See how many artists you can recognize in this quick change setup. Ready… Set… Go!
Here’s another view of Heaven in this twisted little afterlife story from Jennifer Weigel, titled All That Remains. Trigger warning: religious themes, suggestions of rape & murder.
Aspiring digitally manipulated photo from Jennifer Weigel’s Reversals series
I didnât remember dying. I only vaguely remembered the thread of my life being weighed at the pearly gates. And now, here I was, in awe of the splendor of it all. I looked at the Heaven all around me. Everything was light and love. The sunlight sparkled off of the hills and valleys of the clouds, casting everything in a gossamer glow. Angelic faces shone with mirth and merriment from their depths. It was the most beautiful visage I had ever seen.
Until he showed up.
âHey there, glad to see you made it,â Sebastian said. His words slithered off his tongue, just as they had during the trial. âIâm here to serve as your guide, to show you around Eternity.â
âButâŠâ I stammered, looking at my feet. I still felt repulsed by him, couldnât stand to look him in the eye. I wanted to strangle him, but I managed to tamp that feeling down by averting his gaze. âHow did you get here?â
âI accepted Christ into my heart, just as you did. Isnât it beautiful?â He grinned. His red hair bobbed up and down as he nodded. âForgiveness is a blessing.â
âOne you didnât deserve,â I muttered under my breath, unsure of the proper etiquette or protocol for engaging with others in this place, or just how and why he would ever have been forgiven for his sins. âWhere is my daughter?â
Sebastian frowned. âIâm sorry to say she never accepted Christ into her heart, and so she isnât here,â he answered.
âWhat?â I seethed, anger bubbling from where it had roiled just below the surface. âHow can this be?â
âLook, I donât make the rules,â Sebastian spoke.
âBut youâre here. And sheâs not. No thanks to you!â My voice trembled as it rose.
âI understand your frustration. But it is what it is,â he replied.
âYouâre the one who killed her!â I yelled, no longer able to contain my fury. No one else seemed to notice, too wrapped up in their own afterlives to care.
âYes, but that was before. And I paid for that with my own life. In the electric chair. Your justice was served,â Sebastian said.
âI know, butâŠâ I sighed. âWhy isnât Julianne here?â
âLike I said, she didnât accept Christ into her heart as we did. Itâs that simple,â Sebastian reiterated. âWe just went through this.â
âDonât you regret that?â I asked.
âRegret what? That she hadnât accepted Christ? How would I have known? And it wouldnât have mattered at that time, anyway â I was a different person then. Regret is an interesting concept; I never really did get it.â Sebastian pondered aloud. âEven after I became a Christian. I suppose I knew Iâd done wrong as far as anyone else was concerned, that I acted from a place of selfishness when I raped and killed those girls⊠Inner turmoil. Letâs call it inner turmoil. But that was in the past.â
I began to hyperventilate. This just couldnât be happening. My beautiful daughter, her golden blonde hair and blue eyes forever etched into my memory. My baby girl, so sweet and innocent and naĂŻve. She never should have hitchhiked that ride. If only Iâd known what she was up to⊠She hadnât even seen her sweet sixteen, she was only fifteen and a half at the time of the assault.
âIt doesnât matter now. Had Julianne accepted Christ into her heart, sheâd be here with us now. She did nothing else wrong,â he continued, interrupting my reverie. âI suppose then Iâd have done her a favor.â
âWait. What?!â I asked, obviously fuming.
âI know now that she hadnât. But I would have had no way of knowing that then. And it was before I converted,â he went on. âIf I regret anything, itâs the two that came after.â
âAfter what?â I harped at him. âAfter my daughter! You killed four more girls since then.â
âNo,â he whispered. âAfter I accepted Christ. I slipped up. I tried; I really did. But my needs werenât being met and I found ways to justify it at the time.â
âYou disgust me,â I spat. âHow can you even consider yourself a Christian?â
âI am no less so than you at this point, considering where we are,â he replied. âWe are both here now, are we not?â
âI suppose, but stillâŠâ I answered, taking inventory of my surroundings. I was sure Iâd been granted admittance into Heaven, that I passed the test. I vaguely remembered having done so, and walking through the pearly gates. Was this all an illusion?
âI am a true Christian, as you are,â Sebastian continued. âJust as Iâm still a Scotsman no matter how I take my tea. Shall we begin our tour?â
He reached out to me, palm extended in a gesture of grace. I wasnât wholly sure of where I was, which version of Eternity Iâd landed in. Everything about this place was still so glorious, peaceful and serene. And yetâŠ
Hallowed Ground digitally manipulated photo from Jennifer Weigel’s Reversals series