Welcome to our ongoing series spotlighting original horror creations. This time we have is an illustration titled “The Night Begins” by Director and Illustrator David Hartman, also known as SideshowMonkey on DeviantArt. Be sure to read out exclusive interview with the artist as well.
I really love doing groups of monsters reminiscent of the old horror magazine covers seen on “Witches Tales,” “VooDoo” and others like them. This piece also has a bit of influence from the old Hammer films with the seductive female vampire surrounded by her horde. I really like the classic monsters and tend to draw them frequently.
What sort of tools did you use for the piece?
This piece was done completely digital on the iPad Pro using the Procreate app. I also did a time-lapse video on the creation of this piece which can be seen on my youtube channel.
Do you have any projects you are working on?
I always have too many going on. I have a comic series called “the adventures of Rite” that is available on Amazon that is a mix of horror, comedy and adventure. I also have a project with Rob Zombie going on as well as currently directing for a Netflix animated series that really delves into horror and the supernatural.
Do you have any particular horror themes you like to explore in your art?
I tend to go to the malformed, the Frankenstein monster and other man-made creatures as well as humanoid monsters. I like the creatures that are considered evil and horrible but actually have a sympathetic side to them. I also do a lot of damsel in distress type art but where the damsel has a weapon or some other device to actually have a strong chance of fighting back.
Do you have any particular horror films/books/movies you particularly love?
Tons and tons! As far as movies I love Jaws, The Shining, Hammer films and ALL 1980’s horror films good or bad. For books, I tend to read a lot of non-fiction cryptozoology books on creatures living among us as well as most of H.P. Lovecraft’s many stories. I also go back a lot to Clive Barker’s Books of Blood and King’s Night Shift collection. Two of my favorites.
Have you ever experienced something supernatural? Anything you would like to experience?
I’ve had the “shadow figure out of the corner of your eye” and the “strange object in the sky” that a lot of people have experienced but one memory really stands out. Not sure if this is considered supernatural or not but it definitely influenced my path into horror and the strange.
I was probably about 7 or 8 years old and my parents took me to the Ohio State fair. This was right before they got rid of all the freakshows and strange animal exhibits seen at fairs. We were walking through the midway surrounded by banners for two-faced goats and gorilla women when I saw a trailer with a painting on the side showing a bigfoot frozen in ice. I had to see this! I asked my parents for some quarters to go to the arcade while they watched a show. Instead, I snuck to the trailer to see the weirdness inside.
I paid my fifty-cents to get in and walked into the trailer. It was freezing, and I was standing before a block of ice with a bigfoot inside it. I later found out this was the “Minnesota ice-man” that traveled from fair to fair. ( if you are into bigfoot and weird stories you should definitely look this one up.) That day I was instantly hooked on the supernatural and finding out more about bigfoot and other creatures supposedly living amongst us.
I think this is one of the moments that hooked me onto drawing monsters. When I drew the story “Carnival Kill Ride” for the “Devil’s Rejects” comic book for Rob Zombie I put myself as a kid in the background seeing that trailer for the first time.
Did you enjoy David’s illustration and our interview with him? Please check him out on the web. You can learn all about projects he has worked on on IMDB and you can also follow him on social media such as Twitter and DeviantArt. You can also watch Phantasm: Ravageron Amazon.
If you have an original creation you would like us to spotlight here on Haunted MTL please let us know!
Here’s another view of Heaven in this twisted little afterlife story from Jennifer Weigel, titled All That Remains. Trigger warning: religious themes, suggestions of rape & murder.
Aspiring digitally manipulated photo from Jennifer Weigel’s Reversals series
I didn’t remember dying. I only vaguely remembered the thread of my life being weighed at the pearly gates. And now, here I was, in awe of the splendor of it all. I looked at the Heaven all around me. Everything was light and love. The sunlight sparkled off of the hills and valleys of the clouds, casting everything in a gossamer glow. Angelic faces shone with mirth and merriment from their depths. It was the most beautiful visage I had ever seen.
Until he showed up.
“Hey there, glad to see you made it,” Sebastian said. His words slithered off his tongue, just as they had during the trial. “I’m here to serve as your guide, to show you around Eternity.”
“But…” I stammered, looking at my feet. I still felt repulsed by him, couldn’t stand to look him in the eye. I wanted to strangle him, but I managed to tamp that feeling down by averting his gaze. “How did you get here?”
“I accepted Christ into my heart, just as you did. Isn’t it beautiful?” He grinned. His red hair bobbed up and down as he nodded. “Forgiveness is a blessing.”
“One you didn’t deserve,” I muttered under my breath, unsure of the proper etiquette or protocol for engaging with others in this place, or just how and why he would ever have been forgiven for his sins. “Where is my daughter?”
Sebastian frowned. “I’m sorry to say she never accepted Christ into her heart, and so she isn’t here,” he answered.
“What?” I seethed, anger bubbling from where it had roiled just below the surface. “How can this be?”
“Look, I don’t make the rules,” Sebastian spoke.
“But you’re here. And she’s not. No thanks to you!” My voice trembled as it rose.
“I understand your frustration. But it is what it is,” he replied.
“You’re the one who killed her!” I yelled, no longer able to contain my fury. No one else seemed to notice, too wrapped up in their own afterlives to care.
“Yes, but that was before. And I paid for that with my own life. In the electric chair. Your justice was served,” Sebastian said.
“I know, but…” I sighed. “Why isn’t Julianne here?”
“Like I said, she didn’t accept Christ into her heart as we did. It’s that simple,” Sebastian reiterated. “We just went through this.”
“Don’t you regret that?” I asked.
“Regret what? That she hadn’t accepted Christ? How would I have known? And it wouldn’t have mattered at that time, anyway – I was a different person then. Regret is an interesting concept; I never really did get it.” Sebastian pondered aloud. “Even after I became a Christian. I suppose I knew I’d done wrong as far as anyone else was concerned, that I acted from a place of selfishness when I raped and killed those girls… Inner turmoil. Let’s call it inner turmoil. But that was in the past.”
I began to hyperventilate. This just couldn’t be happening. My beautiful daughter, her golden blonde hair and blue eyes forever etched into my memory. My baby girl, so sweet and innocent and naïve. She never should have hitchhiked that ride. If only I’d known what she was up to… She hadn’t even seen her sweet sixteen, she was only fifteen and a half at the time of the assault.
“It doesn’t matter now. Had Julianne accepted Christ into her heart, she’d be here with us now. She did nothing else wrong,” he continued, interrupting my reverie. “I suppose then I’d have done her a favor.”
“Wait. What?!” I asked, obviously fuming.
“I know now that she hadn’t. But I would have had no way of knowing that then. And it was before I converted,” he went on. “If I regret anything, it’s the two that came after.”
“After what?” I harped at him. “After my daughter! You killed four more girls since then.”
“No,” he whispered. “After I accepted Christ. I slipped up. I tried; I really did. But my needs weren’t being met and I found ways to justify it at the time.”
“You disgust me,” I spat. “How can you even consider yourself a Christian?”
“I am no less so than you at this point, considering where we are,” he replied. “We are both here now, are we not?”
“I suppose, but still…” I answered, taking inventory of my surroundings. I was sure I’d been granted admittance into Heaven, that I passed the test. I vaguely remembered having done so, and walking through the pearly gates. Was this all an illusion?
“I am a true Christian, as you are,” Sebastian continued. “Just as I’m still a Scotsman no matter how I take my tea. Shall we begin our tour?”
He reached out to me, palm extended in a gesture of grace. I wasn’t wholly sure of where I was, which version of Eternity I’d landed in. Everything about this place was still so glorious, peaceful and serene. And yet…
Hallowed Ground digitally manipulated photo from Jennifer Weigel’s Reversals series
I have recently begun exploring Fibonacci poetry and penned this as a consideration for the Lovecraftian terrors while considering that Kansas was once an inland sea. It is also based on the beloved and enigmatic painting of Christina’s World by Andrew Wyeth.
She stares ahead; the landscape yawns ever further spanning the distance between us and that deep unthinkable unknowable abyss. This plain was once an inland sea, a vast ocean filled with terrors beyond our ken.
Time stands still for none of us. It marches towards our inevitable decay. Our fragile flesh succumbs to the horror of the void, cradling our fallen progeny and yearning for home. Christina, hurry back. Now.
It could happen anywhere… The farmhouse beckons from its horizon vantage point, thousands of blades of grass groping like tiny tendrils. The ancestors grasping at straws, hoping to evade inevitable collapse, their loss.
Stars fall. Panic sounds beyond our comprehension. Their silent screams fall on deaf ears. We cannot interpret their guttural languages or understand their diminutive cries this far from the tide. Slumbering depths still snore here.
The ebb and flow roil and churn with water’s rhythms, caress the expanse of grasses covering this now fragile and forsaken ocean. The landscape gapes and stretches wide, reaching to grab hold of her dress, earthbound. Lost her.
Christina’s World Lost: digitally manipulated photograph by Jennifer Weigel from her Reversals series
So what better follow up to Invisibles Among Us in Nightmarish Nature than Monstrous Mimicry? Further exploring the leaps that critters will go to in order to eat and not be eaten. This time we’re focusing on those creatures that want to intentionally be mistaken for one another.
Insects Pretending to Be Insects
This is a pretty common subgroup in the mimicry set. Featuring such celebrities as the Viceroy Butterfly, which looks an awful lot like the Monarch. Why? Because everyone knows Monarch Butterflies taste nasty and cause indigestion. Duh? Though it appears the Viceroy took further cues from this and is not all that tasty in its own right either. Dual reinforcement is totally the way to go – it tells predators not to eat the yucky butterflies regardless. But some bugs go a bit further in this, imitating one another to seek out food or protection. Various wasps, spiders, beetles, and even some caterpillars impersonate ants for access to their nest or because ants aren’t as appetizing as their buggy counterparts to much of anything outside of the myrmecophagous crowd (as shared before, here’s a fun diversion with True Facts if you have no idea), though some also have nefarious plans in mind. And similarly, the female photoris fireflies imitate other firefly signals luring smaller males to try to mate with them where they are instead eaten.
Aunt Bee
Kind of Weird Mimicry: Insects Pretending to Be Animals
Moths are pretty tasty, as far as many birds and small mammals are concerned, so several of them find ways to appear less appetizing. Using mimicry in their larval form, they may try to look specifically like bird scat or even like snakes to drive away predators, with elaborate displays designed to reinforce their fakir statuses. And once they emerge as moths, they continue these trends, with different species flashing eye spots to look like owls, snakes, cats, and a myriad of other animals most of their predators don’t want to tangle with. But other insects pretend to be larger animals too, with some beetles and others producing noises often associated with predator, typically towards the same end – to deter those who might otherwise eat them.
Hiss. Boo. Go away!
Animals Pretending to Be Animals
Similarly some animals will mimic others. Snakes may resemble one other, as seen in the Milk versus King versus Coral Snakes and the popular rhyme, Red with Black is safe for Jack or venom lack, but Red with Yellow kills a fellow for all that it isn’t 100% accurate on the Red-Yellow end (better to err on the side of caution than not – so assume they are deadly). Fish and octopuses will imitate other fish for protection status or to conceal opportunistic predatory behaviors. And lots of animals will mimic the sounds others make, though Lyrebirds tend to take the cake in this, incorporating the vocalizations into mating rituals and more.
No octopussy here
Really Weird Mimicry: Animals Pretending to Be Insects
Some of the weirdest mimicry comes out in animals pretending to be insects or small fish, where a predator will flick its strangely formed tongue that looks like a fish or water nymph to draw in more tiny critters that feel safe with their own, only to find themselves snapped up as dinner. Snapping turtles are notorious for this, disguising themselves in the muck to make their big asses less obvious and reinforce the ruse. Even some snakes do this.
Worm-baited lure
Weirder Still
Then there are things that pretend to be plants. Like orchid mantises. Or sea slugs that look like anemones (some of which eat anemones and have stingers to match). I mentioned a few of these in the Invisibles Among Us segment last time, because some are highly specialized to look like very specific things and others just aren’t. Essentially, nature loves to play dress up and be confusing and adaptive. It’s like Halloween year round. And who can really argue with that?