Last Podcast on the Left 36: Sandwiches in the Matrix
Haunted MTL‘s weekly review of the series as a whole.
Welcome back! This week we’re tackling episode 36 of Last Podcast titled “Sandwiches in the Matrix”. This is obviously well before the outline phase of the series. It seems to be before the “discussing topics” phase of the series as well because this one is all over the place like a body dropped from a skyscraper. With that dire warning and mental image, let’s dive in!
A Big Bunch of Nothing
INTRO:
We start this episode off with Ben being tormented by Marcus and Henry repeatedly singing Tom Petty’s “Don’t Do Me Like That” to the point of him screaming. Even working with the mentally challenged wasn’t this annoying. Once these shenanigans are over, they explain that Henry had a fascinating topic all week and came downstairs that morning to tell them it was all bullshit. The idea was glitching in the Matrix as popular on Reddit at the time. Henry’s example here is a young man making a sandwich, leaving the room, and coming back to find the meat and bread back in their packaging. In reality, this is thinking you were going to make a sandwich and then NOT making a sandwich.
EPISODE:
While some discussion does happen on these glitches. Henry’s personal experience was finding his Communion ring while cleaning his apartment. He should have had it and decided to call his mother. When she found it had vanished from her file cabinet she said it was a sign from God that he was still there and watching him. Henry’s response? “COME AT ME GOD!!”
Some form of astral projection is discussed before Marcus talks about magic manipulating reality and reveals he has been using masturbation sigils.
This is important for the broader scope of the series because both he and Henry would eventually begin practicing Chaos Magick. Ben, on the other hand, can’t wrap his head around cumming while staring at a piece of paper.
After a massive derailment about Marcus’ sexuality and the acceptance of using a “fuck-burrito,” Henry begins discussing a study that found that our brains process information in chunks and that it buffers that, then catches up to current reality. He theorizes that these gaps in perception could be the entry point for UFO’s, aliens, and the paranormal. Or maybe it’s people from the future pretending to be aliens? I don’t know. You go listen to this rambling madness. I’ll wait. Ben’s fascination with mayo infused coffee at this point is almost a welcome change if it weren’t so gross.
Here we get to what may be Henry’s favorite subject of the episode. Philip K. Dick. His stories tend to deal with a character learning that reality isn’t what they thought it was. In 1974, Dick answered the door to a dark-haired woman who shot a beam of information into his brain showing him that time is all happening at once and that his books are all real events happening in alternate dimensions. I’m sure it had nothing to do with painkillers, speed, and the blood clot in his brain that killed him. At any rate, this experience terrified him and he spent his life crusading all of these facts.
Henry had a similar experience in college involving The Dude coming to him on mushrooms to explain reality. That explanation is so bizarre I’m not even going to try and cover it here. It’s stoner logic man. Groovy.
OUTRO:
The boys acknowledge the fractured nature of this episode but think they had a fascinating topic. They all agree to turn the lights out and trip on shrooms until they realize no one has any shrooms and Marcus has to shit anyway.
THOUGHTS
This episode is the auditory equivalent of being mugged in the subway. It’s loud, confusing, unpleasant for the most part, and blessedly over soon. I see Henry as a fairly intelligent person but he is absolutely all over the place in this one. If you’ve ever tried to seriously find meaning in the film version of “Fear and Loathing in Las Vegas” then you may be prepared for this one. I’m not saying skip this one, but I am saying don’t try to understand it. Like the greatest mysteries in life, it just is and can not be known.
Listen Here:
Episode 36 on Spotify
More from Ted Neatherwood
Running from October 2017 to December 2022, Haunted Places is a podcast about just that. The dark spots and corners of the world that are best avoided by most. But if you want to explore them, this podcast is a good start.
The podcast is hosted by Greg Paulson and written by Lauren Delille. And I’m sorry to say that the podcast did end in December. I hope that the talented team is doing new, terrifying things.
The first episode I listened to was the very first one, The Cecil Hotel. This is a story that we already know quite a bit about, especially after watching the documentary on Netflix together.
Somehow, this thirty-minute podcast episode managed to tell more tales of the Cecil Hotel than a three-episode mini-series. I’d never heard of Dorothy, who threw her newborn baby out of the window rather than let her lover know she’d given birth.
These are verifiable facts. Dorothy Jean Purcell did throw her newborn infant son out of a window of the Cecil Hotel in 1944.
Here are some things said in this episode that are not verifiable facts.
Elisa Lam was likely murdered. (No, she wasn’t.)
Dorothy Purcell knew full well her son was dead before she threw him out of the window. (We can guess, but that’s all it is.)
Elisa Lam was part of a government conspiracy to cause a TB epidemic among the residents of LA’s Skid Row. (Clearly not a fact.)
While I’m not ready to toss a whole podcast based on some wildly inaccurate storytelling portrayed as facts, I do feel like I need to point it out. I’ll be taking everything from this podcast with a grain of salt, and I suggest you do the same.
I next listened to the final episode, about the Carlile House. Before the episode began, there is a simple message that this would be the final episode. No further explanation is given, and I wasn’t able to find any reason why Haunted Places wasn’t continued. So far as I’ve heard, quality wasn’t the issue.
I’d never heard of Carlile House, in New Zealand. The people who were forced to spend time in the house probably envy me in that regard. In its existence, it was an orphanage, a military barracks, and a trade school for boys. None of those are fun places to be. Some ghosts are going to remain. Especially when a vindictive, psychotic nun is involved.
This story has everything. Lots of racism, hateful ghosts, and sorrow-filled soldiers.
These two episodes are a good example of something I always look for in a supernatural or true crime podcast. I like to see a healthy collection of stories I know, and stories I’ve not heard before.
Some stories, like Hotel Cecil, La Llorona, and the Amityville house, are consistently fascinating. These stories are told again, and I’m happy to hear them. There’s also a whole season about Salem Massachusetts, which I’m a sucker for.
Many of these tales, most in fact, are stories I have never heard before. I had never heard of the Princess Theatre in Melbourne Australia, or the actor ghosts who reside there. I’d never heard of Ruthin Castle or the Lady Grey and her axe. I’d never heard the story of Peg Leg Johnny at the Congress Plaza Hotel. Now I have, and I feel richer for knowing them.
I truly enjoyed Haunted Places. While the ‘facts’ are questionable, the quality isn’t. The tales are disturbing, as all haunted house stories are. There is something about a haunted location that never gets old. Something about a place that has soaked up misery, anger, fear, and hate until it becomes itself a hateful thing. Some place that may seem lovely and safe from the outside, until you’re trapped within the walls.
If you’re looking for a good spooky time, Haunted Places is well worth listening to.
(3.5 / 5)
We’ve talked about a lot of horror anthology podcasts here. It’s a treasured genre for me. It reminds me of watching Tales From The Crypt and Are You Afraid of the Dark as a child. So when I find a good anthology podcast, I fall in love pretty hard. Especially when the writing is this good.
Launched in June of 2018, Nightlight is an anthology podcast showcasing horror stories written by authors of color. It was created by Tonia Ranson, a speculative fiction author who loves scaring the hell out of people. And after listening to a few episodes, it quickly found a place in my podcast listening schedule.
The first episode of Nightlight, called Letters From Home, was astounding. Written by Justina Ireland, it is the tale of an alternate history in which the dead started to rise during the American Civil War. It was a dark and gristly story of young black girls forced into training to take on the living dead. Sue, our main character, is strong and brave. When the dead find their way into her school, she leads her fellow students to the only hope of safety they might have. This is a fun, dark story filled with well-written action. It feels like something that might have happened, had the dead risen at Gettysburg.
By the way, this is a story in the same world as Ireland’s book, Dread Nation. So if you like Letters From Home, you’ll probably be eager to get your hands on the book. I know I was.
Another episode I found delightfully dark was He Refused To Name It, by Eugene Bacon. Our main character is shocked when the brother of his ex-girlfriend shows up to see him, holding a baby. A baby that is his, even though he hasn’t seen the girl, Em, in months. Sadly, she didn’t live through the labor.
Filled with a mixture of emotions, our main character thinks back to the painful way things had ended between him and Em. He is left alone with a baby in his cold little apartment.
It should go without saying that the baby isn’t exactly the harmless creature he might have expected. But the ending is just shocking.
In listening to the latest story, titled Aunt Sadie’s Surprise, it’s clear that the quality of the content hasn’t diminished at all. It’s called Aunt Sadie’s Surprise, written by Michelle Mellon.
Many families have a matriarch. An elderly lady who runs things without question. This family queen often has a special recipe that everybody loves. And the main character’s Aunt Sadie is no exception to this. She makes a dessert called Aunt Sadie’s Surprise. Every time she makes it, she uses a different ingredient. Sometimes it’s bacon. Sometimes it’s extra large chocolate chunks. Sometimes it’s a dark and horrifying substance good people don’t dare mention.
Our main character wants very much to know the secret of Aunt Sadie’s Surprise. She’d also love to know the mystery of an ornate dollhouse in Sadie’s upstairs bedroom. When she finally gets what she wanted, it destroys her life.
I loved how warm and lovely this story felt. It was like stepping into your hometown and being welcomed with open arms. Open, bloody arms.
In addition to loving the horror stories themselves, I adore the interviews with the author episodes. The story behind the story is often just as entertaining. And as a writer myself, I love these discussions of art, and the birth of a sinister tale. I do suggest listening to these interviews if you can.
Every episode is beautifully acted. There is a dark and haunting soundtrack, and just enough sound effects to make a listener feel uneasy. I have yet to listen to a single episode that didn’t crawl right under my skin.
Nightlight has new episodes every week, with the latest launching on March 16th. If you’re looking for an eerie tale told well, then you need to check it out.
(4 / 5)
We have reached now the penultimate season of Unwell, a Midwestern Gothic Mystery. This is the bad news. Any good story ends too soon, as far as I’m concerned. The good news is that the first two episodes of season five are already available, so we can start on that journey together.
That being said, this season was incredible. It was dark and frightening and asks more questions than we have time to answer. And for the first time, we come face to face with a question I’ve been wondering since the very first episode of Unwell.
What if this town doesn’t care for everyone who lives within it?
We begin this season right where we left off. Lily, Dot, Wes, Abbie and Marisol are trapped in the boardinghouse by a pack of wolves. There are more at the town hall. And yes, they do seem ready to bite someone’s face off.
Soon enough though, the wolves become a mild inconvenience more than anything. Yes, they might be vicious. They might be threatening. But eventually, everyone sort of gets used to them. And there are far more frightening elements of the town to be worried about.
For instance, Silas has moved in. The barriers that protected Mt Absalom from him are gone. So he’s around, getting coffee and opening a bar.
Lily takes this all in stride. She seems to see Silas as a trickster entity more than anything. He’s going to cause some trouble but is overall harmless. Even when a child goes missing, she doesn’t see this as a big deal. All in good fun, after all. Silas wouldn’t hurt anybody.
But let’s remember what exactly Silas did in the last episode of season one.
This is a concerning trend not only in Lily but in the town in general. Silas is much like the wolves. They might seem friendly. Some poor souls might be foolish enough to think they can be controlled. But they are still forces of nature. They are still going to do what they do, regardless of the outcome for others. Not out of malice. Only because it is what they are meant to do.
The town is also like the wolves in that way. And I think we’re only now coming to realize that.
I’m glad to see the two opposing sides coming together this season. For the most part, that is. Chester seems more and more willing to work with Dot and the boardinghouse, especially as he grows more and more concerned about whatever Hazel has planned. We don’t know what Hazel wants to do about Silas, but we know that everyone else thinks it’s a bad idea.
Everyone agrees that Silas needs to get out of the town, though. He’s causing all sorts of trouble, disrupting the balance that everyone relies on. But he doesn’t want to go. And he’s more than ready to put up a fight.
During the last few seasons, we have been given the impression that the town takes care of its people. Normally when someone says that, they mean that the people of the town look out for each other. And that is most certainly true. The people of Mt Absalom are wonderfully supportive of each other. It’s like a huge extended family, and I love it. But in this season, we find out that there’s more to it than that. The town itself looks after its people. When children go missing, they’re more often than not deposited in a safe place. The town sends them home. It also seems to hold onto people who might be of use, even after they die.
However, there are two sides to every coin. If a town can protect lost children, it can do more. And it can determine that someone within it is a threat.
One of our main characters makes themselves a threat this season. And the town does what it does best. It protects itself.
I can’t wait to get into the last season. I’m sad we have to wait for the episodes to come out every other week. But still, it could have been worse. We could have found it just after the season ended. I hope you’ll be listening along with me as we witness the final season of Unwell.
(4.5 / 5)
