American Horror Recap: 1984, Final Girl
It’s the last day of camp, Killer Queens. More than that, this is the last episode of American Horror Story that we haven’t yet covered here on Haunted MTL. That is until the new season starts.
Unless we’re counting season two of American Horror Stories. That starts on July 21st. And yes, we will be live-tweeting.
We start this episode in 2019 with a familiar face showing up at Camp Redwood. Finn Wittrock, playing Bobby Richter, is at Camp Redwood to find out what happened to his father.
See, his dad is supposed to be dead. But someone’s been sending him checks his whole life.
Bobby first meets Montana and Trevor. I was so sad to see Trevor there, Montana tried so hard to save him. But they seem happy enough. They sit Bobby down and tell him what happened on Halloween, 1989.
Trevor, in a fit of heroism, blocked off the road to Camp Redwood to keep anyone from entering the kill zone. Margaret, furious, tried to kill him outside of the grounds to make sure he’d never see Montana again. But at the last moment, Brooke shows up. She helps Trevor across the property line, realizing that there isn’t enough time to save him. When Montana asks her why she helped, Brooke’s answer is simple.
She’s not like Montana.
This act of love changes Montana. She bands the ghosts together to stop the killings. And they do a great job of it. They start with killing Bruce and making sure he dies off the property so no one has to deal with him anymore. Then, they get Ramirez. But, they know he can’t just be killed. They’ve got to keep him around and keep right on killing him. This leads to a hilarious clip of the ghosts taking turns killing him in increasingly horrific ways. And let me tell you, the look of glee on Xavier’s face when he chainsaws Ramirez was hilarious.
Bobby then goes to the asylum where his father spent so much of his life. He meets the medical director. It shouldn’t surprise anyone that it’s Donna. Again in flashbacks, Donna explains that she and Brooke snuck back into camp to help kill Margaret. They chopped her up and put her in a wood chipper, sending her chipped-up body over the property line. Unfortunately, it’s too late to save Brooke.
The thing is, though, that Donna isn’t the one sending Bobby money either. So, they follow the information on the checks Bobby’s been getting. And they find that Brooke survived.
She survived because of Ray.
He found her bleeding out and helped her off the property. Then, he called an ambulance. Brooke’s been able to live a wonderful, happy life. She has a family with two little boys.
So it seems that there were two final girls after all.
But Bobby isn’t done. He wants to see his father. And so he goes back to Camp Redwood, even after Donna and Brooke urge him to just get on with his life.
Of course, there are spirits there waiting for him. Some want to kill him. But there are at least two who want more than anything just to see him.
And for Lavinia and Benji, it’s the best thing they’ve gotten to do in a very long time.
This ending was a tearjerker, let me tell you. It seems like we’ve gotten back to the good American Horror Story endings. It’s what I want from a season if I’m being honest. I want the blood, I want the gore. But in the end, I want to be tearing up a little, Killer Queens. I want to feel like there was a happy, if bloody, ending.
So, let’s sum up the season. It started pretty cliche but moved on to good fast. It delivered on the ooey, gooey gore, so that was satisfying. The acting, as always, was superb. Even if my three favorites didn’t make it this season.
Is 1984 my favorite season of American Horror Story? Hell no, that’s Coven. But it brought the nostalgia. It brought the music. It brought the emotional climax. And it brought a bloody good time.
Too bad it was followed up by easily the worst season I’ve ever seen. I’ve already gone into detail about how terrible Double Feature was when it was coming out, so I don’t need to go into too much detail.
So that’s it! Wow, this has been a journey, Killer Queens. From Murder House to 1984. And now, we’re all caught up and ready to experience what comes next together.
See you then.
(5 / 5)
Launching with worldwide excitement, Fallout is based on the extremely popular game series of the same name. Fans of the series have waited with anticipation and trepidation to see if the Prime series would live up to the game.
Having now watched the first episode I can say that, so far, it’s successful.
The story
Our story begins with a children’s birthday party. A performer is there with his daughter, giving horse rides and taking pictures with the kids.
As much as the adults try to focus on the party and the kids, it’s impossible to ignore the looming threat of war that’s on everyone’s mind.
Of course, it’s during this party that war comes, and the bombs drop.
We then cut to after the war and into one of the vaults established to protect humankind and the American Way. For future reference, this is Vault 33. We meet Lucy, our first main character, who’s petitioning to be married to a man from Vault 32 to ensure DNA diversity.
On the wedding night, though, Lucy and the rest of Vault 33 are met with a horrible surprise. The group they let in is not in fact from Vault 32, but is instead a team of raiders from the surface. The raiders kill a lot of the vault dwellers and kidnap Lucy’s father.
We are then introduced to our second main character, Maximus. He is in training to become a Knight in the Brotherhood of Steel. And, well, he’s not doing great.
Things get worse when his best friend Dane becomes a squire before him. But when Dane is hurt, Maximus gets their spot.
We then go back to Lucy, who has decided to leave the vault and find her dad. Of course, the council of her vault doesn’t want her to go. So she is aided by her brother Norm and cousin Chet in a wild escape.
What worked
The first thing that deserves attention is the exceptional character work. Our three main characters are fleshed out and relatable right away. We feel sympathetic for The Ghoul before he’s even introduced as such. We love Lucy’s nativity and selflessness. And we love Maximus for his honesty and passion for his cause.
While these characters are their own people, they also exhibit the three responses we might expect to see in a post-apocalyptic world. We have the hopeful optimist who doesn’t understand how bad things are. We have the aspiring hero who wants to make the world better by force. And we have the self-serving individual who’s given up on the rest of humanity and is only focused on surviving.
Another thing I enjoyed about this episode was the balance of humor and gore. Because there was certainly enough blood and guts for even the most hardcore horror lover. We had a violent sabotage, a brawl with raiders, and even several nuclear bombs.
But there were a lot of funny moments as well. Usually from Lucy. Her overall goodwill and fearless gumption are absolutely hilarious, especially given the horrors she’s facing. It never ceases to amuse me.
Both of these aspects are done perfectly. The jokes land and the bloody scenes pull no punches. It was delightful.
All in all, this was an exciting start to a much-anticipated series. Here’s hoping they’re able to stick the landing.
For more tv shows based on video games, check out my review of Witcher.
(4 / 5)
Episode seven of American Horror Story Delicate was a classic AHS flashback episode. If you were excited to see what Preecher had to say to Anna at the end of the last episode, I’m sorry to say that you will not get that satisfaction. However, we did learn all sorts of other fascinating things about the strange coven hunting Anna. And, we learned all sorts of things we didn’t know about Dex’s first wife, Adeline.
The story
We begin our story with a woman giving birth alone in a barn. When it becomes clear that she’s not going to be able to deliver vaginally, she pulls out a knife and cuts her stomach open to pull out her children.
For whatever reason, this is when the coven of witches decides to make themselves known.
We then cut to 2013, when Dex was still married to Adeline. In true Dex fashion, he’s surprised her with a puppy.
While that sounds great in theory, dogs are something a couple should talk about, not gift each other with as a surprise. An adult would know that. A trust fund boy like Dex does not.
Adeline owns a vegan restaurant called Ave Hestia. Love that name. She seems to be living a great life. She has a career she’s passionate about, friends who love her, and a husband she seems kind of fond of.
Maybe that’s why she didn’t want a puppy. She already had one.
Of course, things aren’t as good as they appear. We soon find out that Adeline was one of those babies we saw at the start of the episode. The other baby was Sonia, the painter.
And yes, both of these characters are played by Annabelle Dexter-Jones.
Adeline has stepped away from their family, and whatever dark things they do. But the family isn’t happy with her decision. And if she isn’t going to come back willingly, they’re going to make her.
What worked
To start with, I loved the character, Adeline. She is fierce, she is fearless, and relentless. I feel like this would have been a far different story if Adeline had been our main character. It was astounding to see her interact with the same people Anna has, and get a completely different response. It’s clear now, how much everyone around Anna resents her for simply not being Adeline.
I also appreciated that there was just a shocking amount of blood in this episode. From the start when Adeline and Sonia are born, to the climactic end of Adeline, this episode is just drenched in blood.
Finally, I’m fascinated by the changes in this season from the book it’s based on. Because absolutely none of this was in the book. Compared to this, the book is heartwarming.
The book is kind of heartwarming even without the comparison.
But I love the fact that, even with just two episodes left in the season, I have no idea what’s going to happen. I do not know what Anna is carrying. I do not know if she’s going to survive this. I do not know what these people want with her.
But I can’t wait to find out.
What didn’t work
All that being said, it is a bit frustrating to have no forward momentum in this episode. This was all backstory, and it felt like there wasn’t enough backstory to fill a full forty minutes. Because of that, it dragged. There were a lot of scenes that just didn’t need to be as long as they were. It felt like they could have cut that down considerably, and had some time to check in with our main characters at either the start or the end of the episode.
There are only two episodes left in the season, and I can honestly say I have no idea what’s going to happen. But so far the story has been dark, bloody, and provocative. So I hope they can manage to end it on a high note.
(4 / 5)
If you’re a fan of my work, please check out my latest story, Nova, on Paper Beats World. New chapters launch every Monday, Wednesday, and Friday.
The Last Drive-In with Joe Bob Briggs returned March 29th for the first ever Easter-themed episode. Debuting the new series format, hosts Joe Bob and Darcy the Mail Girl presented only one film. The Drive-In can be watched on AMC+ and Shudder every other Friday during the season.
This week on The Last Drive-In, Joe Bob Briggs and Darcy the Mail Girl hopped onto our screens to include us in their Easter party. Festivities include decorating eggs, blowing noisemakers, cuddling mutilated stuffies, and of course, swigging down Lone Star beer. You’re invited to consume whatever substances you like best to enhance the viewing experience of this week’s film, Brian Skiba’s Rottentail (2019).
As Joe Bob opens the episode, there is hope he will remain focused and on topic. He begins with innocent rabbit behavior patterns before taking a turn into the best methods of hunting them. Darcy grows increasingly uncomfortable as he delights in giving pointers to would-be hunters. She incredulously asks, “Are you talking about killing rabbits right now?”
Believing the audience is on her side, she throws up a Twitter poll. It was a close split, but 50.2% of viewers who responded do agree with her. See? Every vote does count. (Seriously, make sure you are registered to vote in this year’s elections.)
Ch-Ch-Changes
Calling out the elephant in the room, Joe Bob reminds viewers about the new one-movie format of the series. Instead of two movies every Friday, this season has been stretched out with one movie showing every other week until Labor Day.
If you want someone to blame, Joe Bob says you can point at us tired folks on the east coast struggling to stay awake past midnight. However, between the new format and specials, we have been assured there are actually more movies this season.
Thankfully for the audience, Rottentail is packed with action and hits multiple genres to the point that it feels like at least a movie and a half.
Rottentail tells the story of unassuming scientist Peter Cotten (Corin Nemec) being transformed into a rabbit-human hybrid after receiving a bite from a genetically-engineered rabbit. He embarks on a journey of revenge against those who wronged him in his childhood such as Pastor Jake Mulligan (William McNamara). He even finds time to rekindle a past romance with Anna Banana (Dominique Swain).
The Drive-In Totals include but are not limited to: 4 dead bunnies, 1 mad army general, mutated bunny rampage, lettuce nibbling, heart tossing, 1 mutant bunny baby, and erection fu. “Four stars. Joe Bob says, ‘Check it out.’
No Animals Were Harmed
It goes without saying that there are a few depictions of animal cruelty within this film. Darcy feels it is prudent to warn the audience. Whenever an animal dies on screen, Twitter is flooded with upset viewers expressing their distaste. Dragging the warning out of Joe Bob, she reminds him of the gentle nature of the #MutantFam. We’ll watch humans be slaughtered all day, but don’t you dare hurt that animal.
Joe Bob seems to not understand the need for the warning as, “this whole movie is about taking revenge on people who harm animals!” He insists no animals are actually harmed and implies that being bothered is indicative of good effects. To demonstrate, at one point he “snaps” Darcy’s neck with the assistance of a sound effect.
Pages to Print
The film is based off of the graphic novel Rottentail by David C. Hayes and Kevin Moyers. Initially self-published, Source Point Press picked up the novel and are responsible for its translation onto screen. The film is very stylized and Joe Bob says it gives Re-Animator (1985) vibes.
Nemec is a big fan of graphic novels, and had read the story prior to the film’s production. He ended up becoming a co-producer of the film. Joe Bob believes Nemec should get more praise for his role as Peter/Rottentail, and the hosts bemoan his lack of availability to come on the episode.
Furthering my belief that Joe Bob is secretly a huge fan of Lifetime Christmas movies, he highlights that director Skiba is perhaps best known for his work on the network. I am continually baffled at how many of these Christmas movies he can name and refuse to believe he doesn’t actually cozy up to watch them.
Tis The Season?
Speaking of Christmas, this week’s mail call features a letter originally sent back in December. Joe Bob immediately senses what is going on and chides Darcy, “I do not want letters that make everyone cry.” Brad from Loretto, Kentucky writes in to share his Halloween memories with his daughter. Unfortunately, she passed away at the age of 20 before Brad had a chance to share The Last Drive-In with her. It’s a sobering reminder that we truly do not know how much time we have left to spend with someone.
No, Wait, Come Back!
It is understandable why some folks were upset with the new format change of the series. However, the episode is still full of The Last Drive-In spirit. I don’t have the numbers in front of me, but it feels as if there was more time & space for host segments. At points, Joe Bob and Darcy were breaking in almost every 15 minutes. It’s very much still the same show we love, just now featuring more anticipation.
My rating for Rottentail: 
(3.5 / 5)
My rating for the episode: 
(4.3 / 5)
