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American Horror Story is one of the most popular horror shows in America. It’s also one of my favorite shows. It’s scary, bloody, sexy and full of enough twists to break someone’s brain.

Normally a Halloween staple, there wasn’t a new season in 2020. Because 2020 was a garbage fire. But there’s a rumor, just a rumor, that the new season will be coming out in June. 

Since we’ve all been going through withdrawals and stuck at home with nothing to do, I’m ready to bing some AHS. Seems like a great time to go through an episode-by-episode recap of all the previous seasons.

Warning: American Horror Story is not for kids. There’s blood, gore, sex, suicide, rape. If it can trigger you, it’s in here. Reviews of this show will reflect this. 

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That’s out of the way. Let’s get to the fun part. While I have seen most of the seasons, I’m going to recap each episode like we just watched it together. There will be spoilers. There will also be fun, bad jokes and lots of blood. So pop some popcorn, open a bottle of wine, and let’s go back to where it all began. Episode one of Murder House; Pilot. 

We start with an exterior scene of the house itself. And this house, guys. Even knowing that there’s something in this place that wishes harm on me doesn’t make me not love this place. Stained glass windows, tiffany lighting, an eight burner range. This place is a love letter to function and form. (I studied interior design in school). 

Twin boys are doing what twin boys do. They had bats, and they wanted to go make some trouble in the abandoned house. After picking on little Addie, who’s chilling in the front yard, they head inside to bash stuff and throw poppers. Don’t judge, we were all little shits as kids. 

Of course, only death awaits the boys.

Cut now to the present day. We meet Vivien Harmon, who’s recovering from a traumatic miscarriage. Returning home, she hears someone upstairs when no one should be there. Thinking it’s a home invader, she heads upstairs with a big kitchen knife. Badass, Viv. Bad Ass. Unfortunately, it’s not a home invader. It’s her husband Ben, screwing one of his students. The butcher knife came in handy after all.

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For some reason, they decide to work things out. They move across the country and into a beautiful LA Victorian. The murder house, of course. The parents hope it’s the fresh start they need. Their teenage daughter, Violet, doesn’t. She’s pissed at, well, the world. She’s a teenage girl, no one’s surprised.

Of course, you can’t leave your troubles behind if you’re still living with him.  Vivian can’t escape her anger at Ben, no more than the emotional pain of her miscarriage. Now she also has to deal with her racist, psycho new neighbor who doesn’t understand boundaries. 

Constance and her daughter Addie seem to come with the house. Addie likes to sneak in like she owns the place. Constance sneaks in as well, either to inflict herself on Vivian or chase after the child she both loves and is repulsed by. 

Moira, the housekeeper, also comes with the house. She seems like she’ll be a good friend to Vivian, who is going to need one. Too bad Moira seems to have a double face. Not a Jekyll and Hyde, so much as an Alice Nelson and Pussy Galore.

The house doesn’t seem like it’s going to be too bad, though. Well, except for the thing that lives in the basement and almost kills a teenage girl visiting Violet. Oh, and the BDSM suit in the attic that rapes Vivian. 

This is running long, so let’s just finish up with Tate. Played by Evan Peters, Tate’s a troubled teen that Ben is treating. Most psychiatrists know better than to see patients in their house. But Ben, who can’t even tell when his wife is wearing makeup and has spent hours on her hair, thinks nothing of it. Until Tate starts bonding with Violet. Who needs a friend like Tate like she needs a hole in the head. 

That’s it for this episode. Grab a bottle of Moscato and I’ll see you again on Sunday for episode two, Home Invasion. 

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Movies n TV

Suburban Screams, Cursed Neighborhood

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Episode five of John Carpenter’s Suburban Screams was one of the best kind of horror stories. It is a dark, eerie tale of a mean house that is determined to destroy anyone who dares reside within it.

The story

Our story begins in 1682. A group of colonists are attempting to take over land that is very much not theirs. When the colonists are killed, they vow to curse the land.

Fast forward to modern times, and the land in question is a little suburban neighborhood. Carlette Norwood moves in with her husband, mother, and daughters. The house seems like a dream come true. Until, of course, their beautiful dream home becomes a nightmare. The curse of the colonists wrapped itself around the neck of each family member, turning them into people that they didn’t recognize. People who don’t exactly like each other.

What worked

While I wouldn’t say that the acting in this episode is flawless, it was several steps above what we’ve seen so far. Every actor seemed to understand their role and reacted in realistic ways. I was especially impressed by the young woman playing Angelique. She had the good sense to not overplay the role, giving each scene exactly the right amount of energy.

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Of course, there was one actress who way overplayed every scene. But rather than being terrible, it was terrific. And that was Chloe Zeitounian, who played the neighbor Stacy. Stacy the neighbor was creepy as shit. After an unnamed neighbor dies by suicide, Stacy shows up at Carlette’s house with a bottle of champagne, sipping coffee with a big old smile. Well, okay it probably wasn’t coffee.

Stacy was a fantastic character, and I hope there was a crazy neighbor just like her. I bet her house was haunted as hell, but she just decided that her ghost was like a stray dog that everyone else thinks is dangerous. She probably put a bejeweled collar on the colonist ghost and renamed him Kori spelled with an I on purpose.

Finally, I want to talk about the theme of ancestral curse and ancestral protections that this episode discussed.

Charles County was cursed by the colonists who took the land that rightfully belonged to the indigenous tribes. They took what their ancestors had given them, and left a curse in their wake.

At the end of the episode, Carlette talks about being protected by her ancestors. Ancestors that survived horrible things most of us can’t imagine. I am sure that their strength blessed Carlette, and helped her to save Angelique.

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What didn’t work

While this episode was certainly better than most of the season, it wasn’t perfect. The thing that most stood out to me as being frankly unneeded was the inclusion of maggots attacking Brian.

Paul A Maynard in Suburban Screams.

In multiple scenes, during which Carlette is narrating, Brian has maggots coming out of open wounds. Never once does Carlette mention a maggot issue.

It feels like there is a clear reason why the creators did this. This story doesn’t have a lot of blood, gore, or jump scares. And a core goal of horror content is to cause a reaction.

Stephen King has a great quote about this goal. “I recognize terror as the finest emotion and so I will try to terrorize the reader. But if I find that I cannot terrify, I will try to horrify, and if I find that I cannot horrify, I’ll go for the gross-out. I’m not proud.”

The inclusion of maggots in this story admits that someone involved didn’t think the story was terrorizing or horrifying enough. But it was. The story was freaky all on its own without the inclusion of our wriggling friends.

Is it true?

This might be an unpopular opinion, but aside from the completely unnecessary maggots infesting Brian, I think this episode is the most honest and accurate one so far.

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The thing about hauntings is that they’re seldom what we see in the movies. Haunted houses don’t have glass vases flying off shelves and wallpaper peeling to reveal 666 painted in blood over arcane symbols. Haunted houses dig into the minds of those who live there, causing bad luck and bad vibes. And that’s exactly what happened here. There are no massive explosions. No spirits throwing people downstairs or demonic dogs chasing children from the attic. This house dug into the hearts and minds of a loving family, ripping them apart.

So yes, I do think this episode is likely true.

The further we get into Suburban Screams, the more I enjoy it. This episode was eerie, upsetting, and riveting. I hope that Carlette and her daughters are healing from this horrific journey. And I’m thankful to them for sharing their story. 4.5 out of 5 stars (4.5 / 5)

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Happy Father’s Day Herman Munster!

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Herman Munster would be so proud, collage by Jennifer Weigel
Herman Munster would be so proud, collage by Jennifer Weigel

Today for Father’s Day I want to celebrate one the best dads in horror ever: Herman Munster! Herman Munster of television celebrity is a perfect example of a good father in a genre awash in epically horrible parents. He is fun to be around, cares deeply about family, and has a huge heart. He is essentially the naive and loving Frankenstein’s monster despite his horrific appearance, and is aptly employed at a funeral home.

Herman is lovable, hardworking, and always ready with the physical humor dad jokes, even if he is too naive to catch on to his role in the punchlines all the time. He is devoted to his wife Lily Dracula and son Eddie and will do whatever he can to protect them. His generosity extends beyond just his own, with the family taking in his niece Marilyn (who is painfully normal by comparison to the Munsters), and father-in-law Grandpa.

Portrayed by Fred Gwynne, Herman Munster is kind of the epitome of the good father in horror. Sure, he’s a brute, and can be a little dim sometimes, but he’s really just a big teddy bear at heart, and always ready for a good laugh. And apparently Herman Munster was even nominated by his son Eddie for Father of the Year in Season 2, Episode 25, so it all comes around full circle. If the show highlight doesn’t load, you can find it here.

And to celebrate more great Hollywood celebrities, here’s a poem for Ed Wood and an homage to Theda Bara

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Suburban Screams, The Bunny Man

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Someone is stalking the children of Fairfax, Virginia. He comes bearing an axe. He comes from the forest. He comes in the night.

He comes dressed as a bunny.

The story

In the 1970s, the sleepy town of Fairfax Virginia was menaced by a man dressed as a rabbit. He stalked kids and teens with an axe while they were playing in the woods, or ‘parking’. Children were cautioned to not play outside after dark. Parents were terrified. The whole community was rocked by the horrific killer who, well, didn’t kill anybody. And who might have been a whole bunch of people inspired by a truly sad tale?

Still from Suburban Screams The Bunny Man.

The story begins a hundred years earlier. A man whose name is lost to time is accused of stealing a cow. For this crime, he’s sentenced to death because things were a lot tougher back then. The man escaped but swore vengeance on the town. A few days later several children were found hanging from a bridge underpass, butchered and hung as though they were slaughtered rabbits.

What worked

The biggest thing to love about this episode, the one thing that sets it apart from the rest of the season, was the presence of Historian Cindy Burke. Finally, we have an actual professional talking about one of these stories. Yes, there are still first-hand accounts. But that is how these sorts of stories work best. We have the emotional retelling of evocative survivors. But we also have a professional who is emotionally separated from the situation backing up these stories with historical knowledge.

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This wouldn’t have mattered as much in any other setting. But Suburban Screams has been clear from the start that it wants to be seen as a documentary. This is supposed to be real. And if you’re going to claim that your ghost story is real, bring receipts. As many as you can.

If we’d seen more historians, detectives, and police reports through this series, it probably wouldn’t have the bad rating it does on IMDB.

What didn’t work

Well, it might still have had a bad rating. Because the acting in this episode was, for lack of a stronger word, terrible.

I don’t know if it was the directing, the casting, or just a weak talent budget. But not a single person except for the man playing the Bunny Man could act in any of these dramatic reenactment scenes.

The worst offender was probably the child playing Ed’s childhood friend. This character was way overacted. It’s as though the child had seen a parody of how little boys behave, and was told to act like that. As this was a little boy, he was likely a bit embarrassed.

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And I know, I’m trash-talking a child actor. I’m trash-talking all of the children actors in this episode. But children can act. There are lots of examples of kids doing great acting jobs. Stranger Things is an obvious example. Violent Night is another. The kid can act. These kids couldn’t act.

Is it true?

Unlike most of the other episodes in this series, The Bunny Man is a story I’ve heard before. It is a legitimate urban legend that blossomed from a few firsthand accounts of madmen doing scary things dressed as rabbits in Fairfax County, West Virginia. These events probably inspired others to do stupid things like dress up like a rabbit and run around with an ax. Much like the people who decided to dress up like clowns and scare the hell out of people across the country in 2016.

So, yes, the Bunny Man is very much real. He’s real in the hearts and minds of pranksters and West Virginia frat boys. And he is based on some very real, very upsetting, actual events.

I honestly wish the whole season of Suburban Screams had been exactly like this. Filled with facts, first-hand accounts, and proof of scary events. This was everything I wanted in a supernatural/true crime story. So if you’re giving the rest of the season a pass, I would suggest watching this episode.

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4 out of 5 stars (4 / 5)

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