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Wow, January sure flew by fast! But guess what? It’s time to see what goodies Arrow is bringing to the small screen soon. Let’s find out!

Basically a picture of everything I talk about down below.

Feb 3rd: Robert Altman: Giggle and Give In and Made in the USA

February 3 Joyce documentaries about the American indie film scene: Robert Altman: Giggle and Give In and Made in the USA (both US/UK/CA/IRE). Joyce’s documentary profile of Altman, originally produced in 1996 includes contributions from Altman, Elliott Gould, Shelley Duvall, assistant director Alan Rudolph and screenwriter Joan Tewkesbury. 

Feb 3rd: Charles Band: The Puppetmaster

February 3: Charles Band: The Puppetmaster (UK/IRE/US/CA). Triple-threat writer-producer-director Charles Band has been pulling the strings making horror, sci-fi and fantasy features since the 70s and his films were a massive part of making the 1980s home video boom, well, boom.

Charles Band: The Puppetmaster brings together many of his wildest and most fun work, from murderous pint-sized puppets to re-animated horrors, from time-travelling Trancers to a terrifying Tourist Trap, and even the re-tooled Doctor Strange movie starring Jeffrey Combs as a slightly different sorcerer supreme. And I LOVE Jeffrey Combs!

Titles Include: Puppet Master, Doctor Mordrid, Trancers.

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Feb 6: Killer Tech

February 6, while shopping for a gadget for your sweetheart, ARROW uploads Killer Tech (UK/IRE/US/CA) to the service.

We all want the latest gadgets, but in Killer Tech screen time means scream time.

From cursed videotapes and phone calls to the dangers of the dark web and vicious virtual reality, ARROW’s newest, smallest, lightest, fastest, most expensive curated collection doesn’t just have the best screen, largest amount of storage and the coolest camera – it also comes with a guarantee that the newest tech equals instant death.

Titles Include: .com For Murder, Laguna Ave, Edge of the Axe.

I recommend Edge of the Axe!

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Feb 10: Cinematic Void Selects

 February 10, ARROW hands the keys to the kingdom to Cinematic Void, a Los Angeles-based cult film screening series into the mouth of cinemadness. Focusing on all oddball gems of all genres, the Void unleashes an onslaught of horror, eurotrash, exploitation and gonzo action on the silver screen at the American Cinematheque. CV film programmer Jim Branscome has selected a few of his favourite films of the genre for your viewing pleasure in Cinematic Void Selects.

Titles Include: Deadly Games, Deep Red.

Feb 14:

February 14 celebrates Valentine’s Day with the perfect pairing: the undead and the living dead.

Two Orphan Vampires (UK/IRE/US): A pair of teenage girls, who are blind by day, but when the sun goes down, they roam the streets to quench their thirst for blood.

Zombie Lake (UK/IRE/US): In a small village, somewhere in France, German soldiers, killed and thrown into the lake by the Resistance during WWII, come back.

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Also Valentine’s Day:

Jean Rollin: The Fantastique Collection Part IV (UK/IRE/US).

Led by the brand new and exclusive documentary from filmmakers Kat Ellinger and Dima Ballin, Orchestrator of Storms: The Fantastique World Of Jean Rollin, welcome to ARROW’s final volume of horrifying dream-like sauce from the master of conjuring up erotic nightmare fuel, Jean Rollin, The Fantastique Collection Part IV.

Titles Include: The Living Dead Girl, Lost in New York, Dracula’s Fiancee.

Feb 17: The French Hitchcock: Claude Chabrol

February 17, with The French Hitchcock: Claude Chabrol (UK/IRE/US).

For five decades Claude Chabrol navigated the unpredictable waters of cinema, leaving in his wake more than fifty feature films that remain among the most quietly devastating genre movies ever made. Sardonic, provocative, and unsettling, Chabrol’s films cut to the quick with a clarity and honesty honed to razor sharpness.

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Though influenced by Fritz Lang, Alfred Hitchcock and Jean Renoir, Chabrol’s voice was entirely and assuredly his own, influencing in turn filmmakers like Bong Joon-ho, James Gray and Dominik Moll. His amused, unblinkered view of life and refusal to judge his characters makes his films timelessly relevant and accessible to all.

Dark, witty, ruthless, mischievous: if you’ve never seen Chabrol before, you’re in for a treat.

Titles Include: Cop au vin, Madame Bovary (1991), The Swindle.

Feb 24: King of Karate: The Sonny Chiba Collection

February 24 hits it off with King of Karate: The Sonny Chiba Collection (UK/IRE/US/CA).

Put up your dukes and prepare yourselves for brutal and lightning-fast martial arts action starring the King of Karate: Sonny Chiba.

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Whether you’ve only heard of Sonny through Clarence and Alabama’s True Romance triple-bill, have seen him sword-making for The Bride in Kill Bill, or know Shinichi Chiba from way back in the 70s martial arts boom where his lethal mastery of karate, judo and kenpo made him an in-demand anti-hero to legions of fans, there’s plenty of bruising bad-assery to be had in King of Karate: The Sonny Chiba Collection.

Titles Include: The Street Fighter, Wolf Guy, Battles Without Honor and Humanity: Hiroshima Death Match.

Feb 28: Millionaires’ Express 

February 28 closes out the shortest month of the year with Millionaires’ Express (US/CA).

All aboard for the all-star action-packed adventure of a lifetime as martial arts maestro Sammo Hung (Heart of Dragon) brings East and West crashing spectacularly together in Millionaires’ Express!

Sammo himself plays Ching Fong-tin, a former outlaw with a wild scheme to make amends with the citizens of his struggling hometown of Hon Sui: explosively derail a brand new luxury express train en route from Shanghai so that its super-rich passengers will have no choice but to spend money in the town. He’s not the only one with eyes on the passengers’ deep pockets, however; a gang of ruthless bank-robbing bandits are on the way, looking for a priceless map being guarded by a trio of Japanese samurai. Bullets and fists will fill the air in equal measure, but will Hon Sui Town be left standing?

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Jean Rollin Collection promotional. It's kinda trippy.

Head over to ARROW to start watching now.

Subscriptions are available for $6.99 monthly or $69.99 yearly. 

ARROW is available in the US, Canada, the UK and Ireland on the following Apps/devices: Roku (all Roku sticks, boxes, devices, etc), Apple TV & iOS devices, Samsung TVs, Android TV and mobile devices, Fire TV (all Amazon Fire TV Sticks, boxes, etc), and on all web browsers at https://www.arrow-player.com.

ARROWEssentials curates collections based on genre, decades and themes; and ARROWStories takes a fresh look at the world of film and TV with exclusive documentaries, interviews and video essays diving deeper into the many curated seasons and titles on the platform for a richer and deeper viewing experience.

With a slickly designed and user-friendly interface, and an unparalleled roster of quality content from westerns to giallo to Asian cinema, trailers, Midnight Movies, filmmaker picks and much, much more, ARROW is the place to go for the very best in on-demand entertainment.

ARROW is also home to ARROW Stories – an ever-growing collection of interviews, trailers, documentaries and additional extras, both newly created exclusives for the service and from the company’s extensive archives. The service will be updated regularly with fresh content, new curation focuses and never-before-seen content, all selected by the ARROW team as well as the filmmakers themselves. With a slickly designed and user-friendly interface ARROW is the new alternative place to go for the very best in On-Demand entertainment.

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Be on the look-out because in the coming months, ARROW will be adding Oscar-winning hits, European classics, Asian cinema masterworks, rediscovered Westerns, offbeat gems and much more as part of ARROW’s international strategy to support and celebrate the medium of film.

When not ravaging through the wilds of Detroit with Jellybeans the Cat, J.M. Brannyk (a.k.a. Boxhuman) reviews mostly supernatural and slasher films from the 70's-90's and is dubiously HauntedMTL's Voice of Reason. Aside from writing, Brannyk dips into the podcasts, and is the composer of many of HauntedMTL's podcast themes.

Movies n TV

The Boys, Season Four Finale

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We have come now to the finale of season four of The Boys. And while it didn’t have the literal blood fireworks I wanted, someone did get ripped in half in the air. So, that’s pretty close.

As a note, I will try to avoid spoilers as much as possible. This ending was a hell of a gut punch that should be experienced as blindly as possible. That being said, I will not be able to avoid spoilers and still give a full legitimate review. Proceed at your own risk.

The story

The main storyline for this episode is the attempted assassination of President-Elect Robert Singer. The Boys join forces with the Secret Service to protect him. But, as we learned last episode, Annie has been replaced with a shapeshifter. A shapeshifter that was welcome not just into Hughie’s anus, but into the protective bunker in which the President-Elect is hiding.

What worked

The first thing I want to discuss about this episode is the ending. But we need to do this carefully.

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The important thing here is that the ending breaks your heart on so many levels. So many terrible things are happening to characters that it’s almost hard to keep track. And each moment is significant to each character.

I cannot give a specific example. But no matter who your favorite character is, you’re going to weep for them.

Jack Quaid in The Boys.

Unless your favorite character is Sage. And this is the next thing that made this episode so fantastic.

I don’t think I’m spoiling anything to say that Sage’s plans worked out exactly as she wanted them to. And she got exactly what she wanted.

What she wanted wasn’t power. It wasn’t money or fame or vengeance. It wasn’t to win the love of anyone. She just wanted to see if she could do it.

That is a terrific, terrifying motivation! Because all she wants is to play a massive game of chess with people as pieces. She doesn’t care about anyone. She just wants to see how many people she can manipulate. She just wants to set things on fire to see if she can.

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Fantastic. A plus villain work.

The next thing I want to discuss is a cornerstone of the whole series.

The morality of The Boys shifts through the series. While it’s very much a battle to save the world from overpowered super monsters, it’s also a battle for the souls of our real heroes. And in that battle, there are two warring factors. We have Hughie, always trying to bring everyone up to a better level. And we have Butcher, who has no problem at all hitting rock bottom with a shovel in hand to do some more digging.

In this episode, we saw almost every member of The Boys challenged. Will they rise to their higher angels, or sink with their demons?

On a similar note, I am so glad that the writers kind of addressed my issues with Annie. They did this by having the shapeshifter get right into her face and accuse her of thinking that she’s better than everyone.

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Erin Moriarty in The Boys.

While that was devastating for the character, it was a little cathartic for those of us who felt like Annie was a little too good of a good guy.

What didn’t work

This is a small matter, but it is an issue that I want to address. After Annie finds out that Hughie slept with her doppelganger, she is furious at him.

In addition to this being unfair, it’s also a very cliche element to add. In almost every instance of a lookalike in fiction, there’s a moment where the love interest of the victim is fooled. Or almost fooled. And it’s always the same fight. It’s just played out and predictable. I’m just glad that it didn’t last very long.

Now that we’ve come to the end of the season, I can officially say that it was amazing. The story was deep and rich. The special effects were a stomach-turning good time. The character development was spot-on and satisfying. And, of course, it left me just about gagging to see what happens next. Unfortunately, it looks like we’ll have a bit of a wait. Because as of right now, the fifth season isn’t expected until 2026.

5 out of 5 stars (5 / 5)

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Movies n TV

The Boys, The Insider

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We’ve reached the second to last episode of The Boys, season four. And, as is appropriate for the penultimate episode of any show, things have to get a lot worse before they can get better.

Let’s discuss.

The story

Christmas is coming, and the whole world is getting ready. Ryan, despite being very clear that he didn’t want to appear on any TV shows or movies, has been strong-armed into participating in a Vought puppet Christmas special. He draws the line, though, when asked to sing about turning one’s parents in if they start talking about woke things.

Cameron Crovetti in The Boys.

Meanwhile, The Boys are trying to keep each other together. Butcher decides to take Sameer to the rest of the team. He also gets Frenchie out of prison, hoping they can make the Sup virus necessary to finally take down Homelander. Instead, this decision means disaster for one member of the team.

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What worked

I first want to talk about Ryan’s speech near the end of the episode. Because it was exactly the moral of this whole story.

Ryan’s dad is a monster. His stepdad is also kind of a monster. But Ryan is a good kid. He cares about people, about family. And while he loves Homelander and Butcher, he doesn’t want to be like them.

Even better, this speech sounded like something a kid would say. Ryan didn’t open his mouth and start sounding like a college student all of a sudden. He sounds like a kid who misses his mom and wants to live up to the good standards she set for him. And I think that’s terrific.

Speaking of Homelander, he shot himself in the foot in this episode. I said earlier in the season that his hubris was going to be his downfall, and I was right. Without Sage, he just has the same weaknesses he’s always had. He’s going to fail because he just isn’t clever enough or patient enough to succeed.

Without Sage, I think a win is in the bag for The Boys. This isn’t to say that Homelander by himself isn’t dangerous. It’s just that he’s more like a wildfire than a controlled burn. He’s going to cause a lot of damage, but not get anything he wants out of it.

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More’s the pity for him and everyone else who has to share his world.

Finally, I am thrilled with A-Train’s redemption story. I love that he wants to be a good person not to save himself, but to be a good person. His honest, pure and warm reaction to that little kid smiling at him in the last episode was heartwarming. It changed him in a moment, bringing to light a goodness that he’s been keeping under wraps for a long time.

Jessie T. Usher in The Boys.

This, along with Ryan’s courageous speech, proves once again what The Boys does so well. Yes, it’s gruesome. Yes, there’s blood and balls and batshit events. Yes, someone occasionally gets ripped in half. But there is a true human goodness in the story. One that we catch glimpses of. There are good people among the monsters. There is hope for redemption.

What didn’t work

Of course, so few things in this life are perfect, and this episode was no exception. For instance, I was irritated by the insinuation that Butcher cheated on his wife.

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That just doesn’t make any sense. We’ve seen flashbacks of Billy and Becca. They were happy. He was happy. He was head over heels for her. And I don’t think it’s realistic or necessary for the character to throw in that he cheated. It does nothing to add to the story, it’s just a weird and offputting moment.

Doesn’t Butcher have enough to hate about himself? Can’t we just give him that at least he was a good husband?

Finally, I kind of hate that we ended up with Annie being caught. It’s just cliche, which is something I don’t normally say about this show. It feels lazy unless they do something very clever with it in the last episode. Which, I suppose, they might.

Next up is the season finale. And with this season being as insane as it has been, I’m expecting nothing short of bloody fireworks. And I mean literal fireworks of blood. At this point, would it surprise anyone?

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4 out of 5 stars (4 / 5)

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Movies n TV

The Boys, Dirty Business

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Episode six of The Boys was one of the most surprising episodes of the series so far. And that is certainly saying something. Because this season has so far been bonkers.

The story

Our episode today revolves around a party at Tek Knight’s lovely mansion. Yes, it does look just like Wayne Manor.

The Boys know that Tek Knight is working with Homelander on something, but they don’t know the details. So they decide to send Hughie in to bug the mansion.

Because that’s worked so well the other two times he’s tried to hide a bug!

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It should surprise no one that this time goes no better. Hughie finds himself in Tek Knight’s basement. And by that I mean his BDSM dungeon.

Meanwhile, the party upstairs is no less disturbing. Homelander and Sage are trying to convince some well-off political donors to support a cue after the election. When pressed for details on his plan, Homelander freezes. He looks to Sage for help, but she wasn’t recently shot in the head and still in the junk food stage of her healing.

Fortunately, or unfortunately depending on your point of view, Neuman jumps in and saves the day.

Claudia Doumit in The Boys.

What works

If I’m going to say one thing about this episode, it didn’t hold back at all. I didn’t expect them to show a character masturbating, sitting their bare behind on a cake, or spraying breastmilk into someone’s face. But every time I thought they’d cut the scene and let something be left to our imagination, they did not do that.

Derek Wilson in The Boys.

This is a dangerous move. Whenever you show the monster, you run the risk of them not being scary enough, or gross enough. As Stephen King says in Danse Macabre, to leave this sort of thing to the imagination if the reader makes things so much worse. So when they finally experience the monster, they might say that this isn’t so bad. It could have been so much worse.

But in this case, they managed to avoid that by making the scenes, especially the ones in Tek Knight’s dungeon, so much worse than I imagined it would be.

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What doesn’t work

While this was a deeply disturbing episode in many ways, there was one really innocent and sweet moment.

And yes, I did have a problem with it.

Confronted by Firecracker, Annie decides to apologize for spreading rumors about her when they were kids. She tells her that she is genuinely sorry.

And I believe her. I don’t think Firecracker did, but I did.

So why is this an issue? Because I’m starting to think that Annie is maybe too nice. She is too good.

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I know that Annie is our good guy. But every one of the other good guys has flaws. Hughie let his pride get in the way and took Temp V. MM hid himself from his daughter instead of teaching her to work through her emotions. Kimiko is far too closed off and has a hard time trusting others. Frenchie numbs himself with drugs. And well, what hasn’t Butcher done?

It is unrealistic that Annie is just so kind and so flawless. We all have shadows in our personalities. We all have weaknesses, we all mess up. We all do things we wish we could take back. The fact that Annie doesn’t seem to have anything like that is not just unrealistic. It’s infantilizing.

Give her some deep dark secrets. Give her something real to regret.

This was a shocking episode, even for someone fairly jaded like me. I wasn’t expecting the sort of weird sexual depravity, though I guess maybe I should have seen it coming. It was dark, upsetting, tense, and funny as hell. And with just two episodes left in the season, I can imagine the stakes are only going to get higher.

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4 out of 5 stars (4 / 5)

By the way, if you like my writing you can get my short story, Man In The Woods, on Smashwords and Amazon.

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