Notes from the Last Drive-In: S3E6 – Maniac Cop and Maniac Cop 2
Welcome to Notes from the Last Drive-In where this week we go sequel-mode to Maniac Cop and Maniac Cop 2. We’ve not had a double feature of two films in the same franchise since the Halloween Hootenanny, so tonight is a rare treat. So, how do Maniac Cop and its sequel fair? Did Shudder dig too deep?
Maniac Cop (1988)
Opening: Psychics in our midst.
Ah, Maniac Cop. This 1988 crime horror film probably could not be made today given the level of tension surrounding law enforcement, and that is probably for the best because the existing film is already perfectly suited for its time. Maniac Cop is the result of the incredible team-up of the late Larry Cohen and director William Lustig. The film also features a remarkably stacked cast including Tom Atkins, Bruce Campbell, Laurene Landon, and Richard Roundtree. The movie belongs, however, to Robert Z’Dar as the titular crazy cop. The movie itself isn’t overly complicated with a ton of plot to get in the way – a vaguely undead cop, wronged by the system, returns to life and exacts violent vengeance on the city. Not a lot here, but the film does well with this stripped-down concept.
The film uses its setting very well, building off the scary New York City of the 1970s and 1980s that worked its way into so many crime films of the time. It is a perfect backdrop for a story about the corruption of justice framed around a hulking cop bashing heads in. And boy, do people get messed up in this movie. Z’Dar’s Officer Cordell is a monster. He offers up an incredible silhouette against the backdrop of night, perhaps looking even bulkier than Jason Voorhees. Z’Dar’s role is mostly mute, but there is an undeniable presence to the character, so it isn’t hard to see why three films were made, with him returning for all three. Tom Atkins and Bruce Campbell, two leading men, play a form of a relay in the film with the role of lead protagonist switching from one to the other about two-thirds of the way through the film. It’s novel, at least, but between the two of them, Atkins should have carried the movie through to the end. Campbell is fairly flat, here, playing it straight. Atkins gets most of the actual development, Campbell gets a couple of action scenes.
The story is simple but perhaps overly so. The film also has a number of contrivances that allow it to move from set piece to set piece, including a particularly fun chase scene, but again, the plot is a secondary concern here, though perhaps maybe that shouldn’t have been the case. Still, elements of the film have a certain, and unfortunate, timeless quality. Issues of police violence against citizens and corruption of the legal system still persist to this day and were not necessarily new things when Maniac Cop was released. This is a grindhouse film, through and through, and one of the last of them.
The big bit of the first half of the night was the interview with “the chin” himself, Bruce Campbell. The remote-format interviews this season, given their necessity, have been fine. Would it be better to have Bruce Campbell at the cabin, sitting on the porch have been better? Undoubtedly. But these scripted interactions are still very much fun and generally showcase the guest in such a way as to remind us why we like them. Bruce was every bit as charming as he has been known to be across the convention scene and on movie sets. It’s almost like popping in on an old friend. His stories and recollections were welcome – and will surely be welcome again once Joe Bob and company return to the trailer. The night was also a reminder of the wonders of Larry Cohen, one of the finest writers in film, who left us in 2019. It seems to me that there are two kings of the drive-in movie, and Cohen is one of them, the other being Roger Corman.
Joe Bob Briggs gave Maniac Cop four stars, which seems fair to me. I have been poking fun at his generosity a bit this season, but a movie like Maniac Cop just hits all those marks for the type of movie we love at The Last Drive-In. It’s a grindhouse movie that plays fast and loose with storytelling in order to get to the next fun part? But you know what? That’s perfectly fine. Plus, it has Robert Z’Dar casting one of the most imposing silhouettes in film history, so that is a bonus. As for me, I do have my concerns with it, but Maniac Cop is a solid four out of five Cthulhus.
(4 / 5)
Best Line: “Look at the size of those hematomas!” – Frank (Joe Bob was totally right about this one)
Maniac Cop 2 (1990)
Opening: Renaissance Faires, emphasis on the “e” in faires.
The back half of the evening revolved around 1990’s Maniac Cop 2. A solid sequel with an even greater make-up job on Robert Z’Dar as the titular maniac cop. The film again reunites writer Larry Cohen and director William Lustig, the second out of four times working together, and builds on the insanity of the first film, wiping out the remaining cast of the first movie. The film also does some interesting things with officer Cordell as well – he is still ill-defined as living or dead, but he does have some surprisingly new depth as well. Maniac Cop 2 stars Robert Davi, Claudia Christian, Robert Earl Jones, and Leo Rossi, with Z’Dar returning as Cordell. The film also has two blink-and-you-miss-it cameos with Danny Trejo and Sam Raimi.
Maniac Cop 2 is the better of the films, a rare example of the sequel being better than the original. Yes, I am comparing Maniac Cop 2 to The Godfather: Part II or Toy Story 2. It offers a stronger story than its predecessor, a more interesting, arguably richer take on the antagonist, and a better overall protagonist. It also blows past the first film regarding spectacle, with the last 30 minutes being a non-stop unfurling of chaos. Everything seems bigger and better. Z’Dar is at his best here as Cordell, and the make-up work on him this time around is even stronger. The addition of Leo Rossi as serial killer Steven Turkell is genius. He chews the scenery, and his unlikely team up with Cordell creates some fantastic complications for Robert Davi’s Lieutenant McKinney. It builds on everything established in the first Maniac Cop and makes for a fuller experience overall.
It is still a grindhouse type of film, though, so logical leaps, inconsistent characterizations, and going for what would be most “cool” come fast and frequent in the movie. Does Cordell being able to throw a man through a cinderblock wall make sense? Not really. It is just something you accept in a movie like Maniac Cop 2. The film also makes it very, very clear you don’t need to see the original to enjoy this one, given the amount of reused footage from the first film. It makes it charmingly accessible, if not a bit redundant.
The second guest of the evening was William Lustig. His enthusiasm was fantastic and his stories about old grindhouse theaters, bouncing back and forth with Joe Bob about New York and LA in the 1970s and 1980s were immensely entertaining. The remote format worked well enough here, but with any luck Lustig will be back on the show, in-person. His personality is too enthusiasm not to have on set and the collective film knowledge between him and Joe Bob Briggs in these segments was dizzying. Overall, an excellent guest who took his segment and ran with it.
Joe Bob Briggs gave Maniac Cop 2, unsurprisingly, four stars. I won’t poke fun of him here; the film is every bit a refinement of what made the original Maniac Cop so special. It has just about everything you’d want in an NYC-set horror film involving an undead cop – even more so than the original. Maniac Cop 2 is a four-and-a-half Cthulhu film.
(4.5 / 5)
Best Line: “I can’t let someone out on the street with a gun that has emotional problems.” – Susan (if only this was true)
Haunted MTL Drive-In Totals
As always, Shudder has those drive-in totals straight from the show.
As for our own totals we have:
- 2 remote guests
- 5 drive-in legends
- 2 thugs 1 cop
- 80s worship
- 90s rap theme
- Stripperama
- Attempted Muggery
- Patrol Beats
- “thee-ater”
- “debutt”
- Let’s learn about Cherubism!
- Chainsaw ranting
- Irish joking
- Frog joking
- Yuki Count: 3
- Silver Bolo Award: Cadavercast
- Darcy Cosplay: 2, Tom Atkins and the Maniac Cop.
Episode Score
A fine night at the drive-in, frankly. The crew is doing the best they can with the remotes and has adapted rather well to the challenges of the Coronavirus. Hopefully, by season four, we’ll be out of the woods and back in the desert. There were some other fun bits in the episode worth mentioning as well. A nice tribute to Joe Spinell closed out the Maniac Cop 2 credits, which was a touching tribute to the original Maniac. Joe Bob got a gift in the form of a 1990-91 Mark Jackson basketball card, infamous for the Menendez Bros. sitting in the background. And there was another brief chapter in Joe Bob’s ranting about chainsaws being a terrible weapon – the second in as many weeks.
But hey, no dead dogs this week.
(4.5 / 5)
See you next week, folks. We continue to live-tweet the fun at the Haunted MTL Twitter account, so why not give us a follow there?
Movies n TV
“How to Split an Atom,” a Scientific Return to Evil
The assessors return to investigate a particle accelerator with a damning history in “How to Split an Atom.” Season 4 Premiere of Evil.
The assessors return to investigate a particle accelerator with a damning history in “How to Split an Atom.” David (Mike Colter) can’t seem to shake off the dire warning of his vision. Kristen (Katja Herbers) reaches her breaking point. Ben (Aasif Mandvi) sees the light and faces some uncomfortable realizations.
“How to Split an Atom” is the first episode of season 4 of Evil, created by Michelle King and Robert King. The central cast includes Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, Christine Lahti, and Andrea Martin. As of this review, it’s available through Netflix and Paramount+ and its add-ons.
What I Like about “How to Split an Atom”
While “How to Split an Atom” does start in season 3’s conclusion, it’s still a satisfying introduction through Kristen’s reaction alone. While it’s less effective and necessary in the era of streaming services, it reminds viewers of the last season’s execution to re-establish tension.
“How to Split an Atom” sets Kristen and Ben to face their most personal challenges. While Kristen often gets a good amount of material to explore, Ben receives the least development of the three assessors. Now that the titular scheme suggests a scientific focus, Ben seems to earn more attention.
- In the final season, Kristen, David, and Ben continue to assess cases that involve wayward technology, possessed pigs, demonic oppression and infestation, a dance muse conjured by alleged witches, and an evil relic
- Throughout, Leland attempts to lure Kristen into raising a baby antichrist who was conceived with her ovum
- David is recruited by the Vatican’s secret service to remote view a paranormal ability to see the unseen to detect evil
- From creators Robert King and Michelle King (The Good Wife), Evil is a critically acclaimed psychological mystery series that examines the origins of evil along the dividing line between science and religion
- A skeptical female psychologist (Katja Herbers) joins a priest-in-training (Mike Colter) and a contractor (Aasif Mandvi) as they investigate the Church’s backlog of unexplained mysteries, including supposed miracles, demonic possessions, and hauntings
- This 13-disc collection includes all 50 episodes, along with deleted scenes and more!
Last update on 2025-03-03 / Affiliate links / Images from Amazon Product Advertising API
In comparison, David takes a step back, but the performance shows a man haunted by his vision. You see this conflict in his performance as he seems more held back and reserved throughout the episode.
Though far from unique to this episode, I haven’t yet found the opportunity to dive into the opening credits. These credits embody the idea of evil as an intrusive force against the good. It visibly displays the famed “problem of evil,” showing how the darkness intrudes against the light.
“How to Split an Atom” prepares the viewer for a new norm across every character. While that doesn’t evoke a truly haunting experience, it remains effective in building the foundation for the final season of Evil.
Tired Tropes and Triggers
Andy (Patrick Brammall) spirals in this episode, induced by trauma and manipulation. His interactions with Kristen showcase several toxic behaviors. While these issues hold merit and other forces manipulate him, this might not matter to some.
Though not directly stated, a minor character seems to suffer a psychotic break, leading to their death. “How to Split an Atom” doesn’t confirm if this is a suicide, a demonically assisted act, or a complete accident.
What I Dislike about “How to Split an Atom”
“How to Split an Atom” explores a similar titular scheme as last season, but it doesn’t resonate as well. It feels like it retreads season 3, focusing instead on science but still lingering in a similar design.
There’s a strange scene where Sister Andrea and David speak in a low whisper despite being alone in her room. If “How to Split an Atom” wants to imply that spies listen in, “How to Split an Atom” doesn’t show this idea effectively. However, I think it’s intended to parallel Catholic confession, but it still doesn’t make logical sense in execution.
As streaming shows become standard practice, starting a new season in the prior season’s conclusion makes the episode more dependent and repetitive. While the execution remains effective in “How to Split an Atom,” I can’t help but linger on that thought.
Final Thoughts
“How to Split an Atom” establishes a definitive timeline where all the forces of Evil will collide. It has its strengths but doesn’t haunt the viewer. The ramifications of Ben’s descent and Kristen’s breaking point keep this episode from blending into the background, but only slightly.
(3.5 / 5)
We’ve reached the end of Goosebumps, The Vanishing. And after eight episodes of quality going up and down, I’m sad to say that the finale held to that theme.
The story
We begin this episode with the teens getting ready to go down into the fort to save their dad. Dr. Pamani gave them serum injections to keep them from being turned into pods. Then she locks them in, intending to never let them out again.
Through a series of quick thinking and bravery, everyone makes it out of the fort, though. Including Matty, Nicole, Hannah and Sameer.
For a time it looks like everything is going to be alright. Until Anthony tells Jen that they’ve got to do something about the alien ship that’s still trapped within the fort.
By the way, watch this with the caption on. It’s fantastic.
Jen and Anthony go back to Dr. Pamani’s lab in time to realize that no one is safe. Least of all, their kids.
What worked
You might notice that the ‘rescuing Dad from the pod’ part of this episode was over pretty fast. That’s because the actual story of this episode was about what came out of the facility rather than what was going on down there. And that was a surprising misdirect. I enjoyed that I didn’t see this misdirection coming. Well done.
I will also say that this episode was fun to watch. The critters were equal parts creepy and kind of cute. The dialog was fun and there were a lot of laughs.
This ending was also satisfying. All the questions are answered. Everyone gets a happy ending and all the people you want to get together do. It was a solid ending with no loose threads.
What didn’t work
Unfortunately, that’s all the good things I can say about this episode.
Let’s start with the continued superficiality of the whole story. I just didn’t feel much of anything for any of these characters. I had a little twinge of bittersweetness when Matty looked through the box of his old things. But that was about it.
The problem here was that everything was going too fast. We jumped from chaos to chaos so fast that the emotions didn’t have time to sink in. It was like rain on a dry field. No matter how much falls, if it can’t be absorbed it’s not going to do much good.
Here’s the real problem I have with this episode, though.
You’ll recall that in the last episode, I was irritated by how quickly Dr. Pamani decided to help the kids. It should surprise exactly no one that she didn’t decide to help them, but to trap them in the facility to be podded forevermore.
- Goosebumps now on Disney+!Jack Archer is convinced something strange is going on at his neighbor’s house
- Mr
- Fleshman always wears all black, hardly ever leaves his house, and never says hello to anyone
Last update on 2025-02-28 / Affiliate links / Images from Amazon Product Advertising API
While I’m thrilled that Dr. Pamani didn’t just change her mind, I still think it was dumb as shit that anyone, especially our main characters, thought she did. These teens aren’t dumb. Kids aren’t dumb. We shouldn’t be portraying kids as dumb in a show for kids.
I’m not saying this series was pure garbage. I’m not saying it was dangerous or unwatchable. I’m just saying that, if it didn’t have the name Goosebumps, I probably never would have watched it. This story just doesn’t have the same staying power that the original stories do. It was fine to watch, but in the end, just didn’t have enough substance to warrant a rewatch.
(3.5 / 5)
After a shaky start, Goosebumps The Vanishing is still on shaky ground with this penultimate episode. While there were some surprises, a lot of them were rather disappointing.
I feel like I say this a lot, but if you’ve read the original book then you might have a hint about where this is going. But it won’t tell you the whole story. So let’s take a trip to Camp Nightmare and see what’s waiting for us.
The story
We begin this episode with a flashback to the Fort before it was a fort. A group of Camp Nightmoon campers is hiking there with the worst camp counselor ever. It was almost a relief when the mysterious monster reached up from the cliffside and grabbed him.
Back in the present, the teens are putting the pieces together. They track down Dr. Pamani’s father and even find a book he published. They then locate the address of her lab and break in. There, they find her journals that chronicle the discovery of the monster, and how it managed to kill her entire team.
What worked
In this episode, and in fact this season, scientists are not the bad guys. Which is a relief. Science fiction and horror tend to hold up a mirror to society, showing us what we’re really scared of using monsters and ghosts as allegories. So often, when people are wary of science and scientists, we have horror movies that demonize them.
But that’s not what happened here. The scientists are not necessarily the good guys, but the ones who tried to save the world. Even though they failed, they tried.
One good example of this was Dr. Pamani telling her father, “We’re scientists, not soldiers.” This is a great line. And this episode had a lot of great lines. The dialog was on point. Nothing felt forced, but it also felt polished and impactful. It was just overall well done.
I also enjoyed, to a point, the flashback scenes to 1969. It was interesting to see the people who tried to contain this entity. To learn from it. The flashback was also ominous. Because never did the characters explain how this entity got there. They didn’t seem interested in that, only in how to destroy it. Since we don’t know why or how it came to New York, we don’t know if there are more of them somewhere else. And since everyone’s being so secretive, we might never know.
Until it’s too late.
What didn’t work
Unfortunately, this episode failed more than it succeeded.
Let’s start with the sudden change of heart Dr. Pamani has. For decades, she’s been controlling and containing this creature. She’s been careful to never take risks that might release it into the world. So when Cece and Devin want to go save their dad, she says no.
At first. Then, after a not-so-passionate plea by Cece, she changes her mind and agrees to help them save Anthony.
Which seems like a really quick departure from her stance just moments before. Honestly, this wasn’t believable at all. It was lazy. It felt like they just didn’t have a good enough reason for her to change her mind, so they just handwaved it away.
This wasn’t the only part of the story that was too easy. This whole investigation went smoothly for them. They wanted to find the book by Dr. Avi Pamani, and they found it at the library. They didn’t even find it. The librarian found it for them. They wanted to find Dr. Pamani’s address. They found it in seconds and also found her credit score. They got into her lab by doing nothing more than cutting a chain holding the door shut. And we’re supposed to believe that no one ever thought to do any of this? Four teenagers vanished in the 1990s, and none of their family members were ever able to put all this together. That just doesn’t make sense to me.
Both of these issues feed into the main problem with this episode. The whole thing felt watered way down. Especially after the hints about some horrific medical experiments taking place at the fort. I love a good horrific medical experiment story, so I was looking forward to that.
But that’s not what happened. Instead, it was a watered-down alien invasion story with a bunch of people who did their best and failed. It just felt like, frankly, not enough. It felt like there could have been so much more, should have been so much more. Instead, we got the Great Value version of what we could have had.
At this point, I think I’m too invested to give up. After all, there’s just one more episode left. But I’d be lying if I said that was something I’m looking forward to.
(3 / 5)
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