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A quintessential message delivered like a 3D printed knife to the gut. The blade dull, but sharp enough. I’m talking about Spree, the gonzo-style satire about a young man obsessed with becoming social media famous that’s incredibly realistic in its capture of delusional vlogger desperation.

Spree represents the reality of the “perfect” life showed in all its cold, grotesque pointlessness, making it feel like a new-age version of American Psycho. The two films could be watched back-to-back as a double feature because they share the same skeletal outline. Impactful, unsettling, and very, very cold. The film and its protagonist feel empty, and that’s the point.

By the way, if you’re an influencer or vlogger or something of the sort I’m sorry but I advise you to just not watch this film because everything about it is designed to insult your “profession,” fair warning.

Directed and co-written by Eugene Kotlyarenko, Spree holds nothing back in its message, practically beating us over the head with it. In short: we need to get off our phones.

Filmed like a strange type of found footage feature shown through various recordings taken from phones and cameras, Spree is a very obvious metaphor about how “plugged in” the world is. Everyone in the film is attached to a phone or some sort of camera and everyone has a feed they can’t spend more than 5 minutes away from. It may be a hyperbolized version of social media reality, at times becoming overkill, but it’s not wrong. Shown to the extreme, the film sums up everything I feel about most vloggers, influencers, and Instagramers. If I ever forget why I hate such circles, Spree will spend its entire 93 minutes reminding me.

Kurt Kunkle (Joe Keery) is a young man who speaks like he’s always live-streaming because he is always live-streaming. According to him, “if you don’t document yourself then you don’t exist.” A statement that might as well be the foundation of Kurt’s entire existence. In his quest for social media relevance, Kurt runs the wildly unpopular YouTube channel “Kurt’s World” where he posts videos about himself. It’s actually painful to watch. His channel doesn’t have a theme, it’s him talking about himself, a clear sign that he’s in desperate need of a companion, or therapy.

In his spare time, he works as a ride-hail driver for a rideshare app called Spree which becomes the setting for his final attempt at fame.

Sick of not getting followers, Kurt decides that the only way to get noticed is to live-stream himself murdering Spree riders. He calls it “The Lesson.” The truly frightening part is how nonchalant he is about it. Doesn’t enjoy or dislike it, he has no reaction whatsoever. Eventually, a famous comedian, Jessie Adams (Sasheer Zamata) gets mixed up in his obsession. Why? Because she has a large social media following. He will do anything to get a taste of that fame.

This film would be nothing without Keery. A steady mix of innocent and psychotic, his lack of awareness makes him almost childlike, unsettling in his detrimental intentions. He plays a convincing psychopath. Someone so detached from reality that he doesn’t comprehend the difference between something that’s staged and something that’s real. The people he kills are gone forever but he doesn’t fully grasp the concept. In the mind of Kurt, people only exist when they’re being recorded therefore his victims have become immortal through his actions.


Spree plays like an extension of social media. It’s colorful, entertaining, a bit shocking, and…empty. Parts of it are a bit hard to follow because several scenes are split in a type of screen share format that has people commenting on the bottom. Kurt verbally responds to some of these comments and some are used to highlight certain elements of a scene.

I thoroughly enjoyed this film but I don’t think I could ever watch it again because of how annoyed I was with all the characters. It’s only 93 minutes but it feels a hell of a lot longer. The message is a good one. The film is absolutely right, however, it’s nothing we haven’t heard before. All the way back to films like Videodrome we’ve been “warned” about the danger technology has on the psyche. So while the film is certainly original, its theme is not.

3 out of 5 stars (3 / 5)

Photos are property of RLJE Films

Rachel Roth is a writer who lives in South Florida. She has a degree in Writing Studies and a Certificate in Creative Writing, her work has appeared in several literary journals and anthologies. @WinterGreenRoth

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The Last Drive-In: Joe Bob’s Vicious Vegas Valentine Special Live Watch Party February 10th!



The sweet putrid stench of love lingers through the air which can only mean one thing…Valentine’s Day and its annoying little winged cherub mascot, Cupid, is fast approaching. Soon, partners will be spoiling one another with extravagant bouquets of roses, heartfelt Hallmark cards, obnoxiously large teddy bears, glistening diamond jewelry, and heart-shaped candies or boxes filled with assorted mediocre chocolates. You know? Normal things couples do. I tend to prefer my chocolate boxes filled with bleeding hearts, à la ‘My Bloody Valentine’ but, beggars can’t be choosers, right? All jokes aside, Valentine’s Day is special for many couples, however, there are also many others who find themselves celebrating this day without a significant other. Luckily, Shudder, along with drive-in king Joe Bob Briggs and co-host Darcy the Mail Girl (Diana Prince) will graciously be keeping us lonely mutants’, and yes, all you horror fanatic couples’ company on Friday, February 10th as they return with The Last Drive-In: Joe Bob’s Vicious Vegas Valentine, premiering live at 9pm EST.

Love Spells Abound…

Back in 2021, Joe Bob and Darcy invited us to a gruesomely passionate night of spell-binding love witches and animatronic dinosaurs infused with teenage human brains during The Last Drive-In: Joe Bob Put a Spell on You. Many, including myself, were introduced to the tantalizing 70’s inspired retro throwback ‘The Love Witch’ and the graphically goofy cult classic ‘Tammy and the T-Rex’, providing the perfect viewing pleasure to mend any broken heart. While the two films for this year’s morbid love-induced special have yet to be announced, as a special treat, Briggs has announced for the first time on The Last Drive-In, he will be marrying one lucky couple during the live showing. We here at HauntedMTL are eagerly awaiting the return of the ghoulish duo so, as is tradition, we will be proudly hosting a watch party on Twitter during the broadcasting of The Last Drive-In: Joe Bob’s Vicious Vegas Valentine. Be sure to follow us on Twitter and tag us  @hauntedMTL as well as @shudder@therealjoebob, and @kinky_horror to partake in this night of unholy love.

Drawn image of Joe Bob Briggs pouring  a drop of pink liquid into a clear glass potion bottled filled with a glowing red substance. To his left lies a book a magic spells with a golden pentagram necklace resting on top. Also on the books rests a human skull with heart shaped pupils for eyes hiding behind a pair of clear glasses. In bold white letters a text reads "Join us on February 10th as we live tweet The Last Drive-In Valentine's Day Special".
Follow @hauntedMTL for live tweets and replies!

What started off as a one-time special premiering on Shudder July 13, 2018, ‘The Last Drive- In’ was originally meant to be Brigg’s swan song; one last special before hanging up the bolo tie in retirement. However, due to so many mutants, excuse me…viewers tuning in and breaking the Shudder servers, it was only natural to announce an official full season of ‘The Last Drive-In‘, which would make its explosive debut March 19, 2019. Since then, Darcy and Briggs have spawned many exclusive holiday specials, have graciously donated to many charities within the community, and have accumulated 4 seasons of ‘The Last Drive-In’, with a fifth currently in production premiering on Shudder’s 2023 schedule sometime this year, let’s hope sooner rather than later.

Picture of Joe Bob Briggs, Darcy the Mail Girl, John Patrick Brennan and Yuki Nakamura standing together dressed in medieval costumes. A cardboard cutout of Tom Atkins stands between Darcy and Yuki. Darcy is seen drapped in a beautfiul elegant princess dress, satin white with gold trim. Yuki is seen holding a small wreath of purple, white, and yellow flowers that match his loud medieval king costume. Resting atop both their heads are golden crowns. Joe Bob Briggs is seen standing to the left of Darcy, as he smiles whilst wearing a half-put together jester costumer. Lastly, we see Brennan with two wooden recorders in his hand as he mimics playing them both dress clad in a bright yellow dress.
An unexpected ceremony during The Last Drive-In: Joe Bob Put a Spell on You (2021) special.

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Movies n TV

Horror Noire, a Film Review

Horror Noire is a horror collection that includes “Daddy,” “The Lake,” “Brand of Evil,” “Bride Before You,” “Fugue State,” and “Sundown.”



Horror Noire is a horror collection brought by the combined efforts of AMC+ and Shudder. The collection includes “Daddy,” “The Lake,” “Brand of Evil,” “Bride Before You,” “Fugue State,” and “Sundown.” Horror Noire boasts Black directors and screenwriters, providing six unique stories.

As this collection explores six stories, I will skip the usual synopsis to assess the genres and ideas explored, albeit limited as needed. Expect to find supernatural horror, creature features, and psychological thrillers. Many short films deal with these genres while exploring Black issues, but this isn’t universal for the collection.

The directors and writers include Zandashé Brown, Robin Givens, Rob Greenlea, Kimani Ray Smith, Steven Barnes, Ezra Clayton Daniels, Tananarive Due, Shernold Edwards, Victor LaValle, and Al Letson.

Woman and man wearing a vote for candidate shirt, scared of something off screne
Image from “Sundown” Directed by Kimani Ray Smith

What I Like

Each story remains unique, holding different strengths and weaknesses that highlight drastically different perspectives. Collections like VHS hold a similar premise to create their collection, but Horror Noire gives more creative freedom to its talent to be independent.

My personal favorite short film is Zandashé Brown’s “Bride Before You.” This period piece unravels a fable set in the Reconstruction Era. The entry feels Fabulistic in approach, which happens to be my preferred niche.

However, the best example of horror goes to Robin Givens’ “Daddy,” providing an existential horror tied directly to the characters involved.

Woman listening to a preacher amidst a crowd
Image from “Fugue State” directed by Rob Greenlea

What I Dislike

As mentioned, all have a particular style and idea. The downside of this approach always remains to keep the viewer interested long enough to find their favorite. If you find several underwhelming choices, this becomes a chore. But I imagine that is rare as the variety makes the options refreshing.

Personally, “Brand of Evil” had an interesting premise, but the execution fell short. On paper, it might have sounded like my favorite, which makes the lackluster execution a bigger letdown.

Zeth M. Martinez

Final Thoughts

Horror Noire gives power and control to Black creators, providing a formula for a unique collection against others in the space. While the various subjects and approaches mean you aren’t likely to love them all, there should be a short film for everyone.
3.5 out of 5 stars (3.5 / 5)

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Movies n TV

Dahmer, Silenced



Episode six of Netflix’s Dahmer was not, honestly about our title character. Instead, it was about one of his victims, a man named Tony. We’ve actually seen Tony a few times during this series. We just didn’t know it was him.

Rodney Burford in Dahmer

And, well, he wasn’t exactly alive the first time we saw him.

Tony was born into a supportive, loving family. This is good because soon after he was born a viral infection took his hearing. He is black, deaf, and gay in the early 90’s.

Tony has a dream of becoming a model. And he certainly has the looks for it. He is beautiful, body and soul. He has lots of opportunities for romance, but it’s not what he’s looking for. He wants a real relationship. 

Eventually Tony moves to Madison, trying to pursue his dream. He gets a job and starts getting modeling work.

Then, he meets Jeff Dahmer at a bar. 

At first, we can almost believe that it’s going to be alright. Jeff seems happy. He’s taking care of himself. He’s not drinking as much. He even has his dad and stepmom over for dinner. It seems like his life is getting on track. Even better, he’s treating Tony right.

Then, of course, things go bad. 

One thing that has always bothered me as a true crime fan is that we know so much about the killers, but not as much about the victims. Not so much if we don’t know who the killer is, of course. But the names that are part of our pop culture are those of the killers. Dahmer, Manson, Jones, Bundy, Holms. The names we don’t know are Roberta Parks, Beth LaBiancas, Leno LaBiancas, and Tony Hughes. And clearly, we should know them.

If Tony Hughes was half the shining, positive person that the show Dahmer made him out to be, I’m so sad that he isn’t with us anymore. We need so many more people like him. And many of Dahmer’s victims were likely just like him. After all, he was attracted to them for a reason.

This was a significant episode, and I understand why it’s the highest-rated episode of the series. I finished it with a heavy heart, saddened by the loss of a man who should still be with us today. 

5 out of 5 stars (5 / 5)

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