
Taxi Driver is Great Because it’s ‘Problematic’
Reflections on the great moral ambiguities in Taxi Driver.
There are plenty of good films/TV shows coming out, so I don’t want to sound like some crotchety, old nostalgia hound. Still, sometimes it pays to watch ’70s-90s films, as they often carried a gritty realism. For example, check out Martin Scorsese’s Taxi Driver some time, if you haven’t already. You might quickly think,”Woah, this is definitely from another era!” It sure is, and that’s part of what makes it great. Frankly, none of the characters are likable. The main character, Travis Bickle (Robert De Niro) is a deranged, misanthropic ex-soldier who becomes obsessed with a girl (Cybill Shepherd), gets rejected by her, then plans violent revenge.
Yet, at the same time, Travis Bickle is not particularly evil. In fact, there are signs that he’s just an average guy. He may have a few bad (or terrible) ideas in his head, but the tide can easily shift and make him look like a public hero. He’s a complex character, not tailor-made for modern pop culture’s preening sensibilities.
Ironically, Taxi Driver is a great film precisely because it’s offensive, unsettling. The moral ambiguity is what makes it impactful, and real. There are still films and TV shows like Taxi Driver around today, but it seems like a lot of these story approaches will go away, in favor of safe, predictable outcomes and clear boundaries between good and evil. In other words, moral ambiguity will be increasingly frowned upon, because the ideas will simply be too complex for some viewers to understand.
Reality
But is Taxi Driver really that offensive, or is it merely realistic? To me it merely seeks to elaborate the world of its main character, to approximate explaining it. You are essentially there with Travis, to see what he sees, know what he knows, and why. You might not agree with all of it (in fact, you definitely shouldn’t), but you’ll come shockingly close to understanding it. That is the power of Taxi Driver. Sure, one can talk about the strengths of De Niro’s performance, but even a lesser actor could have still worked, as the story’s realism is precisely the main driving force.
Want to know how realistic this film is? Even the guy (Harvey Keitel) who pimps out an underaged girl, Iris (Jodie Foster), comes off looking less villainous than Travis, who exacts justice on him through brutal violence. Yes, Keitel’s character is a scumbag, and it would be difficult to defend him. However, in the process of exacting justice on the pimp, Travis clearly traumatizes Iris further, and sets a media standard for accepting brutal violence as a form of instant justice!
The story is not so simple as “He’s a bad guy! Get him, Travis!” At the same time, we likely understand why Travis did what he did, and the complex reasons why. Whether a burgeoning political assassin or the savior of a child prostitute, Travis Bickle is both a villain and a hero (or an “anti-hero,” to use a common expression). His idea of justice is not entirely just.
What if Every Man Acted Like Travis Bickle?
After watching Taxi Driver, this is perhaps an important question, especially if you read comments on true crime videos on Youtube. There are tons of people out there who advocate for retaliatory violence, whether for serial killers, one-off murders or child molesters. Much like with Travis Bickle, one can understand these views.
However, what if everyone got their wish? What if every drug dealer was executed, or everyone got the maximum sentence for a violent crime? What if everyone who ever did something creepy was incarcerated or simply killed? Would the world suddenly become a peaceful paradise? Personally, it sounds more like a never-ending hellscape to me. These aren’t questions for any single person to answer. However, Taxi Driver ought to inspire such questions as a long-lingering afterthought, at least to viewers who really get the layered dimensions of Mr. Bickle. Still, one could understand Taxi Driver coming equipped with a “Do not try this at home” warning.
What are your thoughts on Travis Bickle and Taxi Driver? Let us know in the comments!
Movies n TV
Wheel of Time A Question of Crimson Is a Political Espionage Delight
Episode two of Wheel of Time felt like the beginning of a long journey. Stories are unfolding, lives are changing, and blood is spilling.
Letâs discuss.
The story
We begin this episode in the past with Elayne’s mother, Queen Morgase. It turns out her rise to the throne was a bit, shall we say, cutthroat. So when she shows up at the White Tower, Siuan is concerned.
She might have reason to be, too.
Meanwhile, Rand, Egwene, Moiraine, Lan and Aviendha are in the Spine of The World. As they travel through some of the most breathtaking lands I have ever seen on a TV show, Egwene is plagued with nightmares. We think at first that’s just her trauma working itself through her system. But we soon find out that it might not be that straightforward.
Finally, Perrin returns home to heal after his hand is almost cut in half. But when he gets there he finds the town has been infested by Children of The Light. And they’re looking for him.
What worked
There was something heartwarming in this episode about political espionage and choking religious persecution. And that is Elayne’s relationship with her family.
I have consumed a lot of fantasy content with royal families. And I have never once heard a princess call her mother ‘Mum’. I’ve never seen royal siblings get along. And I have sure as hell never seen a princess have a good relationship with her step-parent.
This was refreshing. Even though Queen Morgase is kind of a horrible person she seems like a good mother. And thatâs an unexpected delight.

Of course, this is just one storyline among many. And while this can sometimes be overwhelming, in this case it wasn’t.
I’ll be honest, some of these storylines are going to drag for me. I know this because I’ve read some of the Wheel of Time books and I have an idea that not all the characters exactly pique my interest.
No one likes all the characters. No one likes all the storylines. While I am here for the political espionage between Queen Morgase and Siuan, not everyone likes it. While others might be fascinated with Selene trying to win Rand back, I couldn’t care less.
Having multiple storylines keeps everyoneâs attention better. So long as things donât get out of hand. Things can easily get out of hand. But this seems to be managed well.
So far.
What didnât work
As I mentioned above, I’m not thrilled with Rand’s story at this point. And while it’s fine to not like a storyline when there are this many to choose from, it’s not fantastic that the one I like the least is the one involving our two main characters. And anytime we were with the team at the Spine of The World, the only thing that brought me joy was Moirain’s hat. It reminded me of Stockard Channing’s hat in Practical Magic.
The problem is that Rand is Charlie Brown with controversial magical powers. He is boring, serious, and pessimistic.
And yes, I understand that he has a heavy emotional burden and he’s the Dragon Reborn and that’s quite taxing and all. But let’s be fair, there isn’t a single person in this show that doesn’t have a heavy burden. And most of them manage to be fun occasionally.

All that being said, this episode of Wheel of Time did exactly what it needed to do. It set up conflicts at each of the three locations. It established emotional ties between the characters and the events. And it established goals for everyone.
This was, in short, a solid episode. Not groundbreaking, not mind-blowing or life changing. It was simply good. It was entertaining and moved the plot forward.
Well done.

Movies n TV
Wheel of Time Returns With A Bang
Wheel of Time is back for season three. There are mixed feelings regarding this. Last season, there were some serious pacing issues. And some serious sticking to the book’s storyline issues. But we’re two seasons in, and we don’t give up so easily. So let’s dive into episode one, To Race the Shadow.
By the way, I highly recommend watching this episode with the subtitles on. Youâll see why.
The story
We begin this episode with Liandrin facing a trial of sorts for her rampant betrayal. She does her best to gaslight her Aes Sedai sisters into thinking that Siuan Sanche is the real traitor.

When that doesn’t work, she reveals how many Black Aes Sedai have actually infiltrated the tower.
Spoiler, itâs a lot.
In the aftermath, our whole team gathers to drink and enjoy one night of relaxation before they head out to the Tear to form an army for Rand. All is going well until they’re attacked by myriad creatures and a sentient axe.
What worked
This episode was long. It had a run time of an hour and eleven minutes. And a lot of that run time was spent in heavy dialog scenes.
Fortunately, these were well-done scenes.
If you’re going to have a lot of talking scenes, there are good ways and bad ways to do it. Last season, we saw lots of examples of the bad way to do it. But this episode did it well. For one thing, other things were going on while conversations were taking place. The characters are drinking, playing games, walking through an interesting city. And the scenes themselves didn’t stretch out. They weren’t repetitive. We heard what the character had to say, then we moved on.
It was also nice that the point of these scenes wasn’t just info dumps. We had character development. We had romantic interactions. We had plot development and foreshadowing.
Overall, this episode felt like what it was. A moment of calm before a storm.
Taking a step back, I’d be remiss if I didn’t address the fight scene at the start of the episode. Because it was epic.
The magic looked amazing. The martial arts that went along with it looked fantastic. The costumes were beautiful. It was just incredibly fun to watch.
More than that, it was emotional. We lost some characters in that fight that were important. And it was clearly emotionally shattering for many of our characters, who found themselves betrayed by people they trusted.
So many of them.
It was a great way to open the season.
What didnât work
Despite that, this episode wasnât without its flaws.
First off, there were a lot of dialog scenes. And they were good scenes, as I’ve already discussed. But it was one after another after another. And when your episode is, again, an hour and eleven minutes, it’s maybe a little much to have so much chit-chat. Couldn’t some of these conversations, important as they were, have been moved to maybe another episode?
Finally, I want to talk about Egweneâs travel through the arches.

I feel like maybe there were some deleted scenes here. Because there must have been more to that visit than what we saw, right?
We could have seen Egwene battle Rand. That would have been badass and emotionally devastating. We could have seen her with a quiet life with Rand back home at the Two Rivers. We could have seen anything except for the quick clip of Rand in a bloody river, followed by Egwene being shoved back out in a bloody shift.
Bad job. But at least it wasn’t an extended scene of Moiraine collecting bathwater, and then taking a bath while looking sad. If we’d started this season with another scene like that, it might have broken my brain.
Amazon dropped the first three episodes at once. So weâll be back soon to talk about episode two. See you then.

Movies n TV
Entertaining as hell: Eight Legged Freaks (2002) Review
Early 2000s is a special era for the industry. It accepts the cheesiness and corniness of movie making, in turn producing some gems in their own right. Eight Legged Freaks starring David Arquette and young Scarlet Johanson is a horror comedy about giant spiders who overtake a small town. As crazy as that premise sounds, the movie surprisingly has a ton of heart and is super entertaining. Letâs review, shall we?Â
Plot
We start Eight Legged Freaks with a shot of toxic waste spilling into the water supply of Joshua, a spider farm owner. He is friends with Mike, one of our protagonists, who is a science geek and a spider enthusiast. Mike notices something quite right upon visiting Joshua, but no one takes him seriously. We are then introduced to the rest of the crew. Mikeâs mother Samantha, the town sheriff, is too busy chasing Ashley, his sister, who is dating the town mayorâs son Bret (something Samantha does not approve of). We also have Chris, who returns to the town to save his fatherâs legacy in the town mines. He has opposition from Wade, Bretâs father, who wants to use the mines for his business ventures. Lots of drama going on that will only get juicier once the spiders get loose.Â
The creepy crawlies quickly dispose of Joshua and make their grand appearance after Ashley rejects Bretâs advances, abandoning him in the middle of a desert. A glorious chase sequence ensues as the spiders make their way towards the town, wreaking havoc on its residents. In a true horror fashion (which the movie acknowledges), it takes some convincing from Mike and then from Samantha for the town to take the threat seriously. The tongue-in-cheek style of narrative adds the comedy aspect to a movie that would otherwise burn out fairly quickly.Â
The remaining characters hide out in a shopping mall as itâs the only somewhat sturdy building in the area. This doesnât last long as the spiders break in, forcing them to run through the mines. Their resources to fight the creepy crawlies off are limited as the methane gas doesnât allow them to use firearms. Such conditions require resourceful thinking from Chris, who uses perfume to fend off the leader of the spider group and save himself during the climax of the movie.
Character dynamics are not forgotten once the action kicks in. We have Chris confessing his long-term feelings for Samantha which she knew all along, which provided some comedic relief. Bret also reunites with Ashley and apologises for being an asshole. Mike finally gets the appreciation he deserves as his knowledge saves the townsfolk more than once during the whole ordeal.
We end the movie with the townâs radio show person telling the story as an urban legend during his segment. This brings it into question â how much of it happened the way he said it did? We can only guess…
Overall thoughts
Eight Legged Freaks is a fun creature feature with some self-aware commentary on genre tropes that doesnât take itself too seriously. The acting is good, the pacing fitting and the characters are likeable enough for you to want them to make it through. Definitely a must watch, if you donât suffer from arachnophobia, that is.Â

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