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Note: All stills were provided by Arrow Video. Check out more Arrow Video information at https://conta.cc/3kVxOw1. Free trials are currently available!

This review is thanks to Arrow Video, a UK-based film restoring and distributing company, also now dabbling in streaming services. Not only do they sell DVDs and Blu-Ray of giallo classics, Japanese kaiju, and horror staples, they sell the massively under-appreciated, Blade of the Axe,………..to Europeans and in the UK. Bummer, but I’m glad it’s getting out there. (European/UK friends! You’ve been called upon!)

Arrow Films

“We are a true indie SVOD service created and run by people that love cult films of all kinds. We relish the opportunity of finding new ways to champion movies we are excited about. We want to get these often rarely seen – but fantastic – stories to a wider audience whilst developing a strong community with likeminded fans.

ARROW is building on our decades of experience in the Cult film and physical media worlds. We believe in film, from horror to action to westerns to the truly bizarre. We are using our experience as a distributor and our recent digital presence to deliver a very different SVOD service in ARROW.

Our approach to supporting each release on ARROW includes looking to supplement the feature films with hours of additional content that paints a fuller story of the filmmakers, genres and the movies themselves. We commission stunning artwork from some of the best illustrators and artists from around the world and work as closely as we can with the filmmakers themselves in how their film is released.

So, how ‘bout that streaming/movie? 

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Well, I was given the film, The Deeper You Dig, to try it out. Thank you, Arrow for the opportunity to try your digital wares, let’s get into the film.

I sense….a review coming…from a total square…

The Plot:

Teenage daughter Echo and mother Ivy have a closer-than-close relationship. It seems like in the small town in this isolated wilderness, they have bonded tightly together.

However, Echo is murdered by loner and recluse, Kurt, after a sledding accident gone awry. 

Kurt attempts to hide the body, but cannot escape the ghost of Echo and the suspicion of Ivy. As Ivy grows closer to Kurt and the secrets he hides, the line of sanity begins to blur…

Thoughts:

Okay, I’m going to say this straight-up so we can move past it. Stiff, awkward acting. For a family (like real-honest family) who made this movie, it seems so bland and muted with their acting. I get the “art-house” feel they were going for (and, in some ways, succeed in), but it falls like damp corrugated cardboard in some really emotional scenes.

In fact, the flat affect was sometimes so pronounced, I laughed during times I think were meant to be higher tension scenes (SEE: when Echo’s ghost first shows up and says, “‘Sup…”).

Uhg, lame, this is totally going on Twitter…

However, alien-Saltine-cracker-acting aside…there are really fantastic moments, both visually and writing-wise. The build up is a slow-burn, but so visually engaging and fun to watch, it’s a genuine treat. The movie asks to be viewed with a deeper sincerity than your average indie. With the budget being low, they did some really interesting shots and transitions, especially as the story became more surreal and cerebral. 

Seriously, it’s been a year and you’re still renovating this PoS?

Some might find the soundtrack lacking, but I found the natural sounds instead of music a pure aesthetic delight that grounded me more to the setting surrounding these characters and the role that isolation played within the story. Most of the score was diegetic, so it brought you closer into the story, and was very simplistic, rustic, and raw. It matched the austere scenes of Northern winters and as the seasons blurred into themselves, muted by the pain of a mother losing her daughter and maybe her sanity (along with Kurt). 

Also, because I’m a stickler for this, the effects were really good. I was surprised at how naturally they flowed. I’m a huge //ahem// advocate, let’s say, for practical effects, but these CG effects (mixed with practical and clever edits) were really fluid within the scenes. Honestly better than some bigger budget movies in the theater, so terrific job and kudos. 

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I’m not going to spoil the end. I wasn’t a super fan of the very, very end choice, but I appreciated the journey and where we ended up.

Brain Roll Juice:

There’s a lot of symbolism here. Tarot cards. Coldness. Isolation. Sleds…

But let’s just talk about teenager girls, or more aptly, teenage ghosts. Zelda Adams plays Echo, the Girl Who Sleds at Midnight, and subsequently becomes a ghost. But not any ghost, a teenage ghost. 

There were times I probably wasn’t meant to laugh at her complete nonchalance and angsty detachment, but I did…and maybe that’s not a bad thing.

It’s a refreshing, different take from your normal haunting. She isn’t some mid-century waif that died from tuberculosis or a broken-heart when her fiance didn’t come back from The War (pick one). While she’s still vengeful, she’s a modern teenage hipster – annoying her killer with her hipster music, scoffing at his inadequacies, and blandly there to torment him into madness. 

She has nowhere else to go and just like a teenager on a court-appointed weekend with her estranged father, she will make him feel every uncomfortable second between them one-hundred-fold. She will make damn sure he knows she isn’t happy with this at all.   

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Maybe it’s because he really is her dad in real life, but the chemistry works so well in this movie. That ambivalent resentment and biting apathy Adams instills in this ghost is not one like the creepy, hell-bent Sadako, but a numbly sarcastic ghoul, belittling her killer’s every action and reaction, kicking him when he’s down and keeping him there.

And…it’s sometimes really funny.

Step one: cut a hole in the box; step two: put your ghost in the box

Bottomline:

An indie, sometimes surreal, film that makes a few refreshing choices. Not for a bad movie night with friends, but a much better date movie than Roller Gator. If you want something a little deeper, then you might dig this movie. 3.5 out of 5 stars (3.5 / 5)

Once again, check out more Arrow Video information at https://conta.cc/3kVxOw1. Free trials, check it out, a lot of fun movies on there for horror and other genres.

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When not ravaging through the wilds of Detroit with Jellybeans the Cat, J.M. Brannyk (a.k.a. Boxhuman) reviews mostly supernatural and slasher films from the 70's-90's and is dubiously HauntedMTL's Voice of Reason. Aside from writing, Brannyk dips into the podcasts, and is the composer of many of HauntedMTL's podcast themes.

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Movies n TV

Fallout, The Beginning

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We’ve now reached the end of Fallout, season one. As I mentioned during the last review, I was heartily concerned that this show, like so many others, was going to drop the ball at the finale and ruin an entire season.

Thankfully, that wasn’t the case. This episode was everything it needed to be and more.

Let’s discuss.

The story

We begin our story with Maximus returning to the Brotherhood of Steel compound. He has a head, which he is claiming is the real head of Wilzig.

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I don’t know why he thought that was going to work.

Of course, it doesn’t. The elder cleric is about to kill Maximus until Dane says that they hurt their foot.

Because of this, the Brotherhood is sent out to get the head. Or rather, what’s inside of it. They head to the city run by Moldaver. This happens to be the same place Lucy and The Ghoul are headed.

Still from Amazon Prime's Fallout.

There, Lucy does manage to find her father. What she ends up finding is so much more than she wanted to find.

What worked

The first thing I have to discuss is how seamlessly the storylines of the series combined.

Each of our four main characters has been on their own journey. Lucy is trying to save her father. Maximus wants to become a knight. The Ghoul wants to find his family. Norm wants to know what’s going on in Vault 31.

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I sure wasn’t expecting all of these stories to come together in the way that they did. And to preserve the ending, I don’t dare say more. I will only say that yes, all four stories tie in perfectly with one another. By the end, two characters end up having the very same goal.

As I hinted before, I did not see the twist ending coming.

Ella Purnell in Fallout.

Yes, we might have guessed some things from the last episode. We of course guessed that Lucy’s dad was involved in some nefarious and probably sci-fi way. But the way this story twists at the end is nothing short of serpent-like. Which is why I cannot go into too much detail here. If you haven’t seen it yet, you need to experience it blind.

Finally, I can give the Fallout season finale the most important praise I can ever give a finale. It did its number one job, getting us excited for season two. We have answers, but now we have new and more exciting questions. And even better, we have a desire to see vengeance done.

What didn’t work

Now that the season is done, though, I can bring up something that bothered me through all eight episodes.

I don’t buy Lucy and Maximus’s relationship.

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Maybe because it’s rushed. Maybe because the two actors don’t have a lot of chemistry. Maybe it’s because I’m not sure even now either character could tell you a single thing about the other. There is just no spark between the two. So their love story feels tacked on. I honestly feel like their love story could have been removed from the show entirely and it would have no negative impact.

I also didn’t buy Dane’s confession. This is a minor spoiler, but it comes up early in the episode. Dane confesses that they hurt their foot so that they wouldn’t have to go into the wastelands.

And at first, I kept expecting Maximus to thank them later. I honestly thought that they were just lying to save Maximus’s life. But no, as it turns out, they were not.

But it just doesn’t make sense. The motivations don’t jive. I honestly think it would have been better for the story if they had lied to save Maximus’s life.

At least then there’d be one other Brother of Steel who had some nobility.

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In the end, this first season of Fallout was everything I could ask for. So far as I can tell, it was everything fans of the Fallout franchise could ask for. There wasn’t a bad episode in the bunch. Honestly, the only real complaint I had was that the season was so short.

I’ll be counting down the days to season two, and I hope you’ll be joining me then. Because war, war never changes.

5 out of 5 stars (5 / 5)

If you like my work, you can check out my latest science fiction/horror novel, Nova, launching on May 17th. Pre-orders are available now on Amazon.

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Movies n TV

Fallout, The Radio

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Episode seven of Amazon’s Fallout is the penultimate episode. This is often when a series goes off the rails and starts to mess things up. After being burned so often recently, I was apprehensive when this episode began.

Thankfully, this was a fear that did not come to pass. And so far, Fallout’s finale is doing just fine.

Lana the dog in Fallout.

The story

A lot happened in this episode, so we’re just going to skim over some of the more important storylines. We’ll start with Lucy and Maximus, in Vault 4. Lucy has discovered what she believes is a secret collection of monsters. But of course, it turns out that it’s simply people that the vault dwellers discovered and are trying to help heal. But her meddling around was enough for them to kick her out of the vault. With two weeks’ worth of food and water, of course.

But Maximus assumes they’re going to do something much worse. And so he steals their power coil to fight through the perfectly innocent people and save Lucy.

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Meanwhile, we dive further into The Ghoul’s past, when he was still Western star Cooper.

After attending a Communist meeting, he’s approached by Lee Moldaver. She suggests that Vault Tech is hiding something, something terrible. And she tells Cooper that his wife Barbara knows more about this than she’s letting on. Moldaver gets Cooper to bug Barbara’s Pip Boy, and listen in on an important meeting.

Poor Cooper hears far more than he wants to.

War, war never changes.

What worked

I would like to first point out that this was one of the funniest episodes so far. I mean, it got incredibly tragic and sad by the end. But it also had some great laugh-out-loud moments. This should be a surprise to no one, with such an array of comedians guest starring. Chris Parnell was in the last episode as well but is now joined by the incredibly funny Fred Armisen as DJ Carl. This is of course not his first foray into the funny and spooky world, as he also played Uncle Fester in Wednesday.

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Most of what makes this episode funny is the character’s understated and deadpan responses to wild situations. When Maximus returns the energy coil and is greeted by a simple thank you. When Thaddeus gets an arrow through his neck, and slowly realizes that hey, he might be a ghoul. These were hilarious because they could have been truly dark moments. But because this world is so dark, and the characters have already been through so much, they’re simply done. They take all of this in stride because of course that’s what’s happening. It’s par for the course for them.

Aaron Moten and Ella Purnell in Fallout.

On the other hand, we’ve finally seen the full extent of The Ghoul/Cooper’s past. And it’s so much worse than we could have imagined. I assumed that he’d lost his beloved wife and daughter in the atomic blasts two hundred years ago, somehow not dying with them and instead turning into a literal and figurative monster. The truth is so much worse. I’ll do my best not to spoil the ending. But I will say this. There is nothing more painful than mourning someone and hating them at the same time. And it’s easy to see how Cooper turned into The Ghoul. That sort of pain could drive anyone mad.

This balance between comedy and tragedy is one of the reasons why this episode worked so well. It’s one of the reasons why the series is working so well. It manages to combine the core tenets of theater in a way that never compromises the strengths of either. The eventual downfall of Thaddeus is a great example of this because it’s both tragic and funny. We’ve seen what happens to ghouls, and it’s a horrible end. But as he’s hardly been a sympathetic character, we can all get a good laugh at his predicament as well.

The sheer amount of good old-fashioned gore doesn’t hurt either, of course.

What didn’t work

All that being said, there was one thing that bothered me about this episode. And it was the reveal of Vault 4’s big secret.

Honestly, I was expecting the Vault 4 storyline to go way darker. I wanted it to go way darker. While I’ve never played these games myself, I know enough about the story to say that these vaults are not the bastions of safety and morality that they have so far been portrayed as. And while that has certainly been alluded to, we haven’t seen it.

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We haven’t seen the depravity in these vaults. And it’s there. But maybe we just haven’t gotten to it yet.

In the end, The Radio did exactly what it needed to do. It set us up to have most of our questions answered in the season finale. And I can’t wait to see how it all ends.

4 out of 5 stars (4 / 5)

If you like my work, you can check out my latest science fiction/horror novel, Nova, launching on May 17th. Pre-orders are available now on Amazon.

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Movies n TV

Fallout, The Trap

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Amazon Prime’s Fallout has continued to be a suspenseful delight. And with the last episode’s dramatic cliffhanger, I was certainly looking forward to this one.

Thankfully, it did not disappoint.

The story

We start our story with Lucy and Maximus waking up in a decontamination room in Vault 4. They’re welcomed guests, once they’re done with decontamination.

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Vault 4 at first seems very much like Vault 33 to Lucy. She’s surprised, however, to find that a lot of people who live there are actually from the surface. And the people who live in this vault are, well, a bit mutated. Their overseer, named Benjamin and played by the hilarious Chris Parnell, has just one eye in the middle of his face. Some people have extra limbs or missing ones. And yet it’s clear that everyone’s living together in peace and companionship.

At least, that’s what it’s supposed to look like. There is, after all, the matter of the weird cult the surface dwellers seem to have formed. And, the small matter of the vault level no one is supposed to go to. It should come as no surprise that, of course, that’s exactly where Lucy finds herself before the episode is over.

Ella Purnell in Fallout.

Of course, this episode wouldn’t be complete without checking in with the Ghoul. And his part of the story is, honestly, more compelling.

We see him apprehended by people referring to themselves as The Government. And while he appears to be a prisoner, it’s clear soon enough that he’s the one in charge.

Far more compelling are his flashbacks to his past. While his wife, Barb, is starting to be more secretive, he learns more than he wants to about Vault Tec. He also learns that the Communist party in Hollywood might know more about what Barb does for a living than he does. And it’s clear soon that she never wanted him to know.

For good reason.

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What worked

I first want to draw attention to the excellent way we are learning about the Ghoul. As we learn more and more about his past, we can see how he’s become the monster he is today. It’s clear that once upon a time he had everything he could want. A lovely home, a family he lived for, and a successful career. And he lost all of that, even his dog. And with those losses, he lost his humanity in more ways than one.

But I also think we’re seeing signs that his humanity at least isn’t as lost as he thought it was.

On a lighter note, I loved Maximus’s response to the vault. While he’s apprehensive at first, he is swept away by the welcome basket. He’s lived his whole life hungry, barely surviving, and suddenly he has food. Good food. Caviar and oysters. He has a warm robe and TV and a safe place to exist. It must have been like stepping into a fairy tale for him. And while it wasn’t exactly helpful for Lucy, it’s completely relatable that he decided to sink into a chair and have a snack in front of the TV for a while.

What didn’t work

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While this episode was mostly good, I do have one complaint. When Lucy is first meeting with Overseer Benjamin, we see him accidentally drinking a cup of coffee that has gotten moldy.

Chris Parnell in Fallout.

Now, this makes perfect sense in our world to convey someone too busy and forgetful to clean up old mugs. But it’s hard to fathom someone living in a Vault in which every resource is carefully monitored, letting something like coffee go bad. It’s a small detail, and it was funny. Also more relatable than I’d like to admit. But in this instance, in this world, it was jarring.

So far this season has been intense. There’s a lot of intrigue and mystery. There’s a lot of high emotions. And there’s a lot on the line for everyone. Maybe, for one character, more than we’ve ever realized before.

Good thing we still have two episodes to discover what’s happening.

4 out of 5 stars (4 / 5)

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If you like my work, you can check out my latest science fiction/horror novel, Nova, launching on May 17th. Pre-orders are available now on Amazon.

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