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The Noonday Witch (known as Polednice in its original Czech title) is a beautifully bright and quiet folk horror film. Directed by Jiří Sádek and written by Michal Samir (II), the story follows the lives of Eliska (Anna Geislerová) and her young daughter Anetka (Karolína Lipowská), who move to a remote countryside to start a new life. The two have a close relationship comprising of reading stories, sleeping in the same bed and cooking. All is well until a persistent Anetka discovers her mother has been lying about the whereabouts of her father, causing their relationship to deteriorate under the clutches of the Noonday Witch. 

The Tale of Lady Midday

I have found the best way to get the most out of a folk horror film is learning about the folklore it is based on. “The Noon Witch” is one of those stories that answers questions you might ask after watching The Noonday Witch. The tale’s substance varies across cultures, but all share many commonalities. Below is an English summary of Karel Jaromír Erben’s poem, which you can read in English here.

“A mother is trying to prepare lunch, but her child is screaming for attention. She gives it some toys to play with, but nothing helps. So the mother decides to scare the child with a story about the Noon Witch who is said to come after children if they are naughty. At that moment, the church bell rings out, announcing that it is twelve o’clock – and there in the doorway stands the Noon Witch herself. She hobbles across the parlour, her arms reaching out for the child. The mother grabs her child and then faints in shock. The father comes home and finds the mother lying on the floor, their child in her arms. He manages to revive the mother, but the child is dead.”

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The Noon Witch is an English title for the Slavic demon, whose other names include Polednice, Psezpolnica, Poludnitsa, Południca and Lady Midday. She appears in many forms (such as a young woman in white or an old weary woman) around noon during harvest time, the hottest days of the year, and possesses or kills those who dare enter the fields she resides. She most victimizes mothers and children, but the broad daylight and dreary heat in the Slavic landscapes makes even the most cautious person susceptible to her fate. 

One of the most popular portrayals of the Noonday Witch is the symphonic ballad “Polendnice” by Czech composer Antonín Dvořá. You can listen to the song below.

“Don’t go anywhere. Not over the fence, not in the fields.”

Much like the song it is based on, The Noonday Witch is slow-burning and symphonic. Ben Corrigan’s score incorporated with the sunny Czech fields creates an illusion of comfort that contrasts with the emotional turmoil each character goes through. It all works so well. Though I didn’t find movie scary, the tension builds to such grandeur that at the end I felt uneasy and on the edge of my seat. Geislerová and Lipowská’s provide convincing, exquisite performances of a struggle mother and daughter.

There are other components of the “Noon Witch” tale that I wish were included; for instance, adding more emphasis on the deaths or making the Noon Witch a greater threat could have made everything more suspenseful and frightening. But that isn’t enough to undermine how rewarding of a watch The Noonday Witch is. It is a feast for the senses originating from fascinating lore worth knowing.

4 out of 5 stars (4 / 5)

Credits: Cover photo; first photo; second photo; video; quotation

CourtCourt is a writer, horror enthusiast, and may or may not be your favorite human-eating houseplant.

Movies n TV

Dahmer, The Good Boy Box

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I think if it were possible to awkward someone to death, Dahmer never would have had to use any other weapon. Because if episode four is any indication, the man was a walking personification of awkwardness. 

Let’s discuss. 

We start this episode with Dahmer talking with the police detectives after his arrest. He doesn’t seem to have any issue laying everything out for them, starting with the murder of the hitchhiker from the last episode. He’s seeing a psychiatrist, which feels overdue. And the psychiatrist is bringing back some memories. Starting with his graduation from high school.

Still from Dahmer with Evan Peters.

A few days after graduation, Lionel Dahmer finally decides to look in on his family. He comes home to find no one but Jeff there, drunk and scribbling out the faces of his classmates from his yearbook. 

After taking some time to blame Joyce, Lionel sets himself to the task of fixing his son. He first sends Jeff to Ohio State. Within a semester, Jeff is expelled with a GPA of .45. So, Lionel sends him to the army. And for about a year, that seems to work out. Jeff goes through basic training and everything is fine. But then, he’s discharged. 

It’s not outright said in the show why Dahmer was discharged. He later tells a woman that it was because of his drinking. But he lies and gives half-truths to everyone without any remorse. So there’s no way of knowing. 

Finally, we pick back up where we left off a few episodes ago, with Jeff’s grandmother finding the stolen mannequin in his bed. She throws it away, and he starts to unravel.

He goes to a state fair and gets arrested for masturbating in public.

Evan Peters in Dahmer.

Honestly, there are a lot of masturbation scenes in this episode and the last. Probably more than we needed.

Every time Jeff seems to get some sort of handle on his life, he manages to mess it up. He loses jobs and starts drugging men at bars. Finally, he finds himself in bed with the body of a beautiful young man he brought home the night before. 

I liked this episode. It was a deeply disturbing portrait of a mentally ill young man trying and failing to get himself together. It’s easy to feel bad for Dahmer. To feel like there should have been a way to save him from himself.

And there should have been, to be clear. Dahmer was throwing up enough red flags early enough that someone should have been able to do something.

And yet, nobody did until seventeen men were dead. It does make you wonder if it would have gone on so long if Dahmer hadn’t preyed on gay men. If he hadn’t been a white man. And maybe it should make us wonder that.

I’m sure this point will be made clear to us as we watch the second half of the season.

4 out of 5 stars (4 / 5)

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The Last of Us: Episode 2: Infected

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*WARNING: This review contains spoilers.*

If you haven’t read the review on The Last of Us’ first episode, click here.

HBO’s The Last of Us‘ second episode, “Infected,” released January 22, 2023. It was directed by Neil Druckman and written by Craig Mazin. The episode takes us to Jakarta in 2003, just days before the outbreak. Dr. Ratna (Christine Hakim) is a mycology professor at the University of Indonesia. The Indonesian government orders her to examine a dead body they killed at a flour factory. During her examination, Dr. Ratna discovers Cordycep mycelium growing in the body’s mouth. After learning the full story behind the dead body, including the high infection rate and its symptoms, Dr. Ratna’s only conclusion is to bomb the whole city because “there is no vaccine for this.”

Fast forward to present day and we once again witness the aftereffects of Dr. Ratna’s discovery.

Is that everything you hoped for?

Ellie, Joel and Tess walk to the capitol building

In episode one, Tess and Joel learned an infected bit Ellie a few weeks back and are reluctant to keep traveling with her. Joel threatens to shoot her the moment she starts showing symptoms, but it’s Tess who convinces him that they need to keep going to the Capitol Building to hand the youth off to the fireflies.

One of the most exciting scenes in episode two is when the trio takes a shortcut through a history museum that is almost identical to the one in the game. They enter a dark room and all seems well until they hear a slow, ominous clicking sound nearby. An infected with torn clothes and cordycep covered body creeps around them. When it hears Joel step on a piece of glass, it attacks.

Infected: a clicker

Clickers are the third stage of infection and it takes about a year for them to reach this point after exposure. They can’t see their prey, but have an incredible sense of hearing and communicate through clicks. (If you want a real life example, they sound awfully similar to crows clicking in conversation.) More clickers enter the museum room and Joel, Ellie and Tess fight them off, brutally killing them one by one, barely making it out alive.

When the trio reaches daylight outside, Ellie realizes she was bit. “If it had to happen to one of us…” she jokes, still shaken by their encounter. But Tess is less than amused; she’s furious by how narrow their escape was. Even when Joel and Ellie have a sweet moment, the first sign of warmth Joel gives the girl on their journey together, Tess interrupts and tells them to keep going because there is still a long way to go.

The Last of Tess

After two episodes, HBO’s The Last of Us mirrors the video game while creating a brand new story. Spores moving through the air are a significant threat in the video game, but are merely a terrifying thought in the show’s universe. Instead, HBO’s version illustrates how the Cordyceps’ mycelium creates a “hive mind” in infected. If one infected is killed, a message is sent to everyone else it’s connected to.

After escaping the museum, the trio eventually make it to the capitol building, only to find that all the Fireflies they were supposed to meet are dead and gone. Tess rummages through the bodies’ clothes in hopes of finding a map, but there’s nothing. Suddenly, a runner lunges into the air and tries to take them down. When Joel shoots it, the mycelium hive mind alerts the rest of the infected outside the building. They swarm to their new pray.

Joel is in a rush to get going. But before they can all escape, it appears that Tess was bitten at the museum, too. In just a short amount of time, her bite has worsened while Ellie’s remains the same. Tess holds Ellie’s arm up and shows it to Joel. “This is real,” she cries, desperate for Joel to believe her. She needs him to keep taking Ellie out west, to wherever Marlene needs them to go. Maybe there is a cure after all.

The Verdict

Episode two continues to show promise of The Last of Us being a great video game adaptation. It maintains the game’s plot while creating new rules to make the story more suitable for TV. When the episode begins in Jakarta, we see how the world, not just the United States, is devastated by the impacts of this disease. And it is hopeful we will see the state of the present day world in later episodes, too.

Additionally, the filming of mycelium growing and spreading throughout the infected is convincing for the new hive mind theory. While spores and gas masks worked well for the game, many of those rules were still inconsistent; it’s for the best that The Last of Us‘ writers did away with spores in the show. The makeup for the bite marks and prosthetics for the clickers make the fight scenes more high stakes and terrifying. The actors, from infected extras to the main cast, are phenomenal. Bella Ramsey as Ellie especially shines, particularly with her whipsmart comebacks and various facial expressions.

It is evident the creators did not cut corners when it came to filming, makeup and casting these last two episodes. If they wanted to create as authentic an experience as possible for this video game adaptation, they did not disappoint.

5 out of 5 stars (5 / 5)

Until next time, check out what else we’re watching and playing at Haunted MTL.

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Dahmer, Doin’ a Dahmer

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Episode three of Netflix’s Dahmer was, to put it mildly, difficult to watch. Mostly because it depicted an awkward and uncomfortable time in young Jeffery Dahmer’s life. But also because the pacing of this episode wasn’t great. 

We start the episode with an uncomfortable look at Joyce Dahmer. She’s pregnant, and she’s struggling. Her doctor has her on a lot of medications, and her husband doesn’t like it. He doesn’t seem to care about her emotional well-being. His concern, as he indelicately puts it, is the fetus.

Evan Peters and Emma Kennedy in Dahmer

I would think that most of us, after finding our partner sitting barefoot in a thin nightgown at a bus stop in the snow, would be putting their well-being before anything else.

We go from there to the Dahmer’s bitter divorce. Joyce gets custody of the boys and takes off with her younger son. Lionel decides to leave home, and spend his time at a hotel. This leaves Jeff at home alone, at the age of 17.

Abandoned by his family, Jeff is living his worst/best life. Mostly he’s drinking and working out. He starts going on long drives, often passing a young man jogging. This young man, as I’m sure you can imagine, catches Jeff’s attention.

Evan Peters and Cameron Cowperthwaite in Dahmer.

This episode ends with what might be the first of Dahmer’s murders and the fallout from it. 

As I mentioned earlier, the pacing in this episode was slow. It was so painfully slow. In hindsight, I think this was an intentional choice. 

While the action was slow coming, the feeling of most of the episode was incredibly intense. The viewer is left nervous every time Dahmer is alone with anybody. We know that he’s winding up to do something horrible. But we have no idea what he’s going to do, or who he’s going to do it to. 

That being said, not every scene in this episode needed to drag as much as it did. The scene with Joyce and her boss at the women’s shelter went on far too long. The repetitive clips of Jeff working out, drinking and melting bones took too long. 

It’s a difficult needle to thread, pacing. What works for one scene will just crush another. And that was the case in this episode. The scenes that work, man do they work. The scenes that don’t, though, are a slough. 

3 out of 5 stars (3 / 5)

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