We open on a PoV shot backstage during a talent and puppet show rehearsal as a creepy voiceover says, “I will be whole.” On stage, we have one very off-key Cordelia Chase singing The Greatest Love of All and an exasperated Giles dismissing her. Kind of rude of him, because she hadn’t even gotten to the sparkler portion yet.
Our trio walks in to rib Giles about his assignment as Talent Show Coordinator. Mr. Snyder, the new principal (RIP Mr. Flutie) wants him to interact with students more. Snyder overhears this student-teacher interaction and decides that Buffy, Willow, and Xander also need to be more integrated with the school. As such, they will be required to participate in the talent show. He explains that Principal Flutie was too touchy-feely for his liking, and Sunnydale will neither touch nor feel on his watch.
We also learn that Buffy is wigged by puppets as Sid, our titular puppet, takes stage for his rehearsal slot. He is actually talking, much to the shock of the puppeteer Morgan. The rest of the rehearsing students believe this to be an actual ventriloquist act.
In the locker room, we get the creepy voiceover once more as he attacks a student: “I will be flesh.”
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Leave your heart on the stage
Chaos abounds at an additional rehearsal. Willow has decided that a dramatic scene is the easiest talent they could do. Sid the puppet starts sexually harassing Buffy and Willow, and he allows Morgan to take the fall. Or, at least, he partially takes the fall. Buffy does threaten to turn Sid into a Dura-Flame log.
Principal Snyder and Giles talk about all the misfortunes Sunnydale High has endured recently. While he would prefer to blame our Scoobies for it all, his current plan is to run a tight ship. Then a scream comes from the locker room.
Emily, the dancer seen at rehearsal, was found dead with her heart removed. Giles says some demons will remove hearts, but typically with their claws and teeth. Emily’s heart was neatly cut out. All but Buffy assume a simple human murder, until our Slayer reminds them of the Hellmouth of it all.
The Scoobies interview everyone in the talent show in an attempt to trace her last steps. Everyone says they saw Morgan with her last. They also describe Morgan as “always rubbing his head and moaning.” Our sweet Cordy is devastated, because “Emma” was her best friend and the murder could’ve been her. Never short on an existential crisis, that one.
Buffy talks to Morgan. He rubs his head a lot. She eventually yells at him after Sid tries to end the conversation. Morgan makes a half-hearted attempt to explain before giving up and leaving.
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The Slayerettes are all too willing to blame Morgan, but Buffy says being a weirdo doesn’t necessarily correlate with being a murderer. Giles cautions everyone not to rock the boat with Principal Snyder. They cannot afford additional scrutiny.
It’s the Puppet Show, not Puppet Tell
Buffy artfully breaks into Morgan’s locker by slamming the lock out of the door. It is after hours, though, and Principal Snyder does not condone loitering, heart-removing murders, and smoking. Before Buffy is forced to leave, she sees Sid the puppet’s case is empty.
Backstage, Morgan and Sid are arguing. Morgan does not want to “do it.” Sid says he must, because Buffy is clearly the one. She will be the last one before he is free.
That night Joyce tells Buffy she is excited to support her at the talent show. Buffy tries to direct her away from doing so. Her mom tries to dig deeper at what’s bothering her, but eventually encourages her to get some sleep.
And sleep Buffy does – until she wakes to something in her covers. Joyce rushes to check her room, only to find the bed empty. Buffy is clearly stressed, and her mom tries to calm her. Joyce also recommends she not go to sleep with the window open. Buffy murmurs that she didn’t.
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Cordelia is arguing with Giles about her placement in the talent show. Her song is sad and sappy, but a rock band is before her. The mood will be all wrong. Giles stares at her for a moment before saying something about her hair, prompting her to run off in horror to check for herself. Apparently Xander gave him this tip.
Buffy tells the rest of the gang that she thinks Sid was in her room last night. Xander assumes it was a cat, and Giles and Willow are inclined to agree because Buffy has admitted to a fear of puppets.
Investigation isn’t for dummies
Buffy wants to get Morgan away from Sid so she can talk to him. Giles has found information about demons that collect body parts to take a human form. Morgan doesn’t quite fit this theory, though, because he keeps getting weaker while this particular brotherhood of demons are preternaturally strong.
Sid is with Morgan in class, and he is staring at Buffy. He is also answering the teacher’s questions and causing class disruption. The teacher puts the puppet in a closet, but he is still talking. She believes Morgan to be a very talented ventriloquist. After class she tries to check on Morgan, because he has been acting off lately. When she opens to closet to retrieve Sid, he is gone. Morgan said Sid knew to wait for him.
Xander reveals he took Sid so Buffy could talk to Morgan alone. Xander beats Sid against a desk to prove he isn’t real to a still-wigged Buffy. While she looks for Morgan, Willow and Giles research re-animation and organ harvesting, respectively. Xander babysits the dummy.
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The dressing room is creepy and mostly abandoned, except for Principal Snyder. He does a harbinger-esque bit about Buffy not being safe on her own with everything going on lately. She assures him she can take care of herself.
Willow finds some information on possessed toys that harvest human organs. Now they want to believe Buffy. This is unfortunate timing, because Xander stopped watching Sid long enough to do some homework. When he realizes the puppet is gone, he yelps and jumps on a table. Willow and Giles do some yelping as well once they learn of the situation.
Buffy, meanwhile, has found Morgan… without his brain. As she reels back in horror, a chandelier drops on her and pins her down. Overhead we see the scurrying of tiny, wooden feet. Buffy works on getting free while defending herself from a knife-wielding Sid.
Pulling Strings
She escapes and manages to pin Sid against the wall. Then they each accuse the other of harvesting organs in order to become human. It turns out Sid is a demon hunter. He got turned into a puppet years ago. The demon he is hunting only needs a heart and a brain to remain human for another seven years. It is the last in a line of seven demons; Sid has already killed six.
The group figures if they can find out who is missing from the show they will know who the demon is. Sid has a plan: Giles will form the Power Circle to hype up the talent show participants while Buffy observes to see who is not there. Sid comes with Buffy to harass her some more. What is with these ageless dudes hitting on a fifteen year old? Sid also reveals that he will die once the last demon is dead, and he is relieved by this.
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Cordelia is not relieved, because she is hit with stage fright. Giles suggests she picture the audience in their underwear, though they both agree it might be best to leave Mrs. Franklin out of that.
No one (who is still alive, anyway) is missing from the Power Circle. While Giles gets the show started, Buffy tries to find Willow and Xander. Sid has disappeared while she was gone, so she must find him as well. She feels a mysterious dripping when backstage and upon investigation discovers Morgan’s brain. The demon body rejected it.
Take a bow
Willow searches Morgan’s file. Though he was one of the smartest kids in the school, his attendance record was shoddy. It turns out he had brain cancer (hence the headaches). They believe the demon will go for the next smartest kid in school – Willow Rosenburg.
Marc the magician asks Giles for some pre-show help. His assistant is a no-show, and he needs Giles to pose in his guillotine.
Our trio determines that the demon could still be in the talent show, since it still needs a brain. They also realize Giles is a very intelligent person.
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They arrive backstage to see Giles strapped in to the guillotine. Marc has his head positioned so his “brain can just fall right out.” Giles asked what the trick is, and Marc says there isn’t one. Buffy tries to fight Marc the demon while Xander frees Giles. Sid reappears and helps everyone get the demon strapped into the guillotine and cut off its head.
Sid says the heart needs to be taken out as well to truly end things. He stabs the demon’s chest then slumps over. Buffy picks up the dummy with some reverence just as the curtains rise. Principal Snyder looks at the scene and asks if the puppet show is avant-garde.
In our only concurrent-with-credits scene of the series we see Buffy, Willow, and Xander struggle with their Oedipus recitations, to a smattering of laughter in the audience. Willow runs off frightened.
“All I could think of was Mr. Marbles.” – Trav’s one sentence review of this episode.
I have a lot of fun with The Puppet Show. It’s a monster of the week with a huge ick factor and some fun plot twists. We also get the introduction of Principal Snyder, who is a fantastic side character.
(5 / 5)
Featuring Shannon LeGro and author Aaron Deese, Dogman Territory: Werewolves in The Land Between the Lakes follows the pair in search of what many believe to be a real-world monster. Small Town Monsters investigates one of the darkest urban legends in North American history.
Well, even though this screener is late by…(checks watch) a few months, that doesn’t mean that I don’t have anything to say about it. That is to say, I DO have something to say about this new edition about dogman cryptids by STM.
Plot of Dogman Territory: Werewolves in The Land Between the Lakes
We follow Aaron Deese on his quest to find out the mystery of the massacre that happened at the Land Between the Lakes, a recreational area bordering on Kentucky and Tennessee.
With Shannon LeGro by his side, the two investigate the strange encounters locals have reported. Gathering modern day and older accounts of super stinky dogmen, Deese ventures deeper into the lore and history of the site to see is there’s any truth to the massacre accounted there or if they’re all just campfire stories…
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Thoughts on Werewolves in The Land Between the Lakes:
Nope. The “massacre” accounts are completely bogus third-rate creepy pasta stories. The one guy that they found from the internet won’t even be interviewed on camera and has…lacking testimony, and I say that generously.
Thankfully, Deese gets right to it and even he himself seems disappointed by what he discovers. And he just kind of blows past it, not really spending much time on the whole “massacre”. It’s a smart move and I appreciated it because instead of draaaaawing it out, he chose instead to focus on what matters – the locals and the history.
And, as always, with Breedlove at the helm, the historical facts of this recreation area are highlighted, such as the area being designated a recreation area by President Kennedy and the Tennessee Valley Authority exercising imminent domain. By this action, approximately 800 families were displaced from their land, causing protests and outrage by some of the families. Shining a light on a history that most don’t realize or possibly have forgotten.
And one last thought: this sewer-juice-smelling dogman is a massive dick. He, like, tries to kill you and then teleports out just for shits and giggles. Massive douche.
Brainroll Juice:
I’m not sure exactly why cryptid investigator Martin Grove became such a turning point for me in the documentary, but boy, he sure did. Martin is an absolute delight and I will bare-knuckle fight anyone who disagrees (I’m not saying that I’d win, keep that in mind, just that I would).
He’s just so genuine and curious that, even though I’m still a skeptic, I’d 100% go looking for a super smelly, translucent alien/demon dogman with him. You can tell that Martin Groves has no doubt in what he does and tries his very best to figure out the mystery behind the dogman between the Lakes. Often at his own expense and safety.
It was the Texas dogman STM that talked about people being depressed after they’ve had a cryptid experience, often finding themselves isolated from friends and family who just…don’t understand. They feel like people think they’re crazy and that they’re alone in their experiences and feelings. Many times becoming withdrawn and, well, traumatized.
Martin talks like he’s seeking proof just so people who had dogmen experiences don’t have to feel alone or crazy. That people can take comfort that what they saw is real and true. He’s standing up to that stanky-ass dogman and risking his own health by going into the creepy woods at night and searching for what he believes in.
And it doesn’t matter if you or I believe in a garbage-sludge, asshole dogman because what Martin is doing is beautiful. It’s the American dream. Believing in yourself and fighting for those who can’t.
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And THAT is what Small Town Monsters is all about.
Bottomline:
If you’re here for the people and less for the dogmen, this is a great snapshot of the history and people of the region. Also, when is Martin Groves going to get his own paranormal show?
(3.5 / 5)
And now a word from Small Town Monsters
Dogman Territory: Werewolves in The Land Between the Lakes
Now Streaming Exclusively on Prime Video
Available on Blu/DVD from Small Town Monsters
Massilon, OH– Venture deep into the Land Between the Lakes as Small Town Monsters investigates one of the darkest urban legends in North American history. Featuring Shannon LeGro and author Aaron Deese, Dogman Territory: Werewolves in The Land Between the Lakes includes interviews with witnesses, researchers and long-time locals of the Tennessee and Kentucky borders, all in search of what many believe to be a real-world monster. Dogman Territory: Werewolves in The Land Between the Lakes is now available exclusively on Amazon Prime Video. A Blu-ray (SRP $19.99) and DVD (SRP ($14.99) will be available exclusively from the Small Town Monsters shop.
Supernatural is not strictly a show about witchcraft. Or, is it?
Sam, Dean and John Winchester are not witches.
Or, are they? When you watch Supernatural as a modern witch, you realize that a lot of what the Winchester boys do during their battles to protect the world from monsters are things we do as part of our witchy routines.
Just the facts
Starting in 2005 and running until 2020 for fifteen seasons, Supernatural tells the stories of Sam and Dean Winchester as they protect the world from the forces of darkness. Together with a collection of human and otherworldly allies, they battle demons, ghosts, cryptids and all manner of horrifying dark creatures. It was one of many CW shows that delved into the darker side of the world before committing entirely to bad DC content.
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What Supernatural got right
The first thing that jumps out when watching Supernatural is the metric ton of salt used in the show. Specifically, salt is used to protect against any number of ghastly things.
This is very familiar to any modern witch. We have so much salt. Black salt, red salt, blessed salt. Salt to cleanse, salt to banish, salt to protect. When I saw Dean and Sam with massive containers of kitchen salt, I felt like I’d found my people.
Then there is of course John Winchesters notebook. Or, dare I say, grimoire. This also felt familiar. And it’s one of the things I loved the most about Supernatural.
Look, we all want the big family grimoire with the lovely, flowing artwork and beautiful handwritten spells like in Charmed. But in reality, most grimoires look a lot more like the Winchester notebook, with sketches and notes shoved in and held in place with gum bands and paperclips. And while I’m not going to say that my grimoire has daring notes about demonic beings I’ve battled, it certainly has more quick sketches (mostly of plants) than it does beautiful calligraphy. This is supposed to be a useful document full of information we can reference quickly, not an art piece.
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Longtime viewers of the show will point out that not only do the Winchesters not call themselves witches, but they often interact with witches. Sometimes as allies, and sometimes as enemies.
The witches in the show are pretty true to life. They are good and bad. They can be anyone, from any walks of life.
The witches use many tools modern practitioners use, including crystals, scrying mirrors and protection symbols. Honestly, they are pretty spot-on. Except for the spectacular TV magic they implement.
Finally, I want to discuss the question I asked at the start. Are the Winchesters witches?
No, they’re not. Because they don’t claim the title. Even if someone does magic, they’re not a witch unless they say they’re a witch. The whole point of witchcraft, after all, is personal power and personal choice.
What Supernatural got wrong
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All of that being said, Supernatural was of course not a perfect depiction of witchcraft. For one thing, there is no grand coven of witches. I don’t think enough of us could agree on enough to create one.
But if we did, Stevie Nicks would be the Supreme.
Witches also don’t have to come from a long line of witches or be taught by other witches. Many of us are self-taught from books. And sadly, many of us live in communities where we might be the only witches around.
Thankfully, there are online communities from which to learn and grow. You don’t need to be a generational witch, or even have a close witch mentor. It’s a practice, and practice is all that’s required.
All in all, Supernatural is a fairly good example of modern witchcraft. The show might not be about witches, but it’s a great representation.
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(4 / 5)
By the way, if you like this you might enjoy my haunted apartment novella, Quiet Apocalypse. The main character is a modern witch, and I share some real magic in this fictional story of an unexpected end of the world.
Evil: Genesis 1 (S1E1) is a supernatural drama created by Michelle King and Robert King. The central cast includes Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, and Christine Lahti. It originally aired under CBS before moving to Paramount+. As of this review, it’s available through Netflix and Paramount+ and its add-ons. Though this series will earn nominations and awards, I’ll bring them up in relevant points or the end of the season review.
Dr. Kristen Bouchard (Katja Herbers) is a forensic psychologist struggling to financially support four daughters after losing her contract with the prosecution. When a Catholic seminarian (Mike Colter as David Acosta) offers her an opportunity to become an assessor for the Catholic church, she’s in no position to argue. Little does she know; this decision will put her in the crosshairs of Evil.
What I Like about Evil: “Genesis 1”
The cast includes heavy hitters and niche delights, such as Aasif Mandvi and Michael Emerson. Mike Colter, recently coming off of Luke Cage, brings his own star power to the cast.
Evil’s Genesis 1 starts strong with its supporting villain, Darren Pettie’s Orson LeRoux, who gives a calm and flowery account of his horrible crimes. Evil balances a light tone with dark material, and this performance does an expert job of setting that standard.
However, Katja Herbers’s Dr. Bouchard brings the central performance to life. Genesis 1 does a great job of planting the seeds of this complex character. From her ability to get shit done to her unsatisfying life, Bouchard has plenty of traits that easily allow for empathy and understanding.
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Evil balances the line between real and supernatural horror, allowing viewers to assess a situation with plausible deniability. Seeing through the eyes of a skeptic, Dr. Bouchard, amplifies the fear and trauma a demon’s appearance ought to bring.
In terms of direct horror, Genesis 1 sets up what will come. It often provides an unsettling experience, building tension for future episodes. Where Genesis 1 becomes terrifying are those moments of juxtaposition, such as the initial monologue.
Tired Tropes and Triggers
While little is shown in the show of Orsen’s crimes, he is a rapist and murderer. To clarify, any depictions mentioned focus more on the murder.
As David aims to become a Catholic priest and the central trio act as assessors on behalf of the Catholic church, there will be religious elements that might rub some the wrong way. An example is the shady history of the church briefly mentioned as a throwaway jab by the antagonists. However, these elements are only lightly touched upon here.
A brief seed remains planted between Kristen and David, an attraction that might indicate an infidelity. This tension plays a role within the series. In my opinion, it’s handled well and adds to the complexity of the characters, but it’s a point worth mentioning for those troubled by such things.
What I Dislike about Evil: “Genesis 1”
Truthfully, there’s nothing I disliked. The only potential weakness worth mentioning is that the focus on Kristen remains so dominant one might easily assume it’s her story alone. Eventually, Mike Colter’s David becomes a co-lead for the show. While there remains a clear purpose for this decision, it’s the one gripe worth mentioning in terms of fully living up to the premise.
Another nitpick is the court procedure. Kristen gives her statement and is meant to return after new evidence to reaffirm her given statement as if they paused her testimony. Evil doesn’t explain its version of court procedure here.
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Final Thoughts on Evil: “Genesis 1”
Genesis 1 provides a great foundation for Evil to thrive, sowing the seeds for future episodes to build upon. The only area that falls short remains communicating its leading cast, which future episodes aim to fix. If you’re hesitant about the series, Genesis 1 provides a great glimpse of what to expect. (5 / 5)
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