“The Puppet Show” – Buffy the Vampire Slayer S1E9
AKA: Don’t Be a Dummy
I fell in love with the girl at the Puppet Show
We open on a PoV shot backstage during a talent and puppet show rehearsal as a creepy voiceover says, “I will be whole.” On stage, we have one very off-key Cordelia Chase singing The Greatest Love of All and an exasperated Giles dismissing her. Kind of rude of him, because she hadn’t even gotten to the sparkler portion yet.
Our trio walks in to rib Giles about his assignment as Talent Show Coordinator. Mr. Snyder, the new principal (RIP Mr. Flutie) wants him to interact with students more. Snyder overhears this student-teacher interaction and decides that Buffy, Willow, and Xander also need to be more integrated with the school. As such, they will be required to participate in the talent show. He explains that Principal Flutie was too touchy-feely for his liking, and Sunnydale will neither touch nor feel on his watch.
We also learn that Buffy is wigged by puppets as Sid, our titular puppet, takes stage for his rehearsal slot. He is actually talking, much to the shock of the puppeteer Morgan. The rest of the rehearsing students believe this to be an actual ventriloquist act.
In the locker room, we get the creepy voiceover once more as he attacks a student: “I will be flesh.”
Leave your heart on the stage
Chaos abounds at an additional rehearsal. Willow has decided that a dramatic scene is the easiest talent they could do. Sid the puppet starts sexually harassing Buffy and Willow, and he allows Morgan to take the fall. Or, at least, he partially takes the fall. Buffy does threaten to turn Sid into a Dura-Flame log.
Principal Snyder and Giles talk about all the misfortunes Sunnydale High has endured recently. While he would prefer to blame our Scoobies for it all, his current plan is to run a tight ship. Then a scream comes from the locker room.
Emily, the dancer seen at rehearsal, was found dead with her heart removed. Giles says some demons will remove hearts, but typically with their claws and teeth. Emily’s heart was neatly cut out. All but Buffy assume a simple human murder, until our Slayer reminds them of the Hellmouth of it all.
The Scoobies interview everyone in the talent show in an attempt to trace her last steps. Everyone says they saw Morgan with her last. They also describe Morgan as “always rubbing his head and moaning.” Our sweet Cordy is devastated, because “Emma” was her best friend and the murder could’ve been her. Never short on an existential crisis, that one.
Buffy talks to Morgan. He rubs his head a lot. She eventually yells at him after Sid tries to end the conversation. Morgan makes a half-hearted attempt to explain before giving up and leaving.
The Slayerettes are all too willing to blame Morgan, but Buffy says being a weirdo doesn’t necessarily correlate with being a murderer. Giles cautions everyone not to rock the boat with Principal Snyder. They cannot afford additional scrutiny.
It’s the Puppet Show, not Puppet Tell
Buffy artfully breaks into Morgan’s locker by slamming the lock out of the door. It is after hours, though, and Principal Snyder does not condone loitering, heart-removing murders, and smoking. Before Buffy is forced to leave, she sees Sid the puppet’s case is empty.
Backstage, Morgan and Sid are arguing. Morgan does not want to “do it.” Sid says he must, because Buffy is clearly the one. She will be the last one before he is free.
That night Joyce tells Buffy she is excited to support her at the talent show. Buffy tries to direct her away from doing so. Her mom tries to dig deeper at what’s bothering her, but eventually encourages her to get some sleep.
And sleep Buffy does – until she wakes to something in her covers. Joyce rushes to check her room, only to find the bed empty. Buffy is clearly stressed, and her mom tries to calm her. Joyce also recommends she not go to sleep with the window open. Buffy murmurs that she didn’t.
Cordelia is arguing with Giles about her placement in the talent show. Her song is sad and sappy, but a rock band is before her. The mood will be all wrong. Giles stares at her for a moment before saying something about her hair, prompting her to run off in horror to check for herself. Apparently Xander gave him this tip.
Buffy tells the rest of the gang that she thinks Sid was in her room last night. Xander assumes it was a cat, and Giles and Willow are inclined to agree because Buffy has admitted to a fear of puppets.
Investigation isn’t for dummies
Buffy wants to get Morgan away from Sid so she can talk to him. Giles has found information about demons that collect body parts to take a human form. Morgan doesn’t quite fit this theory, though, because he keeps getting weaker while this particular brotherhood of demons are preternaturally strong.
Sid is with Morgan in class, and he is staring at Buffy. He is also answering the teacher’s questions and causing class disruption. The teacher puts the puppet in a closet, but he is still talking. She believes Morgan to be a very talented ventriloquist. After class she tries to check on Morgan, because he has been acting off lately. When she opens to closet to retrieve Sid, he is gone. Morgan said Sid knew to wait for him.
Xander reveals he took Sid so Buffy could talk to Morgan alone. Xander beats Sid against a desk to prove he isn’t real to a still-wigged Buffy. While she looks for Morgan, Willow and Giles research re-animation and organ harvesting, respectively. Xander babysits the dummy.
The dressing room is creepy and mostly abandoned, except for Principal Snyder. He does a harbinger-esque bit about Buffy not being safe on her own with everything going on lately. She assures him she can take care of herself.
Willow finds some information on possessed toys that harvest human organs. Now they want to believe Buffy. This is unfortunate timing, because Xander stopped watching Sid long enough to do some homework. When he realizes the puppet is gone, he yelps and jumps on a table. Willow and Giles do some yelping as well once they learn of the situation.
Buffy, meanwhile, has found Morgan… without his brain. As she reels back in horror, a chandelier drops on her and pins her down. Overhead we see the scurrying of tiny, wooden feet. Buffy works on getting free while defending herself from a knife-wielding Sid.
Pulling Strings
She escapes and manages to pin Sid against the wall. Then they each accuse the other of harvesting organs in order to become human. It turns out Sid is a demon hunter. He got turned into a puppet years ago. The demon he is hunting only needs a heart and a brain to remain human for another seven years. It is the last in a line of seven demons; Sid has already killed six.
The group figures if they can find out who is missing from the show they will know who the demon is. Sid has a plan: Giles will form the Power Circle to hype up the talent show participants while Buffy observes to see who is not there. Sid comes with Buffy to harass her some more. What is with these ageless dudes hitting on a fifteen year old? Sid also reveals that he will die once the last demon is dead, and he is relieved by this.
Cordelia is not relieved, because she is hit with stage fright. Giles suggests she picture the audience in their underwear, though they both agree it might be best to leave Mrs. Franklin out of that.
No one (who is still alive, anyway) is missing from the Power Circle. While Giles gets the show started, Buffy tries to find Willow and Xander. Sid has disappeared while she was gone, so she must find him as well. She feels a mysterious dripping when backstage and upon investigation discovers Morgan’s brain. The demon body rejected it.
Take a bow
Willow searches Morgan’s file. Though he was one of the smartest kids in the school, his attendance record was shoddy. It turns out he had brain cancer (hence the headaches). They believe the demon will go for the next smartest kid in school – Willow Rosenburg.
Marc the magician asks Giles for some pre-show help. His assistant is a no-show, and he needs Giles to pose in his guillotine.
Our trio determines that the demon could still be in the talent show, since it still needs a brain. They also realize Giles is a very intelligent person.
They arrive backstage to see Giles strapped in to the guillotine. Marc has his head positioned so his “brain can just fall right out.” Giles asked what the trick is, and Marc says there isn’t one. Buffy tries to fight Marc the demon while Xander frees Giles. Sid reappears and helps everyone get the demon strapped into the guillotine and cut off its head.
Sid says the heart needs to be taken out as well to truly end things. He stabs the demon’s chest then slumps over. Buffy picks up the dummy with some reverence just as the curtains rise. Principal Snyder looks at the scene and asks if the puppet show is avant-garde.
In our only concurrent-with-credits scene of the series we see Buffy, Willow, and Xander struggle with their Oedipus recitations, to a smattering of laughter in the audience. Willow runs off frightened.
“All I could think of was Mr. Marbles.” – Trav’s one sentence review of this episode.
I have a lot of fun with The Puppet Show. It’s a monster of the week with a huge ick factor and some fun plot twists. We also get the introduction of Principal Snyder, who is a fantastic side character.
(5 / 5)
We have come now to the finale of season four of The Boys. And while it didn’t have the literal blood fireworks I wanted, someone did get ripped in half in the air. So, that’s pretty close.
As a note, I will try to avoid spoilers as much as possible. This ending was a hell of a gut punch that should be experienced as blindly as possible. That being said, I will not be able to avoid spoilers and still give a full legitimate review. Proceed at your own risk.
The story
The main storyline for this episode is the attempted assassination of President-Elect Robert Singer. The Boys join forces with the Secret Service to protect him. But, as we learned last episode, Annie has been replaced with a shapeshifter. A shapeshifter that was welcome not just into Hughie’s anus, but into the protective bunker in which the President-Elect is hiding.
What worked
The first thing I want to discuss about this episode is the ending. But we need to do this carefully.
The important thing here is that the ending breaks your heart on so many levels. So many terrible things are happening to characters that it’s almost hard to keep track. And each moment is significant to each character.
I cannot give a specific example. But no matter who your favorite character is, you’re going to weep for them.
Unless your favorite character is Sage. And this is the next thing that made this episode so fantastic.
I don’t think I’m spoiling anything to say that Sage’s plans worked out exactly as she wanted them to. And she got exactly what she wanted.
What she wanted wasn’t power. It wasn’t money or fame or vengeance. It wasn’t to win the love of anyone. She just wanted to see if she could do it.
That is a terrific, terrifying motivation! Because all she wants is to play a massive game of chess with people as pieces. She doesn’t care about anyone. She just wants to see how many people she can manipulate. She just wants to set things on fire to see if she can.
Fantastic. A plus villain work.
The next thing I want to discuss is a cornerstone of the whole series.
The morality of The Boys shifts through the series. While it’s very much a battle to save the world from overpowered super monsters, it’s also a battle for the souls of our real heroes. And in that battle, there are two warring factors. We have Hughie, always trying to bring everyone up to a better level. And we have Butcher, who has no problem at all hitting rock bottom with a shovel in hand to do some more digging.
In this episode, we saw almost every member of The Boys challenged. Will they rise to their higher angels, or sink with their demons?
On a similar note, I am so glad that the writers kind of addressed my issues with Annie. They did this by having the shapeshifter get right into her face and accuse her of thinking that she’s better than everyone.
While that was devastating for the character, it was a little cathartic for those of us who felt like Annie was a little too good of a good guy.
What didn’t work
This is a small matter, but it is an issue that I want to address. After Annie finds out that Hughie slept with her doppelganger, she is furious at him.
In addition to this being unfair, it’s also a very cliche element to add. In almost every instance of a lookalike in fiction, there’s a moment where the love interest of the victim is fooled. Or almost fooled. And it’s always the same fight. It’s just played out and predictable. I’m just glad that it didn’t last very long.
Now that we’ve come to the end of the season, I can officially say that it was amazing. The story was deep and rich. The special effects were a stomach-turning good time. The character development was spot-on and satisfying. And, of course, it left me just about gagging to see what happens next. Unfortunately, it looks like we’ll have a bit of a wait. Because as of right now, the fifth season isn’t expected until 2026.
(5 / 5)
We’ve reached the second to last episode of The Boys, season four. And, as is appropriate for the penultimate episode of any show, things have to get a lot worse before they can get better.
Let’s discuss.
The story
Christmas is coming, and the whole world is getting ready. Ryan, despite being very clear that he didn’t want to appear on any TV shows or movies, has been strong-armed into participating in a Vought puppet Christmas special. He draws the line, though, when asked to sing about turning one’s parents in if they start talking about woke things.
Meanwhile, The Boys are trying to keep each other together. Butcher decides to take Sameer to the rest of the team. He also gets Frenchie out of prison, hoping they can make the Sup virus necessary to finally take down Homelander. Instead, this decision means disaster for one member of the team.
What worked
I first want to talk about Ryan’s speech near the end of the episode. Because it was exactly the moral of this whole story.
Ryan’s dad is a monster. His stepdad is also kind of a monster. But Ryan is a good kid. He cares about people, about family. And while he loves Homelander and Butcher, he doesn’t want to be like them.
Even better, this speech sounded like something a kid would say. Ryan didn’t open his mouth and start sounding like a college student all of a sudden. He sounds like a kid who misses his mom and wants to live up to the good standards she set for him. And I think that’s terrific.
Speaking of Homelander, he shot himself in the foot in this episode. I said earlier in the season that his hubris was going to be his downfall, and I was right. Without Sage, he just has the same weaknesses he’s always had. He’s going to fail because he just isn’t clever enough or patient enough to succeed.
Without Sage, I think a win is in the bag for The Boys. This isn’t to say that Homelander by himself isn’t dangerous. It’s just that he’s more like a wildfire than a controlled burn. He’s going to cause a lot of damage, but not get anything he wants out of it.
More’s the pity for him and everyone else who has to share his world.
Finally, I am thrilled with A-Train’s redemption story. I love that he wants to be a good person not to save himself, but to be a good person. His honest, pure and warm reaction to that little kid smiling at him in the last episode was heartwarming. It changed him in a moment, bringing to light a goodness that he’s been keeping under wraps for a long time.
This, along with Ryan’s courageous speech, proves once again what The Boys does so well. Yes, it’s gruesome. Yes, there’s blood and balls and batshit events. Yes, someone occasionally gets ripped in half. But there is a true human goodness in the story. One that we catch glimpses of. There are good people among the monsters. There is hope for redemption.
What didn’t work
Of course, so few things in this life are perfect, and this episode was no exception. For instance, I was irritated by the insinuation that Butcher cheated on his wife.
That just doesn’t make any sense. We’ve seen flashbacks of Billy and Becca. They were happy. He was happy. He was head over heels for her. And I don’t think it’s realistic or necessary for the character to throw in that he cheated. It does nothing to add to the story, it’s just a weird and offputting moment.
Doesn’t Butcher have enough to hate about himself? Can’t we just give him that at least he was a good husband?
Finally, I kind of hate that we ended up with Annie being caught. It’s just cliche, which is something I don’t normally say about this show. It feels lazy unless they do something very clever with it in the last episode. Which, I suppose, they might.
Next up is the season finale. And with this season being as insane as it has been, I’m expecting nothing short of bloody fireworks. And I mean literal fireworks of blood. At this point, would it surprise anyone?
(4 / 5)
Episode six of The Boys was one of the most surprising episodes of the series so far. And that is certainly saying something. Because this season has so far been bonkers.
The story
Our episode today revolves around a party at Tek Knight’s lovely mansion. Yes, it does look just like Wayne Manor.
The Boys know that Tek Knight is working with Homelander on something, but they don’t know the details. So they decide to send Hughie in to bug the mansion.
Because that’s worked so well the other two times he’s tried to hide a bug!
It should surprise no one that this time goes no better. Hughie finds himself in Tek Knight’s basement. And by that I mean his BDSM dungeon.
Meanwhile, the party upstairs is no less disturbing. Homelander and Sage are trying to convince some well-off political donors to support a cue after the election. When pressed for details on his plan, Homelander freezes. He looks to Sage for help, but she wasn’t recently shot in the head and still in the junk food stage of her healing.
Fortunately, or unfortunately depending on your point of view, Neuman jumps in and saves the day.
What works
If I’m going to say one thing about this episode, it didn’t hold back at all. I didn’t expect them to show a character masturbating, sitting their bare behind on a cake, or spraying breastmilk into someone’s face. But every time I thought they’d cut the scene and let something be left to our imagination, they did not do that.
This is a dangerous move. Whenever you show the monster, you run the risk of them not being scary enough, or gross enough. As Stephen King says in Danse Macabre, to leave this sort of thing to the imagination if the reader makes things so much worse. So when they finally experience the monster, they might say that this isn’t so bad. It could have been so much worse.
But in this case, they managed to avoid that by making the scenes, especially the ones in Tek Knight’s dungeon, so much worse than I imagined it would be.
What doesn’t work
While this was a deeply disturbing episode in many ways, there was one really innocent and sweet moment.
And yes, I did have a problem with it.
Confronted by Firecracker, Annie decides to apologize for spreading rumors about her when they were kids. She tells her that she is genuinely sorry.
And I believe her. I don’t think Firecracker did, but I did.
So why is this an issue? Because I’m starting to think that Annie is maybe too nice. She is too good.
I know that Annie is our good guy. But every one of the other good guys has flaws. Hughie let his pride get in the way and took Temp V. MM hid himself from his daughter instead of teaching her to work through her emotions. Kimiko is far too closed off and has a hard time trusting others. Frenchie numbs himself with drugs. And well, what hasn’t Butcher done?
It is unrealistic that Annie is just so kind and so flawless. We all have shadows in our personalities. We all have weaknesses, we all mess up. We all do things we wish we could take back. The fact that Annie doesn’t seem to have anything like that is not just unrealistic. It’s infantilizing.
Give her some deep dark secrets. Give her something real to regret.
This was a shocking episode, even for someone fairly jaded like me. I wasn’t expecting the sort of weird sexual depravity, though I guess maybe I should have seen it coming. It was dark, upsetting, tense, and funny as hell. And with just two episodes left in the season, I can imagine the stakes are only going to get higher.
(4 / 5)
By the way, if you like my writing you can get my short story, Man In The Woods, on Smashwords and Amazon.
