True Blood Season 4, Episode 1: “She’s Not There”
This episode is quite the doozy. We land with Sookie in fairy land where we ended at season three. Claudine identifies herself as Sookie’s fairy godmother. Sookie sees Barry and her grandfather here. As they catch up, fairies walk around and hand out light fruits – a glowing fruit that everyone digs into. Sookie is uncertain about eating the fruit, as everything doesn’t seem quite right.
Mab’s Crew
Sookie tries to warn her grandfather telepathically that this is a trap. However, everyone here can communicate telepathically. The queen fairy, Mab, steps forward and declares that she wants to shut fairies off from humans and demands that Sookie eat the fruit. When Sookie uses her light powers to release herself from Mab’s grasp, it reveals a grey wasteland version of the fairy land she is in. The fairies appear as goblins, and Sookie has seen the true nature of this place.
Sookie and her grandfather run to get away, being followed and attacked by the fairy/goblins. Sookie is helped by Claudine’s brother who opposes her views and Sookie and her grandfather drop back down to Earth. We see Bill and Eric become aware of her presence. Sookie and her grandfather land in the cemetery and Sookie shows him her grandmother and parents’ graves. Sookie’s grandfather dies at their graves, but not before giving her a pocketwatch to give to Jason. Before he disintegrates, Sookie’s grandfather tells her he loves her.
Time Warp
Sookie returns to her home to find a crew working on renovations. The crew calls the police and Jason – as a cop – shows up. Jason is relieved to see her and reveals that she has been missing for twelve and a half months. We have jumped in time tremendously. Jason, in his grief over Sookie’s disappearance, sold the house. Sookie explains where she has been and when Jason doesn’t believe her, she produces the watch. She tells him that Grandaddy Earl gave it to her before he died and that he felt like he’d only been gone a few hours. Sookie herself felt as if she was only gone ten minutes while in fairy land. All of this gets Jason to believe that she is telling the truth, if somewhat reluctantly.
Cover Story
Bill arrives at the house and tells Sookie he has hasn’t felt her presence for a year. He suspected she was with Claudine. Eric shows up as well and asserts that he never gave up on Sookie. Just then, Andy shows up and is very upset when Sookie says she wasn’t kidnapped. Bill covers for her, saying she was on “secret vampire business.”
Back in the cruiser, we see Andy battling a V addiction and later on Jason scolds him for still using.
We see Eric and Bill trying to rebuild vampire-human relations post Russell Edgington and his outburst. Eric gives a television announcement as a local business owner and Bill presents a town ribbon cutting ceremony.
Witchy Ways
Jesus takes Lafayette reluctantly to a witch gathering. The head witch communicates as Eddie through herself. Lafayette is angry with Jesus, thinking he told her about his experiences with Eddie in order to convince him the witchy powers are real. Jesus insists he told no one, but Lafayette won’t hear it.
When he goes back again with Jesus, he is forced to participate in a ritual that brings a bird back to life for a minute. One woman from the coven is a plant and arrives back at Bill’s house. It seems Bill may now be the king of Louisiana.
Dark Tendencies
Arlene comes home to find Terry in the bathroom and her new baby, Mikey, in the living room floor with headless Barbie dolls. Terry assures Arlene that Mikey is a good boy and will be fine.
Jason takes food to Hotshot to the kids that he is looking after for Crystal. They tell him that the freezer isn’t working and that it isn’t cold. Jason goes to investigate, but the kids lock him inside the freezer.
Mixed Martial Arts
In New Orleans, we see Tara as a successful mixed martial artist. Tara is in a romantic relationship with another female mixed martial artist named Naomi. Tara is also going by a different name.
Trouble in Paradise
We flash to Jessica and Hoyt living in the house he bought for them at the end of last season. They seem to be okay, but it is clear that the human dating a vampire dynamic is getting to them. The pair go to Fangtasia for date night where a human hits on Jessica. It seems she has a moment of enjoyment of this, but then decides she loves Hoyt and walks away from it.
Sookie catches up with everyone at Merlotte’s. When she asks Lafayette about Tara, he says he doesn’t know where she is because she’s moved a lot since Sookie went missing. However, we see Lafayette text Tara and tell her that Sookie is alive and back in Bon Temps. Tara ignores the text message and makes up a story about the text being her father saying her grandmother has died to Naomi.
We see Tommy come into Merlotte’s with Hoyt’s mother. He is in a leg brace and we learn that Sam has been paying for his physical therapy since shooting him. It seems Hoyt’s mother replaced Hoyt with Tommy when he left. Weird situation.
Sam gathers with other shapeshifters after work. He seems to have found a place to belong.
You’re Mine
We end the episode with Sookie changing in her old bedroom. She doesn’t own this house, but alright. Eric shows up in her room and Sookie quickly covers herself up. He tells her that he can be inside the home because she doesn’t own it anymore: he does. He tells her that he bought the house because if he owned the home, he owned her. Eric tells Sookie, “you are mine.”
This episode was quite the journey. The beginning of the episode in fairy land felt like I was watching Lord of the Rings and the time jump was disorienting. This season isn’t off to the best start in my eyes and it was a lot of character changes that will take time to get used to. But hey, I’m rooting for Sookie and Eric.
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Movies n TV
Witness the Supernatural Horror of The Eye (2008)
Living blind most of her life, Sydney Wells (Jessica Alba) undergoes a transplant in The Eye (2008) and witnesses unexplainable phenomenon.
Living blind most of her life, Sydney Wells (Jessica Alba) undergoes a transplant in The Eye (2008). The clearer her vision becomes, the more unexplainable the sights she witnesses. Yet, no one seems to understand or believe her. To understand what she’s seeing, Sydney must uncover what happened to her doner.
The Eye (2008) is a supernatural horror film directed by David Moreau and Xavier Palud, an American remake of a Chinese film of the same name directed by the Pang brothers. This PG-13 film stars Jessica Alba, Alessandro Nivola, Parker Posey and Rade Serbedzija. As of this review, the film is available on Amazon Prime Video.
What I Like about The Eye (2008)
In 2008, the film earned two awards and three nominations. The poster above and Jessica Alba received award-winning acclaim. This should probably fall within the Dislikes, but it also earned Jessica Alba a Razzi nomination in 2009. However, the Razzi likely focused on her performance on The Love Guru. Make of that what you will.
I’ll further comment on this point in later sections, but The Eye does work to show the complexities of incorporating this new sense from a character who has lived most of her life without it. She isn’t “fixed” because she was never broken, and it’s a commendable decision considering how often the opposite idea appears.
This film focuses on Jessica Alba, allowing her plenty of material to work through as she slowly breaks down against the mounting issues facing her. It remains a largely controlled performance based on the material given. She would win a Teen Choice Award and (funnily enough) the previously mentioned Razzi nomination. There’s another small role from a recognizable actress in one of her early roles. I will say no more on the matter.
![The Eye (2008) [Blu-ray] - Expired Digital Copy](https://hauntedmtl.com/wp-content/plugins/aawp/public/image.php?url=YUhSMGNITTZMeTl0TG0xbFpHbGhMV0Z0WVhwdmJpNWpiMjB2YVcxaFoyVnpMMGt2T1RGc2VGQkhSalZUTUV3dVgxTk1NVFV3TUY4dVgxTk1NVFl3WHk1cWNHYz18MTc0MDUwMDUwMQ=)
- THE EYE DESCRIPTION The violinist Sydney Wells has been blind since she was five years old due to an accident
- She submits to a surgery of cornea transplantation to recover her vision, and while recovering from the operation, she realizes that she’s having strange visions
- With the support of Dr
- Jessica Alba stars as a blind woman who receives an eye transplant, which allows her to see into the supernatural world, in this $31 million-grossing film
- Bonuses: featurettes, deleted scenes, digital copy
Last update on 2025-02-22 / Affiliate links / Images from Amazon Product Advertising API
The Eye has strong bones and twists that I imagine come from the original film. I won’t comment further on the original, but The Eye provides twists that run with the concept of inherited memories. I love how The Eye explores this concept, though execution doesn’t fully develop these ideas.
Moving the narrative to Mexico adds a refreshing change of location. It adds some variety to the setting and a pleasant shift. However, I will say that the random town provides a typical depiction of rural Mexico.
Despite my reservations about The Eye‘s execution, the film lingers in its horror and often haunts the viewer. From the film’s concept to the visuals, The Eye has an early 2000s charm. Yes, it’s flawed and lacks in parts, but it still provides an entertaining and enjoyable experience.
Tired Tropes and Triggers
Ableism remains a potential issue for the film, though the ending persuades me against that concept. What can’t be denied is that there are several ableist characters, though I linger in the idea that this is intentional. The film shows their perspectives are wrong or inaccurate.
The key trope that this film explores is cellular memory. One addition to this concept is inheriting someone’s supernatural gifts. Though, that’s far from unique at this point.
What I Dislike about The Eye (2008)
Dr. Paul Faulkner (Alessandro Nivola) acts as a co-lead in the film and seems deplorable with his patient (Sydney). This is in no way an inherent issue with the actor but the writing. For a doctor who specializes in Sydney Well’s particular struggles, he seems furious anytime she appears overwhelmed. While it’s possible the ending suggests they are a couple, The Eye does leave this ambiguous. If The Eye intends to pair them by labeling these arguments as romantic chemistry, it fails.
The biggest problem with The Eye remains the underdeveloped ideas. While the plot points remain interesting, few get explored to any depth worth mentioning. Little gets solved, and even the climactic moment of development seems more a matter of happenstance. It makes me wonder if the original film might better explore these concepts.
Final Thoughts on The Eye (2008)
The Eye explores cellular memory with a supernatural twist. While far from a flawlessly executed film, a 2000s charm makes it memorable. If it further developed its concepts, The Eye might haunt in all aspects. However, it fills a niche for those with a taste for premonitions and lingering reapers eager for souls.
(2.5 / 5)
Movies n TV
The Root of All Evil, or “The Demon of Money”
The assessors explore the vile evil of stock trading in “The Demon of Money,” the ninth episode of season 3.
“The Demon of Money” is the ninth episode of season 3 of Evil, created by Michelle King and Robert King. The central cast includes Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, Christine Lahti, and Andrea Martin. As of this review, it’s available through Netflix and Paramount+ and its add-ons.
The assessors explore the vile evil of stock trading. Dr. Boggs (Kurt Fuller) gets a positive review for his first draft. Grace Ling (Li Jun Li) struggles to adjust to her new reality. Leland (Michael Emerson) takes matters into his own hands. Monsignor (Boris McGiver) does what he must to do good.
What I Like about “The Demon of Money”
The investigation of DF’s stock provides a strange but enthralling mystery, accurately pointed out as similar to The Ring by Ben. It’s an unsettling and tension-inducing procedural plot to connect “The Demon of Money” together.
Michael Emerson’s Leland balances a genuinely horrifying character with Evil’s campier execution to deliver a haunting performance. This season seems focused on restructuring Leland’s transformation as the series’ key villain, forcing him to balance against other potential threats.
I initially struggled to understand Kristen’s distrust of Dr. Boggs, uncertain of what finally convinced Kristen. “The Demon of Money” clears up this confusion completely after revealing his book. While it’s not directly shown that Kristen read the book, the evidence suggests this is the case. I won’t reveal why it’s so concerning, but I love that Evil doesn’t beat the strangeness into the viewer, trusting them to catch on.
![Evil: Season Three [Blu-Ray]](https://hauntedmtl.com/wp-content/plugins/aawp/public/image.php?url=YUhSMGNITTZMeTl0TG0xbFpHbGhMV0Z0WVhwdmJpNWpiMjB2YVcxaFoyVnpMMGt2TlRFdGJuQndVRmhtU1V3dVgxTk1NVFl3WHk1cWNHYz18MTc0MDUwMDUwMQ=)
- Katja Herbers, Mike Colter, Aasif Mandvi (Actors)
- Robert King (Director)
- Audience Rating: NR (Not Rated)
![Evil: Season Three [DVD]](https://hauntedmtl.com/wp-content/plugins/aawp/public/image.php?url=YUhSMGNITTZMeTl0TG0xbFpHbGhMV0Z0WVhwdmJpNWpiMjB2YVcxaFoyVnpMMGt2TlRGYWJYaGtVVFpFYlV3dVgxTk1NVFl3WHk1cWNHYz18MTc0MDUwMDUwMQ=)
- Katja Herbers, Mike Colter, Aasif Mandvi (Actors)
- Robert King (Director)
- Audience Rating: NR (Not Rated)
Last update on 2025-01-31 / Affiliate links / Images from Amazon Product Advertising API
Monsignor delivers a moment of action for a character who often defines inaction. It’s an intense moment to see and a pleasant development for a character who plays a key role in the series. It also incentivizes a returning character.
Li Jun Li also pushes the boundaries of Grace Ling, possibly earning the right to claim this episode as her own. As a prophet-esque character, there’s often an instinct to dive into the mystic wisdom, but Grace seems burdened by her gifts and the pressure placed on her.
“The Demon of Money” remains a haunting episode of Evil, paying off many of the points built up in previous episodes. This episode pulls off most of season 3’s setup while delivering haunting moments.
Tired Tropes and Triggers
One can argue that “The Demon of Money uses the bury your gays trope. It’s hard to deny when there’s an admission of love just as death occurs.
There’s some effective bodily disfigurement within this episode, one example leaning toward body horror. These are the results of self-harm, but these actions remain off-screen. Viewers witness the results of the act, but the harm is relayed to the viewer well after the act
What I Dislike about “The Demon of Money”
The procedural plot will have a slight return in a later episode, but it reaches a conclusion that doesn’t satisfy the mystery. I wanted more of it, which is far from a bad problem but one to point out. Ultimately, the missed potential undermines the execution.
Ben claims The Ring is a B-film, which is rightly called out, but the claim can’t go unmentioned here. Regardless of one’s opinions of the adaptation, it’s hard to label the film as a low-budget B-film considering its 48 million dollar budget. For shame on that claim.
Final Thoughts
“The Demon of Money” brings viewers closer to the end of season 3, tying the loose plot threads to set up the season finale. With a haunting procedural investigation, this episode remains a unique example of what Evil offers. While some weaknesses appear and interesting plots drop, the episode lingers in the mind to haunt the viewer.
(5 / 5)
Movies n TV
Anna (2013) To Some, Mindscape to Others, a Thriller Film
Anna (2013), also known as Mindscape, is a psychological thriller of a struggling memory detective named John.
Anna (2013), also known as Mindscape, is a psychological thriller directed by Jorge Dorado. This R-rated directorial debut stars Mark Strong, Taissa Farmiga, Brian Cox, Saskia Reeves, Richard Dillane, and Indira Varma. As of this review, interested viewers can watch this film on VUDU, Hoopla, Plex Channel, Pluto TV, Roku Channel, Tubi TV, Amazon Prime, and more. Anna originally released in 2013, but it released in the US in 2014.
Struggling to return to his work as a memory detective, John (Mark Strong) pursues a new assignment. Anna (Taissa Farmiga) views John as her last chance to prove her innocence before she’s condemned to an asylum. As John searches through her memories, a tale of abuse and manipulation unravels.
What I Like about Anna (2013)
Anna earned three nominations but no award recognition. From the Sitges–Catalonian International Film Festival, it earned a nomination for Best Motion Picture. The Goya Awards recognized Jorge Dorado with the 2014 nomination for Best New Director. Finally, Anna received a nomination from the Gaudí Awards for Best Art Direction.
Taissa Farmiga’s performance balances the line between suspicious and innocent, which is necessary for this unraveling mystery. It’s a delicate role, but Taissa Farmiga brings to life the material given.
![Inception (4K Ultra HD/BD) (4K Ultra HD) [4K UHD]](https://hauntedmtl.com/wp-content/plugins/aawp/public/image.php?url=YUhSMGNITTZMeTl0TG0xbFpHbGhMV0Z0WVhwdmJpNWpiMjB2YVcxaFoyVnpMMGt2T1RGd1dGaFJhWEI1V1V3dVgxTk1NVFV3TUY4dVgxTk1NVFl3WHk1cWNHYz18MTc0MDUwMDUwMQ=)
- Acclaimed filmmaker Christopher Nolan directs an international cast in “Inception,” an original sci-fi actioner that travels around the globe and into the intimate and infinite world of dreams
- Dom Cobb (Leonardo DiCaprio) is a skilled thief, the best in the dangerous art of extraction: stealing valuable secrets from deep within the subconscious during the dream state when the mind is at its most vulnerable
- Cobb’s rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved
Last update on 2025-02-22 / Affiliate links / Images from Amazon Product Advertising API
Anna‘s plot rotates around a new fringe science that’s slowly gaining traction. It’s less a dissection of this science and more a norm that Anna expects viewers to believe. It’s an interesting concept, though not unique. Still, it’s a nice additional dynamic to the mystery.
While not a horrifying film, it does deliver a mystery that keeps viewers engaged with enough hooks to add an extra layer before something gets stale. That mystery does linger in the mind in some respects but doesn’t haunt the viewer.
Tired Tropes and Triggers
Despite Anna not depicting these moments, sexual assault remains a recurring element of the film. Little remains conclusive, with some suggestions that these are false allegations. Furthering this point, the film depicts Anna as a manipulator and flirt when some incidents suggest she’s a survivor of assault.
Derogatory language might upset some, but these remain brief moments. The use indicates a particular character’s immaturity, but I’ll raise the point regardless. Furthering this line of analysis is a moment where a bullied character is implied to be gay, but it’s likely just an insult.
While not inherently a trigger, this new field of science earns the claim of being somewhere between forensic science and lie detector tests, a massive gap that anything can fit in. It makes everything subjective when the film wants to claim absolute evidence. I can’t help but wonder what exploring that unreliability might look like, but that’s not this film.
What I Dislike about Anna (2013)
The biggest deal breaker for some is this concept of a teen mastermind. I won’t go into details about the mystery, but I am often fatigued with this idea of a teen femme fatale. While Anna gives enough mystery, it’s an overused trope.
Mark Strong’s performance delivers on the material, but John seems so easily manipulated for someone who does this as a profession. While out of practice, I don’t understand why he believes or doesn’t believe information. If Anna depicts John as overly critical or gullible, the film will have a more consistent character.
I assume there remains an understandable reason for the name change, but Anna appears as a common title for a film, spinning a series of some recognition. Mindscape also earns some recognition and competition, but it’s a more memorable title than a single noun name.
Final Thoughts
Anna provides an interesting concept and mystery, but many shortcomings hinder the execution. Viewers eager for a psychological mystery with a drop of sci-fi, Anna delivers an engaging story. However, the market does provide competition, making it a tough film to recommend. 
(3 / 5)
