This episode is full of consequences: those paying for transgressions and those paying for others’ sins.
Just One Bite
We open with the aftermath of Jason being locked in the freezer. The people he has been looking after for Crystal have tied him up. We quickly learn this was at the request of Felton and Crystal – who are back. Andy comes to the compound and nearly discovers Jason captive, but is placated with V and leaves. Crystal and Felton explain that they have him tied up because Crystal needs to make a baby with him. Jason isn’t following until Crystal says Felton and her have been trying, but he’s “shooting blanks.” They have a duty to their bloodline to keep making panthers, and Crystal must contribute by having a baby. The only part missing here that they quickly explain is that they must turn Jason into a panther first. The shot cuts away as Felton and Crystal turn into panthers and begin eating Jason.
The rift between Sookie’s desires and Eric’s grow as they discuss his ownership of her home and Sookie herself. Sookie even visits Bill to ask him to make Eric stand down. Even though Bill concedes that he is Eric’s king, he doesn’t have that kind of power over him and his personal belongings. Sookie asks how Bill became king, but amends her request by saying that she would regret asking: “If there’s one thing I learned from us being together, it’s that every time I found out something new about you, I ended up wishing I didn’t know it.”
When Sookie leaves, we get a flashback of Bill in London in 1982. Nan observes him drink from a human, glamour him, and release him. We learn that Nan recruited Bill back in 1982 by telling him their dream of Tru Blood and mainstreaming. Nan appointed Bill king of Louisiana after he helped her assassinate Sophie Anne so that he can infiltrate vampire government while upholding Nan and the AVL’s agenda. This is interesting new information. Bill has been in on it for quite a long time.
At Fangtasia, Pam keeps an eye on the anti-vampire protestors that stay outside. Hoyt gets pummeled by the protestors when he defends Jessica. The pair go home, get in a fight (again), and Jessica returns to Fangtasia and feeds on the man she saw while they were there prior.
Sam connects with Luna, one of the other shifters he hangs out with. Tommy tries to connect with Sam, who dismisses him. We do learn that Luna has turned into another person before, like the skinwalkers her Native American family has taught her about. Interesting revelation.
Arlene is still freaking out about Mikey’s paternal attributes, while Terry tries to calm her. As Arlene looks into Mikey’s eyes, a blood vessel in her eye pops. She’s convinced it is because of the evil that lives inside her child.
Tara visits from New Orleans and surprises Sookie at her (Eric’s) home. The pair catch up and then Tara goes to see Lafayette. She accompanies Lafayette and Jesus to the coven.
Eric and Bill have a conversation about the coven. Bill reveals he has an inside source that knows they are necromancers that can raise (at least) birds back from the dead. This poses a threat to them, as vampires are dead. Bill puts Eric in charge of taking care of the situation.
When Eric arrives at the coven, he threatens their leader, Marnie. The coven performs a spell and Eric is affected. He races from the building.
While this is happening, Sookie is at Fangtasia trying to convince Pam to make Eric give her her home back. Pam makes it clear that she sides with Eric, and that with what Sookie is, she needs to be someone’s for her own protection. Sookie leaves and on her drive home, passes Eric walking on the side of the road. He doesn’t recognize her and looks weak. He asks Sookie why she smells so good.
It seems that the coven has erased his memory to protect themselves. We know he is still a vampire, as he can smell Sookie, but this doesn’t bode well.
This episode really developed some of the questions floating around in my mind. We learned how Bill rose to power and how long he has been involved with Nan and the AVL. We’ve learned that the coven’s necromancing powers looks to be this season’s conflict – and they are powerful.
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Shutter Island (2010): Review
Leonardo Dicaprio’s films rarely disappoint. It was interesting to see him flex different acting muscles in this psychological thriller Shutter Island alongside Mark Ruffalo and Michelle Williams. When I say that I was not expecting such a turn in the story, I mean that my jaw was pretty much on the floor the entire time. Without any further ado, let’s dive into its mastery, shall we?
A cliché setup done right
We have been here before a million times. A character stumbles into a scene to solve a mystery. Everyone is acting just the right amount of suspicion to make you wonder. Dicaprio’s Edward ‘Teddy’ travels to an extremely remote island where a woman goes missing from a psychiatric institution. He’s experiencing migraines and flashbacks to his murdered wife while receiving little to no help from the hospital staff.
Teddy soon suspects that the hospital is experimenting on patients which fuels his theories on what happened to the missing woman. Things take even more of a turn when his partner also disappears. Unsurprisingly, everyone insists Teddy came to the island alone. Feeling like he’s losing his mind, our protagonist finds out that this is exactly the case. He is a patient in the hospital and the entire investigation is an attempt to get him to understand the truth.
While the whole ‘it was all in your head’ trope has a bad rep for the fans of any genre, this film uses it masterfully. Watching it for the first time not knowing what to expect is obviously a shock and then watching it again, looking at all the clues that were the which you missed – that’s a treat on its own. After all, there’s nothing inherently wrong with using cliches if they are done the right way.
Things that go bump in our minds
A huge part of this movie’s storyline is Andrew’s inability to process the truth. The roots for it stretch far beyond the plot twist. Andrew is unable to acknowledge that his wife is mentally ill and believes that moving them to the countryside will fix everything. After she murders their children, he is further pushed into the world of delusion, convincing himself to be a hero because he couldn’t save his own family.
It’s interesting to note that in his delusion, Andrew is the one who set fire to their house. Is this a little sliver of his mind whispering the truth to him? Is it his subconscious villainizing himself out of contempt, searching for answers that are never going to come? Andrew’s psychiatrist pointed out that his moment of clarity has happened before, only to be undone quite quickly. Perhaps it was easier for Andrew to shut it off rather than live with the knowledge that he could’ve done something to prevent a terrible tragedy.
Shutter Island is a movie that provides both the entertainment value you would expect from a suspense thriller and a deeper layer of thought. Coated with a perfect atmosphere and amazing acting, it’s a piece that will definitely hold the test of time. (4.5 / 5)
Wheel of Time, Daughter of The Night
We’ve reached episode four of Wheel of Time, which means we’re halfway through the season. While it doesn’t seem like much has happened so far, this is the episode where things start heating up.
We begin this episode with a flashback. Ishamael is raising something dark and twisted. As we watch, it takes the shape of a woman.
More on that in a bit.
Meanwhile, Nynaeve is healing from her time in the arches. She is quiet and withdrawn. She’s also awkward and uncomfortable around Egwene now that she’s initiated and Egwene is not. Her new friendship with Elayne isn’t helping.
But the three girls come together when Liandrin tells Nynaeve that Perrin has been captured by the Seanchan.
However, Perrin is no longer in the clutches of the Seanchan. He was rescued by Elyas and a pack of beautiful wolves. Beautiful and deadly AF by the way. If you have any fear of dogs, this episode might not help that.
Elyas explains to Perrin that he is a Wolf Brother. This means that he can communicate with the wolves, and eventually will gain some of their abilities. While Perrin and Elyas don’t exactly get off on the right foot, he does find a fast friendship with one specific wolf. After a time, he introduces himself by showing Perrin an image of himself jumping up and down. From this, Perrin assumes his name is Hopper.
Finally, we return to Rand. He and Selene have been off in the mountains. They haven’t done much more than each other so far.
And that’s exactly what it appears they’re about to do when Moiraine bursts into the cottage and cuts Selene’s throat.
Rand is surprised and furious until Moiraine explains that the woman he knows as Selene is the Dark Friend Lanfear. With this shocking revelation, the two run off into the night.
It should be a surprise to no one that I loved the wolves in this episode. Hopper himself was worth an extra Cthulhu. But this is not just because dogs are cute. It’s also because the dog playing Hopper just does a great job.
On a more serious note, I loved how Nynaeve responded upon coming back to the real world. She isn’t okay.
And it’s a good thing that she isn’t. Too often in fiction we don’t see the fallout of emotional damage. Hell, we don’t usually see realistic fallout from physical damage.
But she is hurt by what she experienced. And you can tell. That’s realistic character building, and we don’t see that enough.
I also really appreciate the special effects in this episode. The first time we see Lanfear, she’s eerie. She’s frightening. Part of this is thanks to Natasha O’Keeffe, who does a great job. But the effects are what really sells this.
What didn’t work
If Wheel of Time has any fault, it’s that there is far too much sitting about and talking about things. In this case, there’s a lot of standing about and talking about things. Some of this was necessary, and some of it could have been done better. Honestly, there just has to be a better way to convey that characters are struggling.
This was most apparent with Rand and Selene/Lanfear. Honestly, anytime the two of them were on screen it was a great time for me to catch up on Instagram.
This might come as a surprise to anyone who hasn’t read the books, but Rand is supposed to be the main character. And here we are, four episodes into an eight-episode season, and so far all he’s done is mess about with his emo girlfriend!
That being said, the story is starting to pick up. With four episodes left, I can’t wait to see how far we go.
(3 / 5)
Elevator Game, a Film Review
Elevator Game (2023) is directed by Rebekah McKendry and is the first feature-length production of Fearworks.
Elevator Game (2023) is directed by Rebekah McKendry and is the first feature-length production of Fearworks. It adapts the supernatural myth and creepypasta of the same name while providing an original plot. This unrated Shudder exclusive stars Gino Anania, Samantha Halas, and Verity Marks. In full disclosure, I had the opportunity to interview Gino Anania and Stefan Brunner about the film.
Ryan seeks to find answers to his sister’s mysterious disappearance. To do this, he infiltrates a myth-busting web series that seems to have some ties to her final confirmed moments. Desperate to force a confrontation, he encourages them to play the elevator game. Unfortunately, there seems to be more truth to the myth than expected.
What I Like about Elevator Game & as an Adaptation
I am lucky to have additional insight into the development hell this movie overcame due to COVID. It’s commendable that the film manages to make it of that, even if it requires a lengthy delay of the film.
Usually, I provide a separate section for adaptation quality. However, the source material remains the ritual, which Elevator Game performs accurately. While the myth inspires many creepypastas, Elevator Game doesn’t directly take or adapt any of these works from what I’ve seen. Instead, it makes its own film based on the legend.
As the Fifth Floor Woman, Samantha Halas creates an eerie and disturbing character. While I won’t go so far as to say terrifying, she certainly makes an impression. The revelation that the stunts and performance are all her, as an actual contortionist, I give her more credit.
Gino Anania, given a more complex role than most of his cast members, really does bring a strong performance that creates either friction or synergy with his cast members. I suppose I wanted more of these interactions as some cut sooner than appreciated.
Another amusing element is that the entire motivation for the plot to follow is a forced advertisement from an investor. Something about the chaos being a product of appeasing some investors feels uncomfortably real.
The alternate reality remains surprisingly effective. To be clear, it’s not impressively realistic but stylistic. It genuinely seems like an alternate world with a skewered impression.
Tired Tropes or Trigger Warning
I feel weird mentioning this, but endangering a sister’s life to push the brother’s story forward seems a common trend beyond one form of media.
No discredit to the actors, but the romance feels rushed and unnecessary. Without going into too much detail, to avoid spoilers, there is synergy between the actors but little chemistry in the plot.
What I Dislike or Considerations
Elevator Game remains set in providing a B-movie experience. Its tight budget leaves little room to surprise the viewer visually. While I am surprised at what it accomplishes, it’s far from overwhelming. This film also remains the first production of Fearworks, which shouldn’t surprise anyone. I’m interested in the future, but Elevator Game leaves much to grow from.
Rebekah McKendry may have a directorial style that influences dialogue, but the line delivery evokes an overexpression that’s common in Lovecraftian films. I say this not as a direct negative, but it remains a required taste best known before viewing. As this isn’t Lovecraftian, I fear it removes some of the reality and tension of those haunting elements.
Many of the characters feel underdeveloped, making me wonder if cutting these roles might lead to more invested characters. While the performances hit their marks, a tighter cast might give each role more to work toward. As this is a tight cast already, it seems an odd issue to rectify.
Elevator Game provides an interesting B-movie experience for those who know the legend. For those expecting something different, this film may not work for you. This film overcame a lot to exist but doesn’t break the mold. While I am excited to see Fearworks pursue further ventures toward its ambitious mission statement, I find Elevator Game falling short of its goal.
(2 / 5)