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I am a sucker for a zombie film, especially given the current boom of non-white zombie stories in recent years. Train to Busan and Seoul Station were excellent zombie films that delivered distinctly Korean perspectives on the undead, while the Shudder original The Dead Lands created a distinct Maori period piece revolving around the undead. Now with Blood Quantum, we are presented with a zombie film rooted firmly in the experiences and perspective of the First People of Canada.

Blood Quantum is a Canadian production under Prospector Films, written and directed by Jeff Barnaby (Rhymes for Young Ghouls). The film stars a primarily indigenous cast including Michael Greyeyes, Elle-Máijá Tailfeathers, Forrest Goodluck, and Kiowa Gordon. Blood Quantum is currently streaming on Shudder.

What Worked With Blood Quantum?

Three generations of one family in a single frame.

The film has a Romeroesque quality to it in how it explores the ways zombies exacerbate existing divisions in communities. The town of Red Crow, of the Mi’gMaq reserve on the border of Quebec and New Brunswick, experiences the first moments of the rise of the dead in a few haunting scenes that establish the characters and setting of 1981 Canada. The film introduces the apocalypse and then jumps forward six months later with a revelation: whatever is causing the dead to rise doesn’t affect the First People. That’s going to have repercussions among the white and indigenous communities. The film is not so much about the zombies, but this is expected when something is in the vein of Romero.

Instead, the film is an exploration of some complex indigenous characters set against the backdrop of a horrific pandemic and the pressures it exerts on a people who have already greatly suffered at the hands of the white man. Only now the white man is just a deadly even in death. It’s all very interesting material that is wrapped up in some fun zombie deaths here and there. The film’s anticolonial commentary is quite obvious but none-the-less interesting; white people enter the lands of the First People, only this time the disease they bring does not affect the First People as prior pandemics. Hell, even the title of the film evokes racist blood quantum laws: measures used to determine native identity by percentages of ancestry.

The performances are solid across the board with Michael Greyeyes and Stonehorse Lone Goeman portraying two of three generations of the central indigenous family. Goeman’s Gisigu in particular delivers a rather iconic character, evoking a stoic samurai in his approach to dispatching the undead and his general wisdom and selflessness. Greyeyes’s Tralyor evokes the sort of authority one expects of a Rick Grimes character, but with an even more weary outlook given his and his people’s circumstances even prior to the outbreak.

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Lysol’s apocalypse look is like a post-apocalyptic Casey Jones from the Teenage Mutant Ninja Turtles.

As far as the gore, it is well executed but with some clunky CGI in some scenes. CGI is not unusual for zombie films, but the dodgy CGI comes early on with a shocking fish scene, ultimately undercut by the execution. Some distance shots of zombies movie with a level of “jank” more associated with low-framerate animation in some videogames as well. Overall though, these small moments do not get in the way with the amount of blood and gore necessary for a zombie film.

What Didn’t Work With Blood Quantum?

While solid overall, the film tries to accomplish a lot and unfortunately does not stick the landing with a few of its narrative points. The split between the first days of the virus and six months later is novel, but it doesn’t exactly provide viewers with enough time to really get to know the characters. The cast is very large, and while a large cast is not a problem, it becomes a bit tough to juggle different plotlines and motivations without enough time to really focus on the characters.

The animated segments are interesting and reflect dream logic and legend but feel out of place.

The central relationship between the brothers is one of those elements that feels a bit lacking. The pain that Lysol faces and leads to his actions is readily apparent, which is a credit to the performance, and we very briefly get a tease of the systemic abuse he faces when he talks to Joseph about why he was in jail during the first stage of the outbreak. It is equally hilarious and heartbreaking and represents a broken system. If only the rest of the characters were given these moments. Joseph, in comparison, is little more than a spark for conflict compared to his troubled brother, even with his relationship with his pregnant white girlfriend.

Ultimately, there is just too much story, both on the character level and the macro-level to cover sufficiently in a relatively lean hour and a half runtime. Stylistic elements, such as the few animated features hint at something larger but ultimately do not amount to much in the film as it stands. With any luck, the film proves successful enough for a sequel or, perhaps more appropriate, a television series. It is a fascinating world that we get glimpses of in the film and deserves to be explored further.

Final Verdict

As a whole, Blood Quantum is an excellent twist on the zombie genre and dense with meaning and allusion. The film is a well-executed statement on the legacy colonialism and feels remarkably relevant to our current pandemic climate. However, issues with pacing, a large cast, and perhaps too much story spread too thin drag it down a bit. 4 out of 5 stars (4 / 5)

For more coverage of zombie films, check out other reviews under the Zombie tag.

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David Davis is a writer, cartoonist, and educator in Southern California with an M.A. in literature and writing studies.

Movies n TV

Dexter Original Sin, Miami Vice serves justice and alligators

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Episode of Dexter, Original Sin felt very much like an episode of the original series. And I mean that in the best way possible.

The story

This episode picks up where the last one left off. Dexter is coming down from his post kill high, and looking for another victim. He finds one in Tony Ferrer, a violent loan shark who murdered an innocent woman over a loan taken out by her son.

While Dexter does his due diligence, Deb deals with high school girl problems. She wants to be the captain of her volleyball team. But as with most things in high school, this is a popularity contest. To get a leg up on her opponent, she tells the team that she can score cocaine for a movie night at her house. Dexter agrees to help her if she can get Nurse Mary’s earrings back from her friend Sophia. He makes homemade cocaine with a recipe I’ll not be listing here.

Patrick Gibson and Molly Brown in Dexter Original Sin.

Don’t do this, kids. This is how teens (and people in their twenties) die.

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The episode finishes with Dexter catching his prey, first menacing the loan shark with jai alai balls. These balls move so fast that Dexter manages to cut Ferrer’s cheek in a way that will be very familiar to long-time viewers.

What is not familiar is Dexter’s means of body disposal. While I was thrilled to see Ferrer fed to the alligators (they are big swamp puppies and deserve a good meal) they don’t always eat a whole body. And part of Ferrer remains, floating to the surface. So that’s two kills so far, and two obvious pieces of evidence left behind.

What worked

This episode shone because of the attention to detail. For instance, when Masuka makes Dex a fake ID, he could have put any name there. He could have put Joseph Smith or Jack Torrance. Instead, he picks the name Patrick Bateman. Of course, this is the main character of the astounding novel American Psycho. But they also chose a famous psycho who just happens to have the same first name as our actor. It’s just that extra level of thought that makes it so much richer.

I also love, but also hate, that Deb’s friend Sophia has a crush on Dexter. She seems like a good young woman, a loyal friend to Deb, and just a kid with her head on straight. And, well, we know what happens to women who get involved with Dexter. RIP, Rita. I hate to say it, but I don’t predict that Sophia will survive the series. And that anticipation makes every scene with her in it more tense.

We were also introduced to one of the original series characters that had been missing, Maria LaGuerta.

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LaGuerta was a mixed bag for me in Dexter. She was certainly using her position of power to sexually harass Dexter and abuse Deb. She also seemed more concerned with climbing the political ladder than actually helping people.

I actually loved LaGuerta’s story arc through the series, because we saw her go from this selfish, politically motivated person to someone who legitimately puts herself in harm’s way to protect people. She goes from being Deb’s personal antagonist to her pseudo-mentor. So, I am thrilled with the way she’s being portrayed in Original Sin.

Christina Milian and James Martinez in Dexter Original Sin.

Yes, LaGuerta is more than willing to jump in front of a camera and run her mouth if it’ll help her get something she wants. But what she wants is for people to actually care about victims who don’t happen to be white. What she wants is to be in a position of power so she can start changing things for the better.

Which is fantastic! I can’t wait to see what she does.

Finally, I want to shine some well-deserved light on Patrick Gibson. He must have watched every episode of Dexter as many times as I have because he has Michael C. Hall’s physical mannerisms down pat. The way he moves is so similar, it’s uncanny. And that is a wonderful touch that I cannot help but admire.

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What didn’t work

The only thing I didn’t enjoy about this episode was small. In the middle of the episode, Dexter is making dinner for his family. And it’s an almost shot-for-shot rendition of the original intro.

Now, this sort of thing was clever at first. But we’re three episodes in. We can knock it off now.

So far, Dexter Original Sin has been a lot of fun. This episode exemplified why Dexter is so well-loved. A bad person suffers the consequences of his terrible actions.

And I think that’s beautiful.

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4 out of 5 stars (4 / 5)

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Dexter Original Sin Gets Darker with Kid In A Candy Store

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Episode two of Dexter, Original Sin, was just as wonderful as the first. As a long-time Dexter fan, I find it added so much to the background of the story. And if you’re a new fan, I promise you won’t feel left behind.

The story

At the start of our episode, Dexter is learning the ropes of his new internship at Miami Metro. He’s getting a little hazing but is learning how to fit in.

Sarah Michelle Gellar and Patrick Gibson in Dexter Original Sin.

Especially when he starts digging into the old files and finding new playmates for his Dark Passenger.

Meanwhile, Deb is struggling. She feels underappreciated and ignored at home. So, she decides to steal some jewelry from around the house for some quick spending money. Having little in the house in the way of jewelry, she happens upon a pair of earrings in Dexter’s room.

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Nurse Mary’s earrings, to be specific.

And finally, in what will probably be the storyline for the series, a little boy is kidnapped. While he looks like a victim from the first episode of Dexter, or at least dressed in the same school uniforms, we soon find out that he’s the son of a judge. And his kidnapping might have something to do with the death of Dexter’s biological mother.

What worked

I’ve often complained about slow episodes in a TV season or mini-series. The episodes that just don’t have anything going for them. The episodes that are needed to set up the story, but otherwise are kind of dull.

This is an example of that sort of episode done well. It is true that there were no murders in this episode. There was only one dead body, and it was already dead when we got there.

But that didn’t mean the episode was uninteresting. There was character development. There was comedy. And most importantly, it had a storyline that had a satisfying conclusion. Specifically, Deb stealing Dexter’s trophy earrings and trying to sell them.

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Patrick Gibson, Molly Brown and Christian Slater in Dexter Original Sin.

This little storyline worked on so many levels. One, it heightens tension because we know those earrings can lead the police to Dexter for the murder of Nurse Mary. Two, it shows how frustrated Deb is with her life and how far she will go to have a little fun. Three, it shows how far she won’t go when she refuses to sell her mother’s pearls. And four, it gives us a satisfying beginning, middle, and end of a story while we’re doing the necessary work of laying a foundation for the rest of the series. This was a masterclass in subplots.

I also want to point out that, so far, this series works by itself as much as it works as a prequel. I would watch Dexter Original Sin if I’d never heard the name Dexter Morgan before. And while it certainly benefits from its predecessors, it isn’t only relying on that.

What didn’t work

All that being said, I’m afraid there is still one glaring issue with this series. I hate Gellar’s character.

Yes, I am biased. But hear me out.

Tanya is supposed to be Dexter’s mentor. She got him the job as a paid intern. It would stand to reason that she did that because she wanted to take him under her wing. And yes, I am aware that a certain kind of teacher likes to knock their students down a peg or two. But she seems more interested in proving what a Strong Female she is to this college student than actually teaching him.

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And frankly, this is some of the most sexist stuff I’ve ever seen on Dexter. This show has a long history of being pretty good about gender relations. It passes the Bechdel test. All of the female characters have flaws, strengths, and personalities. It’s almost like they’re, gasp, real people. None of them have been the girl hero with no personality other than being the Strong Female until Tanya was introduced. And given how similar she is to Buffy, and how unlike the rest of the cast this character is, I sense some meddling from Gellar herself.

Do better.

I am so pumped for the rest of this mini series. It is clear that everyone working on this series, except Gellar, are huge fans of the original show. Everyone is going a great job, the story is great, and I cannot wait to see what happens next.

4 out of 5 stars (4 / 5)

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Heretic: ‘It’s a simple choice that should not be made simply: Belief or Disbelief?’

‘It’s a simple choice that should not be made simply: Belief or Disbelief?’

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A24‘s chilling religious horror film, Heretic, arrived in theatres this November, forcing viewers to confront the unsettling line between faith and doubt. Directed by Scott Beck and Bryan Woods, this edge-of-your-seat thriller will leave audiences deeply disturbed as Sister Barnes (Sophie Thatcher) and Sister Paxton (Chloe East) pass over the threshold of Mr. Reed’s (Hugh Grant) home where they undergo a terrifying experience that shatters their beliefs.

The Plot.

Sister Barnes and Sister Paxton are Mormon missionaries for The Church of Jesus Christ of Latter-day Saints. As the opening scenes roll they are visiting houses in an unnamed, rural Colorado town. These houses are from a list of people who have shown interest in joining the church. After being rejected and ignored several times, they arrive at the door on Mr. Reed, a pleasant gentleman who invites them in the discuss the church, promising his wife is home in the kitchen to put the Sister’s minds at ease.

Welcoming the women to sit in his living room, Mr. Reed initiates what amounts to be an awkward conversation, questioning the faith of the missionaries. Sensing that something is amiss, with Mr. Reed’s wife still not coming to meet them and a storm brewing outside, the women decide it is time to leave. Sneaking to the front door when Mr. Reed leaves the room they find the front door locked, and the only way out is to go deeper into the strange house.

Highlights.

I have never really understood the appeal of Hugh Grant. I found him lackluster in Love Actually and just plain annoying in Bridget Jones’s Diary. After watching Heretic though I think the problem is that his career focus has been on the wrong genre. Hugh Grant is terrifying, but not in the conventional sense, in the creepy religious uncle that you only see on Boxing Day sense. It might be in the jerky way Mr. Reed walks, or the near-whispered dialogue throughout the movie. Also, whoever put Mr. Reed in those glasses is a genius, they give chilling Jeffrey Dahmer vibes.

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I must also note the intense monologues that Hugh Grant delivers in Heretic. It is hard to take your eyes off him. The ideas and theories that are presented are not unknown and rather convincing. I was surprised to find myself nodding in agreement with an obviously deranged and hostile character.

Drawbacks.

It is hard to explain the main drawback of this movie without spoiling the ending, but let me try. The explanation and big reveal at the end of Heretic was a bit… on the nose. I just couldn’t hitch myself to that wagon. I understand what the writer was trying to say. That there are people who have such strong faith that they are willing to give up their lives to prove the belief true. It is the way this is presented in the plot however… I didn’t like it and wonder if there might have been another way to present this idea.

The Final Take.

Ahh, how I loved this movie. Never mind National Lampoon’s Christmas Vacation, Krampus or Die Hard, Heretic is my new favorite Christmas film. There is nothing more to be said.

5 out of 5 stars (5 / 5)

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