HMTL Original Series: The Dead Life – #19
Day 17
Edgar cranked down the window, not all the way, but enough that he could fit his Glock and heavy hand outside. The two ghouls that had crept out from behind the building moved toward Dani and Jimmy. Edgar tapped the horn lightly, warning the pair.
Jimmy glanced backward, puzzled. Dani pointed toward her left and Jimmy turned to see the two undead wobbling down the sidewalk and nearly collapsing off the curb.
The ghouls seemed to regain their footing and continued their march. Edgar honked again and the rotting chasers turned their attention to the Cadillac.
They stumbled toward the driver’s side door with lurching, clumsy steps.
Jimmy wasn’t sure what the best course of action was. Their group was more than halfway to home by now, but they were trailing walking corpses and one pair arrived a little too close for comfort. Edgar has been riding slowly enough to keep the horde as a whole in check, but the other two made him wary.
Dani picked up her pace and Jimmy followed suit. The sound of a gunshot ripped through the air.
Jimmy whirled around to see Edgar had fired at one of the ghouls. A chorus of wild groaning followed from the trail behind the car.
Dani had turned back just as Edgar had taken aim and fired at the other attacker at the passenger side.
“What the fuck, where did he get the gun?” she asked.
Jimmy said nothing. What could he say? Edgar had kept his gun hidden on him since they’d arrived at the U-Stor-It. Jimmy had said nothing.
He snapped at Danielle, grabbing her attention. “Doesn’t matter right now, we’re almost there.”
Dani glanced between Jimmy and the Cadillac. She furrowed her brow. “A fucking secret GUN?”
Jimmy grunted and turned his attention back to his cart. This would complicate their stay.
“Hey, we’ll have Ed lead them away for a bit and come back around, alright, when we get to the gate?”
Jimmy had hoped he wasn’t too obvious in giving himself time to smooth things over.
Dani cast a harsh glance and shrugged as she put her focus into the shopping cart. “Sounds like a plan.”
Jimmy slowed down, slightly, just getting in range ahead of the front bumper of the car. “Ed, when we get to the gate we’ll get Mary out – can you lead them away in the car and come back around?”
Edgar honked.
Jimmy jogged back toward Dani’s position pushing the cart along. The plan would need to work for now.
They were almost on the street where they would need to make a turn. Dani and Jimmy began shifting their carts to the left and Edgar slowed the Cadillac down a bit to give them room. Hungry corpses continued to moan and stumble after them.
The whirr of the siren ripped through the air again, and Jimmy and Dani stared down the cross street on the right. The car was fast enough that trying to cross the street now would be dangerous. All they could do is helplessly watch the police cruiser approach their position with a trail of shambling, human shapes in its wake.
The Dead Life is a Haunted MTL original fiction series.
Those religious icons really get around. This time it’s a journey to visit the Deep Ones. And Dracula’s Castle. Because everyone has to be a tourist now and then, and what’s the point if you don’t pick up a souvenir or two?
This was a gift for a friend for their sea life monster theme bathroom. It started as one of those old school wood plaques where the picture is waxed on. And the eyes were originally that creepy – all I did was add the tentacles. So don’t blame the overall weirdness on me, it wasn’t all my doing.
Oh, and apparently Mary wanted in on the action, so she’s gone to Dracula’s Castle for a bite. She even brought back her own religious icons souvenirs…
So this one isn’t as old, nor is it real wood. But it still totally goes with Mary’s journey. And it’s also a little blacklight reactive with the flowers.
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.
This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.
With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…
So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?
I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.
OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it. The other is trying to contact them beyond the veil…
Beyond the Veil Setting:
Two women reach out to one another individually in a séance setting.
One sits on one side of a dining table. The other sits at the other side. Each studies a candle just beyond her reach; there is darkness between the two candles. The long table is barely hinted at in the interstice between the two but it is clearly present.
The camera is stationary showing both in profile staring through each other.
The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen. All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.
Both women are spliced into the same scene. They are together but apart. The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present). It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.
Script:
I. Black, audio only.
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
There was smoke everywhere.
My sister didn’t make it.
II. Fade in to the long table with two lit candles; flames flickering.
Two women are just sitting at either end.
They stare blankly through each other.
Call and Response
Edith: Now I’m trying to contact her…
Edna: …beyond the veil.
Simultaneous:
Edith: Edna, do you hear me?
Edna: Edith, do you hear me?
Together (In Unison):
If you hear me, knock three times.
Narrator:
Knock.
Knock.
Knock.
Call and Response:
Edith: I miss you terribly.
Edna: I miss you so much.
Edith: Do you remember…
Edna: … the car crash?
Edith: We rolled…
Edna: … over the median.
Edith: There was fire.
Edna: There was smoke.
Edith: I could hear the sirens.
Edna: They were coming…
Edith: … to rescue us.
Edna: But they were so far away.
Edith: So far…
Edna: … away….
Simultaneous:
Edith: Are you okay?
Edna: Are you hurt?
Together (In Unison):
Knock three times for yes. Knock once for no.
Narrator:
Knock
– pause –
Knock
– pause –
Together (Syncopated):
What’s it like, on the other side?
– long pause –
Simultaneous:
Edith: I miss you, Edna.
Edna: I miss you, Edith.
Together (Syncopated):
It’s so lonely here.
Call and Response:
Edith: There’s no one here.
Edna: I’m all alone.
Edith: Without you…
Edna: …the spark of life…
Edith: …is gone…
Edna: … so far away.
– pause –
Together (Entirely Out of Sync):
It’s so dark.
III. Fade out to black
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
There was smoke everywhere.
I didn’t make it.
I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
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