Buffy the Vampire Slayer S1E7 “Angel”
AKA: I can be your Angel… or I can be your devil
The Rule of Three
We begin not with Angel, but with the underground crew. The Anointed One, aka Colin, is throwing stones into a puddle as The Master recounts how many vampires (“his family”) The Slayer has killed. Darla volunteers to solve this problem, while Colin simply suggests annihilation. The Master decides to go with The Three. He sure likes referring to folks with a “the.”
Meanwhile, the Scoobies are at something horrifyingly referred to as The Bronze’s Fumigation Party. It’s one last hurrah before it shuts down temporarily for some much-needed cockroach decimation. Buffy is upset about her singleness. She claims not to be bothered by this most of the time, but I feel like we just covered this concern a couple episodes ago. After Willow expresses similar dreariness and Xander has a verbal sparring with Cordelia, Buffy’s decided she has caused enough melancholy in her friend group and heads home.
On her way home, she senses she’s being followed. Indeed she is – by three vampires. Perhaps The Three? We won’t know for at least a few minutes, because it’s off to the theme song.
Slumber Party
Angel appears and starts throwing punches after attempting a quip about good dogs. Perhaps projection of his desire to be a good boy himself? They run to Buffy’s house and she lets him in to take cover. He reminds her and the audience of that wonderful vampire lore: they cannot come in without being invited.
She has him take off his shirt so she can tend to his wounds and oggle his tattoo (among other things). Unfortunately Joyce comes in at that moment, and Buffy does everything in her power to keep her from seeing the hunky half naked man in the kitchen. She tells her mom they bumped into each other on the street; she apparently invited him in because he’s her tutor.
Once Joyce goes to bed Buffy pretends to let Angel out the front door while actually sneaking him to her room. Keep the eyebrow waggling to yourself, because they work out some very chaste sleeping arrangements, and Angel even turns away while Buffy changes – without peeking at her in the mirror, Xander. They chat a bit, mostly about Buffy’s chosen one status and Angel’s dead family. Ah, the meet-cute.
The next day, Xander is incensed at the recounting of the sleepover while Willow is enchanted. Giles steers everyone back on track to the topic of The Three, who were indeed the three vampires hunting Buffy (and, incidentally, Angel). Giles assures them that they will be offering their lives in penance for their failure.
Fight or Flight
We see The Master lecturing The Anointed One about the seriousness of taking a life. Colin asks if they will be spared, which Darla answers with a resounding, dusty “no.”
Buffy and Giles are in weapons training. She wants to play with the crossbow but her Watcher insists on working with the basics first. She knocks him down down to the ground rather swiftly, which he deems as rounds to move on up to the crossbow. Not that Buffy isn’t a proficient fighter or anything, but knocking Giles down is a pretty low bar, even as early as episode seven.
That night Buffy brings Angel some food and erroneously accuses him of reading her diary/Buffy-Angel fanfic. Angel says he can’t be around her because he wants to kiss her when they’re together. This is bad, because he’s older than her. When she asks how much older he responds by… kissing her. It’s a totally adorable and heartwarming smoochfest, until Angel gets a nasty case of vamp-face and jumps out the window.
Buffy recounts the incident the next day, asking if a vampire can ever be a good person. Giles reminds her – and us – that a vampire is not a person at all, just a demon. Xander admonishes her for being in love with a vampire just as Cordelia walks by, but she is too distracted about another girl wearing the same dress as her to hear Xander’s urging to slay Angel.
Time to stop living in the past
Angel enters a crypt to find Darla. They apparently go way back. She is not amused by his human-like antics or recent Slayer entanglement. He melodramatically points out that he may not be human, but he isn’t exactly vampire anymore either.
It’s research time in the library, and Giles is actually reading some diaries – Watcher diaries to be exact. Angelus was turned in Ireland roughly 240 years ago. He wreaked havoc in Europe before arriving in America nearly 80 years ago. Suddenly he was no longer killing.
Darla proposes to The Master that she convince Angel to kill Buffy and bring him back into the fold. She figures if it’s a life-or-death situation he will do what it takes to protect himself. The Master says he loves his happy family and how they work together.
In the library, Willow is tutoring Buffy. But Buffy is more interested in talking about Angel (which gives Willow the opportunity to talk about Xander). Willow is too nervous to talk to Xander about her crush, and Buffy is determined to avoid picturing anything with Angel.
Darla, meanwhile, has arrived at the Summers household. She tells Joyce that she is helping Buffy study the War of Independence after Willow helps her with the Civil War. Joyce fully believes her daughter needs three tutors amd invites her in to wait. She offers her a snack, but probably doesn’t have the same thing in mind as Darla.
Bloodlust
Luckily, Angel is walking by the Simmerd house and hears the scream. He bursts in to see a passed out Joyce. Darla has only had a taste and encourages Angel to finish her up. Unluckily, Buffy walks in on a vamped-out Angel holding her bleeding and unconscious mother.
Buffy throws him out through a window and threatens to kill him if he comes near them again. She then calls an ambulance, saying her mom cut herself and lost a lot of blood.
Xander, Willow, and Giles are in Joyce’s room, the latter much to the confusion of our patient (“The teachers at the school really do care!”). The official story is she slipped and stabbed herself with a barbecue fork while making Buffy’s “friend” a snack.
Buffy blames herself for inviting Angel into her home. She is mad that emotion trumped reason, so she prepares to retaliate… with death. Giles says he is powerful and will require more than a stake. Enter Chekov’s crossbow.
Darla is in Angel’s face egging him on. She reiterates how much he must be missing his vampire bloodlust. He breaks down and says he just wants this finished.
Giles and Joyce have a heart-to-heart about Buffy. Joyce is concerned that Buffy is studying with Willow and Darla and still struggling with history. Giles clocks the name and bids adieu.
Hot and Cold
Buffy shows up to her showdown with Angel. He snarls that he’s just an animal, to which Buffy replies that no, she actually likes animals. He goads her on while she asks why he would attack her this way. This is where he details his trail of death over the years. It only stopped after he killed a young Romani girl. The elders of her group restored his soul as punishment. Vampires don’t typically have a soul, and therefore have no conscience. To have his soul restored meant remorse and guilt for every heinous act he had committed. This is where he finally reveals he was not the one who attacked Joyce.
Darla appears. She is upset that Angel has chosen not to come home to the family – especially as his sire and former lover. She pulls out a couple of handguns and starts shooting. The first shot hits Angel (who cannot be killed by bullet, just wounded) and starts in on Buffy. Giles, Willow, and Xander appear and attempt to help. After Buffy’s shot woth the crossbow misses Darla’s heart, Angel sneaks up and stakes her. She has just enough time to see it was him before she turns to dust.
The Master is screaming and breaking things. Darla was his favorite, and Angelus was meant to be his right-hand man. Colin promises to bring him the Slayer and says to forget Darla and Angelus.
The Bronze has a Post-Fumigation Party, too, apparently. Angel appears, and he and Buffy agree they would be an ill-fated couple. That didn’t stop them before, and it sure isn’t stopping them this time: it’s time to return to smoochfest.
What did we think?
“Half the episode is providing background on an old dude accompanied by his romance with a high schooler, the other half is bring your kid to work day.” – Trav’s one sentence review of this episode.
I am coming to this episode as a long-time fan of the show. However, I also come to this episode as a new audience member of the spinoff series Angel. I will fully own up to the fact that this biases me, because in the past I found Angel to be a tedious character. Now I fully get it. 
(4.5 / 5)
Where to find “Angel” (sponsored links!)
Episode four of Amazon’s Fallout wasn’t the best-liked. Of course, that’s relative to the rest of the season. While this is the second-to-last-ranked episode, it’s still an 8.1 on IMDB.
So let’s talk about why it might have slipped a bit but was still a great episode of TV.
The story
Let’s start our discussion of this episode with Maximus.
After he and Thaddeus successfully retrieved the head from the Gulper, they’re in high spirits. Together they celebrate around a fire, giving a lovely impression of two people who have been drinking despite not seeing a bottle in sight. Thaddeus even convinces Maximus to brand him.
While having a good time, Maximus’s consciousness gets the better of him. He admits to Thaddeus that he’s not Knight Titus, but he is Thaddeus’s old punching bag.
Rather than responding to this act of honesty with an equal measure of grace and brotherhood, Thaddeus immediately disables Maximus’s suit, taking the power source and the head. He then leaves Maximus trapped in the suit that he wanted so much, doomed to die in it.
Lucy isn’t in a much better place. If you’ll recall, last episode she drank radiated water out of desperate thirst. She’s now suffering from radiation poisoning. Fortunately, before she succumbs to this poison, she finds Maximus. He has the medicine she needs, and she can free him from his suit before he’s eaten by giant cockroaches. It seems like a win/win. If that is, the two of them can trust each other. And haven’t they both learned that trusting other people might be the most dangerous thing in this very dangerous world?
What worked
The first thing I want to draw attention to is the relationship between Lucy and Maximus. A lot has happened since the last time the two saw each other when there were some sparks but no time to do anything about them. Both have been betrayed and hurt. So while they’re instinct is clearly to trust each other, it’s also to be cautious. And that makes sense. They are both good people, driven by the desire to help others. But both are cautious of being hurt again.
This was not only relatable, but it gave a much different feel to a standard will they/won’t they relationship. Will they be able to trust each other enough to let their feelings out is the real question. Which is a lot more interesting, in my opinion.
I also found the giant, mutated bugs to be fantastic. They were the perfect blend of cute and terrifying. At first glance, they seem like a larger version of Hal from Wall-E. Then, you realize how few of them it would take to eat someone trapped in place. And how little time it might take.
And how long it might feel like while it’s happening.
We don’t need to see that happen to feel the terror there. And to feel some concern about the tiny pests that sometimes share our homes.
Of course, the highlight of this episode was the political intrigue surrounding Vault 33, and how its leaders always seem to be from Vault 31. This storyline is quickly becoming my favorite part of the season. It’s a dark and creepy mystery, which is always fantastic. But it’s also fascinating to see the character of Norm blossoming into someone whose life has meaning. Because at the start of the season, he was lacking that.
All in all, while this was a slower episode it was still a good one. And its ending certainly left me excited for what was to come.
(4 / 5)
If you like my work, you can check out my latest science fiction/horror novel, Nova, launching on May 17th. Pre-orders are available now on Amazon.
Movies n TV
Bodies Bodies Bodies (2022), a Film Review
Bodies Bodies Bodies (2022) is a horror comedy directed by Halina Reijn. This R-rated horror film stars Amandla Stenberg and Maria Bakalova.
Bodies Bodies Bodies (2022) is a horror comedy directed by Halina Reijn. This R-rated horror film stars Amandla Stenberg, Maria Bakalova, Myha’la, Rachel Sennott, Chase Sui Wonders, Pete Davidson, Lee Pace, and Conner O’Malley. The film is currently available on fuboTV, Netflix, Hoopla, and Showtime.
Sophie (Amandla Stenberg) brings her girlfriend (Maria Bakalova as Bee) to her friend’s hurricane party. Lasting resentment and toxic relationships infest the group, leaving Bee to witness increasingly uncomfortable situations. Soon after, bodies start dropping.
What I Like about Bodies
The chemistry between these toxic friends gives me anxiety. If toxic friendships aren’t a universal experience, toxic traits certainly make themselves apparent in any friend group, and this film maximizes this experience. It’s not revolutionary, but effective and uncomfortable.
Several subtle clues hint at the relationships of these friends, building up as the story progresses and chaos ensues. I love these moments, though the film doesn’t seem confident that the viewer picks up these clues. This decision hinders execution, an unfortunate point for later.
While the performances are strong throughout, Amandla Stenberg and Maria Bakalova remain the main characters and receive the most opportunities to perform. However, almost every character has a moment, or several, and lives up to those moments once given.
The twist seems obvious, but that doesn’t hinder the viewing experience. While not the biggest fan of the execution, I enjoy the spiraling chaos it creates.
The opening scene shows the two leads making out for viewer engagement. However, I think the contract toward the end gives this scene added context and plot relevance beyond simply sex appeal. While it is unavoidable that so well, many films will go no further. So, added relevance deserves a nod.
Far from the bloodiest film out there, but it doesn’t hesitate to bleed its cast. It uses this blood and limited gore to add weight to the deaths as opposed to haunting or nauseating its audience.
Tropes, Triggers, and Considerations
As previously hinted, toxic relationships remain key points in the plot. Falling in line with this are points of spousal abuse (physically and mentally) that should remain a consideration.
Idiocy to push the plot along certainly plays a role in the plot. In this case, I consider it a feature. However, it’s still a required taste for viewer consideration.
Addiction and recovery drive several characters. I’ll avoid pointing to them so as not to give away plot details. However, usage and relapse deserve a mention in this section.
If any of these are deal breakers, give this film a skip.
What I Dislike, or Food for Thought, about Bodies
Bodies shifts between a mindless and clever horror comedy, never comfortably sticking to one or the other. It pulls off elements of both with expertise, but the tugging and pulling of these different elements limits the execution of either. Because of the above friction, Halina Reijin gives us all the clues to piece everything together and still tells us. Pick an audience and trust them.
As a horror comedy, this film leans on the humor over the horror. The unraveling of characters certainly earns respect but expect a comedy for a better experience. It’s not a particularly scary film, and it doesn’t try to occupy that space.
Final Thoughts
Bodies Bodies Bodies spirals into a chaotic horror comedy, banking on the toxic chemistry of its cast to deliver both. The film never makes a strong stance in either claiming a mindless or clever horror comedy, shifting between both at the expense of the whole. It remains a bumpy but engaging viewing experience, nonetheless.
(3 / 5)
Episode four of Amazon Prime’s Fallout was a great one for character development. It was also great because one of my personal favorite actors was involved.
Let’s discuss.
The story
This episode’s story revolved largely around Lucy and The Ghoul. He’s still dragging her about on a rope, but we aren’t sure why. While she can track the Head, she certainly hasn’t shared that information with the Ghoul.
What he wants her for soon becomes clear, when he barters her for vials of the medication that keeps him from losing himself to the ghoul illness.
At first, Lucy thinks this is a step up. She’s taken by a robot surgeon named Snip Snip to get a new thumb. Since, you know, The Ghoul shot her thumb off.
However, after stitching a new thumb on, Snip Snip takes her to his masters. Who then say they want him to cut her up for her organs.
Lucy manages to escape and even frees the other people trapped by these organ brokers. In doing so, she comes into the possession of many, many of those vials that The Ghoul needs so desperately.
Meanwhile, Norm is starting to suspect that all is not what it should be in Vault 33. While the rest of the vault is preparing to elect a new overseer, he takes Chet and sneaks off to Vault 32. There, they find some horrific sights. Long dead bodies, next to messages scrawled in blood. There are especially bodies around the door that leads to Vault 31, where someone has written We Know What’s in There on the wall.
Of course, we don’t know what’s in there. But I’m sure we’re going to find out.
Norm continues to dig, checking for information on the old Overseer’s computer. And he finds that the door to Vault 32 was opened by a Pip-Boy. To be specific, it was a Pip-Boy owned by Norm and Lucy’s mother.
I’m sure that won’t be relevant later.
What worked
The more I see of this season, the more I like Lucy. She is growing and evolving as a person, just like Wilzig told her she would have to do. She is becoming harder. But her kindness and values haven’t changed yet. She is still a good person. I love that.
I also love the dark, creepy storyline with Norm. I love how serious he is, especially when compared to the rest of his community. I especially love that, even as emotionally disturbed he is by what he’s learning, he seems passionate. And from what we’ve seen of this character, this is possibly the first thing he’s felt passionate about his entire life. I am impressed with the writing and acting that have allowed us to see his lack of passion with minimal focus. He is a fun, well-written character.
Finally, I’d like to shine the spotlight on Matt Berry. He is a delightful actor known for What We Do in the Shadows and IT Crowd. And he is playing the remarkably funny role of Snip Snip, the robot surgeon. His voice lends an extra level of humor to an already funny premise. This was another example of the great casting we’ve seen so far on Fallout.
In the end, this was a great episode from all points. It was fun, heartfelt, and dark. In short, I have no notes. I’m only excited to see what happens in the next episode.
(4 / 5)
