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“Skeletons in the Closet” by Jennifer Weigel

It started in March.  That was the beginning of the collapse.  The effects supposedly hadn’t made it here yet.  Online there were bats and rats and pangolins and other fantastical creatures haunting Wuhan’s inhabitants because of open air markets and various nonsensical cultural misunderstandings cast straight out of a Dr. Seuss story warning against the dangers of eating them with a fox or in a box or with some lox or something to that effect…  Online people were shuttering their houses…  But that was all distant and far away.  Life continued as usual.  Or so it seemed.

I fell ill before I was supposed to.  My boss was sick before me.  We’d gone to a conference.  But that was before all of this really got going, and it was just a city away and didn’t extend to anyone out of state, not that we knew of anyway.  My boss’s symptoms were spot on, with the 104-degree fever, chest congestion and difficulty breathing.  But she hadn’t been in contact with anyone from the wrong places that she knew of, so she couldn’t possibly have it.  Nonetheless, it was recommended she stay home, just in case.  And she did so because you can never be too sure and there were no tests available unless you’d been in contact with the wrong person who got off the wrong train from the wrong city at the wrong time.

I got it about a week or a week and a half after.  I didn’t fever.  I never do; the only times I have fevered in my adult life were when I’d eaten something off and it was rushing out both ends at once with only one toilet to accommodate it and me finding myself blacked out in a puddle on the floor like a bad college un-memory.  In fact, I thought it was just the milder flu that was going around and overpowering the flu shot.  I was a bit lightheaded and felt faint, and I slept a lot and had a minor scratch at the back of the throat, but nothing of any real significance.  I stayed home regardless.  I wasn’t sure if I did or didn’t have it and work was in this weird in-between state of not knowing what we were doing so I wasn’t really sure I wanted to go in anyway.  Things were beginning to shut down and I just felt in the way.

There was one night, after I thought it had passed, in which I woke with a start unable to breathe feeling constrained and tight and like a nightmare demon of medieval lore was sitting there camped out on my chest.  I thought I was having a heart attack (they manifest differently in women).  So I stayed up until 2 AM so that I wouldn’t chance going back to sleep and not waking up again as if I’d know the difference.  The next day it was obvious that it was my throat so I wrote it off because it didn’t seem as bad being my throat rather than my heart.  I waited it out and it got better.  I continued to stay home.  By then, everyone was told to stay home, unless they were essential, or needed something essential, whatever that was supposed to mean with the subsequent blow to our collective egos as we once again realized that we were just more insignificant flecks of dust on a half-baked planet floating around a mid-range star in a void of nothingness.

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Things were pretty uneventful at home.  I dared not go out for fear that I was contagious.  I must have washed my hands 187 times a day.  I think I lost count though, I may not have taken note of 3 or 5 or 16 or 29 more times, 187 seemed like I was lowballing it…  I cooked.  I washed the dishes.  I dried them and put them away.  I cooked again and the cycle repeated.  I tried Zoom.  But there are only so many online conferences you can attend before all of the words that you hear spill out of your ears and soil the sofa with that kind of questionable stain that makes you drape a sheet over it when you know you’re having company, in the hopes that they don’t notice or say anything or create awkward silence.  I tried Facebook.  But there was only so much hopeful dissent about how to express joy and celebrate opportunity and make the most of the situation in the prescribed flavor-of-the-day popular vote meme responses that I could choke down, even before people became more openly discordant and polarized again.  I tried watching YouTube live-feed videos of zoo animals.  The bear just sat, head against the wall…  Ah, but there is comfort there, sitting with one’s head against the wall.  I shall have to do so more often.

I opened the closet late one morning to put on a jacket.  Not that I was going anywhere, mind you.  Just to put one on and remember what it feels like to do so.  Besides which, it was a little chilly downstairs.  That was when I first noticed.  There were leaves in the hall closet, under the stairs, dusting my faux fur pretending-to-be-mink coat and dropping onto the floor.  Maybe they were leaves, or maybe they were tattered bits of very very old paper.  They were dry and crumbly and crackled into stiff brittle sheets like old vellum, somewhat transparent and yet browned with age so that you can’t really tell if they are clear or yellow or brown anymore.  I brushed them off the coat, gathered them up, and threw them away.  I recorded the experience in the back of my mind, closed the closet door, and returned to my deep consideration over what to have for dinner and how to minimize the number of dishes and utensils I would need to do so.

The next day, I opened the closet again.  There were more leaves, trailing like stale Hansel and Gretel breadcrumbs down the faux fur coat and onto the floor.  I felt around but it’s a cramped space.  I don’t know what I was feeling around for, but whatever it was I didn’t find it.  I tried looking up “closet leaves” online but that just brought me to the care and maintenance of peace lily plants.  Did you know that the peace lily plant is also known as the closet plant?  Neither did I; I guess it’s because they need so little light…  And I still wasn’t going anywhere, so I knew I wasn’t bringing the leaves in myself.  Though, even if I were to go out, I wouldn’t have worn a fully lined faux fur pretending-to-be-mink coat in April to do so, not here in Kansas anyway.  It’s almost never cold enough for that, even in February.  But I had to be sure that the closet was not self-generating leaves or held some inter-dimensional portal to some unknown exotic place which I had long known to be there and suspected led to Narnia or an endless bag of potatoes or an almost indistinguishable clone of the closet in a similar but different time space continuum or somesuch.

The next day, when I opened the closet and found more leaves, I took out all of the coats and everything and piled it all over the dining room and into the living room.  Coats, jackets, and sweater vest linings were draped over the backs of all of the chairs and the cat’s loveseat.  Luggage and extra purses for when my current one wears out and spare hats and mittens and the cat’s carrier and all of the other randomly stored goods I had stashed under the stairs were piled on and in front of the sofa, television and bookcases.  This time I got into the closet and looked around.  There was a small gap between the ceiling paneling and the wall right above where the leaves were coming from.  Actually, it would have been a big gap if I were a mouse, reminding me once again why I have a cat even if he has proven a lousy hunter.  The leaves must have been coming from there.  I poked at it hesitantly, just in case there was a mouse.  I thought about calling someone out to look at the house but how essential is that really?  It just didn’t seem truly necessary to seek the counsel of a house inspector because there are leaves in a closet, even if it is an interior closet, even in the best of circumstances… though there was a hole…

That was when I noticed the wall was peeling, just a little bit.  I pulled at it a little more.  Brittle old wallpaper sloughed off in sheets, flaking off at the edges.  Wall repair tape and wallpaper covered in rubbery paint revealed yet more wallpaper beneath.  A poorly-executed minor archaeological excavation by myself revealed three distinct layers of wallpaper.  The outer layer under the paint was yellow or had once been another color that faded to yellow in that sickly sour sense.  The layer beneath that was speckled dusty brownish gray green blue that may not have actually been a color and may have instead been the remains of a long forgotten mold that lay dormant and decayed for decades.  Under that was either the wheat paste backing from that wallpaper with pockets of antique dirt nestled between layers to emerge again as a fine mist of dust falling from the recently peeled off paper, or what may have been the wall surface itself.  Areas were crumbled to dust where objects had collided with them in the tight closet space behind layers of paper and paint holding the façade in place so that it was not obvious at a glance to the casual observer merely hanging up a coat.  I closed the closet door and went on about my day, occasionally feeling the drifting itch of dust mites or tiny spiders or unknown grit that I perceived crawling about my skin until I took a shower.

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I returned to the closet the next day, and the day after, and the day after that.  I had to continue my excavation.  I just couldn’t leave it be until I could have someone out to look at it.  Maybe I could fix it myself.  Maybe I could figure out where the leaves were coming from and put a stop to it once and for all.  I had to get as much of the wallpaper off as possible, to get to a surface I might be able to sand or primer or paint or even just board over.  I wondered just how much expanding house foam I would need to fill everything in.  The smell of dust and old mold started to become a recognizable friend, a long-understood knowledge that was bringing me into a closer relationship to the house itself.  I could feel the house breathing all around me from the closet, securing me in its embrace.  Every day, I lingered longer until I eventually just stopped visiting the rest of the house.  The closet became more and more comfortable and was my constant companion.  I don’t know what happened to everything else.  Eventually, the rest of the world fell away to rot.  What remained was still and quiet, imbued with a musty yellow wallpaper smell.

About the Artist: Jennifer Weigel is a multi-disciplinary mixed media conceptual artist. Weigel utilizes a wide range of media to convey her ideas, including assemblage, drawing, fibers, installation, jewelry, painting, performance, photography and video. Much of her work touches on themes of beauty, identity (especially gender identity), memory & forgetting, and institutional critique. Weigel’s art has been exhibited nationally in all 50 states and has won numerous awards.

Jennifer Weigel, author.

Original Creations

Religious Icons Revisited for the Second Second Coming

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Those religious icons really get around. This time it’s a journey to visit the Deep Ones. And Dracula’s Castle. Because everyone has to be a tourist now and then, and what’s the point if you don’t pick up a souvenir or two?

New religious icons - Jesus Christ visits Cthulhu and the Deep Ones
New religious icons – Jesus Christ visits Cthulhu and the Deep Ones

This was a gift for a friend for their sea life monster theme bathroom. It started as one of those old school wood plaques where the picture is waxed on. And the eyes were originally that creepy – all I did was add the tentacles. So don’t blame the overall weirdness on me, it wasn’t all my doing.

Bloody Mary goes to Transylvania
Bloody Mary goes to Transylvania

Oh, and apparently Mary wanted in on the action, so she’s gone to Dracula’s Castle for a bite. She even brought back her own religious icons souvenirs…

Repainted faux wood plate by Jennifer Weigel

So this one isn’t as old, nor is it real wood. But it still totally goes with Mary’s journey. And it’s also a little blacklight reactive with the flowers.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.

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Original Creations

Repaint Porcelain Figs Plus by Jennifer Weigel

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So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.

Pennywise It Clown repaint by Jennifer Weigel
Pennywise It Clown repaint by Jennifer Weigel

This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.

Lydia the Beetlejuice Bride repaint by Jennifer Weigel
Lydia the Beetlejuice Bride repaint by Jennifer Weigel

With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…

Zombie Apocalypse Prepper repaint by Jennifer Weigel
Zombie Apocalypse Prepper repaint by Jennifer Weigel

So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?

Abigail vampire ballerina repaint by Jennifer Weigel
Abigail, vampire ballerina repaint by Jennifer Weigel

I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.

Sexy Sadie by Jennifer Weigel
Sexy Sadie by Jennifer Weigel

OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.

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Original Creations

Beyond the Veil: Video Script by Jennifer Weigel

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I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it.  The other is trying to contact them beyond the veil…

Spirit Witch altered doll sculpture by Jennifer Weigel
Spirit Witch altered doll sculpture by Jennifer Weigel

Beyond the Veil Setting:

Two women reach out to one another individually in a séance setting.

One sits on one side of a dining table.  The other sits at the other side.  Each studies a candle just beyond her reach; there is darkness between the two candles.  The long table is barely hinted at in the interstice between the two but it is clearly present.

The camera is stationary showing both in profile staring through each other.

The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen.  All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.

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Both women are spliced into the same scene.  They are together but apart.  The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present).  It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.

Script:

I. Black, audio only.

Narrator:

I was riding with my twin sister.

We were in a terrible car crash.

The car drove over the median and rolled.

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It spun off the road where it caught fire.

There was smoke everywhere.

My sister didn’t make it.

II. Fade in to the long table with two lit candles; flames flickering.

Two women are just sitting at either end.

They stare blankly through each other.

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Call and Response

                        Edith: Now I’m trying to contact her…

                        Edna: …beyond the veil.

Simultaneous:

                        Edith: Edna, do you hear me?

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                        Edna: Edith, do you hear me?

Together (In Unison):

                        If you hear me, knock three times.

Narrator:

Knock.

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Knock.

Knock.

Call and Response:

                        Edith: I miss you terribly.

                        Edna: I miss you so much.

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                        Edith: Do you remember…

                        Edna: … the car crash?

                        Edith: We rolled…

                        Edna: … over the median.

                        Edith: There was fire.

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                        Edna: There was smoke.

                        Edith: I could hear the sirens.

                        Edna: They were coming…

                        Edith: … to rescue us.

                        Edna: But they were so far away.

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                        Edith: So far…

                        Edna: … away….

Simultaneous:

                        Edith: Are you okay?

                        Edna: Are you hurt?

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Together (In Unison):

                        Knock three times for yes.  Knock once for no.

Narrator:

Knock

– pause –

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Knock

  – pause –

 Together (Syncopated):

                        What’s it like, on the other side?

– long pause –

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   Simultaneous:

                        Edith: I miss you, Edna.

                        Edna: I miss you, Edith.

  Together (Syncopated):

                        It’s so lonely here.

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 Call and Response:

                        Edith: There’s no one here.

                        Edna: I’m all alone.

                        Edith: Without you…

                        Edna: …the spark of life…

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                        Edith: …is gone…

                        Edna: … so far away.

                        – pause –

Together (Entirely Out of Sync):

                        It’s so dark.

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III. Fade out to black

Narrator:

I was riding with my twin sister.

We were in a terrible car crash.

The car drove over the median and rolled.

It spun off the road where it caught fire.

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There was smoke everywhere.

I didn’t make it.

Close up of sculpture
Close Up of sculpture

I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.

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