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Here are all of the Bunicula books included in this review (two in the series are missing): Bunnicula, Howliday Inn, The Celery Stalks at Midnight, Nighty-Nightmare, and Bunnicula Strikes Again
Here are all of the Bunnicula books included in this review (two in the series are missing)

SPOILER ALERT

This so-called review / trip down memory lane goes into some of my favorite scenes from the books, so treat it like garlic or sunlight to a vampire and stay away in your crypt if you do not wish to be barraged with such nostalgic plot-blowing reverie (both regarding the Bunnicula series and some other things thrown in for added flavor).

So to get on with it…

Anyone who spends a lot of time in this genre will nod and shake their heads in understanding when I say that it often comes up, “how or when did you first get into horror?”  I don’t know many in this who haven’t been posed that question at some point or another.  Hell, I’ve been on both sides of it myself – we all kind of want to know when any among us went through that initiation and what form it took for them…  In response, many will often cite R. L. Stine and Goosebumps, or Stephen King, or Nightmare on Elm Street, Friday the 13th, and so on.

For me, it evolved out of my love for language play and my taste for the odd or for things that appeal to the opposite of expectation.  I’ve always gravitated towards things that have a kind of off beat inside-joke humor to them.  Puns and wordplay are generally a great addition.  Surreal and other weirdness is also always good.

I grew up watching campy B-rated movies with my father.  The old Universal Studios Classics like Lon Chaney as The Wolf Man or Bela Lugosi as Dracula.  And some more obscure flicks too.  His collection numbered in the thousands.  My favorite was probably The Beginning of the End because of the final scene where the giant grasshoppers descend upon Chicago.  I find it endlessly amusing how this scene plays out, since in filming it, they literally just dumped a bunch of grasshoppers on a photograph of Chicago and of the buildings and then tried to pan away whenever the insects would start to walk across the sky or fly off.  This still humors me to this day.

I also loved The Addams Family.  The old cartoons, the black and white television series, the movies…  I especially loved how the movie directly translated scenes and imagery from the cartoons, with Morticia cutting off the roses to keep the thorns or Gomez asking her if she was unhappy and banishing the sunlight.  I kind of saw my dad and my stepmother as Gomez and Morticia, and my stepsister and myself as Pugsley and Wednesday.  I came to love it even more when it was revealed that their living room from black and white film was actually mostly pink, because that was even more me, especially as I aged into my love of pink things in decidedly un-girly contexts.  The living room fit right in.  I lived The Addams Family.  It was totally a thing.

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Like, seriously, get on with it already…

With that background, another big influence was the Bunnicula series by James Howe, which is the subject of this so-called review.  I read these books over and over again.  I loved the writing style, how the story was told from the standpoint of the dog Harold, and how Chester the cat was so mortified by the unusual happenings that began when the rabbit came into their lives and how obsessive he got about it all.  Harold is all-dog and is rather food motivated, as one might expect – you’d almost think he was a beagle, but no.  Still, he tells a compelling tale from the standpoint of a dog being a dog, and that’s pretty amusing in and of itself even without the horror twist.

Book 1: Bunnicula earns 4.0 Cthulus

4 out of 5 stars (4 / 5)

The original Bunnicula is the best book in this series by far.  The characters and the story are compelling and the book is very amusingly written.  It’s fun, especially if you enjoy wordplay, and offers some good lighthearted comedy that can appeal to readers of all ages. I also enjoyed how all of the animals’ personalities come into play and how Harold explains everything from a dog’s perspective. That point of view is truly rather delightful.

My favorite scene in Bunnicula is still the big standoff between Chester and Harold and the family, where Chester has misinterpreted his reading on vampires and is trying to stake little Bunnicula through the heart with an uncooked raw beef steak that had been left on the counter to thaw.  Unsurprisingly Harold, being all-dog, is more concerned with when he would get to eat the wondermous piece of raw meat that was totally going to waste in the endeavor.  It is just delightful how this scene plays out and still evokes a chuckle from me even this many years later.

Book 2: Howliday Inn

The second book Howliday Inn was not nearly as good as the first.  It’s essentially a murder mystery whodunit with your stereotypical cast of suspicious characters: the jock, the floozy, the heartbroken, the sidekick, the crazy, the weirdos, the clumsy, and the annoying. Everyone has their schtick and they all have a motive.  You know the scene – very 1980s.  Makes for some decent comedy but limited depth…  The end reveal of what happened isn’t implausible but at the same time it doesn’t really feel fulfilling, and the book just does not resonate with the same side-splitting humor as the first.

Book 3: The Celery Stalks at Midnight

The third book The Celery Stalks at Midnight revisits the same themes of the first with a lot of added puns thrown in.  It was much better than Howliday Inn, but still not as good as the first Bunnicula.  It’s funny to see Chester at it again, fretting over Bunnicula turning the town into vampires somehow, Harold still obsessed with food, and the new member of the family, dachshund puppy Howie, bringing his own unique energy to the mix.

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Book 4: Nighty-Nightmare

The fourth book Nighty-Nightmare is kind of a cross between the second and third books.  Rather than winding up at a pet hotel, the family goes camping as the basis for this spooky woodsy tale.  But the book really isn’t all that suspenseful despite the new creepy characters that have joined the cast. Too much gets lost in Chester’s telling of how Bunnicula came to America.  Mostly it just seems that Chester is overreacting and fabricating tales to get Harold and Howie (and their guide Dawg) worked up, and his tale is just not very compelling because the vampires seem like more bumbling idiots. But perhaps that’s just how animals see all humans in this world.  Also, the ending was really lackluster in my opinion.

Book 5: The Return to Howliday Inn

I don’t recall reading the fifth book, The Return to Howliday Inn.  Honestly, I didn’t like the second book set at Howliday Inn as well so I doubt I’ll seek this one out. Maybe it’s better. Maybe not. I don’t know. Pressing onward…

Book 6: Bunnicula Strikes Again

The sixth book, Bunnicula Strikes Again, was surprisingly good.  I liked how Howie the dachshund puppy had gotten into the FleshCrawlers series as a direct riff on GooseBumps, in a sort of weird homage and strange disdain all at once.  And this story built upon the first book well, coming full circle to the original plot, characters and setting.  In the end, the book pulls for the two characters locked in epic battle, Bunnicula the vampire rabbit and Chester the cat, to somehow overcome their differences after they almost perish together, but this comes across as trying too hard to create a happy ending.  I feel that the ending it had been careening toward would have been stronger, wherein both perished together, for all that it would likely be disheartening to the intended audience and would not have resulted in any further books in the series.

Book 7: Bunnicula Meets Edgar Allan Crow

There is a seventh book, Bunnicula Meets Edgar Allan Crow, but I have also not read this one.  Honestly, I really kind of wish the series had ended with Bunnicula Strikes Again with the epic battle reaching a different end.  But that is just my opinion and I’m not the writer, so here we are. Yeah, yeah, I know… what kind of series review is this that it doesn’t even go into all of the books in the series? But I honestly just missed those two and don’t feel like going back to them, besides which this review is too long already. So I’m leaving them out. If you are a die-hard fan, feel free to leave a comment to say how you felt about the books I skipped (or any of the others for that matter).

Apart from the original Bunnicula, I give the rest of the series 3.0 Cthulus.

3 out of 5 stars (3 / 5)

The others really just don’t hold up to the original book in my opinion.  From a kid standpoint, they’re probably a more solid 3.5 but I suspect that depends on the kid.  In fairness The Celery Stalks at Midnight and Bunnicula Strikes Again are better, but still aren’t on par with the original tale. Still the series is a decent introduction to horror for a kid who loved language and puns and animals and they are rather fun to read. And, given that they were purportedly written by the dog Harold, with the wonderful introductions by the so-called editor, they definitely all have truly dog-based insight moments which can be very amusing at times.

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My child-self really enjoyed these books but in adulthood I’ve come to realize I really only remember the first, and for good reason.  The others come across as kind of flat.  The characters are all pretty caricatured to maximize humorous effect, and can all come across as a bunch of bumbling idiots at times.  The series just doesn’t have the same depth as some of the more modern stories.

In other history, the first book was written by both James Howe and his wife Deborah, who also partnered with him on one other book (not in this series), while the rest were written solely by James.  I have later learned that Deborah Howe died of cancer before either of the two books they collaborated on were published, and so she never realized just how popular the Bunnicula series became.  I can understand, given the popularity of the first book, why James Howe continued it, and they are fun thematically, but sadly the rest of the series just lacks some of the same spark that the first had.  If you only pick up some of the books in this series, definitely read the first Bunnicula, and then perhaps The Celery Stalks at Midnight and Bunnicula Strikes Again – those are by far the strongest and most heartfelt.

You can purchase Bunnicula and/or the box series on Amazon from the links provided above, just remember that, as always, if you do so we will get some $ back. The Dark Lord says shop away…

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Jennifer Weigel is a multi-disciplinary mixed media conceptual artist residing in Kansas USA. Weigel utilizes a wide range of media to convey her ideas, including assemblage, drawing, fibers, installation, jewelry, painting, performance, photography, sculpture, video and writing. You can find more of her work at: https://www.jenniferweigelart.com/ https://www.jenniferweigelprojects.com/ https://jenniferweigelwords.wordpress.com/

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2 Comments

2 Comments

  1. Nicole C. Luttrell

    August 17, 2022 at 3:27 pm

    Oh my goodness, I freaking love these books!

    • Jennifer Weigel

      August 21, 2022 at 4:16 am

      Yeah it had been a long time since I read them but they were really influential on my child self. 🙂
      Did you happen to read the ones I missed? If so, please offer some thoughts. How do they compare?

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Book Reviews

Depression + Apocalype = ?: This Is Not a Test Book Review 

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I always had a fascination for horror that explores real-life themes against a supernatural backdrop. Courtney Summers is a very versatile author. Her work ranges from horrors of girlhood to cult thrillers to mixed media ventures. This Is Not a Test was published in 2012 and focuses on a group of teenagers amid a zombie apocalypse. As basic as that description sounds, it is so much more than that and you’ll see why soon. Let’s begin! 

Plot

We begin the story with our protagonist Sloane Price. She suffers from extreme depression and suicidal tendencies as a result of her mother’s death and her father’s subsequent abuse. She is at rock bottom when the action kicks off and observes the end of the world quite nonchalantly. This angle is uncommon in apocalyptic media as we usually see forefront characters who have a lot to live for and go to great lengths to find safety. Sloane not only doesn’t want to live anymore herself but is also putting the others in jeopardy because of it. 

The other characters in This Is Not a Test are fellow teenagers from Sloane’s school. While they are more archetypical, their dynamics provide the right atmosphere to the story. You have Rhys, the popular playboy type who pursues a doomed romance with Sloane. You also have Grace and Trace, the good-nature twins, Cary, the self-appointed leader and Harrison, the baby of the group. In true teenager fashion, there is a lot of bickering and pettiness as they struggle to navigate the situation. Then again, who can blame them? 

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Sloane never quite lets go of her depressive ideation throughout the novel, however, she does learn to see the meaning in life again through her connections with others. Unfortunately, in a true horror fashion, the characters start dropping off one by one. It’s effective as the story draws you in showing why you should care for these characters before ripping them away from you. It’s quite tragic when you think about it – finding a new purpose in life and then losing it because of your circumstances. The deaths of the characters are also quite gory considering technically this falls under YA age bracket. 

Overall thoughts

There is a lot of ground to cover when it comes to This Is Not a Test. The mental health representation is brilliantly executed, however, that doesn’t mean the novel doesn’t have genre-appropriate atmosphere and scares. The character dynamics definitely betray that this is a YA book, however the writing doesn’t feel juvenile. Overall, it’s definitely one of the books that stuck with me the most out of any in the genre. Considering I read it nearly ten years ago, it’s clearly a sign of its impact. 

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Book Reviews

What Feasts at Night: An amble through Romanian folklore.

“Salt on the floor, threads on the walls, and iron under the pillow.”

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Sword Soldier 2: What Feasts at Night, a review.

Published in February 2024, What Feasts at Night is the second book in T. Kingfisher’s Sworn Soldier duology. If you’re curious, you can find my review of the first installment, What Moves the Dead – a chilling reimagining of Poe’s The Fall of the House of Usherhere.

What Feasts at Night into Romanian folklore, weaving a tale that grapples with PTSD and the enduring impact of trauma, or what our main character calls ‘soldier’s heart’.

The Plot.

In What Feasts at Night, Alex Easton returns from his unsettling encounter with the Ushers and sets his sights on a quiet retreat to his Galacian cottage. Accompanied by his loyal companion, Angus, and his faithful steed Hob, he arrives to find the caretaker mysteriously deceased and the local villagers shrouded in fear and silence. Undeterred, Alex presses on, enlisting the aid of the superstitious Widow Botezatu to prepare his home for the arrival of his friend, Eugenia Potter.

As the story moves forward, the tranquility of the cottage is disrupted, and a sinister presence begins to cast its shadow. The Widow Botezatu’s son, Bors, begins to exhibit the same disturbing symptoms that the deceased caretakers suffered through. According to his mother, these symptoms align with the terrifying legend of the moroi.

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Highlights.

Including the traditional Romanian folklore was a real highlight of this story. This is not limited to the presence of the shape-shifting, nocturnal moroi. Kingfisher has also included various superstitions from this region believed to ward off evil, such as weaving red thread and placing knives beneath pillows.

As a sworn soldier, Alex Easton has played his part in many wars. Kingfisher mentioned ‘soldier’s heart’ briefly in What Moves the Dead, in this installation we are able to see how this trauma response affects Alex. There is a beautiful insight into trauma that should not be left out of any review of this book.

“I sometimes think the fundamental disconnect with civilians is that they think the war is an event, something neatly bound on either end by dates. What anyone who’s lived through one can tell you is it’s actually a place. You’re there and then you leave, but places don’t stop existing just because you aren’t looking at them. The war’s still there. I don’t live in it anymore, but it’s right over there, just on the other side of… I don’t know.” (87)

Drawbacks.

In comparison with the first installment of this series, What Feasts at Night lacked peaks and troughs, feeling like a slow and steady amble to the final scenes. Although Kingfisher manages to pack her pages with atmosphere and a sense of foreboding, there is a lack of solid action here until the last few pages of the story. For those who enjoy a slow burn, this will not necessarily be a drawback, but I have grown to expect a certain level of movement from Kingfisher’s stories and found it was missing here.

The Final Take.

My love of T Kingfisher is no secret. I find her stories engaging, atmospheric and generally a little brain bending. However, What Feasts in the Night is perhaps my least favourite of those I have read. The plot was a little slow and the characters lack luster. I did still enjoy this story, in particular Kingfishers take on PTSD. I cannot say that this is an original idea but traumatic experience as a place rather than a time period is one that really makes sense to me.

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There are whispers that suggest this series might grow into a trilogy next year. I, for one, am looking forward to seeing what kind of trouble Alex Easton gets into next. 3 out of 5 stars (3 / 5)

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Book Reviews

What Moves the Dead gives depth to Poe’s most famous tale.

“The dead don’t walk. Except, sometimes, when they do.”

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The first of T. Kingfisher’s Sworn Soldier duology, What Moves the Dead was published in July 2022. Shortly after the novella won the 2023 Locus Award for Best Horror Novel and was nominated for the 2023 Hugo Award for Best Novella, this story is Kingfisher’s version of Edgar Allan Poe’s ‘The Fall of the House of Usher’. It offers depth and insight into the original characters and plot of Poe’s short story.

The Plot.

What Moves the Dead is a modern reimagining of Edgar Allan Poe’s classic tale, “The Fall of the House of Usher.”
The story follows Alex Easton, a sworn soldier who receives a disturbing letter from the sister of his childhood friend. Summoned to the isolated Usher mansion, Alex finds the once-grand house in a state of decay. This mirrors the deteriorating health of its inhabitants, Roderick and his twin sister, Madeline.
As Alex delves deeper into the unsettling atmosphere of the mansion, he encounters a series of inexplicable occurrences. Strange noises echo through the halls, eerie lights flicker in the darkness, and wildlife in the surrounding environment does not act as it should. As Madeline’s condition worsens, Alex begins to question the nature of the mysterious illness afflicting the family. Is it a physical malady, or something far more sinister?

Highlights.

Although What Moves the Dead follows the same storyline as ‘The Fall of the House of Usher’, Kingfisher’s version has the advantage of length. As she says in her author’s note, Poe’s story is just too short. Kingfisher names previously unnamed characters and provides them with more complete personalities. We get dialogue from Madeline and the doctor which offers answers and reasoning for the mysterious illness that the Usher twins are suffering from.

What Moves the Dead also provides a much more thorough description of the house and the surrounding natural environment. This becomes important in the identification of the Usher’s illness. We are also gifted an extra character, one Miss Potter, who definitively identifies herself as the aunt of the great Beatrix Potter who was known to be interested in mycology- the study of fungi.

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Drawbacks.

 In Kingfisher’s fictional country,Ruritania, the local language uses over 7 pronouns (ta, tha, than, var, ka, kan, va, van). Some of these are used only for sworn soldiers, others as a gender-neutral way to refer to children. A lot of time is spent explaining these and the reasoning behind each. I enjoyed reading this, but then was disappointed when none of these pronouns were really used in the book itself. The time that Kingfisher spent setting this up, I thought it would be a larger part of the story, but it had no bearing on the story at all.

The Final Take.

Is it wrong to consider a retelling or adaptation superior to a classic? I don’t have an answer for that. However, Kingfisher had gone above and beyond Poe’s original story, providing depth and insight where Poe only left questions. I will never eat mushrooms (in particular the long thready Enoki mushroom) again with complete peace of mind. I look forward to reviewing the second book in this series, What Feasts at Night. 4 out of 5 stars (4 / 5)

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