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There is frighteningly good news in the world of horror film as Blumhouse will be working with Universal Studios on a series of films adapting their classic monsters, according to Variety. Director Leigh Whannell of Upgrade will direct a reboot of The Invisible Man. Whannell will also be penning the script and co-producing. The project reunites Leigh Whannell with producer Jason Blum. Jason Blum will be producing the Universal Pictures movie through his Blumhouse banner.

Whannell’s two prior projects for Blumhouse include the 2018 films Upgrade and Insidious: The Last Key. Blumhouse also produced the recent sequel to Halloween and M. Night Shyamalan’s latest, Glass.

Claude Rains as Dr. Jack Griffin in The Invisible Man (1933)
Claude Rains as Dr. Jack Griffin in The Invisible Man (1933)

A “Blumhouse” of horror

Blumhouse, a largely horror-centric production company, has made waves in the film industry for the past few years. Founded by Jason Blum, Blumhouse rose to notoriety with low-budget horror far such as the Paranormal Activity franchise. Another cornerstone of the studio is The Purge and its successive sequels.

The studio has also produced multiple, Oscar nominated films such as Whiplash, Get Out, and BlacKkKlansman. BlacKkKlansman is currently up for an Best Picture Oscar.

Leigh Whannell, along with James Wan, is a creator of the Saw franchise. Whannell has also served as writer for most successive Saw films and the entirety of the Insidious series.


Universal’s “Dark Universe” failings

Blumhouse being involved with Universal Studios is a largely positive announcement for Universal. Universal’s cinematic universe plans for their iconic monsters did not go the way the studio had expected. The studio’s shared cinematic universe began in 2014 with the re-configuring of the film Dracula Untold. There were many films and actors announced as part of this effort, however the only film to see release was 2017’s The Mummy. The film starred Tom Cruise and was a tent-pole for Universal. Universal’s change of plans are likely a response to this.

The current plans at Universal seem to be to downplay inter-connectivity between films and instead focus on filmmaker-driven interpretations of iconic monsters, according to Peter Cramer, Universal’s president of production.

Dir. James Whale on the set of The Invisible Man with actor Claude Rains. Courtesy of the Wikimedia Foundation.
Dir. James Whale on the set of The Invisible Man (1933) with actor Claude Rains. Courtesy of the Wikimedia Foundation.

The Invisible Man project during the “Dark Universe” period of planning originally had Johnny Depp set to star. However, Universal has indicated that Johnny Depp is no longer attached to the project. There are sources that indicate that he may be involved with other Universal monster projects.

The most well-known adaptation of The Invisible Man is James Whale鈥檚 1933 version, starring Claude Rains and Gloria Stuart. Perhaps Blumhouse is capable of re-invigorating a dormant horror franchise again, as they did with Halloween.

So, what are your thoughts on the news that Blumhouse is taking the reins of Universal’s classic catalog of film monsters? Please let us know in the comments. Check out our articles on horror of the screen for even more horror goodness as well.


David Davis is a writer, cartoonist, and educator in Southern California with an M.A. in literature and writing studies.

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Movies n TV

American Horror Story Delicate, Multiply Thy Pain



American Horror Story Delicate began last night, Killer Queens. And it was, well, a complicated episode. This makes sense because this season is about a complicated topic.

Just in case you didn鈥檛 know, this whole season is based on the novel Delicate Condition by Danielle Valentine. If you haven鈥檛 read it yet, you should.聽

The Story

Anna Victoria Alcott is an actress who just got her big break. She was in a horror movie that no one can stop talking about.

Emma Roberts in American Horror Story Delicate

Except Anna herself. Because this career success couldn’t have come at a worse time. She and her husband Dex are in the middle of the difficult IVF process. It’s expensive, time-consuming and painful. Ironically, so is trying to win an Oscar.

But Anna has other things to worry about. Someone is messing with her. Several women are watching her in public. Worse, someone appears to be getting into her home, slashing notes she leaves for Dex, and removing her vital IVF medication from the fridge so it spoils. Her calendar is hacked to move her doctor appointments around so she misses them. Worst of all, someone broke into her home and crawled into bed with her.


Of course, no one takes any of these concerns seriously. Her agent, Siobhan, is focusing on getting her an Oscar. Her husband, Dex, doesn’t seem to give a shit about her except for when it comes to having a baby. He’s frequently dismissive of her concerns and only seems to want her around when it’s convenient for him. He goes so far as to kick her out of his show opening because she’s on edge.

You know, maybe because she鈥檚 clearly being stalked by someone who is trying to keep her from having a baby. 

What worked

AHS Asylum had a lot of dark and important things to say about mental health care in America. AHS Coven had a lot of dark and important things to say about race and gender relationships.

Last season, AHS NYC wasn’t so subtle. Yes, there was a killer. But the real historical horror of the AIDs epidemic in the 80s was the focus of the season. And that worked very well.

This season, the story is clearly about female body autonomy. Anna is a woman struggling with so many issues that modern women face. The balance between our careers and our families. Feeling like growing old is the most unforgivable thing a woman can do. And of course, the fact that our bodies often feel like they don鈥檛 belong to us. 


I was also pleased to see some AHS alumni. Denis O’Hare as Dr. Hill was delightful. Leslie Grossman and Billie Lourd will be involved soon, and they never bring anything less than their A-game.

This episode also did something I never thought could happen. It managed to scare me with a calendar notification. That was a special moment for me as a horror fan and calendar-obsessed person.

What didn’t work

Here are some things I didn’t love. First off, the main character Anna is a pushover. She can’t say no to Dex, Talia, Dr. Hill, or Siobhan. No one gets a no from this woman!

Anna didn鈥檛 act like that in the book. She stood up to everyone all the time, it was great. She wasn鈥檛 getting any support, but she was advocating for herself! That was such an important part of her character, and I鈥檓 sad to see that she鈥檚 lost that here. 

I also hate the changes made to Siobhan and Talia. Now, please understand that this isn’t me complaining that the book was different. That’s not my point. Siobhan was a kind, loving woman who supported her best friend even while dying of cancer. Talia was a smart, business-oriented woman who was still kind. She was trying to start a family with her transgender husband, and bonded with Anna over their IVF journeys. These were vital characters in the story.

Juliana Canfield in American Horror Story Delicate

I feel like they鈥檝e been railroaded. 

All that being said, this was a decent start to AHS Delicate. It鈥檚 not the best start of a season we鈥檝e had. But it鈥檚 okay. I鈥檓 looking forward to seeing what the rest of the season is going to bring.聽 4 out of 5 stars (4 / 5)

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Movies n TV

Wheel of Time, Strangers and Friends



Episode two of Wheel of Time, widened the divide between the show and the books. Things are happening out of order, people are acting out of character. Whether this is to the detriment of the show, however, has yet to be determined. 

The story

One character missing from episode one was Rand. You know, our main character. But we finally catch up with him now. 

He鈥檚 living in a city with a woman named Selene. They don鈥檛 have what I鈥檇 call a super healthy relationship. She spends a bit too much time talking about her ex. 

Yes, for those of you who didn鈥檛 read the books, this is going to be important.


Rand is also working at an insane asylum. He鈥檚 kind and patent with his charges, but not all of his fellow caregivers are. 

Josha Stradowski in The Wheel of Time

Meanwhile, Lan and Moiraine are recovering form their Fade attack from last episode. Rather than taking the time to actually heal, Moiraine decides to head out to find Rand. Her team comes with her, which seems to really bother her. 

While that little hissy fit is taking place, Nynaeve is causing issues. Not by anything she鈥檚 doing, but by what she鈥檚 not doing. As none of the regular novice teacher have been able to get her to use the One Power, Liandrin offers to try. No one, including me, is thrilled with this. But, the Aes Sedai are desperate. They know that The Dark One is around, and they need Nynaeve to be ready. So, they let the person who鈥檚 driven other students to their deaths and actively committed multiple hate crimes take over. 

What could go wrong?

What worked

The special effects in this episode were really well done. I especially liked the dead fade nailed to the wall.

I was also pleased with the introduction of Elayne. Ceara Coveney is playing her, and doing a fine job. She鈥檚 warm, kind and sweet. I am thrilled that she鈥檚 around. 


One of the greatest things about Wheel of Time is the friendships between the characters. Rand, Perrin, Mat, Nynaeve and Egwene legitimately care about each other. Elayne seems to care for Egwene right away. I really love that. 

What didn’t work

One thing that bothered me in this episode, and frankly the last episode, was Liandrin keeping Mat in prison. I feel like this wasn鈥檛 adequately explained. Why does she have him? How did she trap him? What in the hell is she trying to get from him? Perhaps I simply missed something, and please let me know in the comments if this is the case. But it feels like some poor writing to me. 

I also don鈥檛 love how Moiraine is portrayed in this episode. Really, in this season so far.

I get that she鈥檚 never exactly been a warm person. She鈥檚 not personable, open, or kind. Some (most) fans of the book would likely agree that she鈥檚 kind of a bitch.

But she鈥檚 not a bitch for no reason. She certainly isn鈥檛 the sort to lash out at the people who love her because she鈥檚 in pain. And that鈥檚 what she鈥檚 doing through this episode. She鈥檚 taking her pain out on Lan. And that鈥檚 just out of character for her. 

D贸nal Finn in The Wheel of Time.

It feels very much like a lot is being skipped over from the Wheel of Time books. But, so far at least, I don鈥檛 feel like anything vital has been missed. It feels more like the story is being streamlined. 

Yes, I understand how this might go horribly wrong. I think we鈥檝e all seen that. But as of right now, the changes make sense for the switch in mediums. 

Now, let鈥檚 see if it stays that way.聽

3 out of 5 stars (3 / 5)

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Movies n TV

Fantastico Disasterpiece Theatre: Francois and The Unicorn Review




Gringo Fantastico is a troubled luchador presenting Troma films from the safety of a derelict recreation center nestled in chaotic Tromaville. He is tortured by the French-Canadian Demon Pi帽ata Francois who trash talks and hurls abuse throughout the episodes. This week’s special guest is Jonah Ray Rodrigues. New episodes release on the first of each month on Troma NOW.

The poster for episode 2 of Fantastico Disasterpiece Theatre featuring special guest Jonah Ray Rodrigues.
Fantastico Disasterpiece Theatre: Francois and the Unicorn featuring Jonah Ray

Roll the Tape!

Welcome back to Tromaville for Chapter Dos of Fantastico Disasterpiece Theatre! Gringo Fantastico (Nate Turnpaugh) returns to the screen with guest Jonah Ray (current host of Mystery Science Theater 3000) to proudly host Ed Wood鈥檚 Plan 9 from Outer Space (1957). Turnpaugh espouses his love for the movie in our most recent interview and credits his friends with helping him to discover it. 鈥淭hey kept trying to get me to watch it, and one day I finally did.鈥

On a totally unrelated note, the Mirriam-Webster dictionary defines libel as 鈥渁 written or oral defamatory statement or representation that conveys an unjustly unfavorable impression.鈥 For no reason at all, I choose to immediately correct the record and inform you that Fantastico actually hosts Herb Freed鈥檚 Graduation Day (1981).

A poster for Graduation Day. It reads "There are 200 seniors at Midvale High. And Seven days 'til graduation. The class of '81 is running out of time."

It shows a woman's face in a mirror, with a halberd shattering it.
A poster for Graduation Day (1981)

Turning Heel

We once again begin with grainy VHS footage of an interview from the luchador鈥檚 past. Much like the previous episode, Fantastico becomes upset at the prodding questions being asked of him. As this ongoing narrative continues to build, it is becoming obvious Fantastico is coming close to a breaking point.

These segments, while short, work to highlight Turnpaugh鈥檚 screenwriting ability. They feel authentic and demonstrate a solid understanding of wrestling culture. Crafting a compelling story can be difficult when it is broken into parts and spread across significant time. However, he creates bite-sized pieces of lore that manage to both satisfy and leave the audience craving more.

A Pi帽ata by Any Other Name

Before the movie can start, Fantastico has to deal with the usual shenanigans from Francois. When it is time to bring out Jonah Ray for his interview from the Satellite of Love, Francois outright refuses. The interview must come at the cost of Fantastico鈥檚 soul. Fearing for the worst but desperate to continue the episode, Fantastico agrees to a one-day-only loan of his soul.


Enter Francine. She鈥檚 a sassy yet loving unicorn who only wants the best for Fantastico. She is complimentary and eager to help, offering her kind words in a sugary sweet voice. For all intents and purposes, she is the opposite of Francois. And yet, she is Francois. At least, she is Francois after consuming Fantastico鈥檚 soul.

The unicorn pinata Francine and Fantastico sit in the rec center together.
Francine and Fantastico

Inner Demons

Turnpaugh continues the ongoing theme of addressing his PTSD within the episode. He explains it as, 鈥渢he whole concept of self-worth with the PTSD and things like that because that is a problem that I鈥檝e experienced. When people are constantly negative towards you and you constantly have to defend yourself and you constantly be on edge and finally something happens and you don鈥檛 have to do that anymore. But you鈥檙e so guarded when that happens that you don鈥檛 know how to act.鈥

Throughout the episode, Fantastico chafes against Francine’s presence. He is unsure of what to do when someone speaks affectionately to him after suffering Francois for so long. The only punishments she doles out are rainbows that make you laugh. It鈥檚 unsettling and a little uncomfortable and is exactly what working to replace negative self-talk with positive self-talk feels like.

The Satellite of Love

The interview segments with Jonah Ray feel like listening to old friends banter. Turnpaugh tells me he first met Ray at the Malco Drive-In Theater last year where they both attended Joe Bob鈥檚 Jamboree. He admits to being caught off guard when Ray knew who he was and was familiar with his work.

Jonah Ray is shown on the screen of an old television for the interview segments.
Jonah Ray beaming in on the Satellite of Love

Fame and the mental games it causes one to play ends up becoming a large part of the interview. When asked by Fantastico when he felt like he had made it, Jonah Ray responds 鈥淚 don鈥檛 think there is a there, there.鈥 He likens the fame game to climbing a ladder. 鈥淵ou鈥檙e […] looking up […] but you rarely look back down.鈥

One of the best portions of the interview is when Jonah Ray goes full meta and begins roasting the ego necessary to take on the role of a media host. It鈥檚 hard not to laugh when you remember this is coming from the mouth of one host straight into the ear of another. It is important to note that both men are playing characters as hosts, which according to Ray changes the dynamic.

New Place, Same Thing

Jonah Ray also spends time talking about the difference in production having moved away from Netflix and onto Gizmoplex. He says it has been a lifelong dream to host MST3K and the move has allowed him space to better bring his vision of hosting to the screen. Netflix, while important in bringing MST3K back, seems to have sucked some of the soul out of the show. He believes moving to Gizmoplex helps with delivering the level of quality fans expect.


Turnpaugh is familiar with format shifts, having moved his show from YouTube onto Troma Now. I ask how this has changed things in terms of production and he says while he has never felt more supported, he has started placing more pressure on himself. 鈥淭he pressure is never from Troma.鈥 Lloyd Kaufman clearly believes in the show, as he鈥檚 recently started giving it top-billing on the site. 

Back to Basics

The end of the episode brings back an extremely confused Francois. It seems consuming Fantastico鈥檚 soul didn鈥檛 go exactly as planned. Turnpaugh promises that audiences have not seen the last of Francine and that some answers may be coming sooner rather than later. You鈥檒l just have to tune in next month to see what insanity happens next in Tromaville.

Francois sits in his ripped up picnic basket.
Francois the Demon Pi帽ata

My rating for the episode: 4.6 out of 5 stars (4.6 / 5)

Follow @realfantastico on the platform formerly known as Twitter to join in with the rest of the Fantasticats as they live-tweet each episode the Friday after release. Episode three features special guests Toby Poser, John Adams and Lulu Adams.聽

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