Connect with us

Published

on

Welcome back to Haunted MTL as we cover Chucky – S1 E5 – “Little Little Lies,” the latest episode of the ongoing series featuring America’s favorite killer doll.

This series of reviews will be spoiler-free for the events of each episode but will bring up plot points from previous episodes as needed to contextualize the current week’s events. For a spoiler-centric view, please turn to the podcast Kids’ Stuff for a detailed discussion.

Chucky – S1 E5 – “Little Little Lies”

It’s a meet-cute between Charles Lee Ray and Tiffany Valentine in the 1980s, but in the present, we catch up with those lovebirds who have been busy in the two weeks since Cult of Chucky. We also follow Jake, Devon, and Lexy as they are convinced they can solve their Chucky problem once and for all. However, secrets may threaten the Cult and the lives of the kids, particularly Junior, who is seemingly pushed toward a darker place.

How Was It?

Chucky – S1 E5 – “Little Little Lies” is another episode directed by Leslie Libman, who handled last week’s “Just Let Go.” The credited writers this week include executive producers Don Mancini, staff writer Kim Garland, with Harley Peyton and Rachael Paradis tackling the show for this episode.

Advertisement

While a fun episode full of exciting revelations, some cracks in the structure have begun to appear with this episode lacking an overall focus that made the first four episodes so strong. The narrative throughline is missing this week – particularly through the injection of a pair of returning characters and the need to get viewers up to speed on what is going on. The episode is pretty much the calm before the storm of the rest of the season, but it lacks a strong story, essentially coasting on some reveals with little narrative momentum until the end.

With that being said, seeing Jennifer Tilly and Fiona Dourif return to their respective roles of Tiffany Valentine and Nica!Chucky is quite enjoyable and their sequences are definitely fanservice in a number of ways. However, it does cause the episode to feel disjointed, particularly given the relative denouement produced in the plotline with the trio of Jake (Zackary Arthur), Devon (Bjorgvin Arnarson), and Lexy (Alyvia Alyn Lind). Their scenes are genuinely strong, funny, and set up some future conflict with Junior (Teo Briones), but the dramatic irony of viewers knowing Chucky’s fate results in no real tension for viewers. Thankfully, the episode’s ending returns things back to the status quo and promises major developments for the final three episodes.

Chucky - S1 E5 screencap - Image depicting Logan restraining Junior by the arm, from Syfy
Junior (Teo Briones) and Logan (Devon Sawa) have some issues to work out. Courtesy of SyFy.

It was an episode full of revelations about relationships between characters. We learn about the first meeting of Charles Lee Ray and Tiffany Valentine in the 1980s, complete with campy dubbing and VHS artifacts. We also learn Bree’s secret that she has been hiding from her family, while we see the tension explode in the Wheeler home and Logan begins to seemingly shift into his brother over these past couple of episodes. Plus, Jake seems to find a little happiness. We’ll see how long that lasts.

So while a lot seems to be revealed in this episode, it more or less feels like a collection of scenes as opposed to a story. Had there been a strong central narrative this would have been an incredible episode. Even with the ridiculously campy dub of young Charles and Tiffany. 3.5 out of 5 stars (3.5 / 5)

Chucky – S1 E5 – Kill Count and Spotlight

A number of kills in the past and present this week. Chucky – S1 E5 features a stabbing, a corpse of a victim, a slashing of the throat, and a beheading. Quite an episode for murders. We also get treated to some flashbacks to Nica Pierce’s backstory, but those kills don’t count here.

Seeds of Chucky

Some elements of this week’s episode are callbacks to previous installments of the series. They may hint at the return of key figures from the past. Some other references to other horror classics may sneak in as well. Here are some of the highlights.

Advertisement
  • This week’s title card features hearts and hearts. You know, both kinds.
  • Jennifer Tilly and Fiona Dourif make their return to the series in this episode. Plus Fiona plays two characters in this episode – which is absoutely crazy when you figure it who.
  • The timeline of the episode is confirmed to be in 2017, about two weeks after Cult of Chucky.
  • We encounter another Good Guy doll with a familiar name this week. You may remember a Tommy from Child’s Play 2.
  • Shades of Hannibal can be found in this episode. A psychological appointment evokes the series that Don Mancini wrote on. Particularly, it evokes a very specific character’s journey on the show. More on the podcast next week.
  • Diving around in medical waste and getting high isn’t too far out for Chucky. He took a hit off of Andy Barclay’s joint in Cult of Chucky.

We will be covering the show episode-by-episode on Kids’ Stuff – A Chucky Podcast. However, don’t expect spoilers in these written reviews. You can expect them to fly during the podcast. If you missed the latest show, follow it on Spotify, listen to it on Haunted MTL, or find it on your favorite podcast app.

David Davis is a writer, cartoonist, and educator in Southern California with an M.A. in literature and writing studies.

Movies n TV

Dexter Original Sin Gets Darker with Kid In A Candy Store

Published

on

Episode two of Dexter, Original Sin, was just as wonderful as the first. As a long-time Dexter fan, I find it added so much to the background of the story. And if you’re a new fan, I promise you won’t feel left behind.

The story

At the start of our episode, Dexter is learning the ropes of his new internship at Miami Metro. He’s getting a little hazing but is learning how to fit in.

Sarah Michelle Gellar and Patrick Gibson in Dexter Original Sin.

Especially when he starts digging into the old files and finding new playmates for his Dark Passenger.

Meanwhile, Deb is struggling. She feels underappreciated and ignored at home. So, she decides to steal some jewelry from around the house for some quick spending money. Having little in the house in the way of jewelry, she happens upon a pair of earrings in Dexter’s room.

Advertisement

Nurse Mary’s earrings, to be specific.

And finally, in what will probably be the storyline for the series, a little boy is kidnapped. While he looks like a victim from the first episode of Dexter, or at least dressed in the same school uniforms, we soon find out that he’s the son of a judge. And his kidnapping might have something to do with the death of Dexter’s biological mother.

What worked

I’ve often complained about slow episodes in a TV season or mini-series. The episodes that just don’t have anything going for them. The episodes that are needed to set up the story, but otherwise are kind of dull.

This is an example of that sort of episode done well. It is true that there were no murders in this episode. There was only one dead body, and it was already dead when we got there.

But that didn’t mean the episode was uninteresting. There was character development. There was comedy. And most importantly, it had a storyline that had a satisfying conclusion. Specifically, Deb stealing Dexter’s trophy earrings and trying to sell them.

Advertisement
Patrick Gibson, Molly Brown and Christian Slater in Dexter Original Sin.

This little storyline worked on so many levels. One, it heightens tension because we know those earrings can lead the police to Dexter for the murder of Nurse Mary. Two, it shows how frustrated Deb is with her life and how far she will go to have a little fun. Three, it shows how far she won’t go when she refuses to sell her mother’s pearls. And four, it gives us a satisfying beginning, middle, and end of a story while we’re doing the necessary work of laying a foundation for the rest of the series. This was a masterclass in subplots.

I also want to point out that, so far, this series works by itself as much as it works as a prequel. I would watch Dexter Original Sin if I’d never heard the name Dexter Morgan before. And while it certainly benefits from its predecessors, it isn’t only relying on that.

What didn’t work

All that being said, I’m afraid there is still one glaring issue with this series. I hate Gellar’s character.

Yes, I am biased. But hear me out.

Tanya is supposed to be Dexter’s mentor. She got him the job as a paid intern. It would stand to reason that she did that because she wanted to take him under her wing. And yes, I am aware that a certain kind of teacher likes to knock their students down a peg or two. But she seems more interested in proving what a Strong Female she is to this college student than actually teaching him.

Advertisement

And frankly, this is some of the most sexist stuff I’ve ever seen on Dexter. This show has a long history of being pretty good about gender relations. It passes the Bechdel test. All of the female characters have flaws, strengths, and personalities. It’s almost like they’re, gasp, real people. None of them have been the girl hero with no personality other than being the Strong Female until Tanya was introduced. And given how similar she is to Buffy, and how unlike the rest of the cast this character is, I sense some meddling from Gellar herself.

Do better.

I am so pumped for the rest of this mini series. It is clear that everyone working on this series, except Gellar, are huge fans of the original show. Everyone is going a great job, the story is great, and I cannot wait to see what happens next.

4 out of 5 stars (4 / 5)

Advertisement
Continue Reading

Movies n TV

Heretic: ‘It’s a simple choice that should not be made simply: Belief or Disbelief?’

‘It’s a simple choice that should not be made simply: Belief or Disbelief?’

Published

on

A24‘s chilling religious horror film, Heretic, arrived in theatres this November, forcing viewers to confront the unsettling line between faith and doubt. Directed by Scott Beck and Bryan Woods, this edge-of-your-seat thriller will leave audiences deeply disturbed as Sister Barnes (Sophie Thatcher) and Sister Paxton (Chloe East) pass over the threshold of Mr. Reed’s (Hugh Grant) home where they undergo a terrifying experience that shatters their beliefs.

The Plot.

Sister Barnes and Sister Paxton are Mormon missionaries for The Church of Jesus Christ of Latter-day Saints. As the opening scenes roll they are visiting houses in an unnamed, rural Colorado town. These houses are from a list of people who have shown interest in joining the church. After being rejected and ignored several times, they arrive at the door on Mr. Reed, a pleasant gentleman who invites them in the discuss the church, promising his wife is home in the kitchen to put the Sister’s minds at ease.

Welcoming the women to sit in his living room, Mr. Reed initiates what amounts to be an awkward conversation, questioning the faith of the missionaries. Sensing that something is amiss, with Mr. Reed’s wife still not coming to meet them and a storm brewing outside, the women decide it is time to leave. Sneaking to the front door when Mr. Reed leaves the room they find the front door locked, and the only way out is to go deeper into the strange house.

Highlights.

I have never really understood the appeal of Hugh Grant. I found him lackluster in Love Actually and just plain annoying in Bridget Jones’s Diary. After watching Heretic though I think the problem is that his career focus has been on the wrong genre. Hugh Grant is terrifying, but not in the conventional sense, in the creepy religious uncle that you only see on Boxing Day sense. It might be in the jerky way Mr. Reed walks, or the near-whispered dialogue throughout the movie. Also, whoever put Mr. Reed in those glasses is a genius, they give chilling Jeffrey Dahmer vibes.

Advertisement

I must also note the intense monologues that Hugh Grant delivers in Heretic. It is hard to take your eyes off him. The ideas and theories that are presented are not unknown and rather convincing. I was surprised to find myself nodding in agreement with an obviously deranged and hostile character.

Drawbacks.

It is hard to explain the main drawback of this movie without spoiling the ending, but let me try. The explanation and big reveal at the end of Heretic was a bit… on the nose. I just couldn’t hitch myself to that wagon. I understand what the writer was trying to say. That there are people who have such strong faith that they are willing to give up their lives to prove the belief true. It is the way this is presented in the plot however… I didn’t like it and wonder if there might have been another way to present this idea.

The Final Take.

Ahh, how I loved this movie. Never mind National Lampoon’s Christmas Vacation, Krampus or Die Hard, Heretic is my new favorite Christmas film. There is nothing more to be said.

5 out of 5 stars (5 / 5)

Advertisement

Continue Reading

Movies n TV

Returning to the Soothing World of Evil with “The Demon of Death”

“The Demon of Death” is the season 3 premiere of the supernatural drama Evil, created by Michelle King and Robert King.

Published

on

“The Demon of Death” is the season 3 premiere of the supernatural drama Evil, created by Michelle King and Robert King. The central cast includes Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, Christine Lahti, and Andrea Martin. As of this review, it’s available through Netflix and Paramount+ and its add-ons.

The assessors investigate the weight of a soul. Father Frank Ignatius (Wallace Shawn) agrees to participate in this test despite his growing disillusionment. David (Mike Colter) and Kristen (Katja Herbers) deal with the ramifications of their confessions. Kristen’s girls go on the warpath with Leland (Michael Emerson). Andy (Patrick Brammall) signs his death warrant.

Evil written in bold, a snake reaches for an apple. Beneath reads Season 3
Evil Season 3 Cover

What I Like about “The Demon of Death”

As season 2 ended with a cliffhanger, “The Demon of Death” picks back up with an interesting addition. The episode provides a more obvious stopping point that Season 2 should have taken advantage of. It dumbfounds me because this addition makes for a more interesting and darker cliffhanger. The added context would have made the cliffhanger more palatable. However, it’s a nice twist for the episode.

Dr. Boggs (Kurt Fuller) and Sister Andrea (Andrea Martin) make an interesting pair that adds complexity to both. We even explore some of Sister Andrea’s character flaws, best displayed by her interaction with Kristen in the next scene. Few wise sage characters that display flaws, making this addition appreciated.

Father Ignatius’ introduction adds layers of interest for a character who will play a recurring role, tying into Monsignor Korecki directly. The yet-to-be-explored relationship between Father Ignatius and Monsignor Korecki (Boris McGiver) evokes an interest.

Advertisement

While “The Demon of Death” isn’t a haunting episode, but explores the mysteries and terror of death through science to provide an interesting environment for an episode. It introduces a new character that adds to the cast.

White background, rubber stamp with disclaimer pressed against the white background.
Disclaimer Kimberley Web Design

Tired Tropes and Triggers

There’s not much to report here that particularly crosses the line and what teeters on the line holds a dark comedic tone.

Perhaps Sister Andrea’s flaw might rub some the wrong way, as it deals with her overwhelming faith. However, it’s a minor point at the moment. Again, I lean on liking some complexity for the wise sage archetype.

A nun looks down at a therapist who lays on his back. The room suggests a therapists office with certifications lined up on the wall.
A Nun and a Therapist Discuss Certainty

What I Dislike about “The Demon of Death”

“The Demon of Death” still plays it safe with its supernatural elements, but that does seem to be Evil’s standard. At this point of the series, it seems a strange restraint. However, the new normal remains functionally paranormal.

While the premiere starts with an interesting procedural plot, it doesn’t direct the season like prior premieres. This episode doesn’t deliver a massive refocus as season 2’s premiere, but that’s because its conclusion doesn’t deliver as focused of a direction. Regardless, “The Demon of Death” is still an episode that slips away despite its premiere status.

Ben (Aasif Mandvi) seems needlessly hostile as they investigate a soul’s potential weight. The study delivers a thorough scientific process, which makes his resistance linger on the “angry atheist” archetype.

The demon shown on screen certainly isn’t the demon of death the title suggests. While the plot revolves around the mystery of death, there is a demon with a more carnal domain. As future episodes dive into their respective demons, it does seem to be an inaccurate title. However, the demon of the episode will get further focus in a different episode.

Advertisement

Final Thoughts

“The Demon of Death” doesn’t stand out as a premiere but provides an interesting procedural episode. As Father Ignatius will become another key character in the series, giving him an entire episode to introduce him is a nice strategy. While it’s not a haunting episode, it still provides a level of camp with interesting characters to pull it off.
3 out of 5 stars (3 / 5)

Continue Reading

Trending