Maybe you’ve heard of my now-defunct podcast, High Art Camp, that I made a while back with Parzz1val. In the podcast, we discussed the artistic merit of a film on a few different levels, including technical skill, total aesthetics, and cultural relevance. I usually took the low “campy” road, while Parz took the “high” artistic road, and we met somewhere in the middle.
I think part of any movie’s charm or artistic merit also relies on the ability to seep into the collective consciousness. How many terrific and technically sound movies have just slipped away from our minds, just because it was not engaging enough with its audience? Sure, there are some that strike both such as Us, Hereditary and The Lighthouse, but it’s not always the case.
Same with the other side, of course, but when it comes to camp, there’s an endearing and engaging quality to it. It reaches out to the Every Man (or the marginalized) and envelopes us into the, albeit sometimes shitty, story and characters. Yes, these are often not the budget or vision of more technically sound movies, but to pass them off as having no artistic merit is an insult. An insult to the audience of these movies – which is HUMANITY, man.
When not ravaging through the wilds of Detroit with Jellybeans the Cat, J.M. Brannyk (a.k.a. Boxhuman) reviews mostly supernatural and slasher films from the 70's-90's and is dubiously HauntedMTL's Voice of Reason.
Aside from writing, Brannyk dips into the podcasts, and is the composer of many of HauntedMTL's podcast themes.
Motherhood and Capitalism: Joanne Ramos’ Dystopian Thriller “The Farm”
A haunting message on privacy
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