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When Jordan Peele, writer and director of Get Out and Us, comes out with a new horror project, it is certain that movie enthusiasts of all kinds will flock to the theater. With a $44 million opening weekend, Nope is currently number one in the box office. Its elements of cosmic horror, neo-Western themes and monstrous aliens make this UFO thriller strange, absurd and terrifying.

WARNING: CONTAINS MILD SPOILERS

Bad Miracles in Nope

Nope begins with a dark screen and the audio of a man and woman talking, their jokes supported by a laughing audience. We are listening to a sitcom recording. Suddenly a balloon pops, and everyone nervously laughs before their joy is drowned out with haunting screams and a howling. The camera takes us to the stage: a chimp named Gordy is sitting quietly on the floor of a TV studio stage. He is wearing dark pants, a yellow long sleeve shirt and a birthday hat. His breath is heavy, his body leaning heavily against a couch. A woman lays on the floor behind him, and he is covered in her blood.

There is a lot to take in with this opening scene, as the trailer for Nope did a good job making the plot as obscure as possible. It also sets the tone for the rest of the movie, where violence, suffering and death are inevitable. (Bearing in mind that the chimp is CGI and it’s screams are stock sound,) this is one of the most terrifying scenes in Nope and it is just the beginning.

History in the Making

Enter animal trainers Otis Haywood Senior (Keith David) and his children Otis “OJ” Haywood Junior (Daniel Kaluuya) and Emerald “Em” Haywood (Keke Palmer). After Otis Sr. has a tragic accident, OJ takes over his father’s ranch and business, Haywood Hollywood Horses, the latter of which Em occasionally helps out with. When the siblings travel back to the ranch after a long day of work in Hollywood, they notice strange things happening with the horses. It doesn’t take long for them to conclude that extraterrestrial forces might be to blame.

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A critical theme in Nope is America’s centuries-long practice of excluding Black history and accomplishments. Em tells a small film crew that the “very first assembly of photographs to create a motion picture was a Black man on a horse” and that man was her great, great, great grandfather. His name is not mentioned, because the name of the jockey on the horse in the clip is unknown.

As with all works of fiction, Peele slightly alters these bits of history in Nope. What is most important is how he hones in on the true fact that Black people have had their accomplishments erased and uncredited throughout American history, whether it is in art, science or the history of horse riding. The importance of this becomes evident later in the movie when OJ and Em work hard to capture a UFO on film. The “Oprah shot” can not only preserve the Haywood legacy, but possibly change the the state of the world as we know it.

The Story

Overall, Nope is a simple tale of two siblings working to capture a UFO on film. But beneath the surface, there is a smorgasbord of layers that work and other components that do not. One of my favorite scenes is when the UFO abducts Ricky Park and his family and audience. We see a small gruesome glimpse of what happens to the abductees, and it is chilling.

Every actor, from the extras to the main cast, put on an incredible performance in Nope. Kaluuya and Palmer especially steal the show, with Steven Yeun (playing theme park owner and child actor Ricky “Jupe” Park) and Brandon Perea (playing tech salesman Angel Torres) providing excellent and comedic support. Their acting and the IMAX filming bring the story to life, even in moments when the story falters.

At the end of Nope, when the UFO takes on a different form, the CGI and filming is exquisite. It is also near this scene where the story becomes a bit lackluster. The movie ends with Em finally getting the “Oprah shot.” This scene mirrors previous figurative and literal shots in the film; Palmer carries these last few . But while Nope’s actors and cinematography are profound during these moments, the overall conclusion is ultimately unsatisfying.

And yet, Peele does well in making sure the stories he writes do not dependent on its ending. The strong world building, gorgeous film score and impressive wide shots make Nope engaging from beginning to end, even if the final scenes are not as exciting as they could have been.

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Horror Meets IMAX

Nope‘s cinematography is beautiful. Peele’s used large format IMAX cameras, whose high resolution capabilities allowed for an immersive, transformative viewing experience. This, coupled with the expansive and color-contrasting desert landscape, added a unique neo-Western aura to the film. When the camera captures the spaceship creeping out of a cloud in the sky, or when blood pours on the Haywood home, it feels as if we are right there with the Haywood siblings, escaping the hungry monster in the sky.

The Verdict

As with most of Peele’s works, Nope is riddled with an array of interpretations and hidden meanings. The UFO blockbuster is a large pivot from his previous works, thus illustrating just how wide of a range the writer and director has when working with horror. Nope is a strange and enthralling UFO summer movie worth watching. And whether or not this specific niche of film is your cup of tea, there is no denying that Peele continues to make history in the beloved, under-appreciated genre that is horror. 4 out of 5 stars (4 / 5)

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Dexter Original Sin, Miami Vice serves justice and alligators

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Episode of Dexter, Original Sin felt very much like an episode of the original series. And I mean that in the best way possible.

The story

This episode picks up where the last one left off. Dexter is coming down from his post kill high, and looking for another victim. He finds one in Tony Ferrer, a violent loan shark who murdered an innocent woman over a loan taken out by her son.

While Dexter does his due diligence, Deb deals with high school girl problems. She wants to be the captain of her volleyball team. But as with most things in high school, this is a popularity contest. To get a leg up on her opponent, she tells the team that she can score cocaine for a movie night at her house. Dexter agrees to help her if she can get Nurse Mary’s earrings back from her friend Sophia. He makes homemade cocaine with a recipe I’ll not be listing here.

Patrick Gibson and Molly Brown in Dexter Original Sin.

Don’t do this, kids. This is how teens (and people in their twenties) die.

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The episode finishes with Dexter catching his prey, first menacing the loan shark with jai alai balls. These balls move so fast that Dexter manages to cut Ferrer’s cheek in a way that will be very familiar to long-time viewers.

What is not familiar is Dexter’s means of body disposal. While I was thrilled to see Ferrer fed to the alligators (they are big swamp puppies and deserve a good meal) they don’t always eat a whole body. And part of Ferrer remains, floating to the surface. So that’s two kills so far, and two obvious pieces of evidence left behind.

What worked

This episode shone because of the attention to detail. For instance, when Masuka makes Dex a fake ID, he could have put any name there. He could have put Joseph Smith or Jack Torrance. Instead, he picks the name Patrick Bateman. Of course, this is the main character of the astounding novel American Psycho. But they also chose a famous psycho who just happens to have the same first name as our actor. It’s just that extra level of thought that makes it so much richer.

I also love, but also hate, that Deb’s friend Sophia has a crush on Dexter. She seems like a good young woman, a loyal friend to Deb, and just a kid with her head on straight. And, well, we know what happens to women who get involved with Dexter. RIP, Rita. I hate to say it, but I don’t predict that Sophia will survive the series. And that anticipation makes every scene with her in it more tense.

We were also introduced to one of the original series characters that had been missing, Maria LaGuerta.

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LaGuerta was a mixed bag for me in Dexter. She was certainly using her position of power to sexually harass Dexter and abuse Deb. She also seemed more concerned with climbing the political ladder than actually helping people.

I actually loved LaGuerta’s story arc through the series, because we saw her go from this selfish, politically motivated person to someone who legitimately puts herself in harm’s way to protect people. She goes from being Deb’s personal antagonist to her pseudo-mentor. So, I am thrilled with the way she’s being portrayed in Original Sin.

Christina Milian and James Martinez in Dexter Original Sin.

Yes, LaGuerta is more than willing to jump in front of a camera and run her mouth if it’ll help her get something she wants. But what she wants is for people to actually care about victims who don’t happen to be white. What she wants is to be in a position of power so she can start changing things for the better.

Which is fantastic! I can’t wait to see what she does.

Finally, I want to shine some well-deserved light on Patrick Gibson. He must have watched every episode of Dexter as many times as I have because he has Michael C. Hall’s physical mannerisms down pat. The way he moves is so similar, it’s uncanny. And that is a wonderful touch that I cannot help but admire.

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What didn’t work

The only thing I didn’t enjoy about this episode was small. In the middle of the episode, Dexter is making dinner for his family. And it’s an almost shot-for-shot rendition of the original intro.

Now, this sort of thing was clever at first. But we’re three episodes in. We can knock it off now.

So far, Dexter Original Sin has been a lot of fun. This episode exemplified why Dexter is so well-loved. A bad person suffers the consequences of his terrible actions.

And I think that’s beautiful.

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4 out of 5 stars (4 / 5)

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Dexter Original Sin Gets Darker with Kid In A Candy Store

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Episode two of Dexter, Original Sin, was just as wonderful as the first. As a long-time Dexter fan, I find it added so much to the background of the story. And if you’re a new fan, I promise you won’t feel left behind.

The story

At the start of our episode, Dexter is learning the ropes of his new internship at Miami Metro. He’s getting a little hazing but is learning how to fit in.

Sarah Michelle Gellar and Patrick Gibson in Dexter Original Sin.

Especially when he starts digging into the old files and finding new playmates for his Dark Passenger.

Meanwhile, Deb is struggling. She feels underappreciated and ignored at home. So, she decides to steal some jewelry from around the house for some quick spending money. Having little in the house in the way of jewelry, she happens upon a pair of earrings in Dexter’s room.

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Nurse Mary’s earrings, to be specific.

And finally, in what will probably be the storyline for the series, a little boy is kidnapped. While he looks like a victim from the first episode of Dexter, or at least dressed in the same school uniforms, we soon find out that he’s the son of a judge. And his kidnapping might have something to do with the death of Dexter’s biological mother.

What worked

I’ve often complained about slow episodes in a TV season or mini-series. The episodes that just don’t have anything going for them. The episodes that are needed to set up the story, but otherwise are kind of dull.

This is an example of that sort of episode done well. It is true that there were no murders in this episode. There was only one dead body, and it was already dead when we got there.

But that didn’t mean the episode was uninteresting. There was character development. There was comedy. And most importantly, it had a storyline that had a satisfying conclusion. Specifically, Deb stealing Dexter’s trophy earrings and trying to sell them.

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Patrick Gibson, Molly Brown and Christian Slater in Dexter Original Sin.

This little storyline worked on so many levels. One, it heightens tension because we know those earrings can lead the police to Dexter for the murder of Nurse Mary. Two, it shows how frustrated Deb is with her life and how far she will go to have a little fun. Three, it shows how far she won’t go when she refuses to sell her mother’s pearls. And four, it gives us a satisfying beginning, middle, and end of a story while we’re doing the necessary work of laying a foundation for the rest of the series. This was a masterclass in subplots.

I also want to point out that, so far, this series works by itself as much as it works as a prequel. I would watch Dexter Original Sin if I’d never heard the name Dexter Morgan before. And while it certainly benefits from its predecessors, it isn’t only relying on that.

What didn’t work

All that being said, I’m afraid there is still one glaring issue with this series. I hate Gellar’s character.

Yes, I am biased. But hear me out.

Tanya is supposed to be Dexter’s mentor. She got him the job as a paid intern. It would stand to reason that she did that because she wanted to take him under her wing. And yes, I am aware that a certain kind of teacher likes to knock their students down a peg or two. But she seems more interested in proving what a Strong Female she is to this college student than actually teaching him.

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And frankly, this is some of the most sexist stuff I’ve ever seen on Dexter. This show has a long history of being pretty good about gender relations. It passes the Bechdel test. All of the female characters have flaws, strengths, and personalities. It’s almost like they’re, gasp, real people. None of them have been the girl hero with no personality other than being the Strong Female until Tanya was introduced. And given how similar she is to Buffy, and how unlike the rest of the cast this character is, I sense some meddling from Gellar herself.

Do better.

I am so pumped for the rest of this mini series. It is clear that everyone working on this series, except Gellar, are huge fans of the original show. Everyone is going a great job, the story is great, and I cannot wait to see what happens next.

4 out of 5 stars (4 / 5)

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Heretic: ‘It’s a simple choice that should not be made simply: Belief or Disbelief?’

‘It’s a simple choice that should not be made simply: Belief or Disbelief?’

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A24‘s chilling religious horror film, Heretic, arrived in theatres this November, forcing viewers to confront the unsettling line between faith and doubt. Directed by Scott Beck and Bryan Woods, this edge-of-your-seat thriller will leave audiences deeply disturbed as Sister Barnes (Sophie Thatcher) and Sister Paxton (Chloe East) pass over the threshold of Mr. Reed’s (Hugh Grant) home where they undergo a terrifying experience that shatters their beliefs.

The Plot.

Sister Barnes and Sister Paxton are Mormon missionaries for The Church of Jesus Christ of Latter-day Saints. As the opening scenes roll they are visiting houses in an unnamed, rural Colorado town. These houses are from a list of people who have shown interest in joining the church. After being rejected and ignored several times, they arrive at the door on Mr. Reed, a pleasant gentleman who invites them in the discuss the church, promising his wife is home in the kitchen to put the Sister’s minds at ease.

Welcoming the women to sit in his living room, Mr. Reed initiates what amounts to be an awkward conversation, questioning the faith of the missionaries. Sensing that something is amiss, with Mr. Reed’s wife still not coming to meet them and a storm brewing outside, the women decide it is time to leave. Sneaking to the front door when Mr. Reed leaves the room they find the front door locked, and the only way out is to go deeper into the strange house.

Highlights.

I have never really understood the appeal of Hugh Grant. I found him lackluster in Love Actually and just plain annoying in Bridget Jones’s Diary. After watching Heretic though I think the problem is that his career focus has been on the wrong genre. Hugh Grant is terrifying, but not in the conventional sense, in the creepy religious uncle that you only see on Boxing Day sense. It might be in the jerky way Mr. Reed walks, or the near-whispered dialogue throughout the movie. Also, whoever put Mr. Reed in those glasses is a genius, they give chilling Jeffrey Dahmer vibes.

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I must also note the intense monologues that Hugh Grant delivers in Heretic. It is hard to take your eyes off him. The ideas and theories that are presented are not unknown and rather convincing. I was surprised to find myself nodding in agreement with an obviously deranged and hostile character.

Drawbacks.

It is hard to explain the main drawback of this movie without spoiling the ending, but let me try. The explanation and big reveal at the end of Heretic was a bit… on the nose. I just couldn’t hitch myself to that wagon. I understand what the writer was trying to say. That there are people who have such strong faith that they are willing to give up their lives to prove the belief true. It is the way this is presented in the plot however… I didn’t like it and wonder if there might have been another way to present this idea.

The Final Take.

Ahh, how I loved this movie. Never mind National Lampoon’s Christmas Vacation, Krampus or Die Hard, Heretic is my new favorite Christmas film. There is nothing more to be said.

5 out of 5 stars (5 / 5)

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