Notes from the Last Drive-In: Joe Bob Ruins Christmas
Welcome to “Notes from the Last Drive-In,” Haunted MTL’s review and recap series of The Last Drive-In with Joe Bob Briggs on Shudder. This December we received a Christmas treat in the form of a new special, “Joe Bob Ruins Christmas” which brings back the telethon format of the last Christmas special with a few fun surprises and two decidedly un-holiday films.
Nothing quite like spending the holidays with the Mutant Fam taking in the delights and horrors of Ice Cream Man (1995) and Gator Bait (1974).
Ice Cream Man
Ice Cream Man is a 1995 direct-to-video slasher produced and directed by Norman Apstein/Paul Norman. The film was written by Sven Davison and David Dobkin. It stars Clint Howard, Olivia Hussey, and David Naughton. David Warner, Jan-Michael Vincent, and Lee Majors II make brief appearances.
The plot of the film is pretty simple: a man, Gregory Tudor, is released from a sanitarium and reopens a childhood favorite ice cream factory. However, soon enough the secret ingredient of the ice cream “hardpack” is every other customer. As a result, a group of local kids, fueled by the story of the Pied Piper, seek to stop Gregory’s murderous sourcing of ingredients.
Ice Cream Man is not a good movie, but it is a fun movie. It is entirely possible to enjoy something while pointing out it is not very well made. The movie hits the sweet spot (pun intended) between awful and awfully funny, and it makes for a great selection for The Last Drive-In. I mean, any film you could reasonably define as a “Clint Howard vehicle” is pretty much going to have some laughs. The guy is fantastic and made some strange, strange films, such as last season’s Evilspeak. If there is peak Clint Howard, however, Ice Cream Man is it, and we’re all the better for it.
The film is very 1990s and direct-to-video. It doesn’t look particularly good. The quality of the lighting is muddy. Cinematography is virtually absent as well. At no point does the film introduce a shot that is unique or visually interesting. The music is budget for even 1995, cheesy synthesized plinks.
And yet it is a movie you can’t walk away from because of the sheer magnetism of whatever the Hell Clint Howard is doing with the character. Most of the performances are functional at best. The only real stinkers of the bunch are Jan-Michael Vincent and Lee Majors II as the one-note cops. David Warner shows up for about five minutes of screentime and does his thing (excellently), but beyond that, nobody stands out, especially when in a scene with Clint Howard’s Gregory Tudor.
The story can be non-sensical at times, the character motivations a mystery, and the film is full of strange, offputting moments. The special effects are low-budget mid-90s at the best of times. Yet something about this film is compelling. It’s exactly the sort of cheesy, direct-to-video material that horror fans will watch at 2 AM. The comedy, while largely unintentional, buoys the film and makes it a great drive-in movie.
Joe Bob-servations
This movie was Joe Bob’s gift to Darcy. He initially gave it three stars, but gave it an extra star bump due to the spirit of the season, making Ice Cream Man a four-star Drive-In movie.
Joe Bob did a lot to contextualize this movie for me. I had only seen it once before when I was a teen, and it didn’t really draw me in. Having watched it now with some guiding words from our venerable movie host, I have a better appreciation for it. The movie is very much a mess, as Joe Bob points out that the film was originally going to be a children’s film. That changed, however. That does explain the strange tonal shifts in the movie. It feels like a knockoff of The Goonies young cast set-up, only with Clint Howard manhandling the ice cream instead of treasure hunting.
Part of the odd tonal shifts in the film is also explained by the director, Norman Apstein/Paul Norman. A former pron director most known for Edward Penishands, he might be the last choice you would expect for a horror film, let alone what was to be a children’s film. But considering the amount directors who started in porn and moved onto horror, such as Wes Craven, this isn’t that odd. Regardless, the shift in tone within the movie stems from some of these elements, undoubtedly, as well as the fact that the director was going through a painful separation from his family during the production. It’s a pretty crazy story.
The film is just filled with some bizarre little moments that Joe Bob Briggs points out in the host segments. Whether it be the pillow stuffed under the shirt of child-actor Jojo Adams to make him look fatter, David Warner showing up to film for a day or two, or the rather bonkers nature of the scene at the asylum, which feels like another movie entirely. There are, of course, rumors that the asylum scene was a troubled shoot due to Jan-Michael Vincent being wasted. Plus, with Clint Howard being the focus we also heard a wonderful little bit about his screaming out the window of his car on the drive to the set to get that graveled voice for Gregory.
Final Thoughts on Ice Cream Man
Ice Cream Man is fun as Hell. It is not a good movie by any stretch of the conventional definition, but the Mutant Fam is not obligated to derive enjoyment based on the quality of a movie. In fact, collectively we tend to value the rougher films. Ice Cream Man was a lovely little treat for fans of The Last Drive-In, and the culmination of what’s been a fun little joke over the past couple of years regarding Darcy’s love for Clint Howard. While I did have a lot of fun, the movie does have some significant flaws. I can’t award it anything more than three Cthulhus.
(3 / 5)
Best Line: “Trolling for Tuna!” – Ice Cream Man, grabbing Tuna from his bicycle
Gator Bait
The 1974 hicksploitation film Gator Bait was a special treat from Darcy to Joe Bob for the telethon. Gator Bait, directed by the married Beverly and Ferd Sebastian, is most famous for starring former Playboy Playmate Claudia Jennings. The film also stars Douglas Dirkson, Bill Thurman, and Sam Gilman. The film was written by Beverly Sebastian with Ferd responsible for the music.
Gator Bait is set in the swamps of Louisiana and follows poacher Desiree Thibodeau (Jennings) who lives in the swamps with her kin. One day, two men seek to rape her while trapping alligators and in the pursuit, one of the men dies. Soon the sheriff, the surviving, the serving deputy, and the incestuous family of the dead would-be rapist hunt her down for revenge.
Gator Bait is a rough film. It is pretty good, all things considered, but it can be quite graphic and disturbing for the unprepared. It is in many ways an ugly, brutal film. It is also a prime example of what a hicksploitation film is and makes wonderful use of the setting, which coincidentally was in the same area as another Drive-In favorite, The Legend of Boggy Creek. The violence of the movie, more specifically sexual violence is what will generally cause most people to reject it as too far, but it is worth powering through for a strong string of revenge sequences from Desiree.
The writing of the film is the greatest strength, crafting interesting characters that I found myself really hating or intrigued by. Specifically, T. J Bracken, played by Sam Gilman, is a fairly complex antagonist who leads a rather horrific brood that he can’t keep in check. While a great deal of credit goes to Sam Gilman, such characters are a collaborative art and Beverly Sebastian’s writing creates a compelling and ugly situation that spirals out of control. It’s a feel-bad movie that creates some genuine interest in the destruction of three families brought on by an attempted rape and a cowardly lie.
Claudia Jennings is also a strong performance. Largely silent, her dialogue is a bit childish and simple, constructed of short sentences in creole, befitting her nature as a child of the swamp quite effectively. It may take a moment to let that idea set in as you watch, but it comes across quite well. She also has a certain physicality in her performance as well. Obviously, there is sex appeal, but there are moments of genuine strength where her demeanor and the framing of the shot establish that she will have her revenge in no uncertain terms.
The movie is cruel, perhaps the cruelest that has been on The Last Drive-In since Cannibal Holocaust, but that cruelty does serve a point. Gator Bait, beneath the trappings of sex, violence, and the assumed stereotypes of swamp people is a morality tale in which nobody really wins. It’s worth a watch if you can make it through a couple of particularly brutal scenes.
Joe Bob-servations
When he wasn’t expressing utter shock and dismay at triathletes, Joe Bob regaled Darcy and the rest of the telethon crew with his love of Gator Bait. He is a fan of the movie for a couple of reasons, and at least two of them involve the presence of Claudia Wells. it can be fun when the show dives into the more exploitative nature of sex. Audiences love a sexy actor or actress, and it is one of those things that the show highlights as part of the Drive-In appeal. While this is mostly revolving around the male gaze, the show is as evenhanded as possible when it has to be.
The big punchline to this is that Joe Bob established the idea of Darcy replicating the iconic look of Claudia Jennings from the poster for the film, which does happen, of course. That’s not until after Darcy subverts the gag by wearing an alligator costume. Over the past couple of years, Darcy and Joe Bob have established a wonderful rapport and in my estimation, the show is very much equally Darcy’s at this point, as she serves as the sexy angel and devil on our host’s shoulders. The Last Drive-In makes good use of their back and forth as well as the expanding roster of the guests, such as Felissa Rose, and contributors to the show such as John Brennan and Yuki Nakamura.
The host segments for this section of the film were full of fascinating information, of course. One example includes a very funny, bizarre connection to Walt Disney that I don’t believe happened, but is just odd enough to be true. There was also a lot to discuss regarding the married team who made the movie possible, particularly Beverly, who sounds like a real badass. Beverly and Ferd Sebastian strike me as representatives of the drive-in spirit we celebrate through the show, so it was particularly fun for Joe Bob to give them their due and to put these two filmmakers on more people’s radars. This was my first experience with Gator Bait, and I am happy that Joe Bob’s show was able to put this challenging yet compelling movie on my radar.
Final Thoughts on Gator Bait
Gator Bait isn’t my favorite movie that has been shown on The Last Drive-In, nor is it my favorite movie that has been introduced to me through the show. But the movie has stuck with me quite a bit since I watched it. It is a visceral film, for sure, and likely to be as divisive with the Mutant Fam as Cannibal Holocaust. As far as shock pictures go, I’d argue Cannibal Holocaust is the stronger one and features a more compelling theme, but Gator Bait is quite good. Joe Bob, being a fan of redneck pictures, gave the film four stars. I am not as enthused by it, but I did enjoy it, rough spots and all. I give Gator Bait three-and-a-half Cthulhus.
(3.5 / 5)
Best Line: “She ain’t got no choice. She either screws us, or she gets behind bars. Puttin’ a wildcat like that behind bars is bad.” – Deputy Billy Boy, immediately raising concerns in us all about the nature of law enforcement
Haunted MTL Drive-In Totals
Here are the official tallies from Shudder.
As for our own tally, we have…
- One Dead Dog
- Two Darcy Cosplays
- Four Causes Championed
- Thirteen Items Auctioned
- One Dozen Snakes
- Christmas Joking
- Jesus Joking
- Incestuous Son Whipping Fu
- Drunken Stumbling Through Asylum Set Fu
- Zoom Call Yuki Fu
- Gratuitous Holiday Musical Verses
- Gratuitous Musical Number
- Gratuitous “Reason of the Season” Lecture
Episode Score
I do appreciate the telethon format for the previous Christmas special that has carried through into this one. I also really like that the items up for auction were also a little more substantial than last year’s. I just wish I could have afforded to bid. But even then, allowing flat donations in exchange for merch was an excellent tough and with luck, the telethon has raised a substantial amount of money for each of the organizations and causes selected this time around. The selections were all themed around the nativity story of the three wise men, and throughout the night the show had a welcoming, encouraging atmosphere.
This was probably best punctuated by the recurring gag where everyone would burst into a line from a spontaneous Christmas song, to which Joe Bob would play the bah-humbug role. Of course, that led to Joe Bob taking us into a full musical ending, which is always welcome. I am always impressed with the show’s embracing of original songs and how good John Brennan and his crew are at putting them together.
After a long stretch of episodes dealing with the isolation that reflected the world struggling with COVID and all-around suck, this Christmas special felt like a great example of the togetherness that The Last Drive-In can bring for horror fans.
Plus, there was the Chili Bandit again. I love that little hog.
(4 / 5)
And that is where we leave you until The Last Drive-In with Joe Bob Briggs returns to Shudder in 2022. I would love to read your thoughts on the special and the films chosen. I’d also like to read your thoughts on the reviews. Are they too long? Not long enough? Please, let us know.
Otherwise, please, have a Merry Christmas, and may all your gators be baited safely.
“There’s room for everyone at the Drive-In. Everyone pays the same price to get in. We’ll make room for you.”Joe Bob Briggs
Supernatural is not strictly a show about witchcraft. Or, is it?
Sam, Dean and John Winchester are not witches.
Or, are they? When you watch Supernatural as a modern witch, you realize that a lot of what the Winchester boys do during their battles to protect the world from monsters are things we do as part of our witchy routines.
Just the facts
Starting in 2005 and running until 2020 for fifteen seasons, Supernatural tells the stories of Sam and Dean Winchester as they protect the world from the forces of darkness. Together with a collection of human and otherworldly allies, they battle demons, ghosts, cryptids and all manner of horrifying dark creatures. It was one of many CW shows that delved into the darker side of the world before committing entirely to bad DC content.
What Supernatural got right
The first thing that jumps out when watching Supernatural is the metric ton of salt used in the show. Specifically, salt is used to protect against any number of ghastly things.
This is very familiar to any modern witch. We have so much salt. Black salt, red salt, blessed salt. Salt to cleanse, salt to banish, salt to protect. When I saw Dean and Sam with massive containers of kitchen salt, I felt like I’d found my people.
Then there is of course John Winchesters notebook. Or, dare I say, grimoire. This also felt familiar. And it’s one of the things I loved the most about Supernatural.
Look, we all want the big family grimoire with the lovely, flowing artwork and beautiful handwritten spells like in Charmed. But in reality, most grimoires look a lot more like the Winchester notebook, with sketches and notes shoved in and held in place with gum bands and paperclips. And while I’m not going to say that my grimoire has daring notes about demonic beings I’ve battled, it certainly has more quick sketches (mostly of plants) than it does beautiful calligraphy. This is supposed to be a useful document full of information we can reference quickly, not an art piece.
Longtime viewers of the show will point out that not only do the Winchesters not call themselves witches, but they often interact with witches. Sometimes as allies, and sometimes as enemies.
The witches in the show are pretty true to life. They are good and bad. They can be anyone, from any walks of life.
The witches use many tools modern practitioners use, including crystals, scrying mirrors and protection symbols. Honestly, they are pretty spot-on. Except for the spectacular TV magic they implement.
Finally, I want to discuss the question I asked at the start. Are the Winchesters witches?
No, they’re not. Because they don’t claim the title. Even if someone does magic, they’re not a witch unless they say they’re a witch. The whole point of witchcraft, after all, is personal power and personal choice.
What Supernatural got wrong
All of that being said, Supernatural was of course not a perfect depiction of witchcraft. For one thing, there is no grand coven of witches. I don’t think enough of us could agree on enough to create one.
But if we did, Stevie Nicks would be the Supreme.
Witches also don’t have to come from a long line of witches or be taught by other witches. Many of us are self-taught from books. And sadly, many of us live in communities where we might be the only witches around.
Thankfully, there are online communities from which to learn and grow. You don’t need to be a generational witch, or even have a close witch mentor. It’s a practice, and practice is all that’s required.
All in all, Supernatural is a fairly good example of modern witchcraft. The show might not be about witches, but it’s a great representation.
(4 / 5)
By the way, if you like this you might enjoy my haunted apartment novella, Quiet Apocalypse. The main character is a modern witch, and I share some real magic in this fictional story of an unexpected end of the world.
Movies n TV
Evil: Genesis 1 (S1E1)
Evil: Genesis 1 (S1E1) is a supernatural drama created by Michelle King and Robert King, starring Katja Herbers & Mike Colter.
Evil: Genesis 1 (S1E1) is a supernatural drama created by Michelle King and Robert King. The central cast includes Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, and Christine Lahti. It originally aired under CBS before moving to Paramount+. As of this review, it’s available through Netflix and Paramount+ and its add-ons. Though this series will earn nominations and awards, I’ll bring them up in relevant points or the end of the season review.
Dr. Kristen Bouchard (Katja Herbers) is a forensic psychologist struggling to financially support four daughters after losing her contract with the prosecution. When a Catholic seminarian (Mike Colter as David Acosta) offers her an opportunity to become an assessor for the Catholic church, she’s in no position to argue. Little does she know; this decision will put her in the crosshairs of Evil.
What I Like about Evil: “Genesis 1”
The cast includes heavy hitters and niche delights, such as Aasif Mandvi and Michael Emerson. Mike Colter, recently coming off of Luke Cage, brings his own star power to the cast.
Evil’s Genesis 1 starts strong with its supporting villain, Darren Pettie’s Orson LeRoux, who gives a calm and flowery account of his horrible crimes. Evil balances a light tone with dark material, and this performance does an expert job of setting that standard.
However, Katja Herbers’s Dr. Bouchard brings the central performance to life. Genesis 1 does a great job of planting the seeds of this complex character. From her ability to get shit done to her unsatisfying life, Bouchard has plenty of traits that easily allow for empathy and understanding.
Evil balances the line between real and supernatural horror, allowing viewers to assess a situation with plausible deniability. Seeing through the eyes of a skeptic, Dr. Bouchard, amplifies the fear and trauma a demon’s appearance ought to bring.
In terms of direct horror, Genesis 1 sets up what will come. It often provides an unsettling experience, building tension for future episodes. Where Genesis 1 becomes terrifying are those moments of juxtaposition, such as the initial monologue.
Tired Tropes and Triggers
While little is shown in the show of Orsen’s crimes, he is a rapist and murderer. To clarify, any depictions mentioned focus more on the murder.
As David aims to become a Catholic priest and the central trio act as assessors on behalf of the Catholic church, there will be religious elements that might rub some the wrong way. An example is the shady history of the church briefly mentioned as a throwaway jab by the antagonists. However, these elements are only lightly touched upon here.
A brief seed remains planted between Kristen and David, an attraction that might indicate an infidelity. This tension plays a role within the series. In my opinion, it’s handled well and adds to the complexity of the characters, but it’s a point worth mentioning for those troubled by such things.
What I Dislike about Evil: “Genesis 1”
Truthfully, there’s nothing I disliked. The only potential weakness worth mentioning is that the focus on Kristen remains so dominant one might easily assume it’s her story alone. Eventually, Mike Colter’s David becomes a co-lead for the show. While there remains a clear purpose for this decision, it’s the one gripe worth mentioning in terms of fully living up to the premise.
Another nitpick is the court procedure. Kristen gives her statement and is meant to return after new evidence to reaffirm her given statement as if they paused her testimony. Evil doesn’t explain its version of court procedure here.
Final Thoughts on Evil: “Genesis 1”
Genesis 1 provides a great foundation for Evil to thrive, sowing the seeds for future episodes to build upon. The only area that falls short remains communicating its leading cast, which future episodes aim to fix. If you’re hesitant about the series, Genesis 1 provides a great glimpse of what to expect.
(5 / 5)
My Haunted Hometown interview – Barb Dexter
To start off check out our exclusive interview with Barb Dexter from My Haunted Hometown! Prepare for spine-tingling tales as Barb Dexter unveils her shocking personal ghost encounters on T+E Channel’s gripping paranormal series, “My Haunted Hometown”. Don’t miss exclusive behind-the-scenes insights and emotional revelations that will leave you questioning reality. Premieres Friday, September 6th at 10 PM ET/PT.
Click the trailer for My Haunted Hometown and set your clocks for the premiere 6 Sept!
Want to know more about T+E Channel’s My Haunted Hometown?? Check out the trailer below (and make sure you watch the show as it airs Friday 6 September, 10PM PT/ET only on T+E!
If you ever wondered what it was like to be in a town with a dark history–and live in a forever home that might be forever occupied by spirit energy, then you need to check this episode out!
Why T+E Channel’s My Haunted Hometown hits
The production value works. The camera. The crew. The sound. The editing. The PR team. These are all great assets–and the best asset of them all? The people in the show.
We have all seen shows where the ghost story is made up. It’s usually some quick cash grab for a celeb (although there were some great truly well done celeb ghost stories, too!) or just some channel/content filler type thing. This is not that….this is what every ghost show should be.
The crew sits down. The people are taken seriously. They are giving a channel to voice their story and by sharing their story, they get to grow and sometimes heal from the telling. We draw strength in knowing we are not alone.
When the episode starts, your emotions range from being afraid for the people to being all warm and fuzzy with knowing that these people are opening themselves up to you and you are not alone.
If you have any paranormal experience, these stories will help you feel a bit more whole.
If you are a believer, this is your show.
If you are a doubter, this is your show. You might still doubt, but you won’t doubt that these are real down to earth people giving witness to what they saw.
See why we call the T+E Channel the Blumhouse of TV and catch the free preview on T+E Channel from Sept 2 to Nov 3
The Setting
I think small towns work well as a setting. If you recall most of Seth Breedlove’s movies are SMALL Town monsters. If you recall our interview with Harker Jones’s interview the scary horror wasn’t the city of LA but the SMALL Town where you are a bit more isolated.
Not only does the setting work because of the more remote feel, but it works because of the people. The people in the show make the show. They are relatable. They are down to earth. They are easily your next best friend after moving into the neighborhood.
Also, if you are a fan of cats and dogs–there are a few of the most adorable furry friends ever in this episode.
The Rating and Where to Watch
After watching the first episode, I can’t wait for the rest! I’m sure to check it out when they drop every Friday in September! Won’t you join me? 🙂
See what all the rave reviews are about (5/5 Cthulhu!) and see why we call the T+E Channel the Blumhouse of TV and catch the free preview on T+E Channel from Sept 2 to Nov 3 – your gateway to the supernatural! Tune in and share the thrills with #MyHauntedHometown and #TEonTV. Are you brave enough to watch?
(5 / 5)
