Shudder Acquires ‘The Cellar’ ahead of SXSW Festival
Shudder has landed another exclusive film for the streaming catalog with The Cellar (2022). They have announced this new addition to the library prior to the film’s debut at SXSW.
Here are the details, directly from Shudder.
SHUDDER ANNOUNCES ACQUISITION OF THE CELLAR, STARRING ELISHA CUTHBERT AND EOIN MACKEN, AHEAD OF FILM’S WORLD PREMIERE AT SXSW FESTIVAL
From Critically Acclaimed Writer/Director Brendan Muldowney, The Cellar Will Stream on Shudder April 15 with a Day-and-Date Theatrical Release Through RLJE Films
NEW YORK – February 4, 2022 – Shudder, AMC Networks’ premium streamer for horror, thrillers and the supernatural, announced today the acquisition of The Cellar, from critically-acclaimed Irish writer-director Brendan Muldowney and starring Elisha Cuthbert and Eoin Macken, ahead of the film’s world premiere at SXSW. The film is also the closing film of FrightFest Glasgow. The Cellar will have a day-and-date premiere on April 15th, streaming exclusively on Shudder in North America, the United Kingdom, Ireland, Australia and New Zealand with a U.S. theatrical release through RLJE Films, a business unit of AMC Networks.
Filmed on location in Roscommon, Ireland, The Cellar tells the story of Keira Woods (Cuthbert), whose daughter mysteriously vanishes in the cellar of their new house in the country. Keira soon discovers there is an ancient and powerful entity controlling their home that she will have to face or risk losing her family’s souls forever.
“The Cellar is a riveting story that we think will appeal to both horror lovers and broader audiences alike, and we’re delighted to work with RLJE Films to bring it to the widest possible audience,” said Craig Engler, GM of Shudder, “Brendan and this talented team have crafted a dark and haunting tale that we’re excited to share with audiences this April.”
“Ever since we made the short film The Ten Steps, which The Cellar is based on, I have seen the profound effect and power it has had on audiences,” said Muldowney. “I am really excited to be working with Shudder and RLJE Films in bringing this feature-length version of the nightmare to a wider audience.”
The Cellar is an Irish/Belgian co-production with Conor Barry of Savage Productions and Richard Bolger of Hail Mary Pictures serving as producers. It is co-produced with Benoit Roland from Wrong Men Films in Belgium. Patrick Ewald of Epic Pictures Group, Lesley McKimm of Screen Ireland, John Gleeson and Oisín O’Neill for BCP Asset Management Sarah Dillon of the WRAP Fund and Patrick O’Neill of Wildcard Distribution are executive producers. Production investment was provided by Screen Ireland, Epic Pictures, BCP Asset Management, The Western Region Audiovisual Producers Fund / WRAP Fund and Wallimage, BNP Paribas Fortis Film Finance, VOO & BETV.
About Shudder
AMC Networks’ Shudder is a premium streaming video service, super-serving members with the best selection in genre entertainment, covering horror, thrillers and the supernatural. Shudder’s expanding library of film, TV series, and originals is available on most streaming devices in the US, Canada, the UK, Ireland, Germany, Australia and New Zealand.
About RLJE Films
RLJE Films’ recent and upcoming features include David Oyelowo’s directorial debut The Water Man; the intense No Man of God starring Elijah Wood and Luke Kirby from director Amber Sealey; Sion Sono’s 2021 Sundance Film Festival premiere Prisoners of the Ghostland starring Nicolas Cage and Sofia Boutella; and the apocalyptic holiday dramedy from writer/director Camille Griffin, Silent Night, starring Keira Knightley, Matthew Goode and Roman Griffin Davis. us.rljentertainment.com
Excited about The Cellar on Shudder?
Are you excited about The Cellar? Family-driven horror stories can be very compelling, and it’s good to see Elisha Cuthbert again. We’ll definitely have a trailer on the content guide for April. Let us know what you think in the comments.
We’ve reached the penultimate episode of Original Sin. This season has been a bloody delight so far, but of course, the endings usually ruin anything related to Dexter.
See the original series ending, book series ending and New Blood ending.
But so far this ending has been good. Let’s discuss.
The story
We begin this episode with the whole force worrying over Bobby, Harry’s partner. They decide to have a blood drive, which is a really good way to respond to a tragedy.
In a flashback scene, we see that Harry and Doris took in both boys. Doris is, by the way, a living saint. She takes these two boys into her home and heart. Until that is, Brian almost kills Deborah.
Not for the last time.
Meanwhile Dexter is planning to take out Captain Spencer. The only problem is that, through a series of rather heartwarming events, he’s given blood twice on the same day. So when it comes time for the kill he isn’t at his best.
Even so, Dex almost makes the kill. The only problem is that Nicky is still alive. And Dexter, proving again that he is a strange and gentle monster, cares more about saving the son than killing the father.
What worked
I first want to shine some well-deserved light on the casting in this series one last time. Because Roby Attal, who played Brian, did a fantastic job. He looks very much like Christian Camargo, who played Brian in the original series. But of course, the important thing is the facial and body language. He smiles like Brian, moves like Brian. And, of course, kills like Brian. He was the perfect choice.
I also really enjoyed the scenes between Dexter and Captain Spencer. They were well done and emotional. I loved the passion and anger in Dexter’s voice when he confronted Spencer. I loved Dex playing a video game and putting in Nicky’s initials. And I really loved Dex stabbing Spencer with a hypodermic needle through his hand and into his neck. It was well-written, well acted and cathartic.
Now, in the interest of fairness, I owe Sarah Michelle Gellar an apology. Because she was great in this episode. Her character, Tanya, was passionate and perfectly well-acted. Best of all, she looked her age.
And she looked beautiful.
So often in media women’s ages are hidden like dirty secrets. Even more so when she was popular in her youth. So to see her look her age, look haggard and tired, was fantastic.
What didn’t work
All of that being said, this was not a perfect episode. The worst thing, in my opinion, was that we found out why Captain Spencer abducted his son. Why he killed an innocent boy. Why he kidnapped these boys and tortured them for days before he killed them. And why he slaughtered an entire houseful of people.
I have no intention of spoiling the reveal for you. But when you watch it, I’m sure you’ll share in my disgust. I was expecting some deep dark secret, maybe some sort of corruption or betrayal.
But that’s not it. And the reason he had doesn’t make sense. Why torture these boys with his intention was, well, what it was?
I have some hope that this reveal was false. After all, all we have is the word of a man plastic wrapped to a table. I guess we’ll have to wait until the next episode to find out.
Finally, I do want to point out one thing that is a little disappointing about the series as a whole.
It’s kind of hard for there to be a lot of suspense for the coming episode. We already know that nothing very bad can happen to our dear demented Dexter. He will not be caught. He will not go to jail. He will not die. Neither will Deb, Brian, or any of the other beloved characters from the original series. So much of the tension we might have felt just isn’t there. This is a struggle for a prequel series and one that I don’t think this series has done enough to address.
Despite the slight letdown of the killer’s motivation, this was a good episode. It set up the finale with a great cliffhanger and left us with more questions than answers. I’m cautiously optimistic about the last episode of Dexter Original Sin.
(4 / 5)
Good news to my nonbinary pals – we no longer exist!
“But Brannyk,” you may be thinking, “what am I supposed to do now that I am no longer a real being? How shall I spend my days?”
Unfortunately, the government has not released a handbook for this occasion, so I thought we could brainstorm together.
BECOME A GHOST
There are some benefits to being a ghost, for sure.
No rent or insurance payment. No corporate job, no cleaning cat litter, no AT&T trying to sell you another line after repeatedly telling them that you just want to make sure that your autopayment is on, but they’re all like, ‘Why would you pass up such a bargain on a second line? Are you an idiot? Why wouldn’t you need another phone line?‘ and so you have to tell them, “Because I’M DIVORCED, ASSHOLE, THANKS FOR REMINDING ME OF THAT!”
Ahem. I digress.
Yeah, you may not be able to venture out, much like Adam and Barbara in Beetlejuice. You may need to put up with someone else crashing your place and moving around all of your shit. Or Ryan Reynolds trying to sell you Mint Mobile. Or some toxic couple taking your creepy doll that you spent years on trying to possess.
Or, my absolute biggest pet peeve, when you’re practicing for the ghost speed chair-stacking championship and the normies just don’t appreciate your cool skills.
But the advantages are that you get to stay home, watch tv, stack your chairs and hope whoever buys your house/visits your creepy woods/gentrifies your neighborhood is a cool person, too.
(2 / 5)
It’s a good choice, but has a lot of drawbacks.
BECOME A CREATURE
Look, if you’re not going to exist, go big or go home, I’d say.
Monsters are cool. They play by their own rules. Sometimes they cause havoc. Sometimes they come around and help people. Sometimes they work alone. And other times, they have a lot of friends. Sometimes they just need some affirmation. And sometimes they’re…in high school, apparently?
The cool thing is that they come in all shapes and sizes.
Monsters are generally misunderstood. Some have their fans. Others are hated.
So basically, just like people, except with more tentacles.
The only downsides are that you might be too big or too “ick” for some people (these can also be pluses), you may have a taste for human flesh (no judgement), or the biggest issue – there are too many choices.
You could get stuck trying to figure out what kind of monster you are. If you’re not into labels, it’s an absolute nightmare. Or if you’re like me, it’ll be like standing in Subway for 15 minutes trying to figure out what toppings and dressings you want while the “sandwich artist” is openly judging you.
(4 / 5)
I like the customization, but it can be a bit too overwhelming.
BECOME A CRYPTID
Hear me out. I know it seems a lot like the monster category, but it’s not quite.
Cryptids are weird and mysterious. They keep to themselves. They have people who are fascinated by them and post on Reddit about them. Some have people making documentaries about them.
They’re like monsters’ quieter cousin who reads books in the corner at family gatherings. They collect shiny things they find by the side of the road. Sometimes they’ll steal a peanut butter sandwich or two.
Ever so often, they might scare a human just by existing or by politely asking for their stuff back.
Each one kinda has their own goals and priorities. Their own hangouts and interests. But unlike monsters, they’re not looking to rock any boats-
Never mind, I stand corrected.
(5 / 5)
I like the freedoms of being a cryptid and also dig the cottage-core vibe I get from them.
CONCLUSION: LET’S BE REAL FOR A SECOND…
I know it’s hard right now. It’s going to be hard. You may not exist to some assholes, but you are real. You have real feelings and thoughts and dreams. You have a real future. You have real decisions. Real actions that affect this world.
You have the real ability to wake up tomorrow and choose to exist. And for whatever reason you choose. Use it. Ghosts and monsters and cryptids are powerful, just like you are, even when you don’t feel like it. They have a place in our human world, just like you do. You make this world interesting and important.
You are part of this world, you are real, and you are not alone.
The horror community is one of acceptance, diversity, creativity and passion. In these times, it needs to be. We need to rely on each other. We need to cultivate and protect each other, as much as we need to protect ourselves.
And it looks like I’ll be coming out of my own cryptid hovel I’ve spent the past few years in to remind you that. My job isn’t done. Not by a longshot. And neither is yours.
You exist to me. Today, tomorrow, and forever.
Be safe out there, friends.
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