Sometimes life gets in the way. Maybe you watched the episodes the nights they came out, but then you got your stomach tattooed so you didn’t have the energy to type on your computer, and then you had to work nonstop for six days straight and housesit 20 miles out of town, and then you got into a hit-and-run car accident with your boyfriend (luckily you’re both okay but really very angry at the asshole that just drove away), etc. etc.. March has been a lot, but I finally rolled up my sleeves, made time for my computer and stopped procrastinating the job of writing my final review on HBO’s The Last of Us.
Here we will cover the final events of Joel and Ellie’s saga. Both episodes were directed by Ali Abassi and written by Craig Mazin and, in episode 9, Neil Druckmann. The adaptation continued to cover the story elements of the game, leaving out and/or changing most of the fighting and action scenes. This change is especially noticeable in episode 9, “Look for the Light,” but we’ll get to that in a minute. Let’s first do a recap of episode 8, “When We Are in Need.”
“When We Are in Need”
Ellie is on the hunt for food and comes across a deer, which she shoots down almost effortlessly. It is in this moment that she meets a preacher named David (Scott Shepherd) and his partner, James (Troy Baker, (Joel’s voice actor in the video games)). After a moment of hostility towards the stranger, Ellie agrees to give the deer to David in exchange for penicillin. Shortly after giving Joel the medication, Ellie has to leave again to deter David’s religious crew from hunting her and Joel. It turns out Joel killed a few of David’s men, and the preacher is out for revenge.
The religious group captures Ellie and puts her in a cell, where she discovers David has been feed them human remains. Meanwhile, Joel finally awakes and is stable enough to escape the house and search for Ellie. He tortures two men into disclosing her location, but he is almost too late. David places Ellie on a butcher block and is just about to chop her up when she narrowly escapes. The two fight until she finally has the advantage and takes him down, bludgeoning him to death with an insurmountable fury of vengeance.
“Look for the Light”
Episode 9 begins with a flashback of Ellie’s pregnant mother, Anna (Ashley Johnson, (Ellie’s voice actor in the video games). An infected bit Anna just moments before she gave birth to Ellie. Moments pass, and Marlene finds the two in a pool of blood. She is forced to take the baby and kill her friend. Fast forward 14 years, and Joel and Ellie are almost done with their journey. They finally made it to Utah. Ellie, still processing everything that happened with David, is sad and somber. Joel tries his best to cheer her up, but nothing seems to work.
Suddenly, the youth sees something and runs off to get a better look. Joel chases her until he stops and stares in awe. The camera pans from him to Ellie inches away from a giraffe. She is her old self again, cracking jokes and asking a myriad of questions. Later on, when Joel reveals that he tried to kill himself after Sarah’s death, Ellie provides him as much comfort as she can. But the fact that Joel can trust her enough to reveal such a secret means is a comfort on its own. He asks Ellie to read some puns to lighten the mood, but his moment is interrupted when a group of Fireflies knock them out.
Joel wakes up in a hospital to see Marleen, who informs him that the doctors are preparing Ellie for surgery to remove the part of her brain that makes her immune. This procedure, however, will result in Ellie’s death. No matter how hard Joel fights, Marlene won’t budge. She instead has two Firefly soldiers escort Joel out of the hospital, but he kills them and everyone else until he finds the surgery room, where he murders the doctor in cold blood. He escapes with an unconscious Ellie and makes it as far as the parking garage until Marlene stops them. The camera cuts to Joel driving a car with Ellie in the backseat.
Ellie wakes up and asks Joel what happens. While he lies to her that there is no cure, the camera flickers back to the parking garage scene with Marlene. He shoots her once. After listening to her begs and pleas, he kills her with a final shot.
The duo have to walk the last few miles to Tommy’s town. At the top of a waterfall, they get a spectacular view of their new home, their new futures. Before making the final trek, Ellie tells Joel about her past and how she saw her best friend die. This lead to watching Tess, Sam and Henry die because of the disease. The fact that they all had to go through such gruesome deaths, only for there not to be a cure, is too much for Ellie to handle. She makes Joel swear that he is telling the truth, and in a beat, he does.
HBO’s The Last of Us is a remarkable video game adaptation that deserves all the high praise it has received the past few months. From the set design and effects to the filming, screenwriting and acting, the show is a peak example of how to do an adaptation well. It is heart-throbbing and terrifying.
A few issues with HBO’s adaptation is how much they excluded the game play scenes. Despite the world being filled with infected, they were rarely on screen. This is disappointing, especially because it increases the stakes and so much of Joel and Ellie’s relationship builds in these fight scenes. The biggest disappointment was in episode 9, in which the show completely cut out the game’s highway scene. Furthermore, there are numerous creative weapons the show could have included to illustrate Joel and Ellie’s means of survival, from molotov cocktails and nail bombs to the beloved shotgun and its shorty companion.
Despite these small quibbles, the show is arguably one of the best American video game adaptations out there. Pedro Pascal and Bella Ramsey were the perfect casting choices for Joel and Ellie, as was the casting for all the other characters.
It will be exciting to see where Neil Druckmann and Craig Mazin take The Last of Us 2. I hope they will include more gameplay (aka a little more violence), more screen time for infected, and some creative liberties with the original story while also sticking to the heart of it. We will just have to wait and see what they come up with. Until we meet again, don’t forgot to read about the other shows and games we’re loving here at HauntedMTL.
(4 / 5)
Slay the Spire Downfall Review: A Masterclass in Fan Content
Slay the Spire Downfall, also known as Downfall, is a fan-made mod to Slay the Spire by Table 9 Studio. Table 9 is a small game studio that has primarily specialized in small projects but is soon to release its own original game, Tales & Tactics. Downfall is one of its first projects, and has been met with heavy support from the Slay the Spire development team and community. It has been so successful, it even has its own Steam page.
If you aren’t familiar with Slay the Spire, check out my review! Now that you’ve familiarized yourself with the base game, let’s get into the expansion!
Downfall adds considerable content and new playing options to Slay the Spire. Generally, there are plenty of new cards, events, and relics. Additionally, there is a new hero, The Hermit, an undead gunslinger. Cards in their deck have increased abilities when played from the middle of a hand, creating better outcomes the more deliberate you play.
In addition to traditional Standard mode, the game’s meat and potatoes is Downfall mode. In Downfall mode, you can play as one of seven bosses from Slay the Spire. Instead of climbing up the tower, you work your way down defending it from the same heroes you’d play as in the base game. Each boss has its own unique playstyle and deck, resulting in even more varied play experiences.
The seven playable bosses are The Slime Boss, The Guardian, The Hexaghost, The Champ, The Automaton, The Gremlins, and The Snecko. All can be encountered as enemies during a Standard run. Their playstyles are as follows:
The Slime Boss
The Slime Boss’s special mechanic includes slime minions that can split from the Boss and have a variety of effects. Additionally, the Boss has cards that add Goop, increasing the damage of the next attack and causing additional effects when consumed.
The Guardian’s special mechanic is that they are able to phase between modes after taking a certain amount of damage. The cards also have gem slots, which allows gem cards to be combined with other cards to make them more powerful.
The Hexaghost’s special mechanic is that it has six Ghostflames that can be ignited by playing certain card type combinations. When ignited, a special effect occurs. A large portion of the cards in this deck are centered around end-of-combat buffs and cards that disappear if not played immediately.
The Champ’s special mechanic is that they change between Defensive or Berserker stance, giving them bonuses depending on which stance they are in. Their cards interact heavily with their stances.
The Automaton’s special ability is that they create functions, cards which are the stored combination of three already played cards. Their cards can cause compile errors when certain cards are used together, and the deck is focused on function synergy.
The Gremlins’ special ability is that you play as all five gremlins, each with their own health bar and buff effects. Cards have extra abilities depending on which gremlin is the main gremlin at the time.
The Snecko’s special ability is that they play cards of any class. This means they have access to hero and boss cards of all types throughout the run.
The new playable characters are a hit. They are so much fun to play and add an intriguing new dimension to the game. My favorite new characters are The Automaton and The Slime Boss, though every time I play any character a few times, I find a new favorite! Each character is refreshing and interesting in its own way.
Generally, the gameplay takes an already great game and gives it even more replayability. My biggest critique is that Downfall currently doesn’t work on the Steam Deck, unlike Slay the Spire. However, it’s an absolute blast to play either way. Because this is a fan expansion, it is free to download! But you do still need Slay the Spire in order to play.
I can’t recommend this game enough. It is enjoyable, has a high level of replayability, and a greatly executed concept. I only wish I could play it everywhere! (5 / 5)
Slay the Spire Review: Deckbuilding & Monsters
Slay the Spire is a roguelike, deckbuilding video game created by small indie studio Mega Crit Games. Released in 2017, Slay the Spire is the first and only game created by Mega Crit. However, the game has continued to see updates from the development team and fans alike since its release. In fact, a Slay the Spire Board Game just launched in November 2022 on Kickstarter to great success.
In Slay the Spire, you play as one of four characters as they battle their way through a magical tower filled with monsters, loot, and curses. The further up the spire you go, the harder and more lucrative your journey becomes. Will you defeat three of the many bosses awaiting you and receive your glory?
Within Slay the Spire, there are four characters (The Ironclad, Silent, Defect, and Watcher) each with their own deck and playstyle. You begin by choosing which one you will play as for the journey ahead. The Ironclad has a focus on healing and strong attacks, and is the simplest adventurer to play as. This makes sense, as they are the first character you have unlocked and introduces you to the mechanics of the game. Meanwhile, The Silent has a focus on many small attacks and poison. The Silent is very accessible in its mechanics just like The Ironclad, however is less forgiving to strategic mistakes. The Defect is more complicated and has a focus in channeling different elements to produce varied effects on the battlefield. Lastly, there is The Watcher, the complicated character, who has a focus on utilizing different combat forms to gain advantages. In addition to different playstyles through their unique decks, each adventurer also begins with a special ability and starting health.
After selecting your character, you journey deep into The Spire, choosing pathways filled with monsters, merchants, more relics, rest sites, and mystery events. Killing enemies provides rewards through gold, cards, single-use potions, and occasionally powerful relics which stay with you the whole run. Elite enemies provide better rewards, however, healing opportunities are usually few and far between. Fighting too many elite enemies may prove more dangerous than lucrative. At merchants cards, potions, relics, and the removal of a card from your deck can be purchased in order to improve your strength. Rest sites provide either healing or card upgrades, forcing you to choose between your precious health and the improvement of your build. There are three acts in a full run, with a boss at the end of each act. As the acts progress, the bosses become harder, testing the mettle of your improvements throughout the game.
I have absolutely adored my time playing Slay the Spire. The progression within a run is difficult but rewarding. There have been times when poor luck ended my run, however I still always had fun anyway. The diversity of characters and the resulting playstyles is great, even if I have found myself going back to The Ironclad time and time again. Additionally the game gives the player a significant amount of agency in the decisions on how to improve your deck and character. This creates replayability and a sense of ownership over a given run. The game also rewards and encourages taking chances, making it a blast to push your luck.
While I’ve had a great deal of fun, there are some areas for improvement. My biggest gripe is that there aren’t more unique characters, monsters, events, and bosses. I’d love to see more playstyles as well as see less repeats of bosses, monsters, and events. The system and gameplay is so robust, it just needs some more content to be a top tier game. That being said, there have been periodic content updates (including the addition of The Watcher in 2020) and the community has created an extensive content mod that even has its own Steam page. Also, despite my issue with the amount of content, I definitely will be putting at least 30 more hours into this game.
Overall, I love this game and highly recommend it, so much so, I cannot wait for more content. For $25 on Steam, this game is a must play if you enjoy rogue-likes and deck building games!(4.5 / 5)
Review: A Plague Tale series
Asobo Studios A Plague Tale series consisting of Innocence (2019) and Requiem (2022) has been out for a while. Weirdly enough, I struggled to put my thoughts into words about these games until now. The way I see it, it’s impossible to talk about one without the other, so let’s dive in, shall we?
Plot and characters
The story of A Plague Tale games takes loose inspiration from the Black Plague times with a touch of the Hundred Years’ War. Amicia and Hugo are siblings on the run from soldiers while also fighting off infected rats, meeting allies along the way. A huge theme of Innocence is Amicia finding a solution for Hugo’s long-term sickness. As one would suspect, it turns out to be connected to the plague itself. Amicia also goes from being a disconnected older sister to his biggest protector throughout the game.
Hugo himself is more or less an annoying kid who wants his mother. This is frankly a realistic characterization as he actually speaks and acts as a child would act. Granted, him essentially walking into the Pope’s trap is frustrating but the climax needed to be set up somehow. I also enjoyed Lucas’s character as an alchemist apprentice as he proved to be one of the more consistent helpers to the duo.
While Innocence ends on a hopeful note, with the characters on the verge of starting over somewhere new and the plague contained, Requiem shows this was a fake out. The sequel really puts Amicia through her paces. Her character is broken both physically and mentally to the point where she is barely recognizable. Hugo is more mature, although his insistence on this magical island that will fix the Macula issue is an immediate red flag. It’s not surprising the supposed safe haven turns into hell quite quickly.
The generational curse where the protector and carrier story repeats itself means a tragic ending for our protagonists. This means it can feel fruitless to play the two installments as the whole point of Amecia’s journey is to protect Hugo at all costs, which proves to be impossible. Was it because of certain choices they made or just extremely unfortunate circumstances? Either way, I felt horrible for them both while playing Requiem, so at least it invoked a strong emotion in me.
The series is a third-person stealth adventure with survival horror elements. Innocence has a clear-cut mechanic that relies on Amicia sneaking past or distracting threats with a certain number of puzzles to get past the rats. She is also extremely vulnerable, dying from one enemy hit, forcing the player to start all over. This is something Requiem updates, adding the opportunity for you to recover by running away from the enemy.
It can be frustrating to have to restart a whole section because of one mistake. However, it does make the player think methodically about what the best approach is. I found the challenges a tad repetitive which stopped me from binge-playing the game, but that’s just my opinion.
After taking this time to digest my feelings towards A Plague Tale games, I can still vouch for the amazing experience. The historical aspects are endearing, and the graphics are beautiful, as is the score. The scriptwriters knew what kind of emotional punches would hit the players just right and the voice actors really gave it all. It’s obvious a lot of love went into this project and I am grateful to have played it.
Regardless, there were certain aspects of the story that for me personally, did not sit right. I am not a massive fan of a tragedy that ends, well, in tragedy, especially with hints history will repeat itself again. The entire concept of the ‘greater good’ and the main characters sacrificing their happiness has been done before and while I can understand why they went that way, it also left me feeling a bit empty.
(4 / 5)