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I knew from the very first page of the prologue of Grady Hendrix and Will Errickson’s Stoker award winning Paperbacks From Hell it was going to be a winner.  How did I know?  A book that I consider a true gem of my own horror novel collection was on the very first page.

A book that actually exists.  

From that point on I realized that Paperbacks from Hell and I were going to have a clear understanding and settled myself in for what I was sure was going to be a wild ride.  I wasn’t disappointed.  

Always vibrantly illustrated, with almost photo-realistic cover art, that’s more than likely of a homicidal skeleton, horror novels of the ‘70s and ‘80s were something of a genre unto themselves. They were the ’90s book version of AOL CDs; staples of an era, to be found packing the selves at any Waldenbooks or small grocery store paperback section.  Their content, often as taboo and controversial as their cover art, dominated paperback sales during the ’70s and ’80s and, as Grady Hendrix puts it in his book celebrating their boom and bust, “these stories are timeless in the way that truly matters: they will not bore you.”

The Exorcist as an ‘80s teen movie

Darling of the New York Times best seller list, Grady Hendrix sets aside his usual haunted Ikeas and vampire slaying book clubs to put together this compilation of some of the more farout paperback horror novels from the glory days of anything goes horror fiction.  Every page of Paperbacks from Hell is filled with beautiful and shocking cover art, tongue and cheek book summaries, and engrossing biographies of authors and illustrators.  The ridiculousness nature of some of the books’ plots isn’t lost on Hendrix, and there’s a vein of good humor that runs throughout, pointing out some of the more ludicrous horror concepts viewed with a modern day mindset.   

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Every chapter separates horror novels into easy to browse sections.  Looking for books about houses with possible demon possessions?  Try “There Goes the Neighborhood” under Chapter 4: Real Estate Nightmares.  Craving some books about evil children who might possibly be hell spawn?  You’re looking for “Parenting the Homicidal Child” from Chapter 2: Creepy Kids.  Can’t forget about those apocalyptic bloodthirsty animal books; Chapter 3: When Animals Attack will have you fearing everything from cats and rats to killer whales and mutant moths.  Or my own favorite section from Chapter 8: Splatterpunks, Serial Killers, and Super Creeps, “Won’t Somebody think of the Children?” where you can find the books I cut my own horror teeth on by the likes of R. L. Stine, Christopher Pike, and Richie Tankersley Cusick.

Everyone wants to be Stephen King but everyone is V.C. Andrews

While the giants of the horror genre (Jackson, King, Bloch, Rice, Levin, Blatty, Koontz, etc.) are certainly mentioned in Paperbacks from Hell, it’s really the lesser known horror authors that were influenced by them that Hendrix’s let’s shine in his book.  Historical context is given to some of the most popular horror fads of the time, from the early days of gothic romance to the end times in the early ’90s as splatterpunk and serial killer suspense thrillers.   Browsing though the chapters, odds are you may find some forgotten favorites, and some prospective new favorites.  I wasn’t even to the first chapter before I had started making a list of books I wanted to look up later.  By the time I finished the book my list of potential new books to read was about as long as a severed arm.  And while I normally wouldn’t trouble with recommending a book be read in a certain format, there is something to be said about holding this phone book-sized glossy embossed tomb of horror history in your own two hands and being able to see the beauty of the cover art within up close and personal.  

Pictured: My retirement fund as soon as I list these babies on eBay.

Is there ANY downside to this book?

If there’s one downfall to Paperbacks from Hell, it may be that it’s made some of the rarer horror novels mentioned in its pages even rarer and harder to find.  But it’s also something like a treasure map, leading you to your local used bookstore to see what strange and unusual horror books you still might be able to find languishing on the shelves.  Since Paperbacks from Hell has come out interest in some of the books highlighted by Hendrix has soared. Enough so that some have even been given a second life, getting reprints after having been out of print for years. 

Certainly not every notable horror novel from the ’70s and ’80s could get a mention so I’m greatly looking forward to putting Paperbacks from Hell 2 on my shelf should one be on the horizon soon.  Until then, I’ll see you at the used book store and happy horror novel hunting! 5 out of 5 stars (5 / 5)

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2 Comments

2 Comments

  1. A.N. Tannick

    October 29, 2020 at 12:56 am

    Oh man Chris Pike. That takes me way back. First gay character I read in a book. Of course he died of AIDS ::eyeroll::

    • Audrey III

      October 29, 2020 at 1:36 pm

      For a sec I thought you meant Christopher Pike had died of AIDs and I was like, D: Luckily I looked it up and he is alive and well, probably working on The Last Vampire number 86 as we speak.

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Book Reviews

Looking Glass Sound.

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Published in April 2023, Catriona Ward’s novel, Looking Glass Sound, continues her tradition of crafting intricate narratives that defy easy categorization. Like her acclaimed The House on Needless Street, Ward expertly weaves a web of clues and red herrings that will unravel with each reread. Is it an atmospheric horror, a twisted serial killer mystery, or the coming-of-age tale of a writer? The answer, as Ward skillfully demonstrates, is all three.

The Plot.

In 1989, sixteen-year-old Wilder Harlow, travels to the Maine coast with his mother and father, for the summer. His family has inherited a cottage on Whistler’s Bay, all hope that this will be a fresh start for him.

On the first day, Wilder meets Harper and Nat; teens who roam the town with little to no adult supervision. The two quickly become his guides to the town’s hidden secrets.

As they explore the bay’s eerie beauty, Wilder discovers a sinister undercurrent. A terrifying figure known as the “Dagger Man” has been terrorizing families; breaking into homes and photographing sleeping children at knifepoint. Meanwhile, a more chilling mystery unfolds: women have been vanishing from the town for over a decade.

Wilder and his new friends are drawn into the mysteries and the truth begins to unravel as they explore the hidden corners of the bay.

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This is only the first section of the book. What follows is Wilder’s experience through college, eventually returning to Whistler Bay as an elderly man. On his return things begin to twist and we find that everything we’ve been told is not strictly fact.

Highlights.

Catriona Ward is known for writing strong characters and here she does not disappoint. The novel introduces us to Wilder, Nat, and Harper as teenagers whose complex dynamics and relatable angst draw us in. Wilder’s college roommate, Sky, adds another layer of depth, offering a poignant exploration of queer coming-of-age.
While Ward’s intricate plot keeps us guessing, it also presents a minor challenge: the sheer number of twists and turns can sometimes blur the lines between characters: making it difficult to keep track of names and relationships. The introduction of two characters named Sky and Skye, in particular, can be confusing. Despite this, Ward’s character development remains consistently strong. Looking Glass Sound is a compelling exploration of human connection and the complexities of memory.

Drawbacks.

The overwhelming drawback for this novel was the structure. The first half of the novel follows a straightforward, linear timeline, allowing us to connect with Wilder and his friends on a personal level. However, the narrative takes a significant detour in the second half, adopting a complex frame-within-a-frame structure, or perhaps more accurately a book within a book… within a book. This shift can be disorienting, as readers are constantly pulled back and forth between different time periods and perspectives, often only to discover that certain events were not entirely as they seemed.

While this unconventional approach adds a layer of intrigue, it can also make the plot feel fragmented and difficult to follow. Ward’s decision to interrupt the narrative with explanations and asides can sometimes disrupt the pacing and immersion. While this choice may be intentional, it can also leave readers feeling lost and confused.

The Final Take.

This is not my first Catriona Ward novel, nor it will be my last. Ward writes stories that are built to confound the reader and make them question everything they’ve read. Looking Glass Sound pushes this a little too far. In my opinion is the weakest of her novels that I have read so far. In saying that I did enjoy the atmospheric horror of the introductory chapters and the dark academic feel of the college section. Following that I found myself becoming a little fed up with deciphering the plot.

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2.5 out of 5 stars (2.5 / 5)

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Book Reviews

Smothermoss.

Smothermoss: A folk horror fairytale dragged through the mud.

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You can’t win against the mountain. The mountain always finds a way.”

Published in July 2024, Alisa Alering’s debut novel, Smothermoss, is a chilling blend of folk horror and dark fairytale. Though concise, this novel packs a powerful punch, its narrative dense with metaphor and a suffocating atmosphere. Not for the faint of heart, Smothermoss is a haunting exploration of the sinister lurking beneath the surface of the ordinary.

The Story.

Set in the rugged Appalachian Mountains of the 1980s, Smothermoss follows the lives of sisters, Sheila (17) and Angie (12). The two live with their mother and an elderly woman in a crumbling cottage in the forest. Both Sheila and Angie are the object of ridicule and bullying within their school community, the sisters cope with this bullying in starkly different ways. Sheila retreats into silence, avoiding conflict and longing for escape. Angie, meanwhile, immerses herself in a fantasy world, battling imaginary Russians and believing her handmade cards hold prophetic power.

When two women hikers are brutally murdered on the nearby Appalachian Trail, Sheila becomes more withdrawn and avoidant of the world, while Angie becomes convinced she’s destined to capture the killer. Little do they know; a far greater evil lurks in the forest.

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Highlights.

Alering’s masterful characterization of Sheila and Angie was the true gem of Smothermoss. Despite being told in the third person, the alternating chapters offer a bone deep immersion into each sister’s perspective. In recent fiction, author’s have not quite captured the authentic voice of a young character. However, Alering nails it. Angie’s pre-teen naivety shines through and never accidently matures past its 12-year-old existence. While Sheila’s late teenage anxieties and queer coming-of-age struggles are beautifully rendered.

Another highlight of this story is the lyrical prose. Smothermoss has a rhythm; it reads like poetry in places and in others could be mistaken for a children’s fable. Reading about the visceral and raw events and thoughts contained in Smothermoss, in such beautiful but simple language adds to the unsettling experience, and enjoyability, of reading this story

Drawbacks.

There were a couple of things that had me a little confused during this book. Several shorter chapters leave the sisters entirely behind and focus on rabbits and other forest animals. At first, I interpreted these to be metaphoric. The animals standing in for the killers point of view, or perhaps the murdered women. This book is so heavy with metaphor that this seems plausible, but I finished the book still questioning myself about this.

The other issue I found was that many of the subplots in this story are left unexplained or unfinished, turning to the last page with many questions that will never be answered. (Which has resulted in sleepless nights because I just want to know what exactly that rope is among other things!)

The Final Take.

At its core, this is the story of two sisters growing to understand each other and supporting each other through adversity.

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Beyond that, Smothermoss feels like a fairytale dragged through the mud.

The small size of this book (just over 250 pages) might lead people to think it is a quick or easy read. Don’t be fooled, as Shakespeare said, “though she be but little, she is fierce.” This is a complex story, with heavy themes and dark subtext.

I want, and hope, to read this story again because I know that there is much more to uncover here. The metaphors are dark and unnerving, the characters deep and moving, the natural imagery thick. I was not at all surprised to find out that Alering grew up in the Appalachian Mountains. Only someone familiar with the area could have described the people and place with so much heart.

4 out of 5 stars (4 / 5)

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Book Reviews

The Unmothers.

“There was a horse that gave birth. There was a baby. There was a tree. There was a price.”

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Leslie J. Anderson’s debut novel, The Unmothers, is a chilling folk horror that delves into the darkest corners of motherhood. Published in August 2024, this slow-burn tale introduces a world where women’s rights are under threat.

With a subtle touch of Eldritch horror, Anderson weaves a narrative that explores the complex themes of motherhood, choice, and the lengths a woman might go to maintain control over her own body and destiny.

The Story.

Journalist Carolyn Marshall is sent to cover the story of a horse giving birth in the rural American town of Reaford. The attraction of this occurrence for a newspaper? That the baby is a healthy human baby boy. Marshall quickly debunks this story but decides to stay in town and follow her journalistic instinct to a bigger scoop.
Beneath the town’s quaint facade, Marshall uncovers a web of dark secrets. A drug epidemic is ravaging the community, immigrant workers are dying under mysterious circumstances, and the town’s powerful patriarch, John Daily, seems to hold everyone in his debt. As Marshall delves deeper into these troubling issues, she becomes increasingly entangled in the lives of the locals.
Through her interactions with the townspeople, Marshall hears whispers of a sinister presence lurking in the nearby woods. The locals share chilling tales of what a young woman in Reaford might do to terminate an unwanted pregnancy. As the story unfolds, Marshall must confront the terrifying truth about the town’s hidden past and the dangers that lurk within its borders.

Highlights.

I was never a young girl that oohed and aahed at the sight of a horse. After reading The Unmothers though, yeah, I get it. Anderson’s vivid descriptions of these magnificent creatures brought them to life in a way I’d never experienced before. The way she portrays their gentle nature, combined with their raw power and potential for brutality, is both captivating and unsettling. It’s a testament to Anderson’s skill as a writer that she can make even the most mundane details of these animals feel extraordinary.

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Drawbacks.

The Unmothers is a complex novel that delves into the interconnected events of a rural town, both past and present. In the first half of the book, the sheer number of characters and viewpoints can make it difficult to keep track of the plot. However, there are a few pivotal revelations that occur near the midpoint. This helps certain characters become more prominent and memorable, making the story easier to follow.

The Final Take.

The Unmothers is a haunting and unforgettable read that will leave you both terrified and deeply moved. Anderson’s masterful storytelling draws you into a world where the line between the natural and the supernatural is blurred.
The novel’s focus on horses, a subject I’m not particularly knowledgeable about, was a pleasant surprise. I was fascinated to learn about the unique characteristics of foals, including the tentacle-like growths on their hooves which had me Googling for proof.
This book is a must-read for fans of horror, folk tales, and thought-provoking fiction. It’s a powerful exploration of motherhood, choice, and the dark forces that can lurk beneath the surface of even the most seemingly idyllic communities.

4 out of 5 stars (4 / 5)

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