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There’s a number of famous paranormal investigator duos with some truly great chemistry and banter – Mulder and Scully, Sam and Dean, Ryan and Shane, Geralt and Jaskier – and now Ronan and Byron from Improbable Press’ latest novel by author G.V. Pearce, Strangest Day So Far.

What’s it all about?

“A close encounter with a surface-to-air-missile is going to ruin anyone’s day.”

And so begins the story of one of the strangest days in Major Ronan Cox’s life, though it’s hardly going to be his last.  When Ronan’s helicopter is shot down in a war zone over Iraq, he certainly doesn’t expect to survive, let alone land on a jar containing a naked, winged man made of flames that offers him three wishes.  A wish to survive is logical enough when you’re already dying. A wish for the survival of everyone else is a no-brainer too. His last wish though – “I don’t want to be broken anymore,” – that one’s going to be the game changer.

Half a world away, Ronan’s going to awaken in a hospital in Washington D.C. next to a man who will irrevocably alter the course of his life.  Ronan’s new roommate, one Byron Slain, aka Benjamin Williams- who has the ink of a Hell’s Angel, the humor of a 12 year-old boy, the psychic powers of an X-man and the body of an Adonis- is plagued by his own supernatural being problems.  Despite an immediate almost epoch-making connection between the two men, the werewolf outside their hospital room door isn’t going to give them much time to question how they ended up together.

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These two characters, thrown together by fate, and little bit of mystical intervention, will find their opposites attracting in more ways than one; Ronan with his nebulous otherworldly past experiences and Byron with his powers and habit of attracting both supernatural beings and metaphysical trouble.

Aren’t you forgetting something?

Usually this is the part in the review where I go, this book has some great LGBTQ representation but it’s definitely not a love story.  This time though I’m happy to inform you this book absolutely IS a love story! Along with being a horror, comedy, and urban fantasy.  Ronan and Byron aren’t just partners in supernatural shenanigans, they’re also lovers who get to try to work through all those new relationship jitters while helping cryptids sort out their problems and maybe thwarting a few evil spirits along the way.

Imagine two kids from different horror movies who managed to grow into functioning adults but never had a chance to deal with their childhood traumas.  They can relate, sympathize, and most importantly, believe each other’s struggles. Which really makes them perfect together.

Bloody hearts for everybody!

A fireside chat with author G.V. Pearce 

Pictured here – Byron’s summer house.

Your first book, Ghost Story, a modern day Sherlockian mystery, also had elements of the supernatural. What is it about the supernatural that you enjoy writing so much?

I enjoy looking at the world through different lenses, and the supernatural provides a kaleidoscope of viewpoints. It’s fun to consider the mundane through the eyes of something amazing, things often turn out to not be so ordinary after all. I have to admit that the world building possibilities are another major draw for me as a writer, there are a lot of preconceived ‘rules’ about ghosts, werewolves, vampires, etc but there’s no spook police to make me stick to those rules. What if everything you thought you knew about the supernatural was wrong? Or just good advertising? 

I feel like there’s an overlying theme of healing in your book: not just for Ronan and Byron, but for the supernatural entities they met as well.  Is that something that’s going to continue to be important in future Eldritch Roads stories? 

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Absolutely. There are many kinds of healing, and not all of them are about going back to exactly how things used to be. Healing is just another form of growth. So much media around the supernatural is about how terrible it is – vampirism is a curse, ghosts have unfinished business, monsters only do harmful things. Why? Not all humans are awful, not all dogs bite – so why should every ghost be stuck moping around for a hundred years?  

What kind of books, music, or movies gave you inspiration for your book?

Where to start? One of my first loves as a child was the old black&white Addams Family and Munsters shows (I’m not that old, they were on TV a lot). They were strange, but they didn’t care because they loved each other and they knew that being strange was fun.

As an adult there has been so many influences, but I have keep going back to artists who can have fun with the unusual – directors like John Carpenter and Guillermo Del Toro whose love of their genres comes through in every frame; or writers like Terry Pratchett and Tad Williams who aren’t afraid to twist tropes into new forms. 

For Strangest Day So Far there was a very eclectic soundtrack. If you’d like to get an idea of how the book feels in my head, check out ‘Black No. One’ by Type O Negative, ‘Ghost Story’ by Charming Disaster, and ‘The Logical Song’ by Supertramp. 

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Without giving too much away, where are the boys going to be headed next?

Like myself, Ronan grew up in the UK & Ireland, and although he’s travelled with the army, it can be hard to translate the sheer size of the United States into the sort of distances we’re used to on our little islands. Which is to say that I think he’s going to be underestimating how long they’ll be on the road for, or where they’ll end up along the way. Byron will make sure they stop for waffles regularly though. Perhaps at that diner that just appeared on the road up ahead. Was that always there?

Do you have any tips for other horror writers that are looking to get their own original works published?

Have fun with your stories. Experiment to find what you really love so that telling your stories can be a joy. Even if they’re terrifying stories. Share your stories with others so you can find your people, your audience who will love the specific stories you have to tell. There are a lot of routes to publishing, but there are even more ways to get your stories to readers. Having an audience behind you can open doors you never knew existed.

Final Girl Thoughts

A great big thank you to both Improbable Press and author G.V. Pearce for allowing me to enjoy such a fantastic book a little early.  My only complaint, I have to wait for the next book to find out even more about these captivating and hilarious characters!  Strangest Day So Far (An Eldritch Roads Novel) is available now for pre-order on the Improbable Press website and available everywhere starting January 31, 2021.  Five out of five Cathulu. I can not wait to read the next one.

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5 out of 5 stars (5 / 5)

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Book Reviews

Looking Glass Sound.

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Published in April 2023, Catriona Ward’s novel, Looking Glass Sound, continues her tradition of crafting intricate narratives that defy easy categorization. Like her acclaimed The House on Needless Street, Ward expertly weaves a web of clues and red herrings that will unravel with each reread. Is it an atmospheric horror, a twisted serial killer mystery, or the coming-of-age tale of a writer? The answer, as Ward skillfully demonstrates, is all three.

The Plot.

In 1989, sixteen-year-old Wilder Harlow, travels to the Maine coast with his mother and father, for the summer. His family has inherited a cottage on Whistler’s Bay, all hope that this will be a fresh start for him.

On the first day, Wilder meets Harper and Nat; teens who roam the town with little to no adult supervision. The two quickly become his guides to the town’s hidden secrets.

As they explore the bay’s eerie beauty, Wilder discovers a sinister undercurrent. A terrifying figure known as the “Dagger Man” has been terrorizing families; breaking into homes and photographing sleeping children at knifepoint. Meanwhile, a more chilling mystery unfolds: women have been vanishing from the town for over a decade.

Wilder and his new friends are drawn into the mysteries and the truth begins to unravel as they explore the hidden corners of the bay.

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This is only the first section of the book. What follows is Wilder’s experience through college, eventually returning to Whistler Bay as an elderly man. On his return things begin to twist and we find that everything we’ve been told is not strictly fact.

Highlights.

Catriona Ward is known for writing strong characters and here she does not disappoint. The novel introduces us to Wilder, Nat, and Harper as teenagers whose complex dynamics and relatable angst draw us in. Wilder’s college roommate, Sky, adds another layer of depth, offering a poignant exploration of queer coming-of-age.
While Ward’s intricate plot keeps us guessing, it also presents a minor challenge: the sheer number of twists and turns can sometimes blur the lines between characters: making it difficult to keep track of names and relationships. The introduction of two characters named Sky and Skye, in particular, can be confusing. Despite this, Ward’s character development remains consistently strong. Looking Glass Sound is a compelling exploration of human connection and the complexities of memory.

Drawbacks.

The overwhelming drawback for this novel was the structure. The first half of the novel follows a straightforward, linear timeline, allowing us to connect with Wilder and his friends on a personal level. However, the narrative takes a significant detour in the second half, adopting a complex frame-within-a-frame structure, or perhaps more accurately a book within a book… within a book. This shift can be disorienting, as readers are constantly pulled back and forth between different time periods and perspectives, often only to discover that certain events were not entirely as they seemed.

While this unconventional approach adds a layer of intrigue, it can also make the plot feel fragmented and difficult to follow. Ward’s decision to interrupt the narrative with explanations and asides can sometimes disrupt the pacing and immersion. While this choice may be intentional, it can also leave readers feeling lost and confused.

The Final Take.

This is not my first Catriona Ward novel, nor it will be my last. Ward writes stories that are built to confound the reader and make them question everything they’ve read. Looking Glass Sound pushes this a little too far. In my opinion is the weakest of her novels that I have read so far. In saying that I did enjoy the atmospheric horror of the introductory chapters and the dark academic feel of the college section. Following that I found myself becoming a little fed up with deciphering the plot.

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2.5 out of 5 stars (2.5 / 5)

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Book Reviews

Smothermoss.

Smothermoss: A folk horror fairytale dragged through the mud.

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You can’t win against the mountain. The mountain always finds a way.”

Published in July 2024, Alisa Alering’s debut novel, Smothermoss, is a chilling blend of folk horror and dark fairytale. Though concise, this novel packs a powerful punch, its narrative dense with metaphor and a suffocating atmosphere. Not for the faint of heart, Smothermoss is a haunting exploration of the sinister lurking beneath the surface of the ordinary.

The Story.

Set in the rugged Appalachian Mountains of the 1980s, Smothermoss follows the lives of sisters, Sheila (17) and Angie (12). The two live with their mother and an elderly woman in a crumbling cottage in the forest. Both Sheila and Angie are the object of ridicule and bullying within their school community, the sisters cope with this bullying in starkly different ways. Sheila retreats into silence, avoiding conflict and longing for escape. Angie, meanwhile, immerses herself in a fantasy world, battling imaginary Russians and believing her handmade cards hold prophetic power.

When two women hikers are brutally murdered on the nearby Appalachian Trail, Sheila becomes more withdrawn and avoidant of the world, while Angie becomes convinced she’s destined to capture the killer. Little do they know; a far greater evil lurks in the forest.

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Highlights.

Alering’s masterful characterization of Sheila and Angie was the true gem of Smothermoss. Despite being told in the third person, the alternating chapters offer a bone deep immersion into each sister’s perspective. In recent fiction, author’s have not quite captured the authentic voice of a young character. However, Alering nails it. Angie’s pre-teen naivety shines through and never accidently matures past its 12-year-old existence. While Sheila’s late teenage anxieties and queer coming-of-age struggles are beautifully rendered.

Another highlight of this story is the lyrical prose. Smothermoss has a rhythm; it reads like poetry in places and in others could be mistaken for a children’s fable. Reading about the visceral and raw events and thoughts contained in Smothermoss, in such beautiful but simple language adds to the unsettling experience, and enjoyability, of reading this story

Drawbacks.

There were a couple of things that had me a little confused during this book. Several shorter chapters leave the sisters entirely behind and focus on rabbits and other forest animals. At first, I interpreted these to be metaphoric. The animals standing in for the killers point of view, or perhaps the murdered women. This book is so heavy with metaphor that this seems plausible, but I finished the book still questioning myself about this.

The other issue I found was that many of the subplots in this story are left unexplained or unfinished, turning to the last page with many questions that will never be answered. (Which has resulted in sleepless nights because I just want to know what exactly that rope is among other things!)

The Final Take.

At its core, this is the story of two sisters growing to understand each other and supporting each other through adversity.

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Beyond that, Smothermoss feels like a fairytale dragged through the mud.

The small size of this book (just over 250 pages) might lead people to think it is a quick or easy read. Don’t be fooled, as Shakespeare said, “though she be but little, she is fierce.” This is a complex story, with heavy themes and dark subtext.

I want, and hope, to read this story again because I know that there is much more to uncover here. The metaphors are dark and unnerving, the characters deep and moving, the natural imagery thick. I was not at all surprised to find out that Alering grew up in the Appalachian Mountains. Only someone familiar with the area could have described the people and place with so much heart.

4 out of 5 stars (4 / 5)

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Book Reviews

The Unmothers.

“There was a horse that gave birth. There was a baby. There was a tree. There was a price.”

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Leslie J. Anderson’s debut novel, The Unmothers, is a chilling folk horror that delves into the darkest corners of motherhood. Published in August 2024, this slow-burn tale introduces a world where women’s rights are under threat.

With a subtle touch of Eldritch horror, Anderson weaves a narrative that explores the complex themes of motherhood, choice, and the lengths a woman might go to maintain control over her own body and destiny.

The Story.

Journalist Carolyn Marshall is sent to cover the story of a horse giving birth in the rural American town of Reaford. The attraction of this occurrence for a newspaper? That the baby is a healthy human baby boy. Marshall quickly debunks this story but decides to stay in town and follow her journalistic instinct to a bigger scoop.
Beneath the town’s quaint facade, Marshall uncovers a web of dark secrets. A drug epidemic is ravaging the community, immigrant workers are dying under mysterious circumstances, and the town’s powerful patriarch, John Daily, seems to hold everyone in his debt. As Marshall delves deeper into these troubling issues, she becomes increasingly entangled in the lives of the locals.
Through her interactions with the townspeople, Marshall hears whispers of a sinister presence lurking in the nearby woods. The locals share chilling tales of what a young woman in Reaford might do to terminate an unwanted pregnancy. As the story unfolds, Marshall must confront the terrifying truth about the town’s hidden past and the dangers that lurk within its borders.

Highlights.

I was never a young girl that oohed and aahed at the sight of a horse. After reading The Unmothers though, yeah, I get it. Anderson’s vivid descriptions of these magnificent creatures brought them to life in a way I’d never experienced before. The way she portrays their gentle nature, combined with their raw power and potential for brutality, is both captivating and unsettling. It’s a testament to Anderson’s skill as a writer that she can make even the most mundane details of these animals feel extraordinary.

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Drawbacks.

The Unmothers is a complex novel that delves into the interconnected events of a rural town, both past and present. In the first half of the book, the sheer number of characters and viewpoints can make it difficult to keep track of the plot. However, there are a few pivotal revelations that occur near the midpoint. This helps certain characters become more prominent and memorable, making the story easier to follow.

The Final Take.

The Unmothers is a haunting and unforgettable read that will leave you both terrified and deeply moved. Anderson’s masterful storytelling draws you into a world where the line between the natural and the supernatural is blurred.
The novel’s focus on horses, a subject I’m not particularly knowledgeable about, was a pleasant surprise. I was fascinated to learn about the unique characteristics of foals, including the tentacle-like growths on their hooves which had me Googling for proof.
This book is a must-read for fans of horror, folk tales, and thought-provoking fiction. It’s a powerful exploration of motherhood, choice, and the dark forces that can lurk beneath the surface of even the most seemingly idyllic communities.

4 out of 5 stars (4 / 5)

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