Killer Queens, do you remember last episode, when I said things were going too well? I was right. Of course, I don’t get a lot of points for that. This is American Horror Story, after all. Things are going to go from bad to worse to the monster isn’t really dead.
In this case, the monster is Briarcliff. And it doesn’t matter that Sister Mary is dead. It doesn’t matter that Dr. Arden is dead, or that Bloody Face is dead. Briarcliff is still there. And it has far more horrors waiting for us.
We’ll start with Kit, Grace, and Alma. For a few years, it looks like they’re going to be okay. They have a polygamous relationship going on. Grace and Alma are raising the kids together. Kit spends equal married time with both of them in the same house. Everyone seems happy.
Well, except that neither woman has gotten over being abducted. It is the sort of thing that’s hard to shake off, after all. One thing leads to another leads to an ax in the back of someone’s head.
And this leads us right back to Briarcliff, where Judd remains. She seems strangely happy. She’s all but running the place, controlling the patients with kindness and strange new rules for Candyland. And Montsenior, who I’d like to see die horribly, tells her that he’s going to get her out.
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Do you know how you can tell if he’s lying? His mouth’s moving.
Things are getting worse at Briarcliff. The church has sold the space to the state, who’s using it to house overflow inmates from a women’s prison. One of which is just the spitting image of Death.
Judd is convinced that Death is there for her. But, here’s the thing. Judd’s been in an asylum for a long time. And a lot of people say someone can’t spend that much time in a madhouse without going mad yourself. Judd’s losing track of time, of herself. She is, overall, lost.
Lana is doing fine, though. She’s sold a book, working on another. Neither of them is talking that much about Briarcliff, though. She hasn’t done a damned thing about shutting the place down. And she made a promise to do that. Kit comes to see her, to remind her of her promise. He tells her that Judd is still in there.
But Lana doesn’t care. She says that Judd deserves to be in there, and she may have a point. But Lana abandoned more than just Judd. She abandoned all of the people trapped in Briarcliff, forgotten and left to drown in the curdled milk and curdled brains that society left them with. She’s moved on, built herself a good life. She’s stepped away from her past.
That’s the thing about the past, though. It doesn’t let go of us just because we let go of it. And the past may find Lana eventually.
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Or, you know, next episode.
Don’t forget to join me on Twitter for the latest episode of American Horror Stories on Thursday, 8:00 EST. See you then, Killer Queens.
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Let the Wrong One In is a 2021 horror comedy directed and written by Conor McMahon, starring Karl Rice, Eoin Duffy, and Anthony Head. This film is currently available per subscription to Amazon Prime (through Shudder) or Shudder directly.
Matt (Karl Rice) and Deco (Eoin Duffy) are estranged brothers, but when Deco finds himself strangely ill, he seeks his brother out. Through obvious signs and tropable behaviors, the brothers realize Deco is a vampire. What follows spirals into a plot of brotherly guilt, passive aggression, and bloody retribution.
Anthony Header as Henry
What I Like
With the titular reference to Let the Right One In, the idea interested me. After the trailer, I realized this film doesn’t relate to or parody the novel or film aside from being about vampires. As a fan of the franchise, it would have been interesting to find a subversion. However, the film can charm a viewer at certain points, receiving a few laughs from me.
Either Let the Wrong One In is a micro budget film or imitates such films. The special effects ensure you know this as intended, if perhaps out of necessity. If you can accept these points, the film might be an entertaining viewing experience.
The chemistry between the two leads is where the film shines. Both Karl Rice and Eoin Duffy feel like bickering brothers. With Deco’s performance as an addict, the film even ties into elements that family members of addicts know all too well.
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Anthony Head (of Buffy fame) also plays his campy and ridiculous vampire hunter role to perfection, even seeming competent in the profession despite the character being more of a joke. Anthony Head can chew a scene, becoming an easy highlight of the film.
I like how vampires are named vampires without the cliche attempt to figure out what they are. It seems to be a rare thing to see on film. When this standard of logic does appear, it helps me believe the characters a little more. Though Let the Wrong One In doesn’t care if you believe in its characters.
Eoin Duffy as Deco
Potential Trigger Warnings or Tired Tropes
The film is a collection of tropes wrapped around a campy and zany direction. I wouldn’t particularly say they are tired or are different enough to have a pass, but one goes into a film like this with these expectations. Don’t expect unique and refreshing subversions.
Addiction plays a role in the film, including the emotional manipulation addicts deploy to control others. The film doesn’t depict these elements effectively or abhorrently, existing as a plot point first and foremost. If this plotline upsets you, perhaps give this film a skip.
There is a point where implied violence occurs on an animal, but it certainly doesn’t take this idea too seriously. In fact, the creature gets a few shining moments. Still, I understand some get squirmy at this.
Karl Rice as Matt and Eoin Duffy as Deco
What I Dislike
Let the Wrong One In falls under the “so bad it’s good” category, though purposely done to be so. It’s a campy and dumb movie for those interested in passing the time. There is nothing wrong with satisfying this niche, but it’s not an enjoyable time for all.
The brotherly relationship should be the center of the film, which might have focused the film more. However, the film has a big bad that feels somewhat out of place and unnecessary. It also adds to the runtime, which isn’t long at 1 hour and 40 minutes. But it feels too long for this plot.
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Again, I wonder why Let the Right One In exists as the film’s namesake as it has no notable connection to the franchise, even in parody.
While I must admit that more jokes landed with me than I expected, most of the zany humor falls flops. This film seems to be a Shaun of the Dead clone but falls far from the other’s success, lacking the focus of its predecessor.
Zeth M. Martinez
Final Thoughts
As mentioned, if you want a horror comedy to turn your brain off to, Let the Wrong One In can certainly be that film. However, there are better examples to pull from. The lack of direction and comparisons to greater options makes this fall even further on the recommendation list. One additional point in the film’s favor is that you will likely know if the film is for you within the first few minutes of viewing. (1.5 / 5)
The Wolf of Snow Hollow is a 2020 horror comedy directed by Jim Cummings. The cast of this horror includes Jim Cummings, Riki Lindhome and Robert Forster. This R-rated film is currently available for DirecTV and Shudder subscribers.
Deputy John Marshall (Jim Cummings) faces a messy divorce, an ill father, a serial killer and crippling addiction. With Marshall’s life spiraling, he focuses on a mysterious killer plaguing the town. The brutality of the crime convinces locals that the murderer is a werewolf, a possibility Marshall cannot entertain. As John Marshall tries to keep order in the town, his conviction crumbles.
Jim Cummings as Deputy John Marshall
What I Like
The comedy reflects the spiraling chaos that runs through a control freak’s mind as they lose control. This comedy lands best as Marshal spirals further and further into disarray. Viewers should expect a dry wit layered with sarcasm. If this type of humor doesn’t sound like your cup of tea, The Wolf of Snow Hollow would be hard to recommend. Nearly every character plays their part to perfection, building off each other. Jim Cummings seems to have created a team to complement his project.
Another impressive comedic element comes from the film’s ability to jump between serious issues and comedy without the humor undercutting the weight of those essential moments. Though somewhat flawed, it remains consistently effective.
Despite the fact this is a horror comedy, the monster adds genuine horror to the film. Part of the mystery comes from that line between the possibility of a killer or a real-life werewolf, which I won’t spoil here.
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The werewolf design, though traditional, is consistently believable. With one exception that felt purposeful in context, the creature works surprisingly well for a horror comedy.
Jim Cummings creates these rapid scenes that show time passing. As mentioned earlier, these scenes reflect Marshall’s mental state. It surprises me how clearly and haunting they convey information while noting elements of comedy. Again, not always perfect, but effective.
Robert Forster as Sheriff Hadley, Riki Lindhome as Detective Robson, & Jim Cummings as Deputy Marshall
Trigger Warnings and Tired Tropes
John Marshall struggles with alcoholism, often falling victim to the disease. Despite the comedy label, this element remains mature and respective. Regardless, I understand this is a sensitive issue that worth noting.
The film can get gory and dark, but rarely more than a horror fan expects. However, one of the victims is a baby. Though no act appears on screen, viewers may require prior knowledge.
The Wolf of Snow Hollow Promotional Art
What I Dislike or Points to Consider
Don’t expect a detective tale or any focus on a mystery. If this movie is anything, it’s a character study of John Marshall. The killer isn’t a figure we uncover through available information. The Wolf of Snow Hollow focuses on the stress that unravels our characters as they investigate. The trailer was a bit misleading, creating a focus more centered on the mystery and comedy of the film.
Without going into too much detail, some of the deaths get overshadowed by those earlier-mentioned scene cuts. While I still stand by my praise of these scenes, some of these deaths needed more silence and longevity. Though I recognize this might ruin the comedy focus of the film, death should have weight in a story.
This film isn’t scary. While some moments might unnerve you, don’t expect to be haunted.
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Zeth M. Martinez
Final Thoughts
While not a traditional werewolf film, The Wolf of Snow Hollow remains a surprisingly effective horror comedy. If you like your humor dry and dark, this film might align with your taste. However, this barely makes the cut in the horror genre. Don’t expect to jump or scream. If this sounds like your taste, then give The Wolf of Snow Hollow a view. (3.5 / 5)
They say good things come to those who wait, and boy have we been patient. It has been close to a year since our eyes have indulged a full season of ‘The Last Drive-In with Joe Bob Briggs’, in fact, the season 4 finale premiered on Shudder July 1st, 2022. Since then, we have been able to satisfy our appetites with festive holiday specials sprinkled throughout the past year. Specials such as ‘Joe Bob’s Halloween Hangout’ guest starring horror’s favorite Mistress of the Dark, Elvira(played by the legendary Cassandra Peterson) and ‘Joe Bob’s Ghoultide Get-Together’. Last month was a treat in itself, as we were able to witness Joe Bob Briggs and co-host Darcy the Mail Girl (Diana Prince) marry one lucky couple for the first time on the show with ‘Joe Bob’s Vicious Vegas Valentine‘ special.
host Joe Bob Briggs and co-host Darcy the Mail Girl on the set of ‘The Last Drive-In‘.
While the current changes in staff at Shudder have left fans questioning whether we will receive a new season of the popular series, I can happily say mutant family, we need not worry. In fact, to our wonderous surprise, Joe Bob Briggs has officially announced via Twitter, season 5 of ‘The Last Drive-In‘ will be premiering April 21st, exclusively on Shudder! One thing that is noteworthy, is unlike previous seasons, it has been reported by 1428Elm that season 5 will be broken up into two parts of five double-feature blood-curdling episodes. Though we have not been provided the official release schedule for the second block of season 5, here is a sneak peek of what we can expect for the first half of the season:
April 21: Season 5 Launch Party! April 28: Walpurgisnacht Part 2! May 5: Cinco de Fucking Mayo! May 12: Mama’s Day! May 19: Dysfunctional Family Jubilee!
Unfortunately, we do not have an official list of the brand-new double feature films for the first half of season 5 but, with amusing episode titles such as these, one can only imagine what grindhouse-classics will be joining ‘The Last Drive-In’s’ already eclectic list of sloshy goodness. For those impatient mutants eagerly waiting for more hilarious Joe Bob rant-filled commentaries, or those newcomers who’ve yet to experience the magic that is ‘The Last Drive-In‘, all previous four seasons, including past holiday specials are currently available to stream now on Shudder.
If you are just as big of fans of ‘The Last Drive-In‘ as we here at HauntedMTL are, please be sure to follow us on Twitter @HauntedMTL and join us April 21st as we tweet along with Joe Boband Darcy the Mail Girlfor the season premier. As is tradition, we will be hosting live watch parties every Friday with each new episode, including fresh holiday specials. The road to season 5 is upon us…let the countdown begin!
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April 21: Season 5 Launch Party! April 28: Walpurgisnacht Part 2! May 5: Cinco de Fucking Mayo! May 12: Mama's Day! May 19: Dysfunctional Family Jubilee! . . . and that's only the beginning.#TheLastDriveInpic.twitter.com/WfeTx0shNa— Joe Bob Briggs (@therealjoebob) March 16, 2023
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