Coven? We get to talk about Coven? Which means I get to re-watch Coven?
Okay, I might be biased. But this is easily my favorite season of AHS. It’s got witches, great music, New Orleans. And, some of the sickest real-life horrors in America’s history.
This season comes right out of the gate with one of the evilest, sick, twisted bitches of all time; Dauphine LaLaurie.
I’m going to point out here that this episode got a lot of facts wrong about this twisted bitch. If you’re interested in the real historical facts check out this episode of Off The Bone. That being said, I am going to try my best to not point out all of the historical inaccuracies in this episode and this season.
I said try. I may not succeed.
What is historically accurate is that Dauphine LaLori was a full-scale monster. She tortured people in her home, dragging enslaved people up to her attic of horrors. And that’s exactly where we start in this season. With the gruesome torture of a man who her daughter was coming on to.
Fast forward to the present day, and we meet Zoe. She’s an average teenager, doing average teen stupid stuff. Like inviting her boyfriend into her room to get frisky. This all goes bad real fast when the guy dies underneath her.
This is how Zoe finds out that she’s a witch, with the power to kill a man she has sex with.
I was a little put off by this particular gift the first time I saw the season. But I’ve come around to it.
A girl turning into a woman and embracing her sexuality has long been a subject of absolute terror. Stories of poltergeist and clairvoyance being tied to a first menstrual cycle abound. Even the original Salem Witch Trials were kicked off largely by girls of about that age. So this makes perfect sense to me. Besides, who isn’t scared as hell about what’s going to happen their first time.
Zoe is sent to a boarding school for teen girls. There she meets her new sisters. Nan, a girl with clairvoyance who loves to tattle on everyone. Queenie, a living voodoo doll who despises bullies. And Madison, a teen actress with telekinesis.
It’s Madison that get’s the trouble started. She invites Zoe to crash a frat party. There, Zoe meets Kyle.
Kyle is played by Evan Peters. Zoe is played by Taissa Farmiga. So romantic fools like me felt like it was Violet and Tate, meeting again across universes and times.
All that cute shit mood is wrecked when Madison is roofied and raped.
There was so much going on in this episode. I didn’t even get into talking about Fiona brutally killing a doctor because he can’t give her anti-aging drugs.
Honestly, Killer Queens, I am so excited about this season. It’s so much fun, and we are just getting started.
Thanks for reading! If you buy anything from the links below, we do get some money back.
Early 2000s is a special era for the industry. It accepts the cheesiness and corniness of movie making, in turn producing some gems in their own right. Eight Legged Freaks starring David Arquette and young Scarlet Johanson is a horror comedy about giant spiders who overtake a small town. As crazy as that premise sounds, the movie surprisingly has a ton of heart and is super entertaining. Let’s review, shall we?
Plot
We start Eight Legged Freaks with a shot of toxic waste spilling into the water supply of Joshua, a spider farm owner. He is friends with Mike, one of our protagonists, who is a science geek and a spider enthusiast. Mike notices something quite right upon visiting Joshua, but no one takes him seriously. We are then introduced to the rest of the crew. Mike’s mother Samantha, the town sheriff, is too busy chasing Ashley, his sister, who is dating the town mayor’s son Bret (something Samantha does not approve of). We also have Chris, who returns to the town to save his father’s legacy in the town mines. He has opposition from Wade, Bret’s father, who wants to use the mines for his business ventures. Lots of drama going on that will only get juicier once the spiders get loose.
The creepy crawlies quickly dispose of Joshua and make their grand appearance after Ashley rejects Bret’s advances, abandoning him in the middle of a desert. A glorious chase sequence ensues as the spiders make their way towards the town, wreaking havoc on its residents. In a true horror fashion (which the movie acknowledges), it takes some convincing from Mike and then from Samantha for the town to take the threat seriously. The tongue-in-cheek style of narrative adds the comedy aspect to a movie that would otherwise burn out fairly quickly.
The remaining characters hide out in a shopping mall as it’s the only somewhat sturdy building in the area. This doesn’t last long as the spiders break in, forcing them to run through the mines. Their resources to fight the creepy crawlies off are limited as the methane gas doesn’t allow them to use firearms. Such conditions require resourceful thinking from Chris, who uses perfume to fend off the leader of the spider group and save himself during the climax of the movie.
Character dynamics are not forgotten once the action kicks in. We have Chris confessing his long-term feelings for Samantha which she knew all along, which provided some comedic relief. Bret also reunites with Ashley and apologises for being an asshole. Mike finally gets the appreciation he deserves as his knowledge saves the townsfolk more than once during the whole ordeal.
We end the movie with the town’s radio show person telling the story as an urban legend during his segment. This brings it into question – how much of it happened the way he said it did? We can only guess…
Overall thoughts
Eight Legged Freaks is a fun creature feature with some self-aware commentary on genre tropes that doesn’t take itself too seriously. The acting is good, the pacing fitting and the characters are likeable enough for you to want them to make it through. Definitely a must watch, if you don’t suffer from arachnophobia, that is.
What do you get when you cross toxic waste with a bunch of exotic spiders? Eaten! The townies of Prosperity, Arizona will all become a screaming smorgasbord if mutated arachnids as big as SUVs have their way in this comedy/horror crowd pleaser whose creators include the producers of Independence Day and Godzilla
Spiders that leap like gazelles, web-spitting spiders, spiders that suck your insides out as if through a straw—they’re all among the behemoths conjured up by an inventive effects team
David Arquette (Scream) leads the two-legged stars, mobilizing the citizenry in a last-ditch fight to survive
Last update on 2025-03-10 / Affiliate links / Images from Amazon Product Advertising API
Marvel’s favorite one-man wrecking crew is back, but let’s be real—this isn’t just a Daredevil reboot, it’s a goddamn resurrection. The Netflix show was peak Marvel TV, a brutal, blood-soaked opera of fists and Catholic guilt. And now? Now we see if the Mouse has the stomach for it.
Back at Josie’s – A Familiar Start, No Training Wheels
We open in Josie’s Bar, and thank God for that. None of that “Where has Matt been?” slow-burn nonsense—just straight into the good stuff. It’s him, Foggy, and Jessica..err..Karen, knocking back drinks in the same dive we’ve come to love.
UK DVD Region 2 by Erectogen
Idealistic lawyer Matt Murdock (Charlie Cox), along with his long-time friend Foggy Nelson (Elden Henson), uses his newly established firm to tackle the rising levels of criminal activity in New York City
By night however, Murdock – who was blinded by a chemical spill as a young boy – uses his heightened senses to fight crime on the streets as vigilante Daredevil
With the influence of underworld kingpin Wilson Fisk (Vincent D’Onofrio) continuing to grow, Murdock faces a fight on two fronts to keep the city safe
Last update on 2025-03-09 / Affiliate links / Images from Amazon Product Advertising API
This is Daredevil as it should be: dark, dirty, and two drinks away from a bar fight. No need for a reintroduction, no awkward exposition dumps—just throw us in and let us swim.
Personal Take: This was the right way to start. No fluff, just boom, back in Hell’s Kitchen. That down-to-earth, street-level grime we loved is still here. But then—
Bullseye’s Ambush – AKA Who the Hell is This Guy?!
Enter Bullseye—except if you don’t already know him, you wouldn’t even know it’s him. In fact, ol’ Jimbo had to Google Reverse Image with ‘who the hell is this guy?’ Maybe I missed the ‘last season recap’ button.
One second, Foggy’s making lawyer jokes. The next? He’s got a bullet where his personality used to be.
And here’s the problem: If you never watched Daredevil Season 3 which was what? 30 years ago? Or kept up with Marvel’s deep cuts, this fight has zero emotional weight. It’s just some guy attacking some other guy, and a character we liked gets smoked in the process. I honestly didn’t know who the guy was, so I thought it was just some schmuck low level dude. After googling it…I have a VAGUE recollection of who he was.
Personal Take: This should’ve been a gut punch, but it lands like a lukewarm slap. If you know Bullseye, it’s huge. If you don’t? It’s just another action scene with no setup. Also, this dude has more knives than a goddamn Hibachi chef. Where is he even keeping them all?
The Rooftop Fight – Matt, My Guy, What Are You Doing?!
Now, the fight? Brutal. Perfect. This is what we came for. Matt vs. Bullseye, rooftops, fists flying, bodies slamming into brick walls—it’s exactly the kind of fight that made the original series legendary.
But then… Matt takes off his helmet.Maybe the 3897239428374237842397432 knives sticking out of Matt made him a bit woozie. But wouldn’t he keep that on? I mean not like there’s a copy sneaking up on a guy who can hear a heartbeat of a poodle farting 300 miles away.
What in the name of blind Catholic guilt is happening here?! He just lets a cop sneak up on him? This is Daredevil, the guy who can hear a heartbeat through a concrete wall, and he doesn’t notice an entire cop creeping up behind him?
Meanwhile, Bullseye? Still pulling knives out of nowhere like he’s a goddamn magician.
Personal Take: The fight’s phenomenal, but Matt taking his helmet off is some straight-up horror movie logic. Dude, why?!
Wilson Fisk for Mayor – Did We Miss a Memo?
The Kingpin is back—but wait. Didn’t he get shot in the face in Hawkeye? Like RIGHT in the fucking face!??
No scars. No limping. No “Hey, that bullet wound sure sucked” speech. Just fully intact Fisk, now running for mayor like he didn’t just eat a bullet last time we saw him.
Personal Take: This feels like they wanted you to watch Echo for answers, but who actually watched Echo? Also, Fisk running for mayor makes sense, but it’s been done before. If they’re going to keep him as the villain, they need to give him something new.
Matt’s New Love Interest – Who? Why?
Now, Heather Glenn enters the chat.
And listen—nobody cares. Karen worked because she wasn’t just a love interest. We saw her character grow, we invested in her. Heather? She’s just here because Karen isn’t.
Personal Take: It’s forced. No build-up, no intrigue—just, “Here’s a new love interest, enjoy.”
Final Verdict – A Strong Start, But Not Magic Yet
This episode does a lot right— ✔ The fights are still phenomenal. ✔ Charlie Cox is still the perfect Matt Murdock. ✔ Hell’s Kitchen still feels real.
But… ✘ Bullseye is a mystery if you didn’t watch Season 3 YESTERDAY or have a memory like a steel trap. ✘ Foggy’s death feels more like actor scheduling than good storytelling. ✘ Fisk just appears back like nothing happened, and that’s weird.
Final Rating: 4 out of 5 Cthulhus—Good. Not perfect. Cautiously optimistic.
(4 / 5)
Your Turn – What Did You Think?
Did Born Again Episode 1 hit for you? Or did you have that same something-feels-off reaction? Drop your thoughts below, let’s talk Daredevil.
The assessors return to investigate a particle accelerator with a damning history in “How to Split an Atom.” David (Mike Colter) can’t seem to shake off the dire warning of his vision. Kristen (Katja Herbers) reaches her breaking point. Ben (Aasif Mandvi) sees the light and faces some uncomfortable realizations.
“How to Split an Atom” is the first episode of season 4 of Evil, created by Michelle King and Robert King. The central cast includes Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, Christine Lahti, and Andrea Martin. As of this review, it’s available through Netflix and Paramount+ and its add-ons.
Evil Season 4 Cover
What I Like about “How to Split an Atom”
While “How to Split an Atom” does start in season 3’s conclusion, it’s still a satisfying introduction through Kristen’s reaction alone. While it’s less effective and necessary in the era of streaming services, it reminds viewers of the last season’s execution to re-establish tension.
“How to Split an Atom” sets Kristen and Ben to face their most personal challenges. While Kristen often gets a good amount of material to explore, Ben receives the least development of the three assessors. Now that the titular scheme suggests a scientific focus, Ben seems to earn more attention.
In the final season, Kristen, David, and Ben continue to assess cases that involve wayward technology, possessed pigs, demonic oppression and infestation, a dance muse conjured by alleged witches, and an evil relic
Throughout, Leland attempts to lure Kristen into raising a baby antichrist who was conceived with her ovum
David is recruited by the Vatican’s secret service to remote view a paranormal ability to see the unseen to detect evil
From creators Robert King and Michelle King (The Good Wife), Evil is a critically acclaimed psychological mystery series that examines the origins of evil along the dividing line between science and religion
A skeptical female psychologist (Katja Herbers) joins a priest-in-training (Mike Colter) and a contractor (Aasif Mandvi) as they investigate the Church’s backlog of unexplained mysteries, including supposed miracles, demonic possessions, and hauntings
This 13-disc collection includes all 50 episodes, along with deleted scenes and more!
Last update on 2025-03-03 / Affiliate links / Images from Amazon Product Advertising API
In comparison, David takes a step back, but the performance shows a man haunted by his vision. You see this conflict in his performance as he seems more held back and reserved throughout the episode.
Though far from unique to this episode, I haven’t yet found the opportunity to dive into the opening credits. These credits embody the idea of evil as an intrusive force against the good. It visibly displays the famed “problem of evil,” showing how the darkness intrudes against the light.
“How to Split an Atom” prepares the viewer for a new norm across every character. While that doesn’t evoke a truly haunting experience, it remains effective in building the foundation for the final season of Evil.
Disclaimer Kimberley Web Design
Tired Tropes and Triggers
Andy (Patrick Brammall) spirals in this episode, induced by trauma and manipulation. His interactions with Kristen showcase several toxic behaviors. While these issues hold merit and other forces manipulate him, this might not matter to some.
Though not directly stated, a minor character seems to suffer a psychotic break, leading to their death. “How to Split an Atom” doesn’t confirm if this is a suicide, a demonically assisted act, or a complete accident.
Sister Andrea & Father Acosta
What I Dislike about “How to Split an Atom”
“How to Split an Atom” explores a similar titular scheme as last season, but it doesn’t resonate as well. It feels like it retreads season 3, focusing instead on science but still lingering in a similar design.
There’s a strange scene where Sister Andrea and David speak in a low whisper despite being alone in her room. If “How to Split an Atom” wants to imply that spies listen in, “How to Split an Atom” doesn’t show this idea effectively. However, I think it’s intended to parallel Catholic confession, but it still doesn’t make logical sense in execution.
As streaming shows become standard practice, starting a new season in the prior season’s conclusion makes the episode more dependent and repetitive. While the execution remains effective in “How to Split an Atom,” I can’t help but linger on that thought.
Final Thoughts
“How to Split an Atom” establishes a definitive timeline where all the forces of Evil will collide. It has its strengths but doesn’t haunt the viewer. The ramifications of Ben’s descent and Kristen’s breaking point keep this episode from blending into the background, but only slightly. (3.5 / 5)