Stepping Through the Afternoon: a Review of Maya Deren
Continuing my series exploring YouTube with Ask a Mortician and Obsolete Oddity, I will now focus on Maya Deren, since many of her films can be found there. This isn’t so much of a review, or a foray into film criticism, symbology, theory or meaning (there is plenty of that out there if you wish to seek it), but rather a personal exploration of a late great filmmaker. Born in 1917, Maya Deren was a Ukranian-American filmographer best known for her film and choreography work in the 1940s and 1950s. She was very involved in the amateur film movement (focusing on the edge & fringe stuff, kind of like punk in its day), experimental film and the avant-garde.
What I appreciate most about Maya Deren’s films is that they have a rather disturbing surreal quality that is further enhanced by how scenes are cut and transitioned, their timing and perspective, and a more conceptual influence rather than a focus on space and time as we perceive it physically. Every movement has a sense of meaning and significance. Actions, costuming and backdrop become very impactful, not because of high budgets or involved underpinnings, but because of how things flow together. The result feels accessible but not entirely tangible, like a journey into the subconscious or a dream-like reality.
I am including three of Maya Deren’s films here for you to enjoy, starting with the most iconic Meshes of the Afternoon and then including my personal favorite At Land and also Witch’s Cradle, a collaboration with Marcel Duchamp.
If the video doesn’t load properly, you can find it on YouTube here. https://youtu.be/dWQcJyn981M
Meshes of the Afternoon was Maya Deren’s debut film and has been considered among both the best and worst films ever made depending on who you ask. The first time I saw it, I was transfixed. I felt a personal kinship with this filmmaker who lived and worked decades prior to myself for, despite my lack of awareness of her work, I was using many of the same symbols. I had even created a mirror mask that I could wear to engage in performance art – a one-way mirror that from the outside reflected the viewer’s visage back at them while I could see everything through it and engage accordingly. Other references and relationships with objects (broken glass, mannequins, flowers, keys, possible suicide) had also appeared in my work. I had also experimented a bit in video in film speed and intentional repetition. I watched the film over and over again, each time picking out more details than the time prior.
If the video doesn’t load properly, you can find it on YouTube here. https://youtu.be/aW7fhlJgmwI
At Land is my personal favorite of Maya Deren’s films. I can relate all too well to some of those high class socialite dinner parties where you feel out of place, trying to crawl your way through all of the artifice. I love the transitions and the sense of journey that comes across. The joy, the anxiety, the betrayal… seeking that which you thought you had lost. To me, it’s the ultimate dreamscape adventure-quest, but then again my dreams are not ordinary. Again note: I am not trying to interpret or examine symbology so much as share my personal reaction.
If the video doesn’t load properly, you can find it on YouTube here. https://youtu.be/NkMfRVaA6fs
I love all of the occult references and the repetition of time in this. The exploration of time plays a critical role in all of Maya Deren’s works, but it strikes even more so in this one in particular. Having originally majored in Fiber Arts, I also enjoy the strings that weave through and intertwine between everything. But more than anything, I love “Is The Beginning Is The End…” I have used a similar mantra before in several performance art pieces as a chant, and also as a written work, to further explore narrative as just something one enters into and slips out of, not anything with a definitive start and ending. Like Schmendrick in The Last Unicorn movie says, “There are no happy endings. Because nothing ends.”
Anyway, for all that this isn’t technically a review, I give Maya Deren 4.5 Cthulus.
(4.5 / 5)
You can take it or leave it. Personally, I love her work but I know not everyone shares this sentiment, especially anyone who didn’t want to go so much in depth into older works and found themselves in a film criticism class devoted to such pieces. Because if you were expecting to analyze Don’t Hug Me I’m Scared and then wound up back in the 1940s and 50s, that may not have been your cup of tea (for all that the historical references and symbols can shed more meaning on the current). And please be aware: I posted all of these links to silent versions of the films because those are truer to the original, but there are many lovely interpretations involving various soundscapes and audio interpretations if you prefer, just look on YouTube.
Movies n TV
The Wolf of Snow Hollow, a Film Review
The Wolf of Snow Hollow is a 2020 horror comedy directed by Jim Cummings, starring Jim Cummings, Riki Lindhome and Robert Forster.
The Wolf of Snow Hollow is a 2020 horror comedy directed by Jim Cummings. The cast of this horror includes Jim Cummings, Riki Lindhome and Robert Forster. This R-rated film is currently available for DirecTV and Shudder subscribers.
Deputy John Marshall (Jim Cummings) faces a messy divorce, an ill father, a serial killer and crippling addiction. With Marshall’s life spiraling, he focuses on a mysterious killer plaguing the town. The brutality of the crime convinces locals that the murderer is a werewolf, a possibility Marshall cannot entertain. As John Marshall tries to keep order in the town, his conviction crumbles.
What I Like
The comedy reflects the spiraling chaos that runs through a control freak’s mind as they lose control. This comedy lands best as Marshal spirals further and further into disarray. Viewers should expect a dry wit layered with sarcasm. If this type of humor doesn’t sound like your cup of tea, The Wolf of Snow Hollow would be hard to recommend. Nearly every character plays their part to perfection, building off each other. Jim Cummings seems to have created a team to complement his project.
Another impressive comedic element comes from the film’s ability to jump between serious issues and comedy without the humor undercutting the weight of those essential moments. Though somewhat flawed, it remains consistently effective.
Despite the fact this is a horror comedy, the monster adds genuine horror to the film. Part of the mystery comes from that line between the possibility of a killer or a real-life werewolf, which I won’t spoil here.
The werewolf design, though traditional, is consistently believable. With one exception that felt purposeful in context, the creature works surprisingly well for a horror comedy.
Jim Cummings creates these rapid scenes that show time passing. As mentioned earlier, these scenes reflect Marshall’s mental state. It surprises me how clearly and haunting they convey information while noting elements of comedy. Again, not always perfect, but effective.
Trigger Warnings and Tired Tropes
John Marshall struggles with alcoholism, often falling victim to the disease. Despite the comedy label, this element remains mature and respective. Regardless, I understand this is a sensitive issue that worth noting.
The film can get gory and dark, but rarely more than a horror fan expects. However, one of the victims is a baby. Though no act appears on screen, viewers may require prior knowledge.
What I Dislike or Points to Consider
Don’t expect a detective tale or any focus on a mystery. If this movie is anything, it’s a character study of John Marshall. The killer isn’t a figure we uncover through available information. The Wolf of Snow Hollow focuses on the stress that unravels our characters as they investigate. The trailer was a bit misleading, creating a focus more centered on the mystery and comedy of the film.
Without going into too much detail, some of the deaths get overshadowed by those earlier-mentioned scene cuts. While I still stand by my praise of these scenes, some of these deaths needed more silence and longevity. Though I recognize this might ruin the comedy focus of the film, death should have weight in a story.
This film isn’t scary. While some moments might unnerve you, don’t expect to be haunted.
Final Thoughts
While not a traditional werewolf film, The Wolf of Snow Hollow remains a surprisingly effective horror comedy. If you like your humor dry and dark, this film might align with your taste. However, this barely makes the cut in the horror genre. Don’t expect to jump or scream. If this sounds like your taste, then give The Wolf of Snow Hollow a view.
(3.5 / 5)
They say good things come to those who wait, and boy have we been patient. It has been close to a year since our eyes have indulged a full season of ‘The Last Drive-In with Joe Bob Briggs’, in fact, the season 4 finale premiered on Shudder July 1st, 2022. Since then, we have been able to satisfy our appetites with festive holiday specials sprinkled throughout the past year. Specials such as ‘Joe Bob’s Halloween Hangout’ guest starring horror’s favorite Mistress of the Dark, Elvira (played by the legendary Cassandra Peterson) and ‘Joe Bob’s Ghoultide Get-Together’. Last month was a treat in itself, as we were able to witness Joe Bob Briggs and co-host Darcy the Mail Girl (Diana Prince) marry one lucky couple for the first time on the show with ‘Joe Bob’s Vicious Vegas Valentine‘ special.
While the current changes in staff at Shudder have left fans questioning whether we will receive a new season of the popular series, I can happily say mutant family, we need not worry. In fact, to our wonderous surprise, Joe Bob Briggs has officially announced via Twitter, season 5 of ‘The Last Drive-In‘ will be premiering April 21st, exclusively on Shudder! One thing that is noteworthy, is unlike previous seasons, it has been reported by 1428Elm that season 5 will be broken up into two parts of five double-feature blood-curdling episodes. Though we have not been provided the official release schedule for the second block of season 5, here is a sneak peek of what we can expect for the first half of the season:
April 21: Season 5 Launch Party!
April 28: Walpurgisnacht Part 2!
May 5: Cinco de Fucking Mayo!
May 12: Mama’s Day!
May 19: Dysfunctional Family Jubilee!
Unfortunately, we do not have an official list of the brand-new double feature films for the first half of season 5 but, with amusing episode titles such as these, one can only imagine what grindhouse-classics will be joining ‘The Last Drive-In’s’ already eclectic list of sloshy goodness. For those impatient mutants eagerly waiting for more hilarious Joe Bob rant-filled commentaries, or those newcomers who’ve yet to experience the magic that is ‘The Last Drive-In‘, all previous four seasons, including past holiday specials are currently available to stream now on Shudder.
If you are just as big of fans of ‘The Last Drive-In‘ as we here at HauntedMTL are, please be sure to follow us on Twitter @HauntedMTL and join us April 21st as we tweet along with Joe Bob and Darcy the Mail Girl for the season premier. As is tradition, we will be hosting live watch parties every Friday with each new episode, including fresh holiday specials. The road to season 5 is upon us…let the countdown begin!
April 21: Season 5 Launch Party!
April 28: Walpurgisnacht Part 2!
May 5: Cinco de Fucking Mayo!
May 12: Mama's Day!
May 19: Dysfunctional Family Jubilee!
. . . and that's only the beginning.#TheLastDriveIn pic.twitter.com/WfeTx0shNa— Joe Bob Briggs (@therealjoebob) March 16, 2023
Mutant family, please gather ’round as February kicks rocks and we shove our way into March. With the new month comes the shifting from winter to spring as death beautifully resurrects back to life, drunken patrons swarm our local bars like rabid locusts for St. Patrick’s Day celebrations, and of course new exclusives and returning favorites on Shudder to satisfy the horror fiend in us all. To quote the prestigious Samuel L. Jackson, “hold onto your butts” and let’s dive right into Shudder’s March 2023 release schedule.
Shudder Exclusives
While it is true that the release schedule for the start of 2023 on Shudder has been minor and slightly mixed, with films such as the much talked about experimental low-budget indie ‘Skinamarink‘, the surprisingly entertaining horror comedy ‘Sorry About the Demon‘, and writer/director Neil Marshall’s return to the genre with ‘The Lair‘. We also graciously received the wildly fun ‘The Last Drive-In: Joe Bob’s Vicious Vegas Valentine” special, with season 5 currently in production and premiering later this year; though it can’t come soon enough. As we like to do here at HauntedMTL, let’s kick off March with Shudder’s newest exclusives currently streaming now and in the coming weeks.
Spoonful of Sugar – Now Streaming
Starting off this list we begin with director Mercedes Bryce Morgan and writer Leah Saint Marie’s latest film ‘Spoonful of Sugar‘, now currently streaming.
Millicent (Morgan Saylor), a disturbed college student working on her thesis about children with severe allergies, is hired to babysit little Johnny (Danilo Crovetti), a sickly, mute child who suffers from every allergy under the sun. His mother Rebecca (Kate Foster) is an accomplished author currently focused on her newest book release, while his father Jacob (Myko Olivier) spends his days in the backyard working on frivolous carpentry projects. After experiencing a bizarre sexual awakening while using LSD as an alternative treatment for Johnny, she soon uncovers the family’s dark secrets as things begin to become unhinged.
Leave – Premiering Friday 3/17
After having been abandoned as an infant at a cemetery wrapped in a cloth with satanic symbols, Hunter White (Alicia von Rittberg) grows obsessed with figuring out who her biological parents are and why they seemingly abandoned her. However, as she gets closer to the answers she so desperately seeks, a malevolent spirit is warning her to leave.
‘Leave‘ premiers exclusively on Shudder Friday 03/17 and is directed by Alex Herron and written by Thomas Moldestad, starring Alicia von Rittberg, Herman Tømmeraas, Ellen Dorrit Petersen, and Stig R. Amda
The Unheard – Premiering Friday 03/31
‘The Unheard‘ follows the story of deaf 20-year-old Chloe Grayden (Lachlan Watson) after she undergoes an experimental treatment to restore her hearing. While recovering at her family’s beach home after the successful procedure, Chloe begins to fear she is not alone as she begins to experience auditory hallucinations related to the mysterious disappearance of her mother.
‘The Unheard’ is directed by Shudder alumni Jeffrey A. Brown (The Beach House) and written by brothers/screenwriting partners Shawn Rasmussen and Michael Rasmussen (Crawl), co-starring Michele Hicks and Nick Sandow. ‘The Unheard‘ premiers exclusively on Shudder Friday 03/31.
Returning Classic and Fan Favorites
Now that we’ve removed the veil for the new exclusive titles dropping this month, I think it’s time we reveal the returning classics jump starting our transition into spring for 2023. Allow me to highlight some of my favorite films returning to Shudder for March including ‘Gretel and Hansel‘ and ‘The Company of Wolves‘; grim re-telling’s of popular children’s fairy tales. We also cannot forget John Carpenter’s haunted coastal horror ‘The Fog‘; no, not the remake…thankfully.
Gretel and Hansel – Now Streaming
Directed by Osgood Perkins, ‘Gretel and Hansel’ is a terrifyingly dark and unique vision to one of history’s most famous childhood fairy tales. After being thrown out of their mother’s home, Gretel (Sophia Lillis) leads her younger brother, Hansel (Samuel Leakey), through the woods in search of food and work. The children soon discover a quaint cottage where a fragile old woman Holda (Alice Krige) offers fresh food and bed. The children accept all Holda has to offer, with little thought as to what may be asked of them in return.
Though it has been met with mixed reviews, ‘Gretel and Hansel‘ offers astounding performances by veteran actress Alice Krige as the films iconic Witch of the woods and Sophia Lillis as lead Gretel. Director Osgood Perkins does well to draw his viewer in with a beautifully haunting score and unnerving cinematography, making this one grim re-telling worth checking out at least once. ‘Gretel and Hansel‘ is available to stream now.
The Company of Wolves – Now Streaming
Continuing our list of returning classics, we have yet another bold re-telling of a beloved children’s fairy tale, 1984’s ‘The Company of Wolves‘. While the story of ‘Little Red Riding Hood‘ has been retold through various forms of media, including numerous films, ‘The Company of Wolves‘ is a beloved horror interpretation with adult themes and memorable practical effects including one of the genres best werewolf transformations.
A wise grandmother (Angela Lansbury) tells her granddaughter Rosaleen (Sarah Patterson) a disturbing tale of innocent maidens falling in love with handsome strangers … and of their sudden mysterious disappearances when the moon is full and accompanied by the strange sound of a beast in the woods.
‘The Company of Wolves’ is co-written and directed by Neil Jordan and stars Sarah Patterson, Angela Lansbury, Micha Bergese, and David Warner, streaming now.
John Carpenter’s The Fog – Streaming 03/31
Writer, director, musician, and horror master John Carpenter is a legend in the genre having provided countless classics such as ‘The Thing‘, a terrifyingly gruesome remake of ‘The Thing from Another World‘. Or his sci-fi action/horror ‘They Live’ where he deals with societal control through corporations and government. And of course, my personal favorite, the film that jumpstarted his career and created one of horror’s most iconic slashers…’Halloween‘.
1980’s ‘The Fog‘ is a terrifying shoreside tale of vengeful spirits haunting the fictional coastal town of Antonio Bay, OR. as they begin preparations to celebrate its centenary. Following exactly 100 years after a ship mysteriously sank in the town’s waters, a thick unearthly fog harboring the souls of those who perished rolls in and with them, the dark secrets of Antonio Bay’s past.
John Carpenter’s ‘The Fog’ stars scream queen and recent Academy Award winner Jamie Lee Curtis, genre alums Adrienne Barbeau, Janet Leigh, Tom Atkins, Charles Cyphers, and Nancy Kyes, and was co-written by the late Debra Hill. ‘The Fog‘ will be available to stream on Shudder 03/31.
Full Shudder March 2023 Film Releases
For a full comprehensive list of all the titles being added to Shudder for the month of January, please refer to the graphic below. Please be on the lookout for our review of ‘The Last Drive-In: Joe Bob’s Vicious Vegas Valentine’ to drop later this week here on HauntedMTL and be sure to follow us on Twitter and Instagram for more Shudder news and spooky reviews!
3/1:
Gretel and Hansel
3/2:
Spoonful of Sugar
3/9:
The Company of Wolves
3/13:
Holidays
3/17:
Leave
3/20:
Jack be Nimble
3/27:
Ultra Pulpe
After Blue
3/31:
The Unheard
The Fog
The Blair Witch Project & Book of Shadows: Blair Witch 2
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