Shudder, the horror streaming service we love continues to acquire and produce new content to build its impressive streaming library. Earlier this month Haunted MTL covered Shudder’s acquisition of the Fantasia Festival Selection Glorious.
Well, Shudder is at it again, only this time we have some news on an upcoming Shudder Original, The Sacrifice Game. This upcoming horror film from writer/director Jenn Wexler is now currently in production. Mena Massoud (Aladdin, Tom Clancy’s Jack Ryan) and Olivia Scott Welch (Fear Street series, Modern Family) lead.
Massoud and Welch
Here is the announcement from Shudder earlier this month:
SHUDDER BOARDS ‘70S HORROR THE SACRIFICE GAME STARRING MENA MASSOUD AND OLIVIA SCOTT WELCH WITH GUS KENWORTHY AND CHLOË LEVINE
Second Feature from Writer/Director Jenn Wexler Set to Begin Production Red Sea Media Takes International Sales
New York — May 6, 2022 — Shudder, AMC Networks’ premium streamer for horror, thriller, and the supernatural, and Red Sea Media announced today that production will begin next week on 1970s supernatural horror The Sacrifice Game, written by Jenn Wexler (The Ranger) and Sean Redlitz and set to be directed by Wexler, to star Mena Massoud (Aladdin), Olivia Scott Welch (Fear Street), with Gus Kenworthy (American Horror Story: 1984) and Chloë Levine (The OA), who also starred in Wexler’s The Ranger. Shudder has taken all rights to the film in its territories, while Red Sea Media, Inc. has acquired international.
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The film, which begins principal photography May 9, 2022, is set at a girls’ boarding school over Christmas break, 1971, where Samantha and Clara, two students staying behind for the holidays, must survive the night against uninvited visitors.
The film will also star Derek Johns (The Wolf and the Lion) and Laurent Pitre (Under the Banner of Heaven), along with Madison Baines (1UP) and newcomer Georgia Acken.
The producers are Philip Kalin-Hajdu and Albert I. Melamed with Heather Buckley, Wexler, and Todd Slater (King of Killers, The Parts You Lose) of Slater Brothers Entertainment. Roman Kopelevich and Crystal Hill of Red Sea Media, Inc., Peter Phok, Mark Berry and Duane Farley of AMG, with Massoud and Welch are executive producing. Real by Fake (The Morning Show, Big Little Lies) is on board with Marc Côté executive producing and Yannick Sadler co-producing.
The deal was negotiated by Emily Gotto, VP, Global Acquisitions & Co-Productions for Shudder and Philip Kalin-Hajdu and Albert I. Melamed on behalf of the filmmakers. Todd Slater of Slater Brothers Entertainment brokered the deal with Red Sea Media on behalf of the filmmakers.
“We loved The Ranger and are thrilled to be working with Jenn and her team to bring her new film, The Sacrifice Game, to life. Jenn’s film promises to be a wild and thrilling ride that offers a fresh take on timeless horror themes. We can’t wait to share it with our members,” said Shudder General Manager Craig Engler.
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“I loved this script – it reminded me of the classic horror films of the 70’s,” stated Red Sea Media’s CEO, Roman Kopelevich.
“I am extremely excited to be working with this incredible cast and to be partnering again with Shudder and with RSM. The Sacrifice Game is my tribute to the beauty and boldness of ‘70s horror, anchored in an unlikely friendship between outsiders,” said Wexler.
“After years working in genre, it is a highlight to be making a Shudder original with this film. Wexler’s thrilling vision pulled us in from the start. We have never seen Mena Massoud and Olivia Scott Welch in roles like these and we can’t wait to share it with the world. We are grateful to be working with Shudder and RSM,” said producers Philip Kalin-Hajdu and Albert Melamed.
Massoud is represented by Gersh, LINK Entertainment and Myman Greenspan. Welch is represented by UTA and Vault. Kenworthy is represented by WME, Sugar23, Michael Spencer, and Jen Peros, Famous Last Words PR. Levine is represented by APA and Anthony & Associates. Wexler is represented by CAA and Hitman Studios.
About Shudder
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AMC Networks’ Shudder is a premium streaming video service, super-serving members with the best selection in genre entertainment, covering horror, thrillers and the supernatural. Shudder’s expanding library of film, TV series, and originals is available on most streaming devices in the US, Canada, the UK, Ireland, Germany, Australia and New Zealand.
About Red Sea Media
Red Sea Media was founded in 2011 as a sales agent and production company. Recent films include KING OF KILLERS with Frank Grillo and Stephen Dorff; BANSHEE; starring Antonio Banderas; THE SURVIVALIST starring John Malkovich and Jonathan Rhys Meyers and ROGUE HOSTAGE, with John Malkovich and Tyrese Gibson. The RSM slate also includes BORN A CHAMPION, an action thriller starring Dennis Quaid, WHERE ARE YOU, starring 2021 Oscar winner Anthony Hopkins and Madeline Brewer; MANSON BROTHERS MIDNIGHT ZOMBIE MASSACRE starring Randy Couture; BAD THERAPY (starring Alicia Silverstone) and STRAY DOLLS starring Cynthia Nixon & Olivia DeJonge)
Slater Brothers Entertainment is a multi-dimensional content and consulting company focused on the ever-changing digital and media sectors. SBE works across the spectrum, including investors, media and platform partners, and film and television distributors. SBE’s advisory services incorporate pre-deal activities, due diligence process, deal negotiation, M&E, finance and acquisitions. Since its launch, Slater Brothers Entertainment’s team has successfully assisted in financing or securing worldwide distribution for over 100 films and has led capital investments in multiple digital, media and sports ventures. Slater Brothers Entertainment recent films include: King of Killers starring Frank Grillo, Albatross, The Deep Web, Odd Man Rush, Ragged Heart, Last Three Days, She’s In Portland, Darker The Lake, as well recent documentaries, Miracle on 4th Street, and the highly anticipated Code Red: Youth of A Nation. The company recently launched their SBE financing division and will be producing a dramatic television series to be shot in Europe later this year. www.slaterbrothersentertainment.com
So what do you think? Are you excited to see this upcoming Shudder original? Please let us know in the comments.
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The Science Fiction, Fantasy Writers Association is one of the most prestigious organizations in America for speculative fiction writers. While horror is not specifically mentioned, we all know that it’s nearly impossible to discuss fantasy and science fiction without the shadow of horror creeping in.
Each year, SFWA hosts a convention for writers called Nebula Con. I have virtually attended the convention for the past two years. And if you’ve never attended, you might want to consider it. Even if your writing, like mine, is long in the shadows and short on the elves.
First off, I do want to be clear that Nebula Con is a convention for speculative fiction writers. There are some fan panels, like the one on the works of Robin McKinley, this year’s Grandmaster. But the majority of the panels and events are for writers.
That being said, there are panels for writers at every stage of their careers.
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For writers interested in crafting better stories, craft panels abound. My favorite panel was the one titled For The Love of Short Fiction. This panel started with a reading of some of the best short works from 2022. Then, each panelist dug into what made that piece work for them.
There were several other terrific panels, including one all about constructing a realistic legal system in your fictional world and writing fictional podcasts. (Like I do.)
But, you might say, these are panels for sci-fi and fantasy writers. No, these are panels for speculative fiction writers. Horror authors who want to have any kind of career would do well to master the short story. And if you don’t think there’s room for some legal horror in the market, you are wrong.
While the craft panels were wonderful, the career and marketing panels were probably the most useful and valuable of the whole convention. Are you, like many other online creatives, worried about the effects AI-generated writing is going to have on our field? There were two informative panels regarding that. Are you wondering how writers’ relationships with agents have changed now that self-publishing is so prevalent? There’s a panel for that.
A lot is going on in the publishing world. It’s confusing as hell, my friends. And one of the ways we keep each other up to date is with conventions like this. What I got out of the panel most was that having a career in writing is possible. My fellow participants and I learned from writers who are doing the thing. It’s hard, but it’s possible.
Of course, a convention is more than just panels. There’s the chance to meet with other authors. This might be where a virtual convention seems to have a deficit. And while I’ll admit that meeting online isn’t the same as meeting in person, there are certainly perks. I was able to meet, chat with and share stories with other writers in a Zoom chat room. And I came away feeling much like I did as a kid, having met new friends at summer camp. Even if I wasn’t sitting across from them, it was great to be surrounded by other people who want to make a living scaring the hell out of other people.
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All of this writing joy culminates with the Nebula Awards Ceremony. If you’re interested in catching the awards but didn’t make it to the convention this year, you can watch it all on Youtube. Each year speculative fiction authors of all kinds of honored, from written work to gaming to television. This year’s toastmaster was Cheryl Platz, an author, and actress. As a critic, awards ceremonies are usually something I usually force my way through. The Nebula Awards are a rare treat in that scene. Partially because there’s a chance I’ve met the people up for the awards. But also because the people involved are, first and foremost, writers. It’s amazing how much more entertaining events are when the people being honored are, you know, talented storytellers.
If you’ve been on the fence about attending Nebula Con virtually, I suggest giving it a try. The world certainly needs more stories that go bump in the night.
So on my recent road trip to Miami AZ USA for my menstruation art installation, we decided to detour to Roswell NM en route home. To be honest, this was one of the best decisions of my life, up there with road trippin’ from Arizona to San Francisco along CA-Highway 1, and I will go into the details of why here soon.
Some of the signs: Roswell NM
Roswell NM USA has totally embraced its alien history of the UFO crash in the late 1940s and subsequent government cover up. The whole town is alien-happy with beautiful hand carved wood totems, murals and statues everywhere celebrating otherworldly denizens of all types, though predominantly the gray aliens of the crash (and their green counterparts). Even the city logo features a flying saucer as the center of the letter “R”. It really is kind of incredible.
Alien crash site photo opportunity
One of the biggest draws is the International UFO Museum and Research Center, housed in the wonderful old theater building. This museum details the crash history as well as celebrating aliens in movies and media and examining newer alien sightings and abductions. It is very thorough and includes maquettes, statues, written accounts and an extensive research library, as well as an interesting art collection of various items.
Alien landing
And there are TONS of fun alien themed curiosity shops. I will give a shout out to the newer Invasion Station north on Main Street where there had once been an old car dealership. I love the quirky nature of this particular store as well as their strong desire to promote local artists. Most of their wares are hand-painted in NM and feature designs by prominent local artists including one of the lead muralists in town (I bought a magnet of his). They also feature really alternative kitsch like KISS and Ace Frehley alien bobbleheads, marijuana and anal references, and such. All in all, our own Haunted MTL’s kinda folks…
Portrait at Roswell Visitor Center
And the city is a huge tourist draw internationally, so you can meet some amazing and interesting folks from all walks of life who have caught the alien bug or at least want to check out all the hype. As a result of the tourism, the residents seem really laid back and accommodating (kind of like Hawaii but not quite as much) and there is a thriving art scene. And it’s totally my kind of art – weird and a little creepy. Anyway, I feel like I’ve finally found my peeps and am eager to return someday.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
If you’re feeling a bit extraterrestrial, I invite you to also check out some of my alien-themed stories here on Haunted MTL: LTD UFOs among us; my Drive-By short story; and LTD Abducted.
Killer Queens, I wasn’t expecting to be back so soon with American Horror Story info. But yesterday we were blessed with a teaser for the intro of Season 12, which we believe will be titled Delicate.
We are looking at a Summer release for season twelve, but won’t know for sure until June, according to The Hollywood Reporter. Here’s what we know right now.
First, yes Kim Kardashian is starring alongside Emma Roberts in a role that was written specifically for her.
That’s the bad news. The good news is that AHS favorites will also be involved. According to IMBD, Charlie Carver, Rebecca Dayan, Cody Fern, Leslie Grossman, Billie Lourd, and Denis O’Hare will be included this season.
AHS Delicate is different from other seasons in many other ways. It’s the first season to ever be written by just one writer, Halley Feiffer. This isn’t a writer most of us as horror fans will be familiar with. She’s written episodes of shows like Kidding, SMILF, and American Crime Story. The last one can at least be seen as a sister show to AHS.
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As far as I have found, Feiffer has never written horror content. She is now the sole writer for an entire season of the most popular horror show in America. I’m not saying this is a bad thing. It’s just not what I would have expected. Most AHS writers are staff writers, actors from the show, or at least people I’ve heard of. So as we don’t have any former work to look at, we can only wait to see how she does.
We also know what the source material is for this season. It’s a book called Delicate Condition, by Danielle Valentine. This book will be released in August of this year. Which also seemed strange to me. Normally a book would be, you know, published before it inspires additional work.
Even so, Delicate Condition seems like a fascinating story. According to Goodreads, it’s the story of a woman named Anna. Anna is trying to get pregnant but starts to believe that something dark is working against her. Her doctors don’t believe her. Her husband doesn’t believe her. Is she losing her mind?
I’d be lying if I said I wasn’t deeply interested in this book. And I have to assume that Feiffer and Murphy already have hands on it, to jump to this sort of decision.
By the way, Valentine at least is not an untested writer. Her first novel, How To Survive Your Murder, also made it right on my TBR pile. With a rating of 3.7 out of 4 on Goodreads, I think we can assume Valentine knows what she’s doing with the written word.
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This is all that we know about American Horror Story Delicate so far. What follows are my thoughts and opinions only.
My first thought is that this season is going to be dealing heavily with women’s reproductive rights. This is a topic a lot of us are concerned about right now, as it feels like every day women lose more and more rights to our bodies.
(By the way, if you want to help fight the good fight for body autonomy and get some spooky stories, we have an anthology for that. I have a story in it, as does the horrifyingly talented Jennifer Weigel. All proceeds go to support organizations that help women make their own health decisions.)
American Horror Story has handled important political issues before. Last season, AHS NYC discussed the AIDs epidemic that went largely ignored in the 80s and killed hundreds of young gay men. They did this in the best way possible, in what this critic believes to be the only way fiction should handle heavy topics. They rooted the issue in a good story. A story that was pure fiction, but also true.
However, this season has a lot of red flags. Never before have I seen the guest star be the main focus so early. Never have I seen any franchise bank so much faith in an all but untested writer, basing work on a book that isn’t even published. And frankly, I’ve never been much of a fan of Kim K, or anyone else who’s famous seemingly just for being famous.
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I’m not rooting for this season to fail just because I don’t like the guest star. If Kardashian is good at this, I’ll be thrilled. I’ll be the first one singing her praises. But when everything we know so far is added up, I’m a lot more concerned about AHS Delicate than I am excited.
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