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There is so much about Stephen King’s and Joe Hill’s In the Tall Grass that I want to know that isn’t answered by either the movie or the book.  Normally I might consider that a bad thing, but in this case it lends an air of mystery and suspense to the age old question, “What does a field of grass really want?”  In the Tall Grass is a dark tale with a mind-bending slant on other worldly experiences.  The amount of scares you get out of the story might depend on your own personal experiences with grasses, but that doesn’t mean it’s not an interesting thing to watch happen to other people, even if you’ve never been frightened of fescue before.

In the Tall Grass – Not even a book.  It’s a 70 page short story.

Cal and his nineteen year old sister Becky are on their way cross county to drop off Becky’s still in the oven baby with a new family that wants to adopt it in San Diego.  Somewhere just south of Nebraska’s Children of the Corn in Kansas, they get side tracked when they stop and hear a boy calling for help from some tall grass at the side of the road.  They apparently didn’t have the common Midwestern knowledge of, you never stop in Kansas.  In an effort to help, they enter the grass to try to find the kid and get lost themselves; literally, physically and metaphysically.  Needless to say, mistakes were made. 

I actually read the book after I first saw the movie hoping it would expand on the story told in the movie, only to find the exact opposite.  The book is only really concerned with the characters of Cal and Becky, telling the tale of what happens to them in the grass.  The few other characters in the book have clearly nefarious motivations right from the start, and aren’t really given any characterization beyond that.  It’s a sordid little story and, while there’s nothing wrong with it, it also doesn’t stand out, especially compared to the movie.

In the Tall Grass – The Movie (or the expanded book edition).

The movie version of In the Tall Grass came out on Netflix in 2019 without much fanfare and was quickly buried by the algorithm after about a month.  It’s a pity because it may be one of the truly great Netflix original horror movies on the streaming service.  Directed by horror veteran Vincenzo Natali, with a screenplay by King and Natali, the movie builds on the framework of the book to make it what you might call a truly original work of the horror genre.     

The story starts approximately the same as the book, Cal and Becky are driving through Kansas when they stop at an abandoned church after hearing a cry for help that draws them into the tall grass.  What makes a difference here is being able to really see and hear just how disorienting being lost in the grass is; voices carry in odd ways, the sun seems to change position in the sky, other people will be close one moment then far away the next.   

I’m not going to lie, a lot of the shots in this movie are just people and grass.

The movie also brings in the new element of the grass distorting time, as well distance and sound. It adds a whole new layer to the story and is actually one of the most interesting aspects of the movie.  I won’t give too much away, the journey is really the best part of watching the movie, but because of this time distortion it allows the movie to introduce new characters and locations that weren’t in the book at all.  Characters like Becky’s boyfriend Travis, played by Harrison Gilbertson (whom I’ll definitely be looking forward to seeing more of in the future).  When Travis enters the movie he almost becomes the main character, and as events unfold he helps lend more backstory and depth to the other characters.

ARE YOU READY TO ROCK?!!!!

Visually the movie is stunning to look at.  Natali manages to make a field of grass truly seem like a living breathing organism.  Inventive camera angles and wide shots of people moving though the grass, or even just the grass moving on its own in the wind, lend to the eerie and ominous atmosphere of the film.  And credit where credit is due to the film’s concept art designer, manga artist Shintaro Kago for making grass seem threating in a variety of ways. Extreme closeups are used often to great effect to give a visceral feeling to feet squelching in hot mud, the fall of dirt on a dead bird’s body, sweat dripping down a face, or the relief of cool rain drops on a blade of grass.  

Because that’s a normal name for a church.

There’s so much they did right in this movie you can certainly forgive the one or two overuses of CGI here and there, and the fact it was filmed in Canada instead of Kansas.  I don’t even think I’ve mentioned the acting yet, which is spot on by everyone in the cast.  If you can’t tell, I thought this movie was one of the best of 2019, and I LOVED US and The Lighthouse (2019 pretty much rocked the horror movies in general).

Final Girl Thoughts

In the Tall Grass the book may be a bit lacking, but the movie blew away all my expectations for what a Netflix original horror movie could be.  Under Natali’s expert direction it may be one of Stepehen King’s scariest horror movies in a long time.  Clearly I think it’s worth watching and rewatching around the time the grass starts getting greener outside.  I would watch any number of prequels and sequels about this dimensional patch of grass in Kansas with a black rock in the middle of it because it clearly has more stories to tell.  How did the grass fare during The Dust Bowl?  Were Cal and Becky really chosen or was it just dumb bad luck they stopped?  And how does the grass affect your game if you’re bowling at the bowling alley across the street from the Church of the Black Rock of the Redeemer?  These are all important questions that still need answers.

5 out of 5 stars (5 / 5)

Book Reviews

Let’s Do Lunch Review – A Witchy, Whimsical Recipe for Chaos

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Ever wonder what would happen if a witch, a mythological dreamscape, and a kitchen disaster collided at full speed? Jennifer Weigel’s Let’s Do Lunch (Witch Hayzelle’s Recipes for Disaster Book 1) doesn’t just answer that question—it serves it up on a flaming silver platter with a side of snarky humor and alliterative goodness.

This fast-paced, genre-blending novella is part mythological adventure, part obsessive investigation (Moby Dick style), and part cookbook. Yes, you read that right. The book sprinkles in recipes—some of which might be surprisingly edible (looking at you, tofu dish). I think the mix of this worked really well. At times, and this might be because of my background, I thought that the book was pushing into Gargantuan territory and then it slipped back into a real recipe.

A black and white book cover for Witch Hayzelle’s Recipes for Disaster: Let’s Do Lunch by Jennifer Weigel. The cover features a minimalist line-art drawing of a skull wearing a crooked witch’s hat adorned with flowers. A floral vine border surrounds the title, giving the cover a whimsical, hand-drawn aesthetic.

Where Let’s Do Lunch really shines is in its world-building. The mythology of dreams is an intriguing and immersive element that keeps the story grounded in a unique and whimsical lore. The characters, while more like vehicles for humor than deep personalities, fit well within the book’s quick and quirky style. There’s also a delightful meta-layer to the storytelling, making it feel self-aware in the best possible way.

Let’s Do Lunch (Witch Hayzelle’s Recipes for Disaster Book 1)
  • Amazon Kindle Edition
  • Weigel, Jennifer (Author)
  • English (Publication Language)

Last update on 2025-01-29 / Affiliate links / Images from Amazon Product Advertising API

Another thing that worked really well, even on Kindle, is the art the author produces. The drawings really do make a lot of the book pop and work remarkably well in black and white (or paperwhite, as the case may be). Even the cover is a mix of void space set aside by white–the creation of art through erasure of darkness.

Kindle Caveat:

One small hiccup–if you’re reading the Kindle version, be prepared for footnotes that don’t always play nice with e-readers. They can be tricky to navigate, making it tough to appreciate some of the book’s side notes without breaking the flow. This is something the publisher seems to agree with (as the amazon page has a similar warning).

Overall and Score

Overall, Let’s Do Lunch is a light, fun read perfect for anyone who enjoys their fantasy with a heavy dose of humor and a sprinkle of culinary catastrophe. If the rest of the Recipes for Disaster series keeps up this level of playful mayhem, fans are in for a treat (or at least a hilarious food-related accident).

4 out of 5 stars (4 / 5)

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Book Reviews

The Midnight Feast: Come for a romp in the Woods.

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“It’s the thing they say about Tome. Everyone returns in the end-“

Lucy Foley’s 7th and newest page-turner was released in June 2024. The Midnight Feast, demonstrates to readers why her name keeps appearing on the New York Times best sellers list. Blending a mystery/ thriller story with folkloric horror, Foley had me sitting up past my bedtime and considering moving Tome.

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The Midnight Feast: A Novel
  • Audible Audiobook
  • Lucy Foley (Author) – Joe Eyre, Sarah Slimani, Roly Botha (Narrators)
  • English (Publication Language)

Last update on 2025-01-27 / Affiliate links / Images from Amazon Product Advertising API

The Plot.

The Manor, an exclusive retreat nestled deep within the woods, opens its doors on a weekend of glitzy chaos. Founder Francesca Meadows, is the picture of serene wellness. A meditating, green juice-drinking, organic linen-wearing type, at least on the surface. The Manor was left to her by her Grandfa (no this is not a typo!) and she summered here as a teen.

Francesca is rather stressed because it is opening night and the construction is still in progress. The next stage in the renovation is the building of treehouses for guests to stay in. Inspired by one that Francesca had as a child. However, this means cutting down trees in the woods. Though this part of the woods is technically private property the locals are not happy, and neither are the strange bird-like creatures in the woods. These are Elder trees after all, and cutting them down would be bad luck without asking the trees’ permission first…

As a diverse cast descends upon The Manor, each harboring concealed pasts, the idyllic facade begins to crumble. Locals, masquerading as glamorous outsiders, mingle with the elite, revealing a web of interconnected secrets and unspoken resentments.

Beneath the veneer of tranquility lies a simmering undercurrent of tension, fueled by unspoken desires, long-buried grudges, and the unsettling feeling that everyone, in their own way, is seeking redemption at The Manor.

Highlights.

The Midnight Feast brims with subtle and insightful social commentary. One of the most compelling aspects is Foley’s ingenious portrayal of the affluent imitating the pagan, and vice versa. The elite, led by Francesca Meadows, strive to embrace “natural living” with white robes, floral headpieces, and a veneer of eco-consciousness. Ironically, they are aping the very rituals of the local townsfolk, who hold deep-rooted pagan beliefs. Meanwhile, these locals are donning formal attire and dropping their accents to navigate the social circles of The Manor. This fascinating dynamic, presented with understated humor, highlights the performative nature of social identity and the blurred lines between genuine connection and superficial imitation.

On a more profound level, Foley grapples with the complex issue of land ownership and the historical injustices it can perpetuate. Francesca Meadows, with her inherited wealth and privileged position, asserts absolute dominion over the land. She views it as her exclusive domain. She attempts to restrict access to the woods, a vital thoroughfare for the local community, sparking a conflict that raises important questions about land rights, historical dispossession, and the inherent unfairness of a system that allows a few to claim ownership over land that has been traditionally used and revered by others for generations.

Drawbacks.

My only criticism of this book is for something Foley is known for doing; 5+ points of view. There’s Bella, Owen, Francesca, Eddie, DI Walker, and local fishermen, then add to this journal entries from the summer of 2010 and it really does feel like you are drowning in the beginning. Despite this overwhelm, as you become more familiar with the characters it becomes easier to follow. Foley is excellent at making her characters’ voices distinct from one another. So much so that you almost don’t need the names at the top of the chapters. But buyer beware.

The Hunting Party: A Novel
  • Amazon Kindle Edition
  • Foley, Lucy (Author)
  • English (Publication Language)

Last update on 2025-01-27 / Affiliate links / Images from Amazon Product Advertising API

The Final Take.

Having thoroughly enjoyed all of Foley’s novels that I’ve read, I can confidently say that The Midnight Feast is a standout. The seamless integration of folkloric elements – a personal favorite – truly elevates the narrative. From the enigmatic markings to the otherworldly creatures lurking within the forest and the intriguing use of solstice as chapter markers, Foley masterfully weaves a captivating and atmospheric tale that kept me utterly engrossed. This is a true page-turner that I wholeheartedly recommend.

5 out of 5 stars (5 / 5)

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Book Reviews

This Wretched Valley: Body Horror in the Wilderness.

“This trip really went shit.”

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Published in January of 2024, This Wretched Valley is Jenny Kiefer’s debut novel and is a horror written for hikers, campers, and all of your general outdoorsy type people. Reminiscent of Scott Smith’s The Ruins, with a healthy helping of Adam Nevill’s The Ritual, This Wretched Valley is a story of restless and vengeful spirits with some spectacular body horror scenes you will not forget.

The Plot.

Set in Kentucky, This Wretched Valley’s main plot covers a week in March of 2019. The time-stamped chapters follow four college friends and their faithful Australian Shepherd. One of the four friends, Clay, has discovered a rock formation that appears to have never been climbed or explored. The group embark on an expedition that is part rock climbing exploration and part scientific research. From the moment they enter the valley at the base of the rock things don’t feel right. Their dog, Slade, is acting funny and the plant life grows in unusual varieties and patterns for this part of Kentucky.
After an accident climbing the rock things go from bad to worse, with strange apparitions appearing before them and dead animals being left at the edges of the camp. The worst thing is that despite following their GPS, they can’t seem to find their way back to the car. Tempers flare, but is it because of the situation they find themselves in, or is something influencing their emotions?

Highlights.

One of the highlights of This Wretched Valley is the short chapters that are dotted throughout the book. These chapters tell the stories of other people who came before our hikers, from other centuries, that suffered due to their presence in the valley. As the main chapters culminate the characters from the historical chapters begin to pop up in the present.


The descriptions of the injuries the hikers suffer, real and imagined, are excellent. Kiefer really knows how to make a reader squirm, if you enjoy blood and gore this book is for you. There is one scene in particular with a swarm of flies that I read twice.

Drawbacks.

I know it is a necessary evil in horror, that the main characters must miss things that may seem obvious to the reader for the story to build. I mean, if the hikers in This Wretched Valley picked up on how the dog was acting in the first chapter and left we wouldn’t have this excellent book. That being said, so many things begin to go wrong, but each is shrugged off or explained away. The ignorance of huge things that were happening right in front of them seemed a little too wilful. Perhaps we can give Kiefer the benefit of the doubt and assume that maybe this was the point, the wilfully ignorant get what they deserve.  

Another grip I have with this book is the head-hopping. Rather than focus on one character in a chapter and reading their point of view, Kiefer has head hopped. Delivering various points of view within a chapter, sometimes within a paragraph. And that’s fine, many authors do this. However, at times it was hard to figure out who was seeing or thinking a particular thing. Going back to reread some paragraphs did help, but stopping in the middle of the action to reread is not ideal.

The Final Take.

While I’m not an avid outdoorsman myself – camping, hiking, and climbing aren’t my passions. I found myself thoroughly engaged with the descriptions of the natural world in this novel. Kiefer, a rock climbing enthusiast, clearly brings a genuine passion and expertise to her depictions of This Wretched Valley. I believe any reader who enjoys these pursuits will find a particular resonance in her writing.

For those interested, I discovered that Jenny Kiefer owns Butcher Cabin Books, a unique horror bookstore in Louisville, Kentucky. If you’re in the area perhaps pop in and explore a book store dedicated to the world of horror literature.

4 out of 5 stars (4 / 5)

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