The full-time care wing of Dayspring General Hospital was darkened to a dim light throughout the main hall when Clara’s night shift started. She worked as a part-time nurse at Dayspring overnight as she took graduate courses for medical school during the days. She was often exhausted during her nursing shifts, but coffee helped. That, and Dayspring was usually quiet at night, so all Clara had to do was make hourly checks on the patients and she was good to go.
The night crew usually consisted of anywhere to three to five nurses at night, but Dayspring was understaffed, so only Clara and one other nurse, Janet, were working. Clara sat at the main desk filing paperwork into the computer when Janet came back from checking on some of the patients.
“How is everyone doing tonight?” Clara asked as Janet took a seat at the desk beside her.
“All of the rooms seem good; no alarms going off, thank the lord,” she answered as she shifted through files in the cabinet. “Damn, the day crew don’t know what they’re doing anymore.”
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“Is everything okay?” Clara asked.
“Yeah, just a rash of spotty work from our lovely dayshift coworkers,” she said. “We have a new patient in Room #7 but I can’t seem to find any paperwork on her. It looks like she isn’t checked into any of our records.”
“Do you think she doesn’t belong in this wing?”
“Woman, I doubt it,” Janet said. “She looks older than most of our other elderly guests and as frail as fine china. My chips are on the dayshift misfiling it with another wing in the hospital. I’m gonna have to go down to archives on Level 1 to see if I can find any duplicate copies of her record so we don’t have any nasty, medical surprises with her if she starts stroking out. You good to watch things up here?”
Clara hesitated for a moment. “Yeah, I’ll be good for a little bit. You can go down.”
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“Thanks, sweetie,” she said. “I’ll try to be quick. I know you get anxious on your own up here.”
Janet went out the door leading to the stairs as Clara tried to refocus on inputting data into the computer before her hands trembled. She took a deep breath to calm herself of her anxiety when the monitor on the wall started beeping, which signaled that there was something wrong with a heart monitor in one of the rooms. The flashing red light beeped underneath the marking for Room #7, the room of the patient with no record.
Clara shot up from the desk and made her way down the dimly lit main hall. With each step, she became more anxious until she reached the room. She took a deep breath and opened the door.
She entered the darkened Room #7 as the heartbeat monitor beeped relentlessly. Not knowing what could be ailing the elderly patient laying still on the hospital bed, Clara inched closer and closer to the woman, her gut turning over nervously.
She turned back nervously to look at the door. “J-Janet!” Clara yelled, but there was no response. She slowly put her fingers on the elderly woman’s neck to check for a pulse and was surprised to feel a steady beat. Clara, puzzled, checked the heartbeat monitor to discover that the sensor had fallen off the patient’s finger and landed on the floor, setting the alarm off. She felt a sigh of relief and knelt to the floor as she grabbed the sensor. As she rose back up, Clara was greeted by the elderly patient staring at her.
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Clara jumped and dropped the heartbeat sensor. “Are… are you okay, ma’am?” she asked, frightened.
“Oh, deary,” the woman said. “I was perfectly fine until someone yelled out for a ‘Janet’ while I was asleep.”
“I am so sorry, ma’am,” Clara said sheepishly. “The heartbeat monitor went off, and I-I got nervous, so I…”
“No need to explain yourself, deary,” the woman said. “All is well. Just trying to get some humor in tonight. My name is Isabella, and you are…?”
“Sorry,” she said. “My name is Clara. I’m one of the overnight nurses.”
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“Clara,” Isabella said. “What a wonderful name for such a young, pretty thing like you.”
“Awe, thank you,” she said. “I’ll let you get back to sleep, Isabella. It was nice meeting you.” She took a few steps toward the door.
“Wait,” Isabella said. “Please don’t leave me yet. It’s rather lonely here. Would you mind sticking around for just a few minutes more?”
Clara learned long ago not to upset some of the more elderly patients lest yelling would occur, so she went back to Isabella’s side. “Sure,” she said. “But only for a tiny bit.”
“Thank you, deary,” she said. “I’ll only take a moment of your time. I used to be quite the catch back in my day. All the boys would fight each other to try and gain my attention, much less my affection, but that can only happen for so long before age catches up. I miss having those boys near me. Does that happen to you too, Clara?”
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“No, not really to that extent,” she said with a reserved smile. “I mean, boys always come up to me, but I’m far too busy for a relationship right now. I’m still in medical school.”
“Wasted beauty,” Isabella said. “Life is ever so fleeting. You’ve got to take advantage of your youth while you can. Do you mind if I take a look at your hand, deary? It’s been so long since I’ve seen a hand not covered in wrinkles or liver spots.”
Clara was uncomfortable, but she relented and gave her hand to Isabella.
“Ah yes,” she said as she grabbed Clara’s hand. “So young; so pretty. Thank you for being here for me. This youthfulness will do just fine for me.”
“Fine for you?”
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Isabella’s grip grew tighter. “Why yes. Just the age I was waiting for. I thought I was gonna have to settle for that older coworker of yours, but thankfully you came to my room instead.”
“Excuse me?” Clara asked. She tried to pull her arm away, but Isabella was locked on tight. Her skin started to tingle, and then burn. “Please let go of me! You’re hurting me!”
Isabella’s grip grew stronger every second, as her strength weened.
“What are you doing to me?!” Clara yelled.
“You’ve been wasting your youth, deary,” Isabella said with a devilish grin taking form. “Don’t worry, I’ll put your beauty to good use.”
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Clara’s hand withered away rapidly as her veins became more defined, her skin paler. She dropped to her knees.
Isabella sat up, her liver spots gone, her body leaner. She slid out of the bed and finally let go of Clara’s hand.
Clara laid frail on the ground, all of her strength sucked out of her, her body covered in wrinkles. “W-what did you… do?” she asked.
“I just came for a fill-up, old-timer,” Isabella said as she neared the door. “Make sure to get some good life insurance before you pass on. Old age can take forever to kill you, but when it does, it hits like a freakin’ train. Toodles!” She left the room as Clara shook on the ground.
“Hello, Clara?” Janet asked a few minutes later, entering Room #7. “Oh my God, ma’am! Are you okay?”
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Clara was crying and shaking, unable to get to her feet.
“Don’t worry, I’ll get you right back into bed, ma’am,” Janet said as she picked up her and helped her onto the bed. “I’m so sorry, my coworker Clara was supposed to be monitoring the rooms. I don’t know where she’s gone off to.”
Ryan Sullivan is a short story writer based out of Hopatcong, New Jersey. A lover of all forms of fiction, nothing quite feels right to write other than horror.
Those religious icons really get around. This time it’s a journey to visit the Deep Ones. And Dracula’s Castle. Because everyone has to be a tourist now and then, and what’s the point if you don’t pick up a souvenir or two?
This was a gift for a friend for their sea life monster theme bathroom. It started as one of those old school wood plaques where the picture is waxed on. And the eyes were originally that creepy – all I did was add the tentacles. So don’t blame the overall weirdness on me, it wasn’t all my doing.
Oh, and apparently Mary wanted in on the action, so she’s gone to Dracula’s Castle for a bite. She even brought back her own religious icons souvenirs…
So this one isn’t as old, nor is it real wood. But it still totally goes with Mary’s journey. And it’s also a little blacklight reactive with the flowers.
So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.
This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.
With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…
So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?
I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.
OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?
I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it. The other is trying to contact them beyond the veil…
Beyond the Veil Setting:
Two women reach out to one another individually in a séance setting.
One sits on one side of a dining table. The other sits at the other side. Each studies a candle just beyond her reach; there is darkness between the two candles. The long table is barely hinted at in the interstice between the two but it is clearly present.
The camera is stationary showing both in profile staring through each other.
The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen. All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.
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Both women are spliced into the same scene. They are together but apart. The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present). It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.
Script:
I. Black, audio only.
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
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It spun off the road where it caught fire.
There was smoke everywhere.
My sister didn’t make it.
II. Fade in to the long table with two lit candles; flames flickering.
Two women are just sitting at either end.
They stare blankly through each other.
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Call and Response
Edith: Now I’m trying to contact her…
Edna: …beyond the veil.
Simultaneous:
Edith: Edna, do you hear me?
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Edna: Edith, do you hear me?
Together (In Unison):
If you hear me, knock three times.
Narrator:
Knock.
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Knock.
Knock.
Call and Response:
Edith: I miss you terribly.
Edna: I miss you so much.
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Edith: Do you remember…
Edna: … the car crash?
Edith: We rolled…
Edna: … over the median.
Edith: There was fire.
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Edna: There was smoke.
Edith: I could hear the sirens.
Edna: They were coming…
Edith: … to rescue us.
Edna: But they were so far away.
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Edith: So far…
Edna: … away….
Simultaneous:
Edith: Are you okay?
Edna: Are you hurt?
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Together (In Unison):
Knock three times for yes. Knock once for no.
Narrator:
Knock
– pause –
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Knock
– pause –
Together (Syncopated):
What’s it like, on the other side?
– long pause –
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Simultaneous:
Edith: I miss you, Edna.
Edna: I miss you, Edith.
Together (Syncopated):
It’s so lonely here.
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Call and Response:
Edith: There’s no one here.
Edna: I’m all alone.
Edith: Without you…
Edna: …the spark of life…
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Edith: …is gone…
Edna: … so far away.
– pause –
Together (Entirely Out of Sync):
It’s so dark.
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III. Fade out to black
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
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There was smoke everywhere.
I didn’t make it.
I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.
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Brandon
May 14, 2020 at 9:30 pm
Omg this is like an old twilight zone episode! Love it!