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This novella and its schoolgirl narrator pack a punch. Our narrator recounts her boarding school days and her obsession with her best friend. The text takes us through time, skips forwards and backwards, giving the reader a look at the narrator’s time at boarding school, her relationships with others, and her internal thoughts as well. The setup of the novella in this way works in extreme advantage to the subject material. The narrator’s obsession with her best friend is unsettling and reaches a level where it is definitely creepy and mad.

And if she realized that some girl or other was worried she would take her by the arm. No one’s died, dear. But there was bitterness in her eyes now.pg. 69

This small text is complexly unsettling, while also capturing a portrait of a boarding schoolgirl and her struggle with her sexuality as well as boundaries and her own obsession – that most of the time, she knows is manipulative and unhealthy. While something is not right with the narrator, her best friend Frederique is off too. The narrator describes her: “When Frederique drew me into that kind of conversation, which in any event I admired, there was an atmosphere of punishment, an absence of lightness, she was not frivolous. Her face was as though honed, the flesh covering the bones became sharp. I thought of her as of a sickle moon in an oriental sky. While the people sleep she cuts off their heads. She was eloquent” (39). The narrator is extremely obsessed with this other girl, but not because she is beautiful or fun, but because she is harsh and brooding. Frederique is not angelic, but rather she is intense and unsettling.

Fleur Jaeggy

These two characters pair together in the novel to create a narrative titled into unknowing. The reader can never fully trust our narrator, and the characters as a pair are toxic towards each other. Just a page after the narrator is describing her admiration for Frederique, she threatens a life and describes how Frederique and herself are violent: “Frederique was violent. I was only violent – I can think of no other way to put it – carnally. Even though I was already grown up, I wouldn’t have minded a physical fight. I could have wrung my German room-mate’s neck. Her languid neck offered itself, but I had been brought up a lady. Just for fun, grab hold of her to test the strength of my hands” (40).

The novella has so many of these moments that make the reader question who Frederique and the narrator are and how mad either of them are. The brilliance in which Jaeggy veils the true nature of the characters is stunning. The narrator, on many occasions, expresses her obsession with Frederique: “It seems pointless repeating that I took no interest in any of the other girls” (41). This level of obsessive madness that we come to, even before the halfway mark of the text, is riveting. The reader is a voyeur into the relationship as well as to the narrator’s seemingly internal struggle with suppressed homosexuality. I could go on, but this text is just truly stunning. So much under the surface with so few words above it.

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Sarah Moon is a stone-cold sorceress from Tennessee whose interests include serial killers, horror fiction, and the newest dystopian blockbuster. Sarah holds an M.A. in English Literature and an M.F.A. in Fiction Writing. She works as an English professor as well as a cemeterian. Sarah is most likely to cover horror in print including prose, poetry, and graphic forms. You can find her on Instagram @crystalsnovelnook.

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Book Reviews

Graveyard Shift, the new novella by M. L. Rio, was the 7 year wait worth it?

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After her 2017 debut novel, If We Were Villains, captivated readers and skyrocketed to Tik Tok fame readers have been holding their collective breath for anything from M. L. Rio. Seven years later we are presented with Graveyard Shift, another dark academic horror, though a novella this time around. The question is, was it worth the wait and why are readers split in their reactions to this story?

The Plot.

In the opening scene of Graveyard Shift readers encounter five people who often meet in a graveyard on smoke breaks from their various nocturnal jobs.

 On the night in question, they discover a freshly dug hole near where they regularly gather. This sounds unremarkable until they realize that no one has been interred in this graveyard for over one hundred years. With the mystery revealed each character returns to their night, each eager to find the purpose of the hole.

Highlights.

Writing a novella that includes the viewpoints of five main characters is a considerable feat. Despite allowing only two chapters for each character in the entire story M. L. Rio successfully juggles these viewpoints without dropping any balls. From the driven editor-in-chief Edie Wu to the enigmatic Tuck. Each character possesses a distinct voice and plays a crucial role in unraveling the mystery. Whether it’s the insomniac ride-share driver Hannah or the bartender at Rocker Box. Each character stands apart, making this novella a compelling read.

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Another highlight of this novella is that this is not just another horror novel claiming to be dark academia because it’s set in or near a university. This story is soaked in the academic and the dark side of medical research.

Drawbacks.

The length of this story really went against M. L. Rio, there was so much expectation and hype around its release that when the 100-odd-page story was delivered there were many sighs of disappointment.

And it is not just reader expectation that caused the length to work against her. It must be said that the complexity of the story and the depth that Rio goes to to set up each character would have benefited from being rounded out by another, let’s say 200 pages. The last chapters seem rushed and the ending is ambiguous to say the least, but not in a good way.

I read this on a Kindle and was confused by the story ending at 85%, then slightly angry that the remaining pages were filled by a playlist, an excerpt of If We Were Villains and cocktail recipes??? Although I usually enjoy this type of extra content in fiction, I think Rio’s time might have been better spent writing a few more chapters.

The Final Take.

I approached Graveyard Shift with high expectations, but was ultimately disappointed. While the novel’s form, with its focus on multiple perspectives, initially drew me in, the abrupt and unsatisfying conclusion left me wanting more. Presenting this story as a novella did not do justice to the characters of the story. The mystery of the empty grave was intriguing, and following each character through their nocturnal routines was enjoyable. However, the rushed ending undermined the overall experience.

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2 out of 5 stars (2 / 5)

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Book Reviews

HAVEN by Mia Dalia: a Book Review

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You can’t beat a good old haunted house story. One of the classic tropes of the genre, it allows for some old-school spooks while providing some character development. Now dress it up in a new generation suit and you get something completely different. How does Haven measure up as an addition to the trope? Let’s find out!

Plot

We start the story with a family of four headed on a month-long holiday at a distant relative’s mansion. We have Jeff, the ever-so-average husband, Jenna, the thriller-reading health nut wife. The kids are JJ, the loner gamer son with a passion for swimming, and Jessie, the social media addict with severe insecurities.

I would say that personally, their dynamic was the most interesting and promising part of the novel. It’s clear from the get-go that Jeff and Jenna are trying against all odds to preserve the American Dream. Except right away there is resentment bubbling underneath. Jeff is a pretentious asshole who thinks Jenna’s taste in books is inferior (as a domestic thriller fan I take great offence). Jenna wishes for him to have more career ambition so she can afford the lifestyle she wants. Safe to say there is barely any intimacy between the couple.

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When it comes to the kids, both JJ and Jessie feel like an extension of the worst traits of their parents. Jessie’s entire world is social media and her following. For JJ, he is arguably the character with the least development. His main traits are that he hates his family and can’t wait to move out. Oh, and the food.

This is something that I found more discomforting than the horror in the book. Both of the kids have severe food issues, with JJ overeating to the point of obesity while Jessie starves herself and has developed bulimia from the pressure to stay ‘perfect’. The horrifying thing is that neither of the parents notice these things about their kids or if they do, they choose to ignore it.

The haunting in this story is very family-focused. Missing things, Jenna’s harassment, Jeff’s seduction – all these things seem to be specifically catered to break whatever was left of this family unit. Not that it takes much to push them over the edge. This begs the question that whoever is haunting this place is methodical and feeds off their misery.

Gussie’s excerpts break up the pace but personally, I wasn’t as engaged with them as I was with the main story. That being said, I understand its necessity in order to develop the lore.

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Writing style

I would say one of my biggest gripes with Haven is not the story itself but rather the way it’s told. The writing style seems like it was trying to adapt to the new times and be tongue-in-cheek. This has varying degrees of success, with some genuinely good nuggets of writing scattered. However, some of it falls flat, especially in the beginning, with the characters doubling down on the points we already knew through the narrative.

Overall thoughts

Haven is a good effort at a haunted house story where there are scarier things than ghosts. It does a good job exploring family dynamics and dealing with negative emotions. The setting is also a strong point of the novel, the house and the forest surrounding it being quite immersive.

As I mentioned, for me the main negative was a bit too try-hard type of writing, although it got better as the book went on. I found the end to be a bit too soft for my liking but it fits with the story. Overall I would still recommend.

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3 out of 5 stars (3 / 5)

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Book Reviews

Tiny Threads.

A supernatural horror where the ghosts, surprisingly, aren’t the most terrifying aspect.

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A chilling blend of The Devil Wears Prada and classic ghost story. Tiny Threads by Lilliam Rivera is a gripping exploration of the fashion industry’s dark underbelly. Published in September 2024, this contemporary Latina horror novel delves into themes of gender, hierarchy, gentrification, and human trafficking. All while keeping readers on the edge of their seats with its supernatural elements.

The Plot.

When Samara, a young Cuban American woman, lands her dream job working as the Executive Director, Global Brand Voice for renowned fashion designer Antonio Mota, she cannot move away from Jersey and her close-knit, although sometimes suffocating, family fast enough. Arriving in Vernon, California, Samara hopes this could be a new start. She finds the people nice enough and her new apartment is to die for. She has even met a new love interest, a wealthy investor of Mota’s fashion line.

 If only she were not woken at 2am every morning by the mice living in the walls of her apartment. She also wishes the local abattoir was not so close by. It gives off the stench of death that the locals refer to as ‘the Vernon perfume’.

However, beneath the surface, cracks begin to appear. A reoccurring name, a rude seamstress and a spontaneously appearing and disappearing model, it doesn’t take long before her fragile sense of normalcy begins to unravel .

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As the pressure mounts to deliver a successful fashion show, Samara’s coping mechanisms spiral out of control. She turns to alcohol and pills, blurring the lines between reality and dream. With her sanity teetering on the edge, Samara faces a critical choice: succumb to the darkness or fight for a brighter future, even if it means confronting a trauma she thought she had left all but forgotten.

Highlights.

One of the highlights of Tiny Threads is the inclusion of Spanish dialogue. In many stories featuring multilingual characters, the non-English language is often translated directly into the text or presented in a different font. However, Rivera has chosen to maintain the original Spanish, which I found refreshing and immersive. Translating certain songs and names, such as the name ‘Piedad,’ which means ‘Pity,’ enriched my understanding of the story. In regards to this, I was very glad that I was reading on my Kindle with the translation tool open and ready.

Drawbacks.

Don’t begin this book expecting a constant barrage of ghosts and supernatural occurrences. Tiny Threads is a more of a slow-burn psychological horror novel, where the otherworldly elements are subtle and understated. The narrative takes an unexpected turn into a revenge story, which is both surprising and satisfying.

I think the main drawback is the repetition of Samara’s days. This might have been purposeful representing the drudgery she was experiencing in a world that is toted as being glamorous and vibrant, but it slows down the pacing and deadened the tension of the story. The repetition began to feel like Groundhog Day. The only thing that drove time forward was the buildup to the fashion show which is counted down in each chapter. The final quarter of the book, culminating in said dramatic fashion show, picks up the pace significantly.

The Final Take.

Tiny Threads is a supernatural horror where the ghosts, surprisingly, aren’t the most terrifying aspect. Rivera expertly captures the harsh realities faced by lower-level fashion industry employees and the lengths people go to for success in this often brutal field. Despite its difficulties with repetition and pacing, this is a must-read for those who appreciate a complex protagonist grappling with self-deception. Rivera’s Tiny Threads is a thought-provoking exploration of the fashion industry’s darker side.

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3 out of 5 stars (3 / 5)

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