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When I saw the picture of the homicidal Easter Bunny, I HAD to know more about the creators of BURLAP. Not only did I learn much about the comic creation process, but I got to see how much creative people have in common.

With the world around us filled with content, both good and not so good, Jesse James Baer and his colleagues are people we must watch out for. I would like to thanks Jesse in advance, for his participation in this interview and for contributing creations to the Horror genre.

With all the creative outlets available to you, why write comics?

So, as a kid I always loved comic books and superheroes. I had them all: Batman, Spider-Man, the X-men, you name it. In elementary school, I’d ask to stay inside during recess to draw and write my own comics instead of going outside to play kickball.

Growing up, I had many creative passions. My main passion was writing. I’d write short stories, plays, novels and film scripts. Eventually, I would make it my goal to become an independent filmmaker, attending Bucks County Community College and Temple University to attain a degree in cinema production. I took part in several indie film productions, but as I got older, filmmaking became more and more difficult.

In March of this past year I met comic creator Buz Hasson (The Living Corpse), at Monster Mania Convention. We got talking, and he offered his talents to draw a concept sketch of my short film’s lead character. The whole process of working with him opened my eyes to my old passion of making comics. I saw it as a great way to visually tell the story I wanted to tell and there were no limits! I wasn’t constricted by a budget or actors or locations! I could write my story however I wanted with no constraints. So I set to work re-writing my film script as a comic script and have been truly invested in writing comics since.

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Why Horror?

My relationship with horror has been quite the roller coaster. I grew up with a mother who loved horror movies, she had every one on VHS. Of course, being one of three boys, my brothers would often “borrow”, a horror movie when our parents were away. Safe to say, these movies scared me half out of my wits! I was six, and had been witness to movies like Nightmare on Elm Street, Halloween, Leprechaun and Child’s Play. I constantly had nightmares.

With Jason on set of Friday the 13th fan film I wrote and directed

But I also found a love for horror in the form of books and stories. I was obsessed with Mary Shelley, Robert Louis Stevenson, and Edgar Allan Poe. I then discovered the Universal monsters: The Wolf Man, Frankenstein, Dracula.

Growing up, I often felt like an outcast. Horror was filled with relatable characters that I came to love. So when I started writing my own stories, I was drawn directly to horror as a way to express myself and escape the problems of the real world.

List some of your favorite writers or pieces, and tell how your work has been influenced by them.

My biggest influences when it comes to writing are from a couple of different mediums. Comic book-wise, my biggest influence is James O’Barr (The Crow). He, like me, used writing and creating comics to deal with trauma he suffered in his life, and that inspired me to do the same. When it comes to novels and fiction, the writer A. Lee Martinez (Gil’s All Fright Diner, The Automatic Detective) is my “go to”. I always loved the way he could blend any genre with comedy, which influenced me to add bits of humor to my writing. He creates these amazing characters that you just fall in love with.

At Bucks County Community College in 2010 reviewing script ideas

Of course, the greats, like Stephen King and Poe were very influential for me growing up and I learned a lot about conveying human emotions from their depictions of humanity and people. Last but certainly not least, are the great Pulp writers like Mickey Spillane, Dashiell Hammet, and Raymond Chandler. Pulp noir is one of my favorite genres and their work really influences the dark and mysterious/gritty tones I use in my writing. 

How does a story start? An idea, thought, message, scenario, etc.?

I always begin with a character. I get an idea for a person, I figure out who they are, what they look like, and what their motivations and background is. From there, I build a story around that character. The story almost writes itself. The characters I create start to breathe life into the stories themselves. 

Tell me about your writing process.

My writing process always starts with a notebook and pen, creating character webs and bullet pointed plot lines. Once I know what I’m getting into by brainstorming and outlining, that’s when I sit down at my laptop and start churning out the actual story. My ideas hit me at random. Sometimes, in the middle of the night, I’ll suddenly figure out the next plot point or a scenario, and run straight to my notebooks to write it down.

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My writing also comes from a very personal and emotional place. Getting lost in my own stories became a sort of therapy for myself. BURLAP was a way for me to release all my anger and sadness after I unexpectedly lost my older brother in 2018. I took all my rage, and aimed it at fictional villains through my lead character. 

Which piece are you most proud of, and why?

That would definitely be the first issue of my new comic series, BURLAP, a twisted tale of murder, revenge ghosts, gypsy curses, forbidden romance… and a homicidal Easter Bunny. It began as the script for a short film. I spent almost two years writing and rewriting the script. In the end, I’d written six drafts, the seventh being the comic book version. I’m most proud of this because I spent so long with it, trying to make it a reality. I had finally done it!

I’ll never forget coming home to the package on the front step, opening it to find my first self published printing of the comic. Just holding it in my hands and seeing my words brought to life through the amazing artwork of Zoran Jovicic, was absolutely thrilling. 

BURLAP would not have been possible without the illustrations and lettering by accomplished artist Zoran Jovicic, of Novi Sad, Serbia. Zoran was born in 1984 in Mrkonjic Grad, a city in the Republic of Srpska. In Belgrade, he graduated at the Higher Vocational School, Department of Industrial Design. His first comic was Kosingas-Order of the Dragon, and recently has done the artwork for the comic book Memento Mori.

First Burlap Concept Drawing by Buz Hasson

The horror community and comic book communities alike will very much enjoy BURLAP. My goal was to create a character that was part Batman/The Punisher and part slasher-killer like Michael Myers/Jason Voorhees. It takes the slasher formula and flips it, the silent stalker in the mask is actually the hero and his victims are the villains! Instead of focusing on the hero, BURLAP mainly focuses on the rogues as they struggle to survive, much like a slasher film mainly focuses on the slasher killers victims. My artist and I have worked hard on creating a cast of wild villains I believe the readers will love to hate. 

Where can I find your work?

My comic series, BURLAP will be available from Covenant Comics, later this year. Currently, you can find great info including a preview of the book, cover and concept art, and some great background info on myself and the project here.

Covenant Comics and myself will be releasing a Kickstarter campaign in March of 2020, to raise funds to keep the series going! We’re really hoping to rally the horror community around BURLAP and acquire the means to share it with the world!

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What do you think of this interview? If you know of any talented Horror creators we should interview, have a suggestion, question, or request, either:

  • Comment Below
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  • Email @ parzz1val@yahoo.com

Book Reviews

Our Hideous Progeny Review: Frankenstein’s Dinosaur

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“It was a grey and foggy March day when we brought it to life at last. I had expected there to be thunder, or at the very least some rain; I had expected that on such a momentous occasion, Nature would be obliged to provide us with a fitting backdrop.” – pg 2, Our Hideous Progeny by C.E. McGill

Our Hideous Progeny is C.E. McGill’s debut 2023 novel and unofficial sequel to Frankenstein by Mary Shelley. Like certain aquatic reptiles, McGill is already making a splash with Our Hideous Progeny being named a Best in Fiction Book of 2023. It had been on my to-read list since its release, but I’d been stalling until I read the original Frankenstein. With Poor Things and Lisa Frankenstein (both absolutely bizarre movies about women containing multitudes) hitting theaters, I finally caved and did my required reading.

Our Hideous Progeny follows Mary Sutherland, a 19th century descendant of Victor Frankenstein, striving to be a scientist. However, she is stopped by social mores, her husband’s poor decisions, and her family background. When she finds Victor Frankenstein’s journal, she sets out to not just create life, but to create a dinosaur. 

As a note, reading Frankenstein isn’t a prerequisite to enjoy Our Hideous Progeny, however it enhanced the experience. Whereas Frankenstein is about the aftermath of his experiment, Our Hideous Progeny is about the lead-up. Both contain similar themes of hubris and men defying God rather than taking responsibility for their actions. However, the focus on different moments in the experimentation provides a fresh recontextualization. Additionally, motherhood is the lens through which Our Hideous Progeny views the original story, providing additional nuance to this continuation of the narrative.

Advertised as a feminist, queer, and gothic tale about an ambitious woman in science, Our Hideous Progeny hits all those marks. However, some of those descriptors are more prevalent than others. To me, the story reads as mostly historical fiction with a splash of sci-fi and a hint of queer romance. As a queer woman in science, I really liked the book! The prose had a distinct voice that made the experience more immersive. I never doubted Mary’s voice or the time period. The characters were compelling, though in a way where I couldn’t wait for some of them to get punched. 

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I did struggle to reopen the book at times. Mostly, this was due to a fatigue of terrible people making terrible decisions. In this way, Our Hideous Progeny sometimes felt like a 19th century r/AmITheAsshole post, in which you just want to scream at the poster to leave her husband. The situations and writing were believable and entertaining, however, emotionally draining for the mental state I was in while reading. Also, I did expect a bit more dinosaur than was present, (it is finalized at the end and not the beginning) but it wasn’t a book-ruiner for me.

I would absolutely recommend Our Hideous Progeny to those who are a fan of Frankenstein, historical fiction, and science history. Additionally, if you like angry and smart female main characters it would be a good choice too. Check out McGill’s interviews, essays, and more here!

4.6 out of 5 stars (4.6 / 5)

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Book Reviews

Walnut Ridge Review: Aliens, Angels, and Taco Bell

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“One of the Angels walked past the group meeting room. It was not, of course, a real angel in biblical terms. It was a visual approximation of an angel, and that’s what they liked to be called, Angels” – pg 1, Walnut ridge by Dan Scamell

Walnut Ridge is the debut weird science fiction novel by Dan Scamell. The publisher, Dead Star Press, is based out of Phoenix and committed to “unpretentious indie publishing”, with a specialization in weird speculative fiction. A press that had long been on my radar, I was excited to review an advanced reader copy of Walnut Ridge ahead of its March 20, 2024 release!

Walnut Ridge follows a group of people trying to come to terms with a world post-alien takeover. Unlike most end-of-the-world stories, these aliens have promised utopia. As long as you’re converted into goo! The residents of Walnut Ridge, a pre-goo processing facility, must accept utopia or be left on Earth alone. Will they be granted access to the promised land? Or will they become eternal outcasts? Watch Scamell’s promo trailer below!

Video promo for Walnut Ridge from Dan Scamell’s YouTube Channel

In its simplistic form and wacky story, Walnut Ridge‘s plot and prose are reminiscent of an early Vonnegut novel. Through this, Scamell showcases the difficulties of navigating the human brain and the contradictions of human belief, behavior, and intentions. Overall, I enjoyed the plot and character arcs, with the last half of the book being particularly gripping. The plot was original, refreshing, and interesting. Aliens taking the form of angels isn’t a new concept (Ancient Aliens has entered the chat), but the way it’s executed is a creative spin. Likewise, the pop culture references aren’t overdone and play a clear role in the story. Where Walnut Ridge shines in its originality, is the almost entirely internal conflict against the backdrop of a utopia.

While Walnut Ridge reminds me of Kurt Vonnegut, I didn’t consider the prose quite as witty and humorous as I would expect from a Kurt Vonnegut novel, and a touch more explicit. This is worth mentioning for those trying to determine if Walnut Ridge is the right fit for them. The plot is spot on as something that could come straight from Vonnegut or Douglas Adams, however.

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Scamell has described Walnut Ridge as an allegory for addiction and recovery. As someone without that personal experience, I found the characters hard to relate throughout the first half of the book. The self destructive behavior of those living in Walnut Ridge was frustrating to read. At several moments I wanted to shake the main character, Leo, and tell him to grow a spine. Other characters I wanted to shake and tell them to grow up. It is not lost on me that similar frustrations can be felt by family and friends of those going through addiction. I still haven’t decided if I like the execution of the allegory or not, but Scamell certainly left me with a lot to ponder.

I would recommend Walnut Ridge to those looking for weird speculative fiction with a positive spin. Those who have previously overcome addiction may also be particularly drawn to this story. Consider preordering Scamell’s debut novel now!

3.7 out of 5 stars (3.7 / 5)

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Book Reviews

Monastery Series 6: a Book Review

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The newest installment of Monastery is a packed bag of goodies. It’s nearly impossible to discuss everything that happens in this episode, but I’ll give it my best shot. If you thought the stakes were high before then you best buckle up. We’re about to take a ride on the craziest rollercoaster you can imagine. Let’s begin!

Plot

We pick up right where we left off in the last episode of Monastery – Cassandra helping Francis cover up George Turner’s murder (she should have a business card at this point). As their luck would have it, a group of kids discover the body the very next day. Albert hilariously describes the interview that follows as pointless cameos. Our resident gang correctly assumes that the pair had something to do with it. They narrow down their investigation to probe Francis further with little success.

We also get more insight into Cassandra in this episode as it is her 60th birthday. I am shocked to say that she tugged my heartstrings this time round, especially during the seance at Madam Witch’s. During this experience, we see Cassandra and Albert reuniting at what we assume to be heaven. For those few minutes we as readers see that despite everything, there was – is – some genuine love between the two. I thought this interaction brought yet another layer to their already complex dynamic. It goes without saying that the scene between Pop Dennis and Nana Beth during the same type of experience will bring tears out of anybody.

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However, my sympathy for Cassandra doesn’t last long. When she thinks everyone forgot her birthday, our resident grandma gets wasted. This causes her to nearly spill murderous beans at her super awkward surprise party organized by David. Our pointless return as he seemed to invite the most random Monastery residents.

Speaking of David, the poor guy is still stringing Erica along all the while pining for Nicole. Not that he is fully at fault as Erica doesn’t seem to take the hint. Must be hard not to hurt someone’s feelings when you can’t be with the one you love anyway, right? Unsurprisingly, this causes Nicole to finally confront her feelings for David properly, and the two end up having sex. Their dynamic now has more layers than a matryoshka doll since both are in relationships, not to mention the family aspect. Although considering Erica sees everything, we can assume David is newly single and in for a rude awakening.

Fred continues to be the biggest underdog in this episode. As if what happened between his girlfriend and his cousin won’t be enough of a blow, Cassandra also kicks him out of her house. The question of where he’s going to stay now remains a mystery. Perhaps this is an opening for him to leave Monastery once he inevitably finds out about their betrayal? Time will tell.

As for our investigative squad, their main quest is slightly pushed to the background. That is, until Thomas discovers a bloodied toy car. This only brings more questions as to what exactly went down the night Albert died. Their investigation is put to the biggest test yet when Rocky, everyone’s favorite dog, is taken by an unknown assailant. This person threatens the gang to drop everything, or else. The installment ends on quite an anxiety-filled note and I would like to have a word with whoever is responsible. I got my guesses and all I will say for now is that their name rhymes with Dick. 

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Overall thoughts

The sixth part of Monastery showcases once again what’s so great about this story. We got a mixture of everything – mystery, murder, fear, love, lust, heartbreak, but most of all, family. It’s arguably the biggest theme of the story and this episode showcases it perfectly. The party scene, while quite anxiety-inducing for me, was also hilarious and moved the plot while showing off different dynamics. Although I’m not gonna lie, everything that I was curious about now fades in the light of Rocky’s abduction. This is the turning point of the story for me and I’m just clutching my dog tighter thanking all the gods that I haven’t pissed off some psychopath.  5 out of 5 stars (5 / 5)

More from the author:

1. This episode of Monastery really focuses on the complexities of Cassandra’s character. In one of our previous talks, you mentioned that she is the hero of your story, albeit an extremely flawed one. We get a whole spectrum of emotions from her, from missing Albert to calculating George Turner’s cover-up to helping Francis to kicking out Fred – she is her own one-woman show. I guess what I’m curious about is, what’s your opinion of redemption arcs and is this something that you’re interested in doing with Cassandra or are you happy to keep her deliciously villainous yet human as she is (if you can share, that is)?

A good redemption arc is a hard thing to pull off and I often find that it hinges on convenience more than anything else – we redeem characters after they’ve done unspeakable things simply because we still love and root for them. Nothing necessarily wrong with that, but redemption is not something I think about too much where somebody like Cassandra is concerned – she is who she is, a hero and a villain, a mother and a monster, both deep and shallow, and I am happy to keep her as she is for now without worrying too much about redeeming her.

2. Further to my last question, you have no qualms about writing complex characters who do messed up things, maliciously or not. Have you got to the point writing Monastery where you stopped liking a character you created or stopped rooting for them because of this? Alternatively, have you grown fonder of a character because of how you crafted the story and where they ended up?

Honestly, the nastier the characters get, the more I love them. I get an immense kick out of Thomas blackmailing David or Nicole playing mind games on the boys she likes – those are the scenes I always can’t wait to get out. I never stopped rooting for anyone, but I will say this: when I’m caught up in the moment and the words are flowing out of me, these characters can shock me sometimes. There was an instance in episode 3 in which Aunt Doris made me spit out the words, “You bitch”, as I was writing her dialogue. I couldn’t believe the things she was saying, and I was the one writing them! I live for those little moments.

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3. The dinner party scene was chaotic to say the least. Was your intention to make the readers anxious or to make them laugh and reminisce of their own family gatherings (hopefully without a murder revelation)? I got a bit of both, personally.

The dinner party served three big purposes for me: a) it was a bit of a breather after the intense drama of the midseason finale and its aftermath; b) it plays into the satire element of the story, as yes, family gatherings (especially in a small town) are always full of drama; and c) it was a rare opportunity to bring the whole family together, since there’s so many of them and we can’t possibly always have them in the same place at the same time. It was nice to just press pause and dig a little deeper into who they are and what makes them tick, whilst still teasing the readers about the mystery. I’m glad it awakened all those emotions in you!

Bonus question – Rocky is okay, right? Right? *pleading sad face emoji inserted*

Rocky is a series regular. All series regulars are featured in all ten episodes, and there’s four more to go. But then again, one of those regulars has been dead from the start, so…

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